~60

BNtG RiE(ORDS ('IIIL~'IN.AS) IN'C.

A Revolnt. i._~ll o. f hea .. rt .• - ... S.·· .. and .. m.-.-. ind.~r- s expres .. sed th.' .-.ro. ".' gh the music of the countrv's hottest rnek artlstsr

_ .. _ - _ - _.. _ o.f . - __ . _ _.

AGAW AGIMAT • ALAMID • COL-OR IT RED ERJ\,SERHEADS • FRANCISM • GRACE NO'NO RIVERMAYA • SUGAR HICCU:P' • THE YOUTH ·WENCY CORNEJO • YANO

~

Gathered together in one album commemorating the

1896 Philippine Revolution

A.va.i.able on Cassettcsal1d Cm:np'llc.t Discs

[

INTERNATIONAL IT·U A 'V· , E····L & ..... 'ro UR·· '8····· I-N··· C-

.~ .. '"_, I 1.-. ,', .I .•

'" Local/domes tic lours

• Incentive & special i nteres t tours

.. Domestic/forejgn ticketing

.. lP'~]~"sPQrtllmm:ig:r<1itiolll asaistance

'" Package tours: local and mternaticnal

.. Visaassistance

'" Airline reservation: local and international \I!- And other related travel arrangements

SERVICES

I'

8-20:1 ACRE Bldg. 137 Malakas Street, DHiman, Quezon City ~feL/fax No.; 987608" BAYANTEL4349187ro 89

G R :3 3 313T I N G S !.

The PILLBOX 4s out,

fina 7 7y ..

The official magazine ..

A head start. 3RAS ]RH .3lAD S •

100%

€xp@riment,

'Marcus', hSfld:iwn["k, fjaymund':$ pr oi ect t Ely s br-einchi ld . tlnlea;fhed.

The E-BuYi have been d8bbl~ng in writing dnd 5er~ous11 thinking of it as sameth~rq rohll har k 01"]- In case :thE: Apri r Boys

C GWp r e J; e 1 y lord it 0 If e r .

IP ILL R, 0.··· X .• · .• · U1t}[ IfiFO,. ins ide S 1:0 ri es '--

~otos and more photos

5 pi ked witlh PRQlil.C. VAl_! Ut'I and L TTH HIM. _ .. for your thought.

But the 'z~ne's not to be confused with that notorious homemade bomb.

it

Gets n'yoJ Oh, sha. Pop the pill.

Thanks fo'ebuvi ng ..

HAPPY READING.

ThG: Editor

PILLBOX is pUIb<lijshed OIuarte~ly by !",U.L

q rFP9r<l~~~m_ NQ POIrt of t!:li". r;nag~z:im~ may· be F~p.roUl!!lc~d wirihmj~ the p,r~(lr f'le:rrn~55TQ[n (If tne publlshenSend v~u F ~L'lliI1Itrl~rl1:!\'j !i.I.Jg!les!iMIL~, ftm (naill. ra~ mlltwle~ lind donatilclnos M~

P!ll60(l!; de ~GAM INTERN~\TIONIAL TRAVEL 8, liOU!Il5, ! NC, 5·2<00 ACRE IJ!dig", 137' 1~.!I<ilak.m; StFl1!e't, Dtl~i man, Quezon City

~~~;ie~~~~7-~EI~!f~B~l:H~::ii dif) IT he Curatotr);. RQiym und Ma ras] g;a:l] 'OElectrk Le mo n Aid); Bud dy lal:mla {FUrst Bass.); Marcus AdOr(!l (2:00 Pr(lof); Anml An Ijt't (Mathe'li $~lp'erim) ~~.,-~~-~~~.~-~--~~--~

Tlta Mercy Arug"IOi CROAiM) , EmrelnJ IE5treg.'l.n ($h{i IlJ $h<;!); M<lil~k i!.<lCJ;:.1I,{ {Kil:abial'lli)., Ma~l Seifilo {I'~I-m(j~rrg), Me Fe TUigay

(xe rniiftel'~pholnejdliilt;;l); Sid 1\1ad~r.~w (6inabQY na fililers); Jlun JamOlLllrlf;U€, (Primt Pro{~[jctJi():n};ma He!tlii (food 8. Ntlitritiorn)

4 li'uln:h ~96

·{leaf ~ra'51emeadl5" ".

HetiJo!¥p,' Wh';lt'~ l:Iil~ If$' nlilW ':!',;lQ am t.I"f ti me a

l'm·Ii'§t·enlIQg: ttl y~ur RX "'E"n~~t~ li'l~ \J~r~ion I,jIf . ,,'

ill'1 d va k'!ilow', I j!loSet. go:tl.'i'tnank 'Ill U -guY5 s.lIo

fu'r 't:~tlirlg m~ lhru· nere

jU5<t al:l!oot reMit to . 1J€11!:!\'11!.nl:JI ...... 1.01!!!1r;t1l

~vQM is [0 me righ . to y.ou gulpl.~

i!ll1,eLping li$liim t!) my e"',i~ . ; "side te Jt:eep

JOtl!ldl,1iRS A'aaatlQIl,aaa,l!hJ Y!!UII gll~~ IIfe' l{I!ia1b,r gftP3

Ill;Ic1i:y' Iq hiiillle fFien~s whip remeomi:lef me.and

· W'i101t'S t~E wooc!?' Easfa aliillTl niia J"i0i kayo

· kOf!r£; FII!pinQh:i;Olud M r,dllCullal~. rril~ . .'~lJIfl8: . '~<lllfftls .nirI'a, Hv.e P\iI,. al.lltl[~ wit ... tb Qlil' w(jlj:~

.i1!.i~$ ·~eailf!i' gi'l.l'>i!I a ffMini!j: c.r;Jip,1 Pro~.abi1.i' !'lot ,

'~ntl ~QiI my ~al!Jt€! lilFJ;pft;cl~t~n ~ t"'~1!0 i . Ka!;~~.aii11t le~~ .flk!O sa JPUlplrJm'lt 11!I.t§,t. [!<eQettllJ~ bFli!l<lk· alR'1) li'r):)m 5'rb;!;lXtl~ he:r·e ·to Qot~'~ IIIiI ~ile p~l'l. at n~' e9iov a~o esp', g·ollftg tt,l ~ur gigs Qlil~ sa Ch.;i:t~elli;r~ &'

· n UJII,t 1;Ir,~mo, c.ol!ilC~t l'lf\l1Q, sa, ~,p §!:l~ten &mjfl'I~ •• ~.aJlnr[ pl'FI~ fI:!3.Mk aM alto, ]st f!)Ve ko t~ljjgB ,mill PI hPIWilBS, AI~d h;:NI~lnE '1llll gl!.l1.s flDlr ~h:e I'ifr)iiUilli~ glJng '9 , .... .,.~ tetallY bUo',",'n 'lIWlllV, '!Iour,music ~ ~mal"3! l!.~pedaUy lj1U1lg rng;l lyrks n'VIQ. "'105t 01 my ,btrilwrlw.ash ed by Mleflren ~!italITd~,rcl I1It·f\m frilM'l tis have' hrQI1l iI!.,..,w:;; ~Q!1~d!ered Ph it, ~p., wtItJ:l rt same to 1IllWlic" nng~ ~Cl P¥",CIlII fill rur~ 1~Ji1'g_ Ui1way,s ;:'I'e~l PlIa.r.;;rm'e!tIow.50rn",d'a.,., thiere:'il be

a g',IDUP·, to· wash a'!l/lla,1J tlms~ ~iI!Wl!S, BV ~noy ~h:(l1l1 C-~, QQ lj\a5~1i!l11 an (OJllt~~ ])0> til:e Still~5: ,~~~r Of', ' if I l\l!~ lilile ,Ch~1oe, hilll,tjj <IlQ a,ans sa l?il]upi1n:1l$, 1!I~p-pmda~I~B 31n I~, 1\Ie~~.r:t ~rtriiilPi$, .aill;! . liH~lking sense, 'iisiJir;QI. K'trhlt ffirtlll@1:!lt tiltl@> ~o!i1 OJ,ill' 1~[i~~i11tti

k£l' rI<l-'g, fle:rio>tl i~ Jmm\IIi}l..lt~, p,o w~.~er and ,~o"",irllfld ~~t.p'<'h~Ilti'l~. pilnU~I'IlIl. oil$'p<rruly'bjol'o'l'Ic;n &, p'OQT ~fi:ven mi !J'NI'! Ftunilyl!) '''!'(liiid tm OJ k!J< r:l!1i ~·~sm loa, P'j) il~¥,aln? '

, N~tl ~"'lim. though! _hiiiVe, Ililll,,1fJ morn nOn5011lS-~ to. '

I Ilicll''kee;p'ltiii$ iOhQrt &. t;l:#t1( mmq1! Que.;ti911 thDUsJn; i' I'@,aUv ari; Ih~-iniSJPi1'3lio,~s (or ~oWlr ~n~, lilke- ·~I SjmlJ() '(E5pe,;;ial.ha ~. not tl:le TiiI'l~iJ, or °T?rp'e<d~" ~lnQ bil:

• ~,'YQ· ~!1g tt,l~j;le? ,,~I~:>e 11'1, Ww ,YQ'lIr S:I~, S:llIIm!ck-~, .

, sJ~P_ Cillfl 'I'~ senDli lirie a IlCi,t~ [)frespl;lns~"1' 'Fee~Dl~" . ~u~ il'd tie (:(lo.l to tioor Jr,pm y8!>~

L.oJl'~.

le 12 Avril.

(Ilea r EFJ'serheildl!;,

Heilla. rmm Ca n a dal' 11'(tl Ull~t li'!I·e tel s.ay ~ou; music is gt'@at! I jL!l~t (arne ootk fmlin lh,E' Phmppines Last ~""Il!-et. ana boy I'm sure gl~ld til be home,

I enjo'!' d,rawl ng, ~lst@l'IitlJg I,Q goml 'QI flOl;K '11 RoiL bands lijki" led Zeppelin and! np.'.ver !>'Iuff likE! Bush and ~ad!i'·olhil~ad.

I I,istell to classimL music <is ..... e·IL "k{ tastes are pretty diverse, I suP.PO!;{!. Weill,. I ~l.Jst w,mt to $iW. "love yo,ur muskl", once again and eVell though I don't understand ta8'al(l~, iit stln sounds gr:md_ O']P~! My fiIlj(1itner i's (:;r.llin.~ me, ! tflink -srne wants me to sl1o'il'!1 the snow on the dFi~y, \l'i1el!, see ~" Ilal'E'F!

PI' la IJlrodl~'ilie" INIIda fi,d.@~ B~I~$Sf.l 1'9' ~ears YCIU ng

S.D[!TIR[t~))<l'EAN CAMPUS BLUES E-b",,,,Is.I~ad ~""arr.(lm~mpNrur:i!::S.. ]l1;::!>C' J!i1J~1i'

(h"I.,",,~· 1:L1I"'PU~" hr.ll'd, b[jjfJCallC.9,d~ imi~i:cilI1m\)[!2~~ ~fe ~~r"IDr[bly as goad as t~kir

W".l nfll 'I h", f,,~, ,mmhl1 rimy. 0,. R!LYllll1l'd. 1l~'rI([\; \'JhG!1I imick rhe ~b~&H"l<lL1L 1i'bL'I' ~Iu!""

~Mllo\:;"~ and Tl'uddr, I;lr 11m! L1.n~t"u, in 1987. 1~<1;[1' 1"0 Il.i;'l~ i'h.!! i~ frLi it:tr~ nud tl~el' pbf'Cd! tight

Er~ ~ f~~~{ ",.lle~ h,m(1 m:Ld~ il mllUli[l1ll • C!l~min:(l WUl'ld were the gll'l~ from the

J~l,u l rn 'I h .. '-':1" "J1 .. S JJ:iE! ci I cuir, TIH': 'Co"'",:,)<V,L·ljl;.rr (lfMu~lo::: :"'I1e1 """"1'2' bL£ &IJ)~ of rh~

1"I"~,,,.'1,'.," ",,~l 1'"'"'I'~l~· {",,,,lj'j,,,d ,q;':!JI·~~t ([.(jI1it !]~ CoIll1[~l'fV; Gl;'!i,~~ S!<!'p. \~Ie~ pop jlim 1l1IiiSDl."r:i wlw

a fresllfl:t<Jil dOfl"'lmv O::81.k<1 Kjli:~~~I1Ul WI:"" "b,., ,1'".,1.; ""'jL)i'.~, r::y.d£l'.~ V;~i,'n \\'$~ fi'iL~ Arts-

phl~J. b~i(>r<.' ,:h,)!xl"I01:1 "~"'l mA'~tu~ b;I.~'d ~"'IL~L' wtm ~""'I,hlll ii~.e Re'l'bL~~1I11~nr~ m~'ts

)!>111:,,· .. ,d i ru I h .. I,,~,l,~' I.X AS hu iI,:I;i'l~~ filL' Ni)i~ t'Qlli~~; ,A.(r'~i"!'~l~i-l W:11; inm 1!..J2 an.l Ru,h. Came

..,h,;I,1 ,,';;~ ,I "l~h",1 ,,~ ~ "rl:<ir~I' ,U'no:::erc'. O~I ~,l'Id Th~ Clouds ~lIn<lt:'ll!! othi!!l>_ The E-bc:ttlH8!l

Elh ''''~K) I)~a~'c<d bass, (IIt1;1 I rhe M'-l\r'fj~~y- h", ""'J';I'''~t",J ("'J!I'I ~llh~.I'''''i1d~ ,"Ihl) '-o(jn~ICi7lI~t l~ ~I:~ru"i>::<:l

U(~rll!~i~OL~1 t~:'I'~llIhill,1 Lkb p,~r.'ia, H frk'l"l'd !1.I.'f "',,,.,, ",i.I:I', S.II"P~~~ Hk", V.,n I [:!Ikn"~ 'JUInP' aud

\"Ii~")lli we; f<1llld1'), .:~ lled LLI.<:.i., w<::'[-.;: the Siml:il~ M.inds' '!".:Mm'[ Y~l[1 Fmget Abml~: MC'", 111l!'y

1'>;,]~kl";J'n~ ~i I h~'l, h;"·Id. '1I11"~' "j1~il1"Xlllhi!i.r h,!J ,] m,jf~ r",~p"c~l.h~1;' '~f""·H.iT!:! Ulmi!,,[!!"l~ cf !'.{inf!l~

set "'idt "DIJ'i$ 1!.)<)Lt'~ erl I',ud [I~i! crowd j,'f lh~ C",.", 'fh~ C"h, f,e~I'I,~, (~I'C U!'Ifol mn~rdYI

WI!;])t. ,,~H it ... ,~ (IDU...,....,.d b~· ·I~~k 1'\:l\I1ii",,<I . th~ 'l-lA~I'1b. 11>11.'1 '1Iiol'''~ WiI~~;:II, A .. '10'1 '11.~~i'r J'~['(l~rJ, nnd

Tluc' C:lud"n, dm h iGnl <:TI~.i Ir i'IIII" o:i",;tli,1 pfW(:'[iI b~( r,h~~' i'ih""[t~ J..,"'-'{ ,1 c· ,'" IHj~i~ rb"bL~I.l'

i!> 1m "~"J., I:", , ..... e.i ,,! i",'li"., ~u·".1 I: h ... · ,~"'w.1<:1 Th~t "'<0 \,"~", 'di~1".,-,I,,~d "I",·,,~. he 1)I;,~,"n.<i'] ro rhe

y,'"<.:nt "!.\l"iM~r- "1\mg h,t'"",,,: r d:i~'r ni~rnrn. [.,.t [I'iITt.,f t~'" "I'Ll"", ,,J~'~11 "l':",.,~r ,r..'·~~}"fld'i' h:ildl

Ii'1'P1"l:.!:-ilJll[)i)'~. /lW<~ n·:f-.;lI:iit1llgrlall.:tI,g!IM1..;m fil, i~h~lt Iti~~!r ~e~ ,1"ld 'I!~"'~ ~h~ el'llw,l h~,3 atr8~D~'

,'w'n!, - !SI, JI::II Ii '!!"C~L~ ,. i I h ~ \~h,",dd~. dwiJ.'L<,1~~d. N~'l<i,~h",k!~, d'III'Y IdwI~y~.I:t{,~~ [h.i5 ~~n:!lH

HU""l'''~r, l~l~ ~"~II,,lst~"II~ and rl.'<~I)("ii'l~~~'e but wliJ f<.:lIlVtw!:ug ,"11).> ~ nJb~I,'<;!1}LI aad ILl;VcL'f! rl:w!.ir

(;r<l!\'d wm ~bli' f(l!!L1" I~I~~"~ {1:':'~hrncT,. pi""~Ll;;! I:o::!ng IJ""f;,) .. "n.

in tltl!'ir 1.J<i]n'L~ I.<.JI~§ hful"<; ~ h il\l' ('I n.iilt~l FLUN[( (JUT]

EI3TCI'~ "An~itI", The ,['I "<,,I "C,I~ de, Ih,r,lIsly B~lt there ].\r,ll' one p<!rl~"llbl gig 'i!.,~,~r<; ~'h<l b"""J

d"mtut'g "'r';~"''T'),~ris,,;,,, !~>:ii}~rJ,.r~, "L~I'l,,"I\I' ~U':l;:i: i:l1r. Sd'j,oo~, ht W'J.b noti.<.:m.l. It <\'<!~ ~ l<Url."'U ~·'~p:.l!'~'-"L~1 \i,'~.m~ h 1"1

thdr 'qfL\TLu-i[1;.1 t~Clat 'i"iilS rerrjb:l~ 'h).;"ml<!,t<.) dl~ilr i-:k(ll~. pb~lC(i dl!l! kq!ll,!{liard~ for their .::);)~'c:r![lf A,:lc~' ();lmL"rlI'~ ~lt'J'!\' ii~ U'i~I,!"i!,<: ~" i:nlg'!§i. 1.'f,h,'::f·\: thltl' h~J <! d'w! It .. 'L~I The 1.:<;111<1 '"iIi:''' "",'rr~' lI1i$J;;~i~ il.' rh,,! L)j\L~l:l"L ()"i.\':o!~C "W~[k O"rTo 'OC'iI'lOCf·., rl~~'mlll:l(~~p["(;S{'ili;l,! inStlL1liliiV lU~ dbL"".~ ",,:itb The [J.;"""·l. N"'ti.;it'~ 1-",," d',*, t;'"''''',J mi!'~iJI '''I,h' Ii, I~ ~ h" I ilk-~" "1"J(jf"~ /\.ynl::l find P':!It"8mr .. B'Jf Sd,.,o~ W3~ 11 conmmt I!':lm"~ ~)' ,mnwy~lH';<': W hts ~"''"4'o;,mdd te' (hd. f'tndi! im'~ ":;( Sex li'[~(<.:Ib' "}A~' w:;;y", ttlC '2!pl!'r IJt,'Y 11'""I""TI.",'1:1\/ I:l~l"ld il'l~d~jl' ;ill:h~ Phit 11~IJl"i~~ikc, R:~I~I!ILlrd 8b Luci, There 'was some ~mt of JI,:n I'mlgan told I:h~m t ... , '1111 tlwvr luek lit dll: "In" Culh.'gi'''1, ~ hl~lm'''''~nlir~' "~I~.'_ Elt ·,ii<lLihi !'Iri!H diir personal it~' clash bL'"Cfl.~~ illLl<t~1 £ll.)'~ 1m,1 t,~ cill,!"lll wi~h pluces, "M'lL.'"<"lI-l."ii(!"m kr!;r"' ~~ i~<:,cllh:'l.:'k •. T,~I", ,ll.JJ\~~Ilthe m6dIJ tt~~\ b'"JI"'~ thern jtl';~I/I.L'Il I)I'IC~ m~,·jn~ P''''ll~ibr'.r'i' e~.ch ether's ·:&[cH:rlCk". DdjB1tt:cI~', there w'toc' also di:lkm~ &,,~.!! ~ .rii'~j 11~ d!'l!oi!~Il!, ~ JlJtI "'.1. "~id ·I'I);"]",i...: d t~ ~n the frl:'~hm~ll cl rd",. I-I~ "·.;'hI:.1,,,;I, i r '<:H"il M~, ,y~'~e arrisricd ilffi::~l::n".;:~ t.e<:;;!~ii;C l.uct, a !i:UitilT rnaj(~T ~[l the hd~ ~p!!dfl;;~lllr Il.il~'[LU!Jl."tJI"'!.'I!.udj[l~ hi~ .ji:l!m'~lHl'iI~tir~

fwml"lwl~"·!l~;'J'iLI,l"~I'~I·II','"u ... i.l·~.~~··u'.·~.·"'., .• 171'~.·1 !:' .... ," ,l'.,l),,·,·····"'-.~··,_,,·IJ··T'" 'P- ';8' .~ . .Ia·' "A'U I fr-l!mv.

:~., ."'. ,.w.'.o "m, ""'"'" •• ',. .r I.l!L~r on, tr,~'i' !."l!.'I.~id~[ll·d t~ljM ,~,'jc>..:' ~<' t~lilll th~'

~tu.dcm;; ttl"'. f~llo. win~ ~'l;"'iI:['. il:'i. ru s ... I.ln~~L.tl'.!~L~hl"': r '" .. , .' I. '. '. '. I ... " ". 1 could g>1il1. 1I1I~r<! cxp,mm! lu the m~dll."r<.,!:r')lmd

them WIK"1l . Ely <Ill.d [ w<iolell.'::,j kl~'l m , Cr~"," . . '. - m:nc. Thl!Y 1I1ditionl<!J, ~t i:VJ:il.)'rk'~ <lind ..... h<.:i.ld~

c{joc.:"r~ ill A!x'brd.., H"n. Wo; ";1''',' M",oc "",,-::I I{"r' _ . ~udit:iOLl m:lrtc'r P.l:l"~ this ~khlI' t-lmll-u~'1.\Il~' [[.'l<]1i,

11",I(1L~ ,~""",i.r,g C.o:n5t! rVI~~Dlr'!l L'f~i li~ i~, W:l;:; " 'Ij~~'r' If.;:hllk~ I. ~111'11 ~"O~U Iro:'il1lillrk. !hl'~' """;:I'l:\"i~" O:iWll~h tel kl:lii 'W t h>'t i~'

~"<~ 1.II~o) ~~ ~ . .-:.d m~rkl:ll.nil~ 1.T1L1~ki:m. J l,c W~~ ""'H'!! critill:~l~ ofl~L~'Llmn(h \>r.I~ tll~ OCS[ clJjl'h~mi:sm f1.lrr "S:Jrry gLills, t!t'Ugil Iud::.' h~'FSpli".'}"1.1 'elL"'" "''''iV,d,>;;~n:iI' 'n~k: nf p:l,.",'.iL~~. Hil'/IIci."VCr, L~ld had ~llw!~.~'~ The J.!;Il~ Wc:[lC (r,"~r tD N U !Oi but Willi dt:lio!lu rl!j;;>cf •• :J: <l~<~ ~~ .. h·~fT b'!~i' 11"p~(f~ile:,i hj,' El~'~ 11!.]nilr"'~ rl,lent,d!!:;;I.~ili~ hi~l;ilck bc"<:".l:I~<!" L~~(!'re em;; from. cknw t~"ipi!~ h~J 110 I,lhlco.: in SIll i ( ~l ,. A l 'oj" ~fI_(J'Jiil~'I~ in cl"ll1pliCjj!'!!d.IiC!.'!llni(L'~' In. ff,lC~:, SLll1Lb~ dllc i r pl.:IVlli~I:. (hmlgi 11<:. H:':I~·mLln.J i.llfr>~ri:ng ~1 ~k:mo t.i]rl.('~ '-"It:\1i'JI]k! Sl;b~"J~ I'loid ~ ""," [)<i~il'l!al ;;(lOii!:~. "liMI,,,1:« H8~ne~'i (il i'I:!:<:!,)f(l!.::d~!1I rhd.r ~~ge in C~nd!o: bria. Q,JH::OlOO, j Tlu:V ~' t~ ~ m !'flllf!: Ilwt ,,,in h", .,,,,.1,,(11;<1 in ril:1ln~i~ 1t,!1 '''':1lhllm Hffipr,' (~"'r.~ ~I1Pl'fI~d-,co:l ~OIJ)C ~:c';l~,l;: :<lit RJ R.1:coruillg: hue [,;l!\5;iwl!! b\, uum B;,I;llld • .Intl "It'" M~!1.(L~}' Oll'l Th<;~1~' • ~;';Iil; '::':'Ii1.1f'<'~'C~ 'Ih.~,~ ~L-';Im.d \%i~ dl!<!"lllI..,d "ll<11. POll;) C!Hl'iJ~:h'. 1:[ !.oI:~I.n(!(1 dkmu <.: iIIrrring ~))' l].1}-. I~~[ Ih" himJ Wi1l~ nm' r,e;j,i.' f<lr [Il~ wmld llL'I~~i<1c ~l~c' ~;u~'I,m on th~ !;i"'~I'LI:"{111'1, 1.".;1 lef[ S."I.'KI",'f' .<';;::11..11:;1. ~.!jc ~'lIJid l~~ 'I7ILTIpm or Wi7I~ ic tl-,~ mller 'N'~I' flJl"OUlxl? W~ it p:'~ihl~ wr8'~' W dl~ir ""il~ "Irl"."dy _,idk ~i'.::1 ~·i.e.::1 L~n\'!'!,,,, "(l;ln~,,'f. al~d 'rh",r I~~ rhm fhl:: ~CoJ:l.1~ W:"!~ Ilorrc r~aJv ifm S-O'lfllc[hi!'lg a~

prac~~(~, L~IC i chiill..J d1!l:m 1x!c:,!U~C uf tlR:ir smt.ou<ri.ll :1"~',,,Ii.iri~'I1'l;'\l I~~ I:h~ E-hj!~(L<~

bC"n~e all~l pl!l[lli~h "'~httl,jl: th~t W·~~ ~l',:!Uin!1:l}' a'lI~ 10' "l'~'jji@\..""-U~"

.ctv<1:ulowil1iil_ Ely :Ind LLici did 110, h;;1:'''~ a 1.1UFlt tlJi,~lt- . "1 Thi! ~~~IL~-'T w~:;, ,('>1 Thi~ .... :1.11.::'1 ;lIn:: <'":(lml7lim.:! 1L~

Ra~lI"l.Llnd W{]IJiI(1 b.:: ~:h"ir ~~i{l'11 ~l:i~''''~' I,;!t<"rr <'L1- .. ~'" . .' 1.-. ..... ..' Ihils .L~W-~,.,.)f,h, 1(>",·-~I.I,iQ':'I<":cl ~fI\i lin,:kf.'~01Id.cj'l[I~'

III ~9'S8" EI~'~nillALe;:i V>'oIIlll!(!(U b;) tmlll ~1 n'::\11 bi!lIlJ j'li:l:'HJ .. .;~ .. "L ~[h"m ~Illk'tl "Pn_!) U!"_ Thh l,rlO! ""'.,I~ ooil'lilCl

~l1d rl1cC.Y l'lru;r~d wuditio[l ~.1h ll:l [ne l(a~a~'~lI!n d,onll. 'i)]i M'IIt;. .,f~,~~ th., "111<1'1 r;""f" "n''''lo:h" ':"lImL~"1'II1.""

!b~'~)lmd WII~ Ih~ {i rH m roc~p[Jnci ruLl.d hl~ ~Udli;tioLl Wl.mbl"d to (;OLl,o;;l!'ntwt.' '.m jlil"::1 (,,,,,1, ~I;h ~1('~or<3;~'g 1:(1. r,M'(IN,li !,'J;; il;~'''.1~ (" 1.",-, lhL.~ ~·I:."Y ~it<v.l(;i ~,i, i'h1j} U I' }. pic:c~ 1'1':1" "l'Jor, Hot, !'IN', [ ~mb::d 1~I)dH'W ti~e fn~ .. l h:iiUL';l."!~ ;1 hi:g.IH:-r J~.ii[l'Uing dH::re 1'0<':' can !wL'le his :sl"1 1M. ~:nLII~ son g~ fm!1,1 ,11 i:, ~il"'~iln \'I'~T~ i.lIldndr.d in, rhil;'ir ;Ul.-d he ~ol.id, "ObJ.::; "l<ll~lI)ll:~~, K~)l1!l rlmi!:' m:ari 'Jim!: 'H~ mu~t' ~l~"~ ru~l"'.:tij!l.:J!t:hlr >Ii!'!.!, L~. "".d,~~ In;l~~1 '''''''1''" bh~1 L~"I",~ ;)If"! rhO! Pt.'Olf h,);.I" N!i'I~;~i'l1",.H dwrcl jl!mt.clJij T"!(I; ~n~lwll H 'j<l, " .RtI.'l'lliUlld bbl'T bi'-:"I.I@lIl WLlh I)\id~ prii"_n",, iliidi I".><:,:gfl).y. Sn Ray.,,,,..,J. 1';1\11,,011 ,In ""~lLm",rci;,lll'~ 'lh~I,Ir.:. 11: W.)~ r",cLw(I",.!, 1ft iI 'I'fIilb!sh~f[ nlld,i~' am~~hrcus. Thq' h:Ki ~ ]:~m ~n ·.A",)~r~o's", ,1 hi~ b"'I.u1luitl.~ from Cl..u_,.('.!';!F' ~1;;lrtUS ~~,d K""J.~c !-Iei"L¢.~, md i,I),;,u tho) UP FilI~~i 111' C'l)llm~ I!"Wi."> 'r'<!l:lf~ (l'f[\!!~ rh~ 5[~ld~(I' behind N~pa-Q :M:llili£1 i.1l C..){~" Mm{Lls (ld[l't tlu: l'iuh {Ii 1;;r,l~Th,~~[b, Th'I1:':' m"J~ tl1dr ddil.!i: f011d "i~~ ID.11i11",d_ $1,rR<'IIi;" W"\l~I';JI, mho prod"",:®rll[h" I'IC:{'I.all 'f I'~ruf bLit W;;;~ juslt ~I~ ;:}:nkl0b::r. "M~lJ\:fu! JXIJilg I'CrfmiFI.itlKC in ;] ool"rnit~'~IJO'l~l:<rl,d y;u-~~tr ~I)<""'iin bn,l\ ~=",(~ I "'llJ r~m,<j "U';IJ'~'''' ,",>IS ~h", "I.gl-!l",.,r "fid

1.~\,·Ii'!:mt. <If<lnL s;i MarCI:I5, l~nj)]Ml()cl MII.,l!", "Ely ~~id, l'lw.lu), tl,~ M ~tl'~ll:i- V" 1<.1"",,,, "f I h.,. {. ",,'-I.,...;.k r""'J"!"I;,!.. s;i RL,h;." ~

,li;o:l~I'[ m'lRol; i:h@ ~u~.lA! :tn.d hii~ bms plalrill~ :KnI8n~ S,TVDI1NT NiiJ~IDI!ltS I-JlIm'Lll!ti~$I'W(>l'lS~OJr, (Iffl;:r-e~i hl~ '~rI;i,;;(::, 1e<"1 'I'~'~ h.lf1cl

~..,rlll"i:'Il1Il,'[i<:!t& On ~"mncl rholl~H1t, it conld :ll~o SanG~ tlw bliill(~'5IG1llll!f1jt~'>n i[l'g9, ~hdrlmtih .. hG fm' ~r"l:; aft"r hi •. ,tucl .. ut "I(;'i.'i1W;lml ~,"I!; ~ h!L'l1 a. (:('iIY

h'<lv~ hGcn ""C:UILl~e: he: .",.~~ \H:m in,~ ~Ini: b" ~~ !Ely "~lt"rnmi."e" ~ir'C~t}'k 'M!!; buLl:t ~lrrtI~mil ~1 "''iJrlJ d ~!11~! I d (h",'!r "ll"!:"<ll<l'" i<'r i' H~I 1:;'" " ~~X;!

cCOll.flc1rd. . I.' 1 "'l~ rj"l i~,g

N,'rhin(l:: '[",:11],; h'l'PPc"Lll~d w~dl ~he . . .I O· . ~ S· 8 'I' '1 Jig ~i.in(1)t

,,,.iI,[ ilm. s,~ n;'l~'m<l!l1d, M'lr.:ru i1rt.:l .r .. udd",' .' '.. '.' . . ." . '. • . . .'. ,1 i ~ a .'

Wi!:IU em m fm!11 a l1Iel'l ir<'LTIcii of ~h;::Lr OWl) .'. '.' _ S ~I "j (L t:j ~

(:(I11"d Oufcw. Thd.l: rep:::f1I"oirc comi!;<TDCI. ' . _. . . 1 I - - 1:1 H TJ~ ,ill 'I

"f d"" p,.',,,i~i,·,,', "C;61:,-:, Jk,lsh,,,,'~ ',J.,M-.~I'·' '. I, J.:Hl\g hl:HcJi

GO! r.~ I .. , ! ... ~s J ~~~'h" I.'~ h9,'rr~,,(1t1~' :m.'l ;;;m.~~ b~' GIUI~"l1l~ ~iI':5, h()rrow~d. ,gLl it~i",~, demo t~pc: f'~ld~irrl~, '!lIW~'I~GOHj f~)r ~"~IJXkl~I1"~ ~I.,d 1-l<',I~-r:ro~·f~I.I'IS,. Th~\IIh@di ~ \1c..::~lisr:, li.l:nitad bmdcIi- of heer :~Ild [c'strlh~no.J J~[ill(~ i~r SM, Il<lstt:r.ii.y, So [ ~ot C:;ll1;:.I·~ P.r.1 a.,v.> ~nd h:;,,i rhe i r onWl.l ser of r::mI.J!"n~~.. RfI!~-I'lIIL1'1ld 1/i\[J~llJ aLw~I"l' find! a wa~'~1J[ tlU! fllilUd lD be l.l[~· e~l u.~.~'m~m

0", II:,~ "I.I;.,~ h,md, El\1 ",,1,,1 b.c.i. il\1rlll~i!>d it hrill.d i.l1CII~IdlOO illt progr.;IiJ.lI11.'i!S, f'lr:lI!:tically appi~·tLtg to ~L"K!-«" .rnd tv~J the Jlll~~ "am".! SLlII~Lb\l' Sd~I.!<',1 witl?Fe Ely h:1n .. l1~d dle km. amcc~t: (1rg<1:ni.~c'5 mti;,;:r th:m ~i'll,g iill'i"it~d, Whim tvflt!·~trrd thei.r Thl!:l-e ' .. ",~", 0il Iy SE:.~~iC!<n. dnimlncr:ll.l~m~ll·\r IDm1.l~htbl,' thqi ,!!illt aCG'~~t'l! .. l [nC~l~ fr'o:'l' 5h",\1.·~ ;m,1 m i:nu' [li~~ WI\!liS:' he; SiliJ. ~jr i .",r., f"(lIri rh~ C()f'I~C rWl'tm~, fbVrrIIUM; wb.a. wa~ ~till becaL1u:- Il'cI-kuer dtl!~',;in ~llIr :J,!.lm I~ l'm kn,llIIf- l~l)hjll il.k~l i~~ld ril\.""U\"~ i~li,lI.n~ ., Ill'.' h ;,,~ ~i}I,,,~ ,11."'"

~. _ ...•.... ' wttl. CI,I,-r:e, .• , "~lliM ~"il'l EI.'(\ bl.1.d in calnl:"L~ These Q,r:ll'-spr1'n~D'ocd e'l'ellt~!,' ... ::r~ vel1lult~ wr p.}nt~ mil(1 ~~,l"V'!:ciI <1!! b;~Lk'Llp vm:;~I;s.. Tlli~ ~1h..!1ll ~el'Vl:!d

~ :pg.~ 'II.~ in. [I ",1lijl~_ JWI h.i~ fi,,[ 0~ wi:lh SLimw.l~ ~]~11:ted, ~ollng b.'1Irtd~ fmm U l', 11.1 thil:' liIte 00\., tl:i~ ~~ tr,o::ir nffil;;ii.!~ tkino ~:;IjI'~ mmll'lmi.'!':- W w~Lt:~ 1.\'n~

rr,:,d",~«.1 f,.,. (Ti~"d>· "ml ~ i;:,,1I1uful ot [".['iI~.

The: rrncks ,i'T1.1u,l~d ill I h" ulhum ill".: "Tovang", "TIl'".:l..I"'liI'I!'Ii i1.11i1;; NO:L'i1I" , "i\!fIl' 1(0', S~~iL.1;,c 'Vcr I lead' , "DY'I;1{; ~I,J1IC", "&.>i;v", 'b~Jlllll RL,·It>J', "The fifth M(':ct:I', "V~"'15 ["1 'nl~' CUtl11t"l'"' "MiLk imel ~1."JlJI~~·", "Anbl.~'!"I" ;"Inci [1i., ,I"" uer ,)( il -;'111", cail.:-d 'OL1~ Last An!:I1' Look" [it's ,.", 'l' H~'\" New OrJc·rc~(jU4'. and it's :t personal m;wori re.l. Thi~ ulbum hus <l more 'alremat ivc" fed. i;: 6>:aFlure. .. eclecue ~~y I!::~ fmlll nl'\" Wli"'~ ro reggae, hOs II classic. Too lX1d a [ri,'rtd Ii:.;m·uwcd it !JnJ never returned it, It .!.1li.MS "~'1i r<lW' and obliviCJol!sl,." unsmririecd, !itt<!. mll~'C:: ,~n~~",,,tin~ (min ill J.O'>!Im.~ :r:aEl.1!IIT ~b~r1 ~ ;;tLlJ,i'l. One L;,lu 1'<:<Jr Eh"~ ~m:ilJL chords 1.\~~r1ng ·lJIUt, MiIlKC'S SI'r,Wlllg notes in hi. <KiIlih 8rnllhYlill~md!,~ ilK'" 'nt' in Bctw"C!!"J1. ])a'~'~' drum fi ~ I. There were. ~".;:Ii~cnoLl5 musical .i!r~,sitr-umeJ:u.s U;L-G whiich r<!~l~["Lllh I~ g<l:LIld8IDI &:1' .... Llr'~ (};:"ntr",.c;~I. i) ir,lluoftnce u,; RiI\~~nuI1{L M,m.:u.; ancll!l~Id.d'il.'

The U['K ompllcared rhern",:. of 11m I

love and wcr dr<!'ll1h were pre5~m"!Li ~Tl ~ ~'illl'ma~'"carc.. ,-oJl1!~tJ.~um~· manner, There 'Were gil1lllli!:k like Marc's "Vic [or, victor, srlam, !mo·dli~·J=" ,mf(l"

IiL~~, The m~rrle' i1rJ>: ~iijr\I'~t:, <:'~il ~ill!fl'pli;~I;,;, ,vblcll devi<lt~ fruril the p"·~UiOlli.lt.ll1orill of !>3'f1in;;: [hin~ " you kliWl~J/. I ike d~ tlwu~h!1 thaI 8im W r(!;8m"n~ rhe universe :1JIMI il';Sj,lr<: ~Jllight~nl!n~n;: lind a I] tnla~ crnp.

Ir ';>,'n.; r.!:.i" Je.r"..., f:jlpe If ill brought them to Drcd.:i, Thi; fa\, of hn-pe c;:;nli~ iii '9 I. -I'h", Wl1100 finlll.ly IOllru:l 81l ,a.~~J~lrn. ,'l.nd rill.:! ~rf:lirj·,eh~tii were untied,

TIre .E,I:II::lIJ5 P200-,8'llif!br, rv. lee-a-month tints at D"L-Gd 11~lrvd:UJQ~d <L ~eD1.1inal ~cylc: [~l(:! :UI d ~lrijt)r'ill~ ernbarrassmcer. 'U 'he 1H1II:u::iI ~lI,mLLlJleOO il:!: ~.n.LemlliiiL""'iit ·~'81t1e. The fu,U :;.,~II~' t~'RIIiI:u: ~IL co do .:. ..... ~T ·,,'ersk'm <:Ii The Cule and RF.1v "no;:! make fun of Thr.!l~lw_~ ~I,-,",g til;" W'L~', '11ill~y wen: so 100,<: diat tll;:- V&~';~'~r~. :loc.lI~n o~,~,1 I" 'til;!!' seething tlllill~r and mSCn>!Htll't:ail prl"C.j~i()n jir,om mher~ fitd"{~, !I;mru:i rdid ili'l. [he E,-In",;:),d~ i"i"'" ~nd ~bp;las:h :>cU, It W'.;lS ,ij lru;;:lill~! k~,,,,,'.! how d1l!~~ S[1[aiTIoBcI I;~in'': to olmd ·p0liJhe.d h,t whm: , .... "lll~ ~,~I~ OO!! ""'ill!- a OOQT;ldVlI il(Jm di~e<~. billt 50lma, I-IO!"I~c~. I,h,,='fi d1i;\'I:l6,l ill '''illy of ~tJg:;Ircootilnlllho:.iE Sl.':lS • th.~l' playoo oo[h'i IlIg but UU"i.!J!~l.8.b;, "K1.mg :;u!t:Ii:!,1;ahj~ nwll'l kami, niltdJ' t!!i1a rl!.:!MJ~ I.:.:!:si hl',Ji III if!l 1,11l.T11 'rljJ1~' 11Tlg,£J bm w" - lta~'LliIlIm.:l e.:<p!mi~I. f!.nrl l)J!:Sidea, ~~~~CIS ';Iff't~~, ~ Alt;!! ~fI'n;J:

ILilil. K(.Jf.!~g gi;;,.ot;.'l1 100 iIl'Jg m.~1 ~tjlJi!(.J""l ~;r(J 3(1 !;!.lld'J"ol, WI) bmg '11>.'lf':!ji(!!'I~I" '00: !I'II.lg:ding tllcl4!!1 ~fJ J.Jntilf. 5(1 Imtig al10 'n~ klllj'(]j 100_ "'IlJT. lliill,,:;llg, " MlI:rcLl:> El3!id. A 1.1 . .ill ali. their pre~~·fv,~, fu.urrp,md-f.art a[[9[ude PMf'peJ U!) d,..dr ciltchy, dbl'i'.I1-~O-L"il.Trh fI('fI~.

11m, OR1G] AL S1N

:ti'IJ 'To'i'iln~"" 'Tmd~h~l{' <lilJ <111 ,rfj:l\1 ,Ie llewr··h~'or1J~ {:J,>llIpri=1 tl"bi!i~ ~['lert";"'I!. [t ",<e; sul.iI,~thj~~g "t\r~' Fi!>CJII.i,jr b;:!,::''''''I: l'!.i"~ i'i!:l1ds pIder."Ild I"i!-~ (0",<:'01 and the\' w'!:'re i'li~OO on !how wdll[-,ey ""~'l"'" in:t~rp1C'[ it,", S<l"lg!< ;I_ml ili~ ori~~il~l. !!"'rftynal>:"',

WidlOLlt TC'!11.1.~ h11J~.Yir1l~ .iE, ~h<! £.~;eads \"il~ bwi lcii Ilg <L cuh L~r i!~ own - with dieir orijliml~5 as rhe mid]()r uf the i'airh, The :;on~,· were h).-Pll.mic iIiIlal~I'f~S I h,,~ "" r:"·l~..! I:UIIH'IU" ll'1.O.icl~' d3.iSIIl'bllt.'" Q~ dorrnmatcs fwm M"I~,~, "'1L~ N","i' wlw were initi~Ll~'l!llro!!d b~' [he Cll[~.i.y-lmt5h1l come-on called "Pare Ko", S~j'jl~ of 11l"~,, couverrs W~[\(! the ~!i~" crowd Wh(1 'illi iaH\r IU1>.)b.iI Etil' illl,i" r.T1il~""'l bi.md (J!J.ti~~ oock in '8],

CmH~lrllentl:~': their 5Ct~ were :.1ble !:flo gatt">~r !)["JdJ\ ducrimlnating Llir.hr crearurcs . fmll' ~n<.IQtr, ;J,d,ll0""I:lW~5- na"",'IlI (:<1110 I::id" 'ro l<1ll11iie mi~lll~ ,.nd ;1'lllb", Cill'1l'Ull characters lI1i berween. Bu[ fh~~~ "'~re alL;o snobs Olrtd purisrtc blokes \\,11..-, wLlulcl ril!th~r die 00;11[1 ruL"U!!liII..:t'n,j, And ~h,,~' could flL];( h~ li:'h[1,~1 forih'illE, As til[l""cly ncccd, [he E·he&:k were pMli~1 [4Jllil',<lfld"rth.al IlilLL~iri81'h~hilP i\'hiCh If'"J:S 'Nell. akin w the three~'h,,'rJ '1i1.!11J<:,[~ I]t p~~n k, TI1C'~' haJ .L1Q[h.ill~ [e) S'.l~· aiw LI t g I ebul c rise 5 :a.hh L>llgh :\h rc sorneri mes i'tCni' i1:=i f~ r .1:-. ~ i n':J in~1 "Suve the [ree..~ioh.Ii.EIl.k~· im;ljl1l~i, S;!",... t h,,' t[l"'!.!~J rOL'l cal)

leu'[ ell y~lur [ol\lmiL~l but fUilky mama, d'10'r cut !h~ trees." &Jm;:h.uw. [he~' M:Ill.la.Jt",,1 r" make a 11.1II11C fur Ib~'L~h!'ES in UP especlallv n [he·v were fell:[,u~Eld 'iij1l d'!Jis JIl1.l3[.::~k called

=- ..... 110-.;;; •• Mfi nhid" (r" nil ,,'br:rl; Ihe hl[l1,r s doc-wopish ']("ulli!.iii' l,llJi1': nli'<)'III). Th is musicale was srn_ged "iiI fAT atter ~u controversinl mil il! I fc •• , !:;"iill--~'

Oucsldc af UP, r he hi,.;g",,'1 .~~ d'I"'I' hlKi was in 0:11111 in 19'91. This WM ~heif firs! OLJHlf'[!lwn ~.ho'W 'IInn.er,l!"i.rt t:i:.~y. m~l'b~~ 1!IIl!h the h.1wJ~"l)~, W-eft!" pined arr~in.~[ rhO) 10(.;511 'hacml-lt WiL! <J. fru~tmtil1g experience for lhL'111 b<:CH' .... ".e rh;:~; were tl,llhllOWJlS 'IIItt'O!;C· kind m rack In' f.Q11""'i.~ dellnQt!~m)' boued b~, rhe Cebuanos "who W;;l1"I.<:'d W'''> '(.mld, I'Oill1tJ.l1 and \~':anlmt'~ 'Ch,~I1~ Pte," Thi!i'II,)r;'''li:eu'''',{J~ gi1: ..... ,.I~ th~ ri~iJ':!J![i.QL'I behsnd "Combo On, The Run', if sc'ng that !pcak!; ak.,jr 1,1h,,,1. first lll.ig concerr '''~~lclt 1II<1i- ~ '(:~:rilJg ~hilmc";1 i.I:Ek did ih .. ~):,'~111 kl"j)C\,' !Im~C~btl ""~:<UIld be ~ OOL1!H:-am d[!!'iDi~LT~m WI ~helt l'I~tio~h.:i1 tU!lr" i~t·eT L1 and that tbq \\'L"}IJIJ <1C1.I1,-,U\i llke IOUJIll ' 1100 "runnillg and .lTi'ill.'T1c1', B',IU rh,~(,. "hi,1Ut it. Those were ti~c' band's (m:i~' ,,;.I;! I ~II W {~!lh~ d u rri Il.:!: rha r c.i me ..

in J)I\;.;'];J, tl:~1' ~tHlmJ phyling :~n '(':},tp;lfKI",·1 reperunre because of [,"II:: new (l(;Jl"flm,irlClll' I.ike· 'Amll'lILl~i"n"L D:Jj;l" ~ [ide of 1Ii tllm br ~lIt,:UJ Lui5 'Bunlld and ~lLr..rell~is~ P1d fLt~I fuh'ifUor

lDllli}; 'FiRl R,~hi 011 r.. ~~", '.' _ ng tb:at th~j; ~onveHe:dl I<.l "A,dd R<LiJ'l" to ,",nit rhe ~l'II ... IP(l'i\rm~m<IJl ~hemc of iJll~ "'ig in QLlc!~ .. n ·~kQrpi() I(j~i["lg' . olle of m~' 1.'3\'orim::. I ",c:itU~~ it'· one .of dl!!" ~DJ:18S \irho£o< lru! .. ning I (;oold nm Unckr9[;RLW bcCllU:le EI~ !,k'-"'i t'iJ jli,l~' with 'l\'md~_ P.I~ hlurl'!'> L)lIt a,1 '!fl~ ~ml (1f th~ SllllR ·l~I.LI'" I. d.e c"lm d l1!)" "m·" Whncd1!?I1.ec;k~ 1 <,.t.v Like d~e gui.Q.<U" br.~ak which thq' itn:e:r LI&L-d in • MItJ!!S~ln" '!"i<.J ii:.JI[i.t;:I,I liJ:= ill lwurmDll~): "M's. Muft'et:": 'Vemlus In The GI1L1nlr/; "(_let 'ilail> ~' .. e Thlns Do.wlI"; ·Si.JL""';{II.1il:: SI.ilJ1!If1;mcr"~ '-Wb;hlli!;! ,\lr~lh"; rWl!.i.ting F(u'The Illig'; ~nd "l'bom,~un'~ Gm\1oe'.

[l,a',l1ftllJ1d aDso mm,,,dl;ld me of 'L11. 'il'lci{k:nr whrieh b,,:,efll n~

Ih~ ba~~~ for the £",)I~,f!; 'AII1wI:o-ol", ""1'a-;fIl, n!lt&!!,ui>!l'ldll m:a f~l br' ','IJI,g"'nl1'11wn iII~fiT~.1 !(.'lJ~ h, 1'Ill!:I:~\IiI '~rm,ll"·A.ll;ol".L>l' r!r..Id '~~""I", .he ~~Id. And ~'ell.h, II'~ Vi~' ,(~t, Rll'fn111lld dl":'lO"l~ ~nd i'l'mll1<"1:1 with '.l.5 ~m~lLlg "A"tg Himig N ,[jill" ;IIIlJ "IIa.I"n M,d"l", I" ",Hd

he w<t~ a".,,1 CUll1nlk. '!hilt was dl!: Q111~' l"i'ijI'!- I .. aw 11MI1 ,in ~,.':::h 3 sorry MENt<: ' lJlllkiUIl: and ca.1Hnl;: till' name CIf l,;" tw.!n,..""ed. M~LlJ~ ~ft",r .aril1ki.n.g [0., mlllCh 'E&) (ki'l'b rt'''I"!l).

S\l,,'Al...LOW YOUR FR1ED'.,.

Due ot \~a~ [JOt :l.ll nm. fu~, rm~ (or thl'.'>1: r."uless (c;re'::&5t~rs (]If rock ,ill ~h" '')(),;_ Oi cours e , therewa d.,e ~,fet1Ll;\til, problem oA 'll!Ji1!il,,~[\rin;;; one's allownnre wh~C:h 'CilJi~ ~,I~ ~hJ!! 'I'f3~ from 1m 1N'.l .. if'c;l~. R8'?l1I1ilmd dlid si.dehrn:l> :;0 as [~u{ (00 OffOCJld his rrupEi ",ad M~m~ (,..,OIl C;.lIlJ~'I1.iri~. lie hdpt....:! out iii me fl~Sh. ell!.'s business ami ~'L~'o:tl keyl::(lo)nls in some parties witH, Bllddy. ~,1:a[.;::1.l' mad~ !:i<: ... l},.d !I-. I ng~ ""hilt< Btv sold c};qui~td~' ~I'J( &, spie~' Bk,o.l El<ipre&S to S!lITI<: of his OOUllflf':f friends,

To gl '';i'<l~1 :L1\ idel1l how [(Jl~h the ~'il"~~ Wil~e, I :!!hai! ch: [he d.,!~al; [;)Ie of the fried chicken, Aft;:;r l~<ltChlll:g <I 1lli1\'D!! in SM North E.JSi"! n:;)~!' f,jl! ~h01/i'), \1,'~ :lite 'in t~bi 24 ... hom (.'mlr.lCieria 901 'lIm.d.wg SDri! before goitljl b:;ick w Narru, our ~lo:tilll'fl, UP. Tiha[ w~.!S in 1'991. MaI!il!'ffW, M[l1X! ~l1Id [ feasted OIl one,half fi"jed cbick'ci:l withoot ~lilly 1.:''tAl'l\l.inS Ih'll[ we nm[dn't. [pil.r ~"efl'-' . -foLlrth of ~hc chkk-en's price. [ QS:lU_1l1~,d 'Lnfit v.~ wuull ~~lif the 01111 ibt..'Came I alre:tD'f p:3Kl f~t hi,' Ffmv i~ (i,c.ke[. But it: W1a~ o,~I)· ~fF.i~r flr~u~hillill mrr Ubidl!jglil rJ:l"il.!!f d~£,r. 1 clis(jJ~'ercd. thst Marc 01'11., had 1OQ.!,C chalilge ill ho~ rock",'[ and my money wasl1",t cmm€;M ":M.tiltlJig. pwal1 100 M.IaIi.g~/jW tI"lg lD.k(.J, M'!l 'MI~I r~UrJI~1 kI", lw. ~~i.d to '~h~ cdri~r, Tho:: p~oQr guy h:td m ill') to the dorm. ilil'!.d gE:{ ~'DI"Do!: m=~' tD pay tbl.l' bm.

YOKiO NA,

T&!d, :mo~( 'Julnerllbde tfL.:)f."I:Je ill a: wn<:n ~hey hrtd uq· give: up' I<Itl\i~ tfii!i'l co go on. Til is h [If,l:P'-'£I_oiI dmil1,jl: a

~vupJe {]

'\.I~$bi.lllyJ,;, "us or: b~t gig~·.

Of cmu;s<:;, j~ miming .",ra~ i!l1l {O, ~I!!"I 800. .[ri.", thl'"ll. m ,.,m thii}~1 w;:;re in UP ro. - jlBSS the su:bjeccs in thf:lr re>Pf!<.h'C ~:r.H'Ir.;~· IF.:ly and Rlj1mUnd W[!OC M~!iScom [m~jw$. M=~u~ ""-as ifllu l'~liI;;}s'J['ItVl' whil~ Blockl\1 Voi~ arI Ellf:~lt'!!riJl~ ;;t.·>h(il;lt. I:ntl![ljllliw:nt gi.~ illtl.J "'poF;ldoc in~pi.ra.tion ~Im,1. 'I"nul" pmtLo;;rors a.ll~J '!tIt,]! {'Jllr:ot_me m foeLl .• , e ... eamr a whiL~, ()!1 [heir srudic5, B!.!iI \"I'I~II M3.C. ,m.:] R.-.ynuifLd jrLl~t C(mld 1,01' ~",r ';;!)"IIi!.I~:h lI::i;:,k ;t'nd ;gnt> ~_fijd I:ly ili~~ Ir tl~,moo exIra Lmcks fOof '5fIffie MliIr"d comlQl, dte ~omt.D h<ll:! [0 play 'KmLi'!Q; Ai\ A.;:oan· over ru"td lwei" hI "Kdllmg<: (<or h~llih"",' nm::;d ,ooufon.;. SornC:haw a:; ml: flill <.im~!;~·J 1_"" ", ... -",.,,'hlr'Ji( 'h:uJ ~u J;~ Ol~ ~l"lH":11;\e~'~ nero.-e.

B~]tldr wok" '"p moe: c_hill.y m[}Jllili\~ ilil D"'OO'I~ilb~r c,f 1991imd! re:ili:.ed dt8~ .;:1 (l!.'IiI1,;l"lij.!: lil.'i".OImd ..... l~Bl :0'1 ~Jl\,bh'J ~ll1~:J!~ imd flunking C"'l[.,;yllliS exams \'<""l:r.c· 110t ":I<;~:th' his 11 .. ,hi,

I mill!<it>!1l>' 'n "",,,I h_ 1llE! mll~lrt IiIlld srudi.Olli J3;oc!:!v QUIT '11;.e 'h:'lnd til .sed; ~n~iJ:hte[][m:nr from Cflkub)_~ ~i'I(1 mher t!!h-(\\'Oo sllhj~rl~. At,d 1:01:<.'; lit D~cemb~[ '91. whl:1l [h(! ~Kl!dl:l11i(" ~"IL~~'\ ~tOe!iil"d t'ilb:::arabl;: and g~"i! Ilim <l ~11{lc Uio:;f,

he got ilD LOA ."''' .m,.j;ht r",iLl!:!" in. hts 'Ml.""L,Ulci Zamboanga. The l e ftover Uin ft>lI\; ,!C"i,,,,. lp'a" "S[S. tlno:: .... ·oro:hy ui ·...Iak~, ""tl ",x.&m~'~ 1¥bll~' ~I~\IL (",-hD.'~ l'HIW wlth Tame 'iI11e ·liikr-.ftl~l1t!d. an undergrouml vet <I,ll" iammed with th.em for qllU!\) ;;I\l,·hi!e. 0rl!2 lJ( M~ll1y'~ (,m'-"l!l hour wutb the' E·llt"i!d,<:;Iilll: m rI:Ie lIP'Ji:Jir of Fdmlil:rjr"n_ 13~' pb~'ing John Lennon's "C"ld. T.."rker" and The Knack's "M~' SJ~i1.r(lna·. [ihA! b.1J.1.d W1II5 ~M~ tll i;nld the ir ~mu.n.d ~~ui:tUl4 d ,oe lu"-'!r ~I"I'~ wi.tlhin and witltcrrt the universitv illcluding the L'i<l"'I1_

'trillngdy el1~, rhe sll,}«s dt;.( Jl.Jtddy left could J,,",I be 111100 CWIl "', the =t'PJI,_,fkt~w 1);J!""'SI~,'r"LIlM. \-';"'~lllOLJt l:1o~~' Bud\:!~', the WO;:>! of thc~ E-,h~.ad!! culll.:! M,E seem w 11m their aces tt:<b\·~lher. The"~ wer<! tlh i~n~~ that made manef.l. worse - the "til!!"sbl{l ... fc'b', !h,e h~fI:IIchc5 of course, an,d ~he t:.(I!'!i1io:.'[il}~ \'ic:",,, Ott BB~t S'imp~Oql ~I1J dle ti;,~OI~' ul hi~t<Jrk'.l~ "l~I'erblislll_ EIYI Ma[c ;mJ 1'\.;l[I"!'flUfld, could not seem ro put their aets [QRoi!~l-ic'r. On the '''<'t~ 1;>1 <:"ni!l~ ir (~LI i{s; the l{]In~-I.o~t' Buddy .wrl~oo m Ell': ,1,'OU ~'..lIlll:l i.,,~ hl ~.hrcb '92 with 11.11 enligtltJ.1f.o:d Ir;~~,;~" 'fi- - - schoon"

he sClool1d 'bcal-u!p" hap~,~·, ... d ~I Ch~b Dr'l!cki, Hml~~hm: b:'L '92. Ri)~'ITinmd I'I'B~~.(!d court 'in ~.he ffilddJ,1l. .r:f ;;.hdr set. l:i~nLJ,:l>.: It:!r :arld M-:;,rCbl.!. were doin~ ~()&lle i I\comprehll!mihl.e "irippin@:~· O!'l !he S!:);J!':!. Buddy admittl-,;,l, ";y;,,~ were ila.n.n€'drlmm nn:dd fiJr <I IIL('Illth lJe~IItiC of dmt. ~~ufc; l;a,!,!! '1l JUltl,;;.pf:tl1fur)_ A'II.[ 11 ir<lp.·

Elllt' aft,~r ~l ITIOO(O, ROl~munJ .• the 'bad UIP' f1rr.d! irrit3tion go;m" i1h,;,'g"[~III:I', re(III,m,~J be;: iLLlse hI: m.is:s.:J bJn:l!ing tile dru:L1iIk:it. r""do!~, [h" h:m ",'3, lifted :;,~dj rh,,), "'8,:1 to fid.fi.ll ru.-nmlttnerm- "KeJDm~{ljn 'io!'TJLIll,g' [t"IlJi!g!~ ~~hi ,,1'~f.Jfr br.'il:lJma. ·i1a. j.JU~ M~l'lI: Ui! lch~dI4J:C ll~ 1J~~dJ, N R~.plll1~JI!Jd ilitumdl.~,{J_ .I.~ARENTAL ADV]SORY

N()I'I.' that ir.h~;' w,:r~ n_,i!icl; 1(:!J!:elh~r "f[3nn, li1ey hiil.d !0 colkct:i.v(!l~' f~!:"~ ~~I'" ..J,s:lli'l'r,~;;ltlJp. :)I'I'! di'!liJVPI,llll,~d l'¥I~~ from [heir P~lt:1lti i~~- ·M~ fa.itii.l:r 1";]]11(. .. .1 M~ h1 b;!;:.:l Inc a I.aw'l~r". Elv mll!bsoo. I-li~ f,!me~ 11;;r1l ~ k,c of f11itl1 til hi. >Q~i wlw w:a~ ~n ~:;:~lnpL'>rillt"leo!k3 ~pcak ini< ch~rL1~)ion un hj:;:l~ ~.::hA1(l;] mJ who "'"jl~ tl'~~ (!b'~p~"r 'I'~~i,J~1lt ih~ "-~-'lJth dub c~I]~ C~nI~r of [l.(!M._,I"'t'- FI~· ,,1fI~ j,,~r i"t ;;cm'l"Ster ~l)' f~l.!Ii! fin isl !III~ h is do!!llrce ill hlmrn<llkinog when "'~ dropped ,out alld t"l1J,I?'J"~,,I~' bUnliIiTi!2!.J :urmll:tdi. Me,mwhih M;,r.::m tnd all Il i~ l,kll~'> bj,I;:',.lr for hi.i tho:sh 1.Vhi~h h:ld ~amethi["l~ ~o dQ with re'l!'fo:r ,]I1,J 'If'hilo~~~ fl 001;.' 1 R;:;asollol.1!:. -l3ollt W:1;; d1~ furchest he

';'{1!1ld j_1l"! :<IS h~ got

¥.> ~i'!.,gJ<)~J! in an,

~~1I' Tul'll!~"1l1:!irJOk [he Dt!:3Jd.. Mah~ri5hi, ~<lm'lLilIiCI<i 8~J ill IIL"[ 'EIJ«" R",yrmmd, 011 [hi!' C1thc:r l!l!!lld. finishl-.J

{h~ n,., dr.;;lr of hiS d~~bl' <111 ·~Ut~rn •• th'<?" 1".IJ";'::l.sns.. U[1,fommatdy, that '\lB' t~1: ~I"" ·t 111'" got ro fl.llr.ll,ng rhis ~li<!dUiltiu.; ·req,,·I~emc"l"lt. lkoddV had to ~hL([ C,~," " ... 1, 1'1' nt.el.l, h", "I\I':iI~ 'lJr~d~ enrol b;l 'in lLbrM,!" Sdel'l<1:e_ rill m(1(f[, I h.e ~,(lUP \\O;;lS in ::1 hurry to get IlI;]t or" rhe rness lIlJlJ ;:l.lJlI ",.l!:O ~Iw.k unwanrcd sm',' ill the Llni"!tl";!il";. Th~ hir,d ro have the ~~~illJ'l W;)c.o:.· Their [:lll1i!je'~ ":I:~ .... ,~·tI.'I;,l " ~"I flr,-,rn rhem ,m.! til~·~· ~w 1 w {i rul :, Wi1o~' 00 iI,ppC8~O:: their tO~'~-d {1'f1C~.

A, UJCKV WANNABE

S() "frer k'iill~ <liH111l1(1ill (~ l)lIllkFl.'1Qw)d lsvc ojJ'~'!Jllt ·r."l:r " "'hile, Ih",y cmba~kd on thiJ, grand ai'nbi[ion ,;of !!!IDking it m ~1iJ,;~ ~oorrlinll: business whose il:k~! or OPM Vi,", centered on pr-t:1:t¥ mx)Ltet.:;~md ~oOOl{II)kring balladeers en·,," .Je1'il'" rhc fact that he W<1"; [bLt imt:o;;ul<" iU!J,n't their looks. "Jhtl /Xlr,~, .:mg .hkinis miltl. IVlI() ml k""i " ')""l!." m~· would Sl>'j; ~r~r"~~ ('.' I: ... f:Jir .11'1::1 srnooth-skjnned '1:oJ~ea~ll.;s in Dredd whu lwJ ",.li'l'li ImJh.). And .IEI',';f'ire rhetr llam.:ilcap, Eh, knew and ''''""iI~ t"'eq' eonfldenr rhar d1~ir s(mg:; wtll shuke rhe 1""'11 equilibrillm, '[ n~"-ei" ~d .my d0L1b~," F.ly confdL"{I, 'Ni!i"err I\.~ ~(I rh'£ [lo[cm.iai of their l;Ol1g~ .•

1'):). ,hi~ [Ime, E:ly h~d i!lread!y droppe·d <.:flit 1'1 .d "."l ltn.clIl.\11151,\,urlm~ ~It Bhl~U <!to i,1 ';otl] 1~~\01I'i~;er \111.1 i!~ 1ll>:_-.;ml.ilJhtLlllli 11!; ~ oomhlll8!i1 H.:- ""'~l~ :l'J ( .. '~L~,,"J ,,",~ d",i:erminc,d ~(j rmLk~ ll,: F.r"s'>I'ILL~:ll~ hig rhat ll~ <:"\-'l'll. thrdt~ne.;l l"!i;s fDI:In<!r maml~~r witb the Can~dl) 1P~(l~·. "Stlb-.i Iw III f.:Jnf&.L, 1!aI'~1 !'1<llo7ko h:1iJ'lm[j~m' Canlildll. P~"Hli ffi'..'lfl'l.i!'Cf l'lliliTIlfi ,k"'l' ..... JL:,,~ nLI:J!f.)"a-yaj"i 'lW'"iI;," F.I}, ... ,,\·K,&:-dI. SUl<li'!:c), th~ fO[j"Ll~rill1:)l.liiI~F; imm>C1.'li arel~' trlllliud a \'1/ ~ [0 ~o!lII.l ~ c.fITI!troc( Wit]l TIMO 'f. .. r "n "U1",II"B_ 50 ~"o1.I cOlild By mal El~' hlNl a !at t,_. d~, ",111. 'iI,.,~ k",01,."dil)f! ,)frh£ BMG h ,~,,~ . \ nd II:.", nmjm label execs JiJ tlt~ Impm~iM" - r:ak" ~h~ ~lIr~ lOS d'l;(!~' were: 11.001<:, lim' ~1["II:a ~ll"!ker.

Tn~ 111.'1>( r:h;n~ 1 kru!W; 'int:" !.in~l-;: 'La~l~II' I".IJ:> ilIlro:"J~ in Thr: p,]ayH:St I.}f the ffi<)~~ POf'u!8r FM S[sr.[ons. TJ.Ull Wi"" in, 1 ',19 .1 I"C"llll'Fllho:r ,...II!~ .1 .. , '",,''' in rheir l'V .:kblLt' ",hid'l t,ook plac<!" ill tf~~ '''I,;',i''~ II' fL<" ,,,11.,, .... ,h ,,,' "Sa U[l(Il'g'O nAi'C) SHi·. Tl'oe bl1d \\'~~ Lculbk My ~i~H:r RiIH!;1 t:\'Cll tolJ 111<:, ~ K 11.101., sintIHH!:UV ~Ju!.~i 1!t:I". [[' 1.\,,<15.<0 fml:11 ~ nd f-IlI.tHllc:ti . ""e-iUlnh~j"jl. pia. me' ji~.")·' .11<1""',, \ PLi~M»" \"h.~e rr.e\1 ['wi ~~~lI:d (Ij gn;,n.~~' ima~~ {""'li"ij:'I"'to: wittl pl"ici, t"tl~I.",1 jl""II~'.,m:1 n,>;,!!: I""F)_ 'if,' h ,I ~ ,. oonLr.:dlf!~ inll_ h. v.,':Li i"I \'~r'f i'I'HlIi"ift:Llr-'i!'-h:

di,,,I'i'f <>f live IVU •• ic, 1:11'"' Yni~ b<1 .. 1~ c .. , Idi~ .Mn., h:.d n'!'! bi. I!IIi'l"r-"I"y;,,1'; .... as ",,,,1..,,,,1,,1 'End eense, Tht~ ""l~ alsu [he C.iL>5e for M.m:1!I~. IBllJ(h <lml g ~~·mun.u. N~'\oI':Irhd~_ 1ol1~ 1""1""'" Wil~ ""0"",,1 i",',d ~t 00." :. io1' H ~I >II .. rrt

1.0 protuote 11"" ~I 11~,I~_ ,I

SAWAKAS

The as imllarlon \/,~)~ .wife and !lllill!"llginable_ On;: by 'U1I~, their rek"a>""1 ~m!,:~-l> k,;;,,,,,,, I 1I~~".l"t Ili~. Tlh"l t<JUI"<!J prn<:Iic;~ll\' the whole ~r('I'ii'f'b~i, f"r g'~",. TIl<' gwu~ had i~ .,,·;'IIIIt:"I.~ Ii\ll~ iill joey de Ll"'OIllIS ~R1JIiilli BiiTb'it RunN mnd If.ILlI[!; ut th~'ir !,'"rl".,. hi L, • Pili'l! Ko·, \~ rhe in;,pirn,i,m of 3 ~"'1umoriented movie with dll!.! ~,uno:: [idle. RIJII;n,or hR~ if {111I{ '",i\ng 1 h~li.l.lig El Bi mbo , is .;~l'l"e[!;dv beltlijl fi·llTWd. lafll~V, du:}' <Jl~ mro p7<.:l<lltoI:( eOO:Jf:iCllJC'L1L'S, nor t'nl., ill!;;iJ.l~ tn~ jlil:;,gio;"'~ bui .. 60 ,'L;->JJ~I1I.ting ;);i: ~h'l!'iJ commercial lllM'iks:. TII~_<!" gLl~"s 1R1l:!! r!.!'Lll~' 11lfYt· llll."J><lilLb of (am! The ~Ur.!i 11:l\'\: ~I<,) jlI~k.d i~ TV p~q!lram~ of" ;d!1":<l[ ,1111 f[,T,n,lt.; .. \O:1f,el1l_~lw,\'i!'. ~Il ~'11~"~5, Ai[\.'rwfl1. musicules, err, All of these, of (;o;}!lIli'lle, """'s ,,.,,,,If.l'n:\.''IIIiI,", hy [ho~ C'IK'rmClU'S S1.1Cc:e~5 of tHl~lr alhlJm~ Lil ,11!! Tecord m<lrkeL Todul', their al.bumti [j!mldectmm~~~icpDPi. Cir,,;t,:i an'd C~,[[~;irJoll' h;.lv~ 1¢!p~[u\;'d~' !t'1lch ... -d Ill.: 2.OC,CII...'"(ll!l~rl_ or ~u, .. ~I~"1 l'.) flv~ {5} PI~dllll.m R~l'-'l(J A .... iVrJ.. l~ij~v t""", ;ll.!!) r£ccii\"O~ 1rw""3rds fITlfll. IU 107 ~;"1 Ih,~ Awir A\I':1Fd~_ In,deed. the c~~ltm.: lr~()Iwn ~~ ·'ffi<!il~S~Fl!~n." 'B!iiiA

. bten IDiJO w~.cmlj~ ro, t~les~ gall~ of &O\ii!-

~1~~,,"1~'1,;'''''1!I AfreT [he~ Tl!"Cci.no.J dldr firM §~llJ

recoro ~W<ll"ll., Ely's (ather ;;nid solnt~diI1ng li k,' 111 i., I!~ ,I ,'id~"t':l p~d omer, .. le\!I, ":S~n,;; TiW-Sl')!'><{I'.IR"'JI~~ J.;.-I)" ·la .b:tnila ,:iaIui!

'~;",~oi'.i 11tlllLm ~lt):rJ Uj~.!;.'""o?IilC ... As f~r "'~ r Imm\!. rbt!:re arc no;o th.i.np "biit call gi·,,'!!l ," b~nd :ii ru~ni.lt!: 5tfirl ill tlli~ cmnpemil'e, mop ~O··~'Tiem.cd music l1i.d~ls[!:"'/: gL":()U looks ~mllJlll~i<.: i"i~lui!' N ~~d I,.~ 11,5;;.)\1, rl1.e b:-UlJ didi t"i(>! h!il"" iIll)' of thl'"lit: ~ql!ir'm!~rll., " .. h",t !h",,~ lnV-dd.:,1 thl: .... ~,I1OII't!:r.d'll ml.!!iic comm.mlity S{'m~ lh.!~ ~eilii', lijJo,

[t i~ in tn.~~ ckfld~J'\CI~. {,r ~h::)[I!o(orl1liLW Wlh,;:n~ [h~.r , .. 0:"1-;'1 lie_ Thq bI!'C;.Ilm: tbe }juri; AUll10T Dr [.h~ music tnd .. ;{r-y h - nIlS>:: du~ cmmn 111 tw' j.7'''L td~"I{lfy "rid .. 'rlr;~il" beilill; udriiUI"!. i'Diq' bec~mc' wn "I \\i(lrhlll~ ,.1:,,, 11"i'<l , [tD' OLtl~' b.·O:i'~~ "r 'I !To" \\r.;Jli they h,k but k:;;;allSc or wli~( [hc:~' ~[I~' Ti1:;ot\ rht!iT ar:pe",L That'", their chltri~ma ..

Thd r ::lli:'um~ [n)["SC~il.d,;,d d~c: do:-mO![l":J.phk b,micrs :~Id IIn"'';'''I the UnlD5UBI (;i.Jm"~ • 1':i. ~cgme!,1[1.'d list!:lling ~l]Ji,e'["~'i·€r<lm :;rui v~L".,lo~ l.u- M"b",,,,,pp;,,,,,, fmll'l pre~hlJd ~0ddl"'f!i m m!)'nDJ)fLlIl<!!~' liiKlm .. '- -U1,~ 1!I.li!t"X"M~' '.'F,.,fTQ~ [L1rl~~ lmd d,~ ,bin!'! PH1.;: lrri~~ d die: IE-H-!!1'IJs' >or~~, hil\'~ parnplU1L.;e.111 [,<, ,h"I'>fk.! ",f,pop. Thjs h:~rJ to th::, I'l!a~,·;d;.'rui.llg m e\"ci~·L'ne.> AAh~' ~cn:>ihil,i!ks. T:IC down-i'lL1I11l' m~ti .... dmil~s uf EI CliIlIOO' ,"1.1 P"",e Kfl ,lip~cedl i[l"ll \\'hDr~ronj .,( po5[:-~~~I1II'il;,' ]J~~·h,. ~I ,',," II,,~ ~,-.nJ::l ~ ,'ery Pi rL""~" ~j;ppe~l-

Th~ • r!~i!J.:" r"re .. ,J I:h .. ""'~L<:. i!ldusfr'f' m rl!'vi!lC ~Vl!'["l' kll'flwl'I ",ric~"1ii>l <!mi ("[rlLlAl,, h1 (he hoc&. Pop .cll<.la", tllld ,!u:Y..b 11Iet"\: qllli.o:.:k to_< r"ti1J,,~ll''': the Il~.ncl r...:i fl\l'C'lltCJ po."P DY iI.i!~i~n ']IlJ ~'nt d,~ l'" r JI'fI 1-.1' ~u: ide!1tr. The}' W~[r: ~1 bUlle h (1f I'!l.Iil:!<~' );!~l'/' "'1", '~"Il\.'in.:cd. everycmc that it is 1lU'l i~ niii"<:br<!Ll1o:,1 i,k.; [0 bc' m~Ji,,'cTe like I hem.iIl

::

-

WI1,en I was. in gmde schoet I used to h.mg arocnd this b:anik ill San Polo!o Cit'l~ wh'l'!re- IlilY father worked. As 'far as I can recall, oliliice work has always been too dreary For me so I rssoluteb pon de red. aibo,ut ather warys (lj earnln g a livy n g_

In 'high school, ~ had a hand at a couple or odd jobs like ddiv(!riflg dressed chkksns via mv trusty 8MX bike, ~eacl,ing kids and b(l~ed moms to pl,ay the I~eyboards and mf .. :;J~~O'i1Ia~~v te-l'iIding my Tita':s vlcle'o rental sllop., W~elil I was illl ,ollege" I plaved ba(KgFOI!J!'l d music for ';'.!edding:<;., parties and restau rants (sometimes in cahoots with Buoldy), d~~i ... '@red truckloads (If 'f!ggs tel dormitori'es and did some other ~hillgs, that are too trivial to mention. At .my rare, I'm still avolding' office wo~I~. This, is OH€ of the reasons why ~ love m'!t current job - it a~tLla~l'\i requires V€lry little office work {although the E-I"lead.s ~nu<1lly ~l<IJlle a hLJlnb!@ office called the E· hole and If is slll1recl with P_ILUL Z1l1d Roam Travl'!'l)_

Anyhow, that dQoesn't mesa that the E-t-H::.a.QS doesn't do any hif1lg wFlen we're offstage. I" for one, hang around the' BMG [!offices (to uncover some unrsteased CDs) and the E-nQoI~ (lIU-llsi(lon.all'f, With r'~'~i!r.rlls to !Martus. 1E.ly, BuddV and Anln,. I rcally don't know wh~t tile'l do When we're not together . unless I aslk til ern. Wh1lit I do know is that our s(Jh e,d~llle5 <lIre pretty much diffe~ent un til calli tim e.

SO, .h!!H!·S a s.ampole of a. normal wOjkday FOT'me- and for tlh~ rest of the E-heads, l u.sl.1a~~y woke L!lj) Cit around 11 a.m., play some COs, read Bl1Id practlce for half ~11 nour or more on my rnli~ble beat-up drurnktt. I li'~le' wHh

. ..

n, CI 11"1

ie,ad and p..attice for half an hOllJ!r •.•• "!~

m'( brother imdl a couple of friends, who would beout to work by this time, 50 I don't bother anybody

'C~Pc,t my Ifi'l2'i~hbo{s, AI11f1"'1lY. these nelghbors ,of mine are also pn!;!uy cool. Then I tidy up the apartment a littl,e, wke a bath and

go, over to my girillriend·s place at around 1. p.m , For SOllle fme~ lunch (her grandma's an exceltent (a.ok). Aft~r such ~lIJstat(l""

de lights. I ga over to MHI to MUIcloelyoIJ5 \ ... i th t he rest of the Mnd.

~Or drive over to R:) Musil( CitV .salle-ria to hi;lve a look-see at tile Izrte!5t stiings and sticks, 01' course my frielld!). Deli~<JJI~ Aguilar and Sonny Badilla help me tn chacklng out. the @quipmen,t. If the budg-et i!lllow5 it, then I tak~ tile equipment home.] Wh~f1I I/oif: have

:gi gs, we I01:!d th e I!l@,ar in the "'-<'1'11' and t ravel to tile concert ve n LJe_

Now, here starts the boring sh.lff we ull,:mim-e)us[y deem dif'E<l d ful - we ri d e a VGIil icfe [10 r til e daft mote rcadas a rid the n gral'lt radio and prG:S5- itlltervrews where t~cy <Isk the same stLJpid questlens. Sometimes, we 8',et 50 annoyed that we give stupid answers or ignore them. Ihls reflects the rnutuat hate reletionship we have with a I(lt o,f pompous press. lJ~opl!:!. This also explains why we g,el dis sed Q IOlin print. But then, we don't reallv care

because \PJ(lo can d iS5 them bark .J.U:f1lo~jB;h I thl nk 'l!.rer@ Ibeyo nd that n arrow- minded r.mp •

A'11'fWay. after the mquisite tedlousness will prom ate rs, press P E':OI)te. tiresome ClJs. and j'll1l1enc.e-Ij\lield i ng government ofll cia Is, Wi proceed to sounccheck. Generililly. we E:'Pijoy this pert unless the sound sucks, Aft.ep.I\'a rds, we ea I d i nne r, rest. read, have a few h 1.'1,(!IFS and (hill eut with the rest of th e crew" Before d oi n g the show, II'I'(! t,i:!te <l bath (of course, intdividualM. proceed with the gig, make .. :;af~ getaway to the van and fin'lly g~ home .. !it'll pmb<Jblr

be 3 a.m. bef[lre I set ready to, 5,1'f!~p_ II gra b a n or.;i nge j u i,c.e,

prt)y.md read Lilli tEll I <ISlIP!), I •... ·

(Thank \Iou to RJ Musr( m'l) _

by Ravmund M,a,lI"asligan

<5' : »

cS:'

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1 Aug 7, (h7i)

:;l Aug 10 [.sOil; ~ 3 .i!'_'lg 15 (thl

£ Aug 23 2~ (fri-~unl .5' }nllq }'6 (moti!)

6: Aug 18 (sun)

7 .Emg 20 ( tue )

e; }lUg 12 (mOl .• )

9 Aug .2:2 (tUle)

iUl "Z!.uQ" Hi ([1.-1} . __ .1..1 .!I,.llg 8 (th)

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17 A'~";;I :n( saL) 1:;1 !,!"\llg "', ~m.Oin)

19 Aug __ 20 Aug __ 21 !l.Ug __ 22; Aug :3 (sat)

11 (sun)
17 (~i!lt)
30 !:,£:;';i) A RGtcorGing [8 'JPLB

c R~(_'(JL'ding

D Batangas Ch-y E!: ReCQrding

F 70' r; Bj_sl:ro Ii 'rop 40

M Rile' z Grove L Rec·oz:dihg'

J Coocabato CiLY

_~" pm MflI:Q:::-.:;:aae ,1 pt"1I SO'Ll.nde:ile!·C k It [<layr i C' • £

~. RJ:!cQ);a;ing

M nigos, D!l\!'ao del S~]r :2 p,rn r<Iotorca.de

4. 19Jf! $.;:;:;u.noGheck N Recording

o Blod<::-Off

F' Back t<;l M~nii. h. Q Reco!:cling

R Dredd

S' ~'J.I" igQ!Ji,}

'll' Reco:rdi:rJg 1J D'lltuan

"'II @t.il" Rosa

Test. your J;;mHe<lds LQ by takin~ this quiz. lI.Cl~"')"'r:!'l .:i11 h~ gi..:"en gOl"lJ!eday ..

' .

. ::: -.'. by'. 'I3':u &9 s: Z a:·b a 1 a . '::

...

. . . " . .: ..

... ~ ...

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~r)ip';;.r .~ .~-J F'U5!td

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.- I F<l.a

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Analon:y' n~ P~l:lb-oy~-

1:111f! gli!Y:S aT.~ co~I!j~ LIP 5.IDm~!htlng ".

5EJed~~

fqir :.'oD'U, •• Wllll:J:r"flOr Ii! .

,hi'e- E·heads crew, wh~ch we coli "The Secret ~Veap(HI P'o:sse"" is a group of firi,el'lds who corns Willl US'M tour" he!), IHQ~es:slrQna(1 band that goes on tour cannot ,DO withou.t a CI'e"'N.Ever:sirnce, we hil!'I,i'!1! ,(Ilways wanted to dQ thlngs our vliay (sometimes .stl,lbbQrnlvl and this, led us to :get Ann. Ely's former classmate, as om manager, From then 'Oil, we assembled QI modest number of friend!'., acqualntences and Fellow musldans to support us when t'QlJrif'lg. Now, here's me llst of present personnel and their assumed duties,

--

SWP JOrliAY

SWP LA((AY

This dude has lnvaluable kn'fI',...l,Hlge reil~rdiJ18 stage pSy',ClllJ,lggy and presentation. Oftentimes. lie 'tilrie5 care of the :;on~ Iks~' in ;II manner ({)FI~u:nl1in!l to hls assessment (]f th@ crowd's temp.er'amenl" On the mad, t!!llay .r.Lustomar'ily slts ol'lilhe front scat f.],f tile van and <I(;t5 as dj for till! tuur music, Then, he makes re'll~r",b(lrd ... 5ufi'er by pl.aying i, <!Jlbl,lfI"J$ from overlouked artlsts, MAME; Jrcjo "Jota,," TiI'{~o VI'h~n no~ tourins. rolay plaY'S AGE: (C!'l.fllfi'l!l,el1t!iil) , ~uit<lr for his band [scalator ROLE~ tOll' ~li~eGb]rr •. tf(lrrner~\I' km),~11 as Op!)n:!·,r;.:s,edJ IUg~ts <IIn,ra $tag€'_{le$i~l1'e'r

-

~~p JUlUIE

II met Lil'~~Y l,ii,ih~n lie 'tllas. pl<l,{iln,g bass for a !l'Foficient \lo'un~ band Q111@di the Btiuk Roses, t<ll6r known as Blueberrry Juice. In t e early touring ,days (Ulltifae~ec~Mrna8Ine'l!i{ to UI~) \!\1~l>G'n hs did not kn,l)w <:IrIf'!ithing (as in). M(lrk used to come al{)ng ~vith Ann ami tile Four of us and troubleshoot st<Jge and technical problems we encounterad, s.efore long, he began asking questions DI~,d Ie-.urnillg from skillFul sound engtneers. He'5 rlJOW 50 .I[ooci at lr, I tlMink he's cne of the best In U1e business. Being the voungast, Laccay is Hle hvperactive member ot tl1lE! gTOILlip. Mark n~ffularly attends coUegi:.' dasses at La Salle Taft Q1j~n during taUI' days. Hie alba rnoonllgnts as sound engineer lor Sonorous (sOI.lF1Id systems) and plays

r.(AME~ Mtllrb:. latca!j' , AGE", 20 smnetJhil1!:l ~DI.E: sOlJnd e~giml:er

11 spacesnlp 'For Planet G.a.rapfita ..

Julie is mostl'!' ln-charga of gett~llI1l e .... erybody to come on tim e [0 n eo of the most ·d1ffi wit tasks), w,aking everyhody up (degree of diffi(J.JI~'{: 8.9) anc general b lt c ht n ' f(H

di s o r ga n i z e d [on c e r t

promoters, If you wa Ilil ton nd out about the E-he,ads' skads, ge{ in touch witn her, BI:)'Fl)re 1'10(1 in' up with the E.hp-ads" she used to be a s.t1ig@ ilrI:-tress NAMI: hlll~e: Pa~'l'ias U fuder Iota..". in PUP. Ilf 'Y'01I hltive Ac;€, t(~ '~bl'l "t reaUlv kfl:Owl:); <if! illegal vldeocam • st ... y !JIW<I'\i' RQ.lE:: A.1fQjl':s; ,SE!f,l'illdl)'i from her because she'll I be'at mill' rlBl.J;iilage > (Ir[fp~al '

t h eo sh it D UiUa,YOIIJI- viCle-o caf;Fl Oplf!rartlli

, SWP GARY

UWe have done awav with

- - - ~

unnecessary 1JerSOJ111el Iike hairdressers, make-up artists, dietitians, shrinks, personal trainers, doctors, astrologers and. secur-ity agents ...... '

Thls lal.'e5t 1'rI,e-mber of tll~ crew shares the technical dutles with Ernte,ng. He used to be Q basi<le'tlbaU superstar so ~orget abu'Lr~ messin' with hijrn" Ar1IlJtl'lrel' task he shares with Entieng Is locating the lovely ladies in tine audience (no dlsres pEl!!:! i ntendeDl).

NAM!::~Siry:Aiyp,~ao

, ~ (~tl'od 000'1l~h) , ~(JUl::: ~~ge ~ ~cfilrljda

SWIfl EN'T1EING

He 111.";1kes 5U1r-e that a~! the I2q u.ilJ'l'Il Em l are in place :a nd are work'lflg prolP,erly all th ro ughout the sh ow. Whe n not 'lVith the E,-heads. El1l~ng sings for Es.calator. Uillike some b(;!nds, we don" bning along front acts. Instead, we ask IQr~lIl b~lndis to platy. Wlien, there aren't ,@IIIV ,alr,DLlm:!" the- 5@c~t We<lpon POc5se takes

over ·.vith jotay on guitar, ''''' . .

L,'l,.;c:a'" on bass • anvbcdv on N,AiI'f,E~ 'Vm(lm[ "1Ef1Irtef'Jg"

~ , r, Vllh'Jl:;af'lla

drums and Ent,e'ng en vm:. ~tl fD~st the 5,1(, ~tm~t) sil'1gijng IIHiIlk ye~5hms of RQtE; stag-Ii! techrllcloo ijlnythiflg ..

NI.MlilIE: At1Iflh~ JlOLE:

UIl!~ Boss: fil,fQ' critic.

SWI? MAR(iU5

------

NAM~= M.wclus

ROlLE,: fieedb<lC:K", b!llIe'.5 e);plOS~0'i1IS::, bulalo '8cx;pert

NAME.:

R~iml.Jlld R!O!.!E: mmt~lIlt ad:ivusttful r tt'!~ tOit~11 diswilltion of mowr~adll'!<s

SWP tl1tB MIHKY

NAME: ~td Me~,'C'i ROLlE:

~hie Boss' mom,

e .... erVbodly's pErsonal <ldrvi'ser

sw~ ATfORNEV

NAME, AttQm~y Allg" I.:!

(ffmget 1I!bout c.oninril1g L%, W~r:;lIfl be funky and 'J,IUdQtJ5J

Normally, the E-hem:ls €ntoli.lrage ts made i.lp of the b,tlli1d". Mie" Iota),;, Marik. Gary <lIH.I Vincent .- <l modest total. of nine Ipeo,ple, Arm or Tit.1l rM~rrcy cernes ~IO[1rgif tl1~M'e are some I,o(lse eml,ds ~n the pmdlJ~_Ni)f1s" By mr<lXltliil~2Ing the duties ~)if e\lery lfI€mber, we have done away ..... itlrl U!tlnoe~~S<l!~Y p,<eF$ot'lllel !ike_ naiirdressers, makie'-llp Slrtvs,tS. diemialrl5,. shrri'nkc'i. Ipers'ona~ n~inoe'r.s. doctors. Oistro[o:gers arnd$ec~uril)' <IIgents. (~Il a$!.5lential staFf few ~otal atT!di rore~gll @JtiStt5 011 tom), Ever:v.ol1e inl th~ batlld packs: ;:!n,lI carries !his ~J<wrl glear w~li!e u&her msmoers with! lesser !.Q<lf;!s ";,)[Y'¥ extra ~ql.J.ipl1nen~ like .sp<l~e glAitars and baggage. Thls WrJ\/ W~ <lvoidl what Wilil refer was ·'P'LrI-rcJci-;; star" llilldlilg8noe, Room {Iccommodiatio!1s ar11i!' dliv~de'd. demOCrMI~i3It'l iYlto~hre,e grcJltips, tli1e SmQ~E'r5". ncn-smckars .and the ladles' rrOQm (p,un intelidecl)i,

- -

5WP IBU [l1l}V

IHAMrE: t\l!ddV ROLE:

bass, sel-f and undergreu nd ccmlcbook to IlHOiiSSe Ulr'

5WP !ElY

:t~IAME; Ely ROLE:

gLJiti'ir, VO{<ii~5; viidE!Qgam@. bQY

On IITI<ljm wr(J;du<c~i 0 ns ~Ii liJerhe ~E!'(e r1t t:ledric lfiHl £'is and last Dec.e mber's lIJh!1J m li3JU nilJllin g. we <l1J.grn E'iflt l~l'i'! sta ff til,v ,iiskiln,g the' h~lrl) of more Mends, b'f!.rk<idas" 'the ever-emciel'l~ a~ld fier>::fb,l,e R,oam fra.voel. :& TOUirs s:t.rfli {AHan-intemationr<li~ grmldma:s~e-r, Ate Fe-jowa nl ,M.i;)n:g J~!;S & Iosa ng: mga Badin:g; [JIe-nrlis-the lRunlnlliflg' Ma,ln}dilnr(!l the Tita Beth unlimited (orporMiollr riOr ~ood oitl,a other tI,e-eCis,

S)\lP JIESS

NAME:

Mallg ~es:s ROllE:

~o ur Jri~~er \I\I'h(l k1'lO'lll5 aH the roads" st raets ,uH1 shortcuts

in the

!Phi li P pi flies,

SWP Nl~ R.VANA

NAME:

NirV<lI1i3 ROLlE:

the lOUJ \lilin, also knewn as the Boss Van

I'IkA:!c tirE la!ODIi1 'd1,r b eihlnd tlile IIiYI,allll .

llb,i'ary? .

A. My Spanish f.1'tn,d,lt teecne r; my fre1l1ltM teacher, my STS te~cher, tilly Gennl'lll 1(l

tfi!a(i'Je;r. my History I t~lI(h€'r, my Se.K and "CLII,lw;:e .

teacher (gave me a 11,(1), .' 'I~e usee to hea n g 0u\t J~n ,

slee p) at the Film C~:m re·r,. .ithe lb'ifIIllidi was fmmaUy rorln~ at·: ~

the Alum.ni CenLler; but eve'fillol1!:! S favorite is of xourse, the. SuF1iken -,

Garden, That's where we' wrot.e • Ove<rdrive~ one afterncon last y~al''' remember this girl came ov~riilnd'asRil!d . If sll;e (ould wsteh us writ,e a song <'l.lld s~ ended up wlitributi n g m s~ opao" ·W tll.,90 Iy ri5. . Sala mat ngBi PH la l .. .

Q, 'WIltlln an 'the :royall!ties pour'ins Dill, dOl you t;b~lik it's now safe to a~I,lI!iTl~ tharf YGl'I!I''U riot ~i:elll .

poor.ll'Hln"'S ID',ave? .

~. !-la.;" hat', har part two. .

Q.. 1Mil@D1'~5 tlrle foufilfl alllti,um due,illlild whait cha!it~ orn'Il'w rUmdiio ns, iif ,any, can w'e'e: .

It It'U be out l:iylDecembe'u. I don't want to

too much away. AU I can s.ay IS,. it's a Ch

album. . .

'11. YOli slil~ely sb'IILf..Ik a chord wiHl the co:mmo)! taot a;ot th,eilr k~~tii, is th~!'@ iM!yth~filg ileflt to. do ~rj~ "mlml en IiIltll III lJIJ'El' WI~I:J w~a·t you' re dgnHJ,~ It ~~s,. M,()·v~ en.

,Q_. And W'oldd 'Yot!mloo!t aJ~l tNI(!I):,'?' it Har, [mar, half part three,

F' 0 R T II E BY ANNnlE AiNG.ALA

GODS

F

OD

Agaill, the: Eras,erhea,ds <I[f:! working on: a new alburn and they ~ILl5t can'r w,i"iil~Fo~ the next mUI1Ic1 uf critidism 5. I'll case vou h~'!.i'e ~Org'OUe:fl ~'/h03t those gentle creaturas had to put up wiehfor the past three ye.ars, let iililE refr'~$,h your Inemory.

A short while atter the launching of theh fiirst album.

IJltr,~@I,ectroma l1Ieticol:!. the B!'~SEIRHEADS' (RITICS CWB, p~lmIPpi:l'1~ ['lap~Er was 'om. T ,e P fliplPiirae A.:ss,odalion ulr thE;! R(!oordirng Industry aka PAIR I spea:rheaded a campaign ag;;linst the single U Pan; Ko,II, They wanted the song til) be pulled out of the' playlisl of all the radio, stations, They also moved that theatbum be hammed! from record bars across ~fH~ cmmtlfi~. fh,e reason: U1E~s,[jrng contained the explkit IYlrics. ;"TaTlg 111'H1~ and "nabuburat". lit may have sounded obscene to tiheir virgill ears hut the morality cl1e,ckW;;i$ done after they placed their stamp of approval for the album's r1eleas€' and after tile allbum turned gold. then platinum (then deubls, tT~ple. quadreple • th.(ll1~s to them), The gods surely 'l1li0 rlk ill II'l1Plste rlous ways .

. AIliQith:el" being [l~ail'il Cilme to the fore during th~ peak of de second album, Circus. I was- auefldirig: tnurisrn classes then i;'I,dli@n the SetuiF.itv guard ofthe in5fitllh~ shoved a 'talIlllOlid under my nose. Its

tJ,anner story was about SenatQrTIW So'tto,'s move to ban the song '"Alapa<lip" 'from ralillio 8. TV bemuse of its all€g@d referenC!~ to drugs. It dldn't bother m~ because the alb-mil had 'lI~rea;dy .5o~cllhll.lndr,~ds of thousands of cnples, According to BI\iI.G, the album had almoiSt reached its sOItLJr,Uion pOlillt I dose,l"y watch@dl the sales - no nDtk'~able iIIlCr€lase. But, behold, we were hittill1g the columns of broadsheets and tabloids, We' werte the' topic or dlscussten liil1 shows like! ~ Wake'-Up Cal! '" ;;m,,!1 TV Patml"5 "Pulse Ilg Sayan:". W'e were' even iJwi'~ed to Juli'E Yi'lp·Daz~''5 '''Bul.'('ll1lg IP1ulu.llg<1fl- at Hne Wa·s·ill Ph ili polne Plaza.. Last bl!tt not least, we rn ade a ii~ldI trip to tlhe S6!n,]lte to meet tlheGOQld Selnaiorr. That was nice. SOliune'thiinlg asexcltl n5l HIS this j ast h adto hap pen at the tim:e wli'iem we were' gettiing tired of tounng and r@[()wdillg. Oefi Mt'Ely the gods move in myste.ri 0 LIS way s.

After the release of the third album, (,uUerpilloliN,. guess whos{! butts .get another series of flYing kicb? Figure it .0 ut fo r your~('l~\{es .

One day" some pastor rn)m a faraway IkiI111g',t1la,m dsddad to backmask <lrl EH!Serrhead5 tape. probably for ~ack {or lu(k) of sornethlng to do. P'aHent~, he opened thl;1 cartridge, inverted its contents, rreijls~.~liT]lbled it and loaded iit ii n to -a tape play,er .. He' listened very, very ,c~m~fully (or prob;mbhl not at a.ll) and eureka, instant srardom' This fum.i.tii.aEe man found OJ ra~e ~uLke'~ to hls 15 rnlnutes o,F fame through "'Mag,i"Ill'IdfJllg Gabi. B.[!]vam!" At whose ~xpel1se? I w'ill give you one guess.

So here we are again, faced with the burden {If having to explain to almost each and eV'ery concert organizer that th~ E>h,eadls arr.e IrliQt sat8ill·wor;5hip~e'rs .. Si~ly but htU1i. I hav,e to put mil{ best colegia la foot fOMard, which I thQllgh~ il Iha.disafelly' tucked il~side my dos@t together with a 'fe.'if other skeletons. At times when mv pElitiem::e, W~W$ thin, rn'l' motli:~r (~WhQ has the il'ltegrit~ of ~ die-hard Catholic) p'it(;~~ ln 'Witlh these thr'(!!1(i milestones behind' us, I still I never mli1 uut of (Sxlplaining ~o do, Hi(.lP'efully. I will also never run out of booklngs for the next couple of ye.:Jrs.

~fbf.te,:mtlnel.

OM ~ mporti! nt , This is \I!Ihel'l~ i~s a~e checke,rj t~1le sh it W'(\! uldl Ii)O me the show. Many bands

ndcheck" as a waste ,p.f.. i me. Alg,a" s a me (o.aJ'~ try :t~)i cut sc , f;avolF (l'F m rst 'ki nd u'f ver tnventad

""""'T'7"''''''''''''', only ei1ljQved {bjJ',lMo!':lhiK~· 51~i'S d'n t1 politncaJ

<f

zIP ~;r

/J "I· I

4 <l <11 J

4"

f··'

r". '''Ii,., .... "

,~ i.e:;? ~4

'Iv

PiFil'~;;;;n"1I" yourself for an ultra-smooth

", tflir~r[iD1.ii1 y with SI1P(~l'SCl.:-y Swingnn i ,£~~W .. ~,,\Vhil..e Zombie present tell

,I I

~ rites the hi~~,. 1'o'C

visible at ~ Yil '~'lImll' l'I1aclnb5 ' . "<'i!lTL1,', , I ;jill!! sihahi i1.'t,~, 'L1Il:1~' fin."" . nunue ko paml~, '

i'll~X : M~ il:nt1.(;r~ UI1(~TI :·a,!.~ M!oWN! :mg,E,:~~caJ~; ~lfi''!<!I:I!'''m:toiil~bi '!1\0 SIl kan.ilu 1.. . . :'" . ' I k<lil:)'"11g Em h.

MA,lK: G:Lwi~ ~1Iil;i~i'i~\5ir!l:!lJi'\~11li~lIlln" hindihnli. ijilll'll\'h;l~):,,(ru&jkiJ1lJ ti1miin, li!lI:mJlV nnln I.:i -CUI i:'li~rt t{~m:! . _ _ 111I9il;'llpH'!"I roo S<i !l'Igt!! Ml,!lkol S~'l;c~"l'llf

~!LlO L1§ WLU ~m:~~~:1 I'? "11,11.11'" ym1"I:<Iir,-", Al.1l:!t:mf.lrijI n~;).,' I~U~'2'~I~~H~}'''l<Q ~~ IfI~ i~r:"!' ~.~ng '!iiI~ 1!la111!!l. MAIil:.C; Dap"'~ Im~1 i\\~I1il!:!: sa J';:~;;tI: .. kIJIIII!' '!lHI~ ~--ro L1ih~~ illiW~ll.!:Q ..

G~~m"~'a bye mf. ~rd'i "~"I~>illg ~ka'iil1l. hl~~ :l1lU 'Yltlll'~"~'i.liKk':lL'I.~~~'O, :tJl1111o ~';'.!rrM:.i~ ri'l'(~-~ . :' : . . .. ,Iml~'ITlq~-iI.; am tlrlIa~ nllfl ~I!::;I"; ,,'¥i:t Gl!S'l>i.l mm1g ruagWh,!l: lirlJ."!I'Il1" i>11~dm,

rU30 .. X : I);,~QU Iillil: li,,!1 r~p;lI.Iliiibll': (ur. th~ ki~i:1 \"I'h",h\'e~tulJ"I!IID"ic1. . .:: : , . .:., !i'! .. lplli la~ rril9ging !:loll"i -r kl.il1g !ffil~jr~'" k:L [(un;: IlJlgtlSlluhln '"10 I" .: '

MP,IK: 1'"rnir,pnn'I-". N~'Jbg IIIUj;ut '(fi1k:CI!I Eii!ifl:lil1 Iil>~d.t~ .11 9)..Ii::g iludinjtnlllll4ltt"li. Ell ';p1StO l"w,~niol!lII11l!~ba~n~' .:. 11:!Wc~I!", Inildllili,' .

n~ ~il:<lm.. .A mil hi.:! 11:1 11:;,1", nil: (·IJIl11i.ct Io;a~, Ti:c; Ml!'r.:v:;r k~lr 1'\1~I1, "fa""l1ib -lI~'ilW ~ru ~!rf:l~'1iil~,.~I"_~ [!liEl1uyq 1i.1!11· IJILHX, Ii1IP:P~ ~" 1111 sa "'Ih:;~ iru,. 1W,;i!/IJll ~

Imll~in \OJl, h~mJi, :lila ~lii!II"~t1I ill t~~I'[;NI, N~-~I,\~JJ]I.UI!.lgil·~:1JU1I: ~ D~lm!(D ;nil~, nondi I~A]'(L'"I;h1""··llt;l~Jmlll(lll. ·'-,M.ARC: Q(j ~a.-e., ·n>l.m,~~~'L'bt;""f ~~I:;""\il ~.rl, "l'l[11!,! f.& auun R.la\, j,;lt."~lor1.i! .,

hlhnt Ill( fan~ 11~mil'l f-il"F.( \!Illi~bA!~ ~ !li:tmlll, 'L:!nr.: I":,'kill;. d!'l"", il.ilIJ'IUII'pm, "plI!":iIl.l!l: ann tlil .... , t,,,[j~ gj~,","f] 1ICI'il1tJ' . • w '"'t~J bilidi ko l"hdc,d~lI\' '\',,<1. .

na ~ibI11[!llllk~-:~l1n, I i'lggi'l'fl.~~ tq;I",'" ~a:~"lIIiilllflnfTl!I~. Ttw ~itt y,.., 'w~'Ii 1l1l!1!fI.:~liJ e.->!).,d ... ).~ M:l1i:rJ iI!:;:L,'e I'Ll)'\(: G.I!lFlU 1J1li) hn ~'~IIlI!i)I"~ ",".) >ll 01' cllbti:' .

in, rem 1lIII..~ l'l'im~D'f' c'"o;)~n! Ilill~liH~ .i.~ to be abk tu d!,,~~~ 1J.i1" i'iBllt i.:(d: .. l, ~twLd\il 'I' I~~ ~t1lil!; !;I~·I,w:J~;dJ!II.J1j U1f: Mf\HC: C~, ~lIStollill-W"'J';" k" "lft)oL.·D~I'i, {l1l'tJ:' ~ODg kuntn "~'lim~ mn ..

fllcr.; C' hind i. Klll'g nn~"g:f<;M ijf! rmln kruni :til: l~h-CH,.r,e...,;! ~1Iil, IJ~ tim!:), Ka:;i ).liln~ f"'''nd.:willl~'lii!;mfn: kL!n;::;.m,~ khw)'wonn ~ d!;ClIl.lO'iC!f, ;;:;':,l>n kvll.ll !)UlIII:\Wn IiIi smm 1X1Dl:ld''l?r fillOI~

an~ Lrip n,IIDil'l 01[1 W~!iW llilmln, i.yon ill1~ lllIa$'k~l;r,ru;l.. . . . .' .. ." 'liMil r'bi~moph~' (k1l,,:rU'iI"f,rn~ 21k.,. rll<,L<lI:nalllo:!J!1lI d,nm-di""'N 'Iib l(J1~

.l'LIlX .. N~j,,1-~ r,'~ .' b.1.Llll" prillt i!Jlc n:l'~1'1 ~~, l:":.lW1l"-~ lI'y" ~q!l: 11I1~j hnm! li'!I1ill( l~lj: ~tl\,g:k~1 ".1 :m,', - fil':",' r~,-hc,ll)~"-" ~L1i!.~ SOC iQ~ Lllll\' Iclt3t()f)' •

~~i'"RC: 00, sa tlrj,l LI~J1~~I~ ailiT.tS :~llhlll1L (Il'illdl1l :bull i'I~i:ri.!l phull~ifkr'l ,n~mjn" Mndl') 11 rciimsl.. . .

rUilX : N~r.mn.'''·flf''r<:: it:il ba IWI;1l !Dusic nil E·hl!<-.,I ' . PLBX : J\.rum,~ l~fI~I~"I'I,". rr~, .. , ,~, 111~ imlnU !DO!

M,"i.RC: :-~"~".i"""" '"' ~'! ,I. ~l;n~~ 11l1! mas mU;l!f1"li k.1"..,i.l!,!,1 n:li>a"raki.ll~n.n~"~Of\, Ill:., 1Ifr.lil:~illnll mlllitllKe:!i, . . 'MARC, Indi\'i(hlllil'i!~k"'~~Il1t J"IU' '.' lSi! ~kir, " be ',""lllr'own fl1.1il;, I,., 'i'I!!!' .

l'LBX Alinml.1~ l'fI4la k~lil~ i"'ll;u!~·[!,ll~~t 1lijJ1l,1jp ,nl1ill;hi't~ IlID? uWlllhd:L\a, K!!l~~n.',n'li!:·,.,\j'ld V~'''·11lI.~lltill;.'lPn nlo.r:1IT~';l}f1TI1",,:JiiJ;l.l;

MARC: A'(Gt:lnl~n~ l!IUj"iN~ llillg !lTIIgliI h:nhl ko, 11):.I'i,"Sk,~I· hi1j iJlI.l\l' t,b l'[iJIlJi ka~i ~k~ lffio,iJ:lif.llt<1rl:;:II~~~!lM 11~ .. ' ~1LO- 'Iapos i-share mo ~ ,1", - kUQg f")llIrripilll l1il;.q, eh 4i 'Ilt~. R.,,'g li·inJi, :'.

IlramWl, ~.m .. ,·n :UI'i[! F!:jJl1i~ru k' .: . 11k iililll:LTIlJ;'"

l'LBX : iYIIf!ll" •. 'Il ~.{o'. i"1'1!ti~, Jlf\il'hig'.:I! 111]11 d3ting nnon, . ," I'ILEIA :.Hindl ks JI'I b:, ,i1":!!".l'!!W"'Uv. tm;l:I8b<lIi'y(f, nJ!l1,}~:m as m.il~ld"j~ir

MAI!I:G A1Cl ::!I1'if! l'n~1 !I~t Il<,)'I1- !~tllUIt9, 'l.~'i"il\': 1m nar'lg kllililall!l;~ .. tlh.il"i:l ~U;,:;.nl k:tjn I.Ii61Jiiko 1.1!lc trip DMI'iI~ii1' "'l~;Oi MAl~C: HRI~rlIL I'M"" R,,:!,,'l4 1IJ~I~hl1lt iJjI( billt Ml !t~!1!~, ',,:l~ n.!..i!]~g;j!tl nil,

OOk! ~a. 1!)f.>.400 Ll:1'fl1~1il j.:lj seeoud aiJvJill, r.1bf1fl['li~ pi1i~li,"".g'L ,,~ \~mlfl boses ka. SlIt l'k~1 ~.ilf l":J!rylTl.ilrr;l, 'il~,"re, 1),"11"':' .' ~ 1.1lIi1n;:! IJlIll:irnllld·:{fj1I.lll;J'I~[(q~ nu rnll roo uO\ldl. find {~il' ~WlfllJ"I: ~'ll~

m,'O Ill! bum.l ruI !:il"'g~,~~ ~"\oll.l~( ~ ~ 'I'I~fl,.,. 'Tii1j;.n;rn ni!.l:iilllnm~ puann Ia-no . p~ 'i'!g fa0.· A'yun., gimR'ii.·.~.I((j. 'OOril "\!ll\1~ t~ mod. liie.ima~'.lld' din Sit amin '1f1~ \'ii:.!s.l)i 1,,_ Hi,,Ji 1,,1 mt

:In;: 'r~m' "F ·1;;.~"'1~·~" 'l'Nlku ''!I'JI~'I mk b!i'J'fi' .... lf~p blt'fl''';' S~~ thirlil:lllbl!llll n:iTO''''J;, :1'~-.)i",' ko f]fiim~ ~ulJru!m", .: .blni ~i!iiInahal1(l~ IJ""'''llcl<,&,I'fl.J;Q' <I!J!i'!.l pilm k!i11l.j.l';M~ kfl~~~~ liihat.

Illl"L~u;m p.~ rJi"I :,~OO~, !h~- mnOll:;:l, SAbi k{'~ 'R~lil1Ull1Cl, g,"i,lll"n ,B;) [f~ Ilf. 'Inbi~ In I.· OJ kii~~ runuun, "Rr~'.IIl.~fj_(I, . '. Sil ~ti~, pm'll1'1.f!·.r:ilnl'I'. !\:oIl' riilii: l11~:m~\II 3i~~ {1XI'II'Ii., fIj""~'l'!l?l drll1;ilni~,

'brni::'lhin ml'l o1<'lnWIIl"lu," Tul;tJ su 'Sfu, r.[,o", m,~. IVfl;:.ojiO"I ~"i:l, prinLlgh::'llo n~llI"Iil1. Sil A,lIIII'pm!!: first.aud s"c.cmd PlBX: I I.in.:Ii "1:", fl'1 l'Iil !~~il".a·;( 'r'L'mill'ld

I G&:-' ~W"'''' ~llw;'~i~ an..~.1~ t, mf.'¥-' .1'1:1"" ,.,Imin. MAI\C: [-]inilll.lllm:l'; k:,'.ll"Q,ll" il[ig "uk-lira nl": l\lW"~ 1·.I{(:t, "'" lI.!gl : l1

,-,J·'.I P.,.L~: r_.'I!IIg~~!J :lin~ m~-tc:vi~ .. : ':~ li!.ittot'l"pilkoM. ~i~lIm I'll d,.""" I !h. ['i!Jiio .. {rim;JI~' [lOc:.l l~ilmi.lI, [''rll;l,I1iJj~ 11~n.y H1:1~"W t'.xr~r:ii.mt:~. Kiotpag ~i!!1al"":1p "~.'·r"~ ~iW,

, . ,,X. ~lfI.d ~~:wl~ ~"ul tne SDng;: 11h: '&1" Mil. . ~lL1dlll)1!,' milll,' m<'lr~rLlH"'1'I k" rf[Hll km],~';!i dnihlla Ihl ,if":g I!lJIJIOt QI VLe~'m

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"'IlI'".. ... , ,~""I: {rl!'lg,..,~:r.n~ l1g ru:·.x'togi~ tl'~t..Il!l:ll"." ... 'a,1!fl J"" ~ !;I saFiIli .lJr~l'iIpbmi~r<Llik mil 00 1If1~i>.:llilieWZJ, la~'j;lU ino ii~' iJIg [""iar • ~rl Flmtn~, . adQR1. ;I01lI1i"~

J~~I!3·"'I2-.I~'ili"-Ji"'lill- .. \;iiotlt\!$Ji,)p<:l~;D~ Q. [1>!!~tJ)II.llltA,- .

IOlh·p. Smile', "'rh~ ~1so~ in tho:;: VCR.

The process c:outd ,eIther be simple or not that simple,

It could be compLex or more than complex,

Ely spins thetale and sets it straight, ..

If you thought that thii5 was g(j.ing to be an article Cit!out recordlng, well congratutattcns' Hlow on earth did ymJ know? Anyw(JJY. 1'm wriling about It flOW rorl.1.vo reasons, One, ! love recording and two, I kl'v~ wr,itfng about recordiing'. Also, I just want you people to have at least a small idea as to what re.Jlly goes on in the stud 10 and bllsi.c3Illly why recording all album lakes SO long..

Bear in miltlld, however, that 'o'o'11a.t you'U b~ reading isn't the ~eneral prattie@ "",lUll all artists. NalUroHy, it's a case' to case basis. SOrTIe groups cain record an entire all bum I n

one ,d~y. sometimes it takes Y'@iJrS. Ther,e isn't any s.pedfk reason behind thrs, Ut just happens, Li~e all works of M, there's no maximum or rnlnlrnurn time' wlh'Eft1l it comes to a'Elating .. It also has a tot ~(I do 'with the artist himseliF. He might he a one-take guy or the kind that spends ye'alrs en trying to get the perfect snare drum sound .. lin the -enid, it t'lO~Sn't really matter how 10llig or 'short it takes. If it works fur you, then do lit,

BlUl Hke' I s~~d, it's a case to, case bassist, Some bandls ha"'l"e the luxury of spending a lifetime em a project,lmd some don't, Punoy b a n ds , I' 0 r

. .

the most part, fall on the laUer caU;lgor,y. We're not as Ilu(ky as our fore&~,.. , counterparts. lAHlY do I say thus? I 'm su~e eve!JY band 111 thli 5 COLllllry wo uld lev .~o take their sweet ume and think aboul ., the work they .... 111 ?Io. An~ that in~h.l~S .' us. I mean, if we welle gillen a chot~e, we'd go SO 111 eplace for away that hatS- ill '. mzy Ifttle srudlo by the beach wiher,e. If! . can live in and record tn at the sam@' ,: time, not going tlild: to clvillzatlon UI_it '. time is rlght and we' are s.aJtisf1~d wilth our work, But that won't happen b'ecau8e .: of so mMy factors .. For one rhing, tI,o $1"Jc.h studlo in the· CiOIl.lrlltry exlsts, II'U ten· you the rest later.

Yes, nobody wants to be rLJsli~, '. we ell hate' deadlines don't we? But these are realities that we all have to face. But don't ge't the wr'(Jng idea, ~r.s , ' not nbe I'm all biUer about the SituatiOn.

~'m just giving you the facts. These.iliFe merelv its.y-' bit sy, teente-weenie, yelll.ow polka dot cornptalnts wb,aiil yOIJi weigh it against the Ilimitl~:s:p. fun we' ha ... ~e when workirlg- QI'iI an album. Which rem i1nd 5, me,

I. havEl.n't. tel .. d yOlJlanyt~n~

abou~ [lhia~ye t t .

~liJlhen we ,.. .. ,efe recordh~lg Ultmel~ctron~?*,r'ietiq.!@'~, .. we ~1,8iCl Iil 0 I @'iII tha~, '. wOUild have 11 d rastl ( effM:t .

on our lives. SllIlre, we ~i@ all hoplng that we ,.",mJ.ld' somehow be su!'xes:'lfttl, but we nev,er ~xpect!d . a.nythfng like this .. Bel'bte, 'i'I'ewould wake up in ;'tj~e " m Orill. in IT a~ d ~ry to t~!f.~ o~ $(J m@thillrng wortl1w~i(j 10 do for the' day. N,('jw. we don't even have tim!

to thirllk. A day-off is 1iJl1i~ . a n

oasis in the desert.

less S'U 1iI1I11f!~ rize our rlv~s to r one wh (]I le V'€:ariill this fashion: Wlrite Songs, Record 1111 Album, Promote the .Album, Tow' rhe Country; Side Projects, Tour the Countrv, Cfliristma.s,. Wrilte Songs, Re>wrd an Allhum, Promote the' Albll,lm" Tour 'the COUUiJtr"y, and so on aru.~ so forth, Well, actually it's not that si:mple but those me basieally the hd,glh lights.. .

I'd like to touch on a lew things Hrst. We m~ i"€'qllJiireo bryour contract wiih BMG lRecordlst{l, release Oit least ()file alhurn per y~air. We can record more but tliar',5 impossible. At best; y"OU cam expsct one Cliburn from us bef()n~ '~very yeijir ends, Why 50 lat@? Well. Hils I) matter o~ tlme frame'. We .starrted tale. llltra was released [}r.!(!i bell 1993 an d it rea lly did n't do buslness l]nW miid-g,t:j. We take' at least about five mOlliths, to record an album so you can more 011' IIli'$cs. calculate for y()iUm~l\l,es. Prumotin g, and tOiUlilililig are baslcallv the same banana, When we tQI.H, dlo concerts in pr~virwes or clubs i~n Manl~~a. we' promote. This goes all ~:nll[lii('8illy the whoh~ yea~ ~oli.lml. AII'~d let's not !forget ~a,dio and TV appearances

as, well as, intervneW5 and pictorials for pl!!lbLlcatiotis. Side prolects are basical.ly that -things. we do on the side that don't ne{l€'.ss1!Irilly have to be f'~f t~@ band, Libe 'films, vldees.commerttals, writing song'S as WE!'1l as preduclng albums for other artists (like 'the upooming r@wnlis bV Jerks and lao Mapa). publishing (it's, right in vour handsl), playing in other bands, p,l;;Iyumg in other albums (189,6, and FMlinds·m's new one) and] OJ host of other tllirng5~hat add more spice ~o ow already spicy live5. Christmas, you mo e OF less kfll[ll'!N somethl ng about 'it a l~€la d y.

ISI1;t it amazing that I've m.all'aged to get this. far and still not say anyth"n~ al:Jout m~ main topk?' lit's. a trlck II learned in colleg,~. Anywi'lIl/. now tl'i{'lt YoOu"re aW':ir'I'l

of the time 'frame that 'the E·inleads am on his h::Hlldy walkman, TIflij$ will ;S.@r\l'~ in •. 'Y(lILq may already have .a better picture as the demo. IBut iif II'm too shy to Sill:g of t h e recordlng proces s itself. H.! usu.ally record all the songs 0111 my

First of all, we. Itii31V@ to write the cassette befu,~e the me~trt'!g ~!1d just IpLay songs.Tor Ultra it was easy'" We had it to them, You should hear l.emun's

about four years tc prepare for demos, By using h~.5 versaJtil.~

that album, ln racr, W~ [mad "'1"1.' fl :£r~rl~hesi~,(ilr> they sound

enough songs to make .... ., ~ ij ke the fil n is h,e d

three albums .. But when given a choice" product, After the

it filf1<1!lily came to d listenilllg session,

re'cordvng, W@ only had we'· go .sojmepla~e we discuss the

a handful of Taga!'Og.·· '''a', r aw· a 'y: t··ha·t has a' songs, Ih~,e songs songs m OUHelpertou·e,. Ii., - ..... '. ' 1- nUl.. are @nlough (w'e

~MG wanted mO.I,e. ('.'0. zy 1·1·'lt'l· a stud .,0 b. 'y- 1[_!I~uBlly prepare

Therefore songs I .• lke .. '.... .,... , - - _. - .' '. about 't~",jel'ltvl. the

:: Ea5~. Ka . ~Oing',> the bU'8chwhe,re' we S,Q,ngs wll l be

M ad Hi! g A k :a II. a , __ II"' _ . d' d screened and we sll

II Lig;llY.fI", and "SIh11rlev~ ,can Ililve an·· ret,o'r,_ declde what songs '~ ... , e-,F,e la s t· m r i1 LJ. t@.t",t_h..(usuaH\tI2t01!.jlwm

compusitjons for the ,a I _ e 5· ,a m e' be included in the

album, Imll1lic.ally, n took us time ... j,jj album. SOIi1l'elimes Sir

almost a year to finish Ultra. Robin @velil suggests. how

\)WE dlidn't knowwhat we were to rnake jihe song better,

dloillig and there w'ef~'a lot of people II.y-rk:allyand mustcall!y, He's that involved! teUung us wh.:lit to do. lJistelill to the li\ecord o Iii ce the SOrll§Ji have :bee n now' lt's !!lot to be [he worst scundlng ifinalized, it's oft to the rehearsal studlo album ever released, Stllffi(~ a to :say, nils to record another demo. These studio a 111 experience I"d rather for,get sesslensare bonked hy Sir Robin for

It was. the arrival of Arm ami Sir practice on~y. This IS QJ vervimportant Robilfl when things started to ge,t stage, because this is where all the songs crganizsd, And I tllinlk that you don't (!r@·arrarl~~red illnd is actually the 'firs~ time need to be an expert to reu you ttbllt the new .5iJngs wm be plaved h"J the there's a galaxy ,of diffierern,ee betwe,e-rn whole b;;i!tid, with all the instruments. our first and second album. Sirr R()bi'r~ IEverybody contrlbutes 10 [he song. If keeps us. on our tO€S by monitoring the writer is not St.H~ about his o ur progress i n . sOrlgwriti'mg, and arrangement, weJam the song for hours practically supervises the making of until we,'re satisfied that rt's the sound the a~bum 111'():m ~h@ demos to the final that we al~ W,:lilrnt !'or that particular tune. released tapes, lt's kinda like scheot After the jam session, Sir Robin once but hey. we miss sehcen Most of 1I1h~ again tap-es aUrhe S;,()llgS. thiS tlme with materials for (I reus werre written in a the whole- barlcl playing. This sum rough month" and 1:I["'Oftlile SQllgs we're new, demo tape will more or less form E'he e·xcept songs lik,e "Kallan" and! "'Wishing basisfij)1' om proper studle work. Wells" wlhliicn were written way back in Du~~o OUlI" he.1lvy taming, Sir (·olle'~e. With (utterlPillow, it was basicailly Rob'in books our recording' onlly twice a the same excep,t we Ihad to write all tile 'week, usually Monda,ys and Thursdays, SQ n gs whils 011 the (irQLls, tour. There was from 1 p.m, to 7 p.m, NO\!Il', some artists absolutely no time olif when ltcarne to like' to re-cord during unhicdy hours, {dusk prmmo~ing tnat al[blUm! till dawn). We can't. lt's hard to be

Wlruelillhe band is ready wid1l the r.re·ativ'fil when you' Fe tired and all YOll songs, we meet with Slr Rob]n, usually 'W<lnna do lis sleep. ,After lunch is the at our place. lt is ill this meeting that all obvious tnoi'ce because there's less traffic, the new songs will be' hearo by our we're- aJn relati.v,ely awake and ready for producer, Ac:tua.llly. lr'sthe first time' that action, our energy l@'vel$ are high and! any ()f us willi be' hearing the new songs, we've .al~ taken baths alreadj; lt's thoe LlislIally" we- jlLUst sing' it to him io'IIlth an perfea time' for us to be productive. acoustic guitar while he records eV"euything

The first thin,g we d o 15 record tOT the backing tracks. This. is the music or the .song· all the' instruments recorded one bv

Ollie" Have Y'QllJiever h~\;ud <li minusolle? S3Ime thing. lt's called U'8:<:k hy track recnrding. A mixing b,oa~d u5uaHy has twenty-four tracks. This means vou carl pur in as many as 24 sounds as you I~k~, including the vocals, Somtlii!t~mes w,e use all of them, sometimes we don't Mos.t of the ttme, we overload th,~ mixer! ,IU5i try to im-agin,€! 24, cassette recorders in one machine, G'Hlat, huh? And who's the guy wh o (0 n trois '[he mli;.:.@r, sets III p the microphones. and is baslcally the gu.@:rdian of the stuHji'Of HI'e'sC:<JJHedl thesound !i!liIgim:!er. Ev,erl" artist shouid ha:ve a good relatiollsnilP wiith his engineer, or suffer the LOl1rs.eqllem;:~s. This guY' has tile p ow@r to en han ce or dest r()~t you r soun d, so yo·!), better deal WWl hlrn nut~l.y. We love wOl'ki Ill!! wiit h ~ ITI Ii,': i 11 ee 1'5 whio are n' t asshcles. ME'anilllg" the~' don't behave like they know e'v(!~vthilllg" I mean, I'm very touc W about illly sonrgs, and II don't like people telling me wh~r my song should sound like·. Wr:/ve worked with enginesrs who are e.x;actly liih that and t"lte've never hlred them again. 1011 lts, who enj~pif1l'E'ered a iii d lIilii;;;e'd OIl.J ~ 'sew n d an d t hn rd all b II.J mrs, is our kind of guy. He's technicallv 'CQQl, not {lnraid to e,xperiment. and doesn't mil1d if we pl;;ty around wflh his mixer. he band is very.partiCII.J~jljr about mixing (the procass by Whlldll the filila.! 03lbu!ii!l 5011L1nd of e'8Jdl scng is produced), how ell(~ lnstrument sbould so;ulldl, and we like dolng it handson. If an englneer d!!.li~5n't '.'I'ant us to even get fUWJ the flllixillg board, if's savonara to him.

A racordlng schedule of i to 7 p.rn, l!sllJtJi~I'\l' procliw::es two recorded song:; .. ~:HlllelTlbel", rncordiing and mixing are two different things. Wlhen I say recorded SQIiI~" they' Fe not vet corn pMe or filflishe-d. lt'sjust the music, plus my' guide vocalls. M fI 1':5(, ~~'s just the d ru ms an d ~h e bass, th 11l1r]J we overd u bgu rta.~$ Ii;IJ' keyboa rd 3, if amy. On((;) all ~lhe -soilgs' rnuslcsl tracks

It*'IG~~) have DEem recorded (lIl~li'ch takes

about 3 to II months} we ado ·Ii;.Eliinishing touches like final lead vocals and back-lip vocals, psrcusslon, effscts, or any last mrinQ,lt¢ changes to the reWrdtHI~rOllI~lI:;s,. Sometimes, Marcll.Is wnight w,al'lt to ch'~llg"e: ill guitar line or scmsthlng like that, olilly minlor changes. Since ~ve'rI~ on a budget, we have to b€l ve'ry sure and e;;;,act with whElt we do, There i;I·[1ll only <JI ffew instences WhrElIl we had to re-record a wholrl'! SOI~!!l. Afte'r recording, lt's time to' mil;;; the songs. lt's too teehnlcal to, b€i discussed here. and even if i wan~ed tOo II dO'II1't know . that, rnlJ!:haborut it either. Let's jl;,l$t say that the product of hlllixing is what: VOl] hear on yOIl.JJ tapes, CDs or radles, "lIow long a,oes mixi'nlg take? Oh, about four to five 11 ours, Again, we fin islfi at least t\IVQ songs. per session, Sill'" Robin gi v e.s ILlS at least two chances of remixin'i! a song if we-lOre nut sati5fi@d with it.

B Lit the a lbum uSn 't ffii nlshe d b\l' d. Iiongsinot We 5tH! have to m~~Mr

it. mearrlng, make a ta,pe that COD"llt<llnns HUl! final lineup of scngs Por the actual release. Th~ album lillelJp is mv ~ob,. It's trlicky work, but I love it. I think It's <IS important as. the' songsthemselvss. You have ~iJ figu[(f! out a good balance Fg.J the tW() sides. This hi:l!larweo depends on tw'O i III pmtmn facto rs - iinlUS iie an d tima. Beth sides rnl).~,t have th£' same duratlcn. For

,example

if you r

a Ibu In clocks att 8J total. off on€' hO'UF, side A.

sh o ul d be 3{)

milllvtes and side 13 3'0 minutes: also .. TIh~r~ has to be a musical balance, too, What should b~ the first SOi'ig OIl the

a I.bIIJUI~? () r tile last? Whjlt sllrourld b,e in belw~en? SlloLa!d I ~oillow a rockes wiitl1sti!l another rocker, or o1l sctt GIrlie? Sir R,obiin measures the' SOtlg: b,y their speed. I think .. So baslca Ilyth ere' are th e fast so n gs, the medium songs and the 'Stow .':lOlilgS., ,My usual ronrnlJJla lis much simpler . heavy and II i gilt. A 5,0 n g W<e "I nsc my ill ~ is defin nel" heavy. "Witi1 A Smile" is diefinitely liglht. But there are gfay areas that nHlke tliie lob more difficult. Like ifoirexa.rnple. "Poormen's

Grn1,i\eli, S(lilically, itt's neither [light nor hearvy, but lyri~(lll~~ it's, de fin itely heavy. Content is

anotner CO! slderatien, 11'1 such cases, I ultimatet'~ li5t~n to the l1Iow of the ... d'loloe albura. Ilf it sounds right!o, my ears, then it's

o kay, The greatest problem anses when VClLlr sorng lineup and

the ,d uration ,0'F 'the two, $id'es don't matd~. In Cl!ItterpiI lo'w" fm e~aii'lple, my chosen SOf1l~S for side A w~m~ much ~Dlilger th;J!1l tine onss o n side R ru; <I ~~ult. there's a full sb minutesof sUeme, aftelr' lhe last song ,011 slde s. Mo~ than a: 'Song. What was II to, do? Eiitf'ler I equ1lllize th~ tVlf!) sides or ruin the Ihe'mOlitic ·now olf U'IE! songs.

II Kumbaga, 'vul'lg feel nung buong <i.lbum." I couldn't p()ssibl~ sacrifke my lineup For the sake ot symmetry ..

So what we did was write and record another "filler" - and that's the song HCuUeFpillow". Sort of a sqjrplMI\>e song" lif'le Beatie'S did the same thing in Sgt. Pepper .. , but it. was just sounds, not aJ Sttlllg ..

" S---- rti 15· ..... eme er IS·

li ke t'oreco rd during unho ty hOl!Jrs,mwe can't .. Jt"s hard to be creative when you're thed and all you want to do is, .s (,e'e IP ••• ''',

by Mark Lacca'Y

"_··-·--:··~F''''''''

~--. -r-r=:> ..... -~____.. ••

. _ -~_-.

,

I "" ,,· ... "tI, """'.'h, ''''' b •• d', " ",,,,nt. th, ''''''''''d, 'I'd S •• " H"mp, " ;" ,,,' ,,,,,,,, ''''0 "'" bu, n," " ,''V I"b ';1"" "'Sf ""It, I """.i 0.'""'" 'n" '."ie·'M give "'''' liletim, "al I,,,, 'rul, ""'",e, ,,, •• dl,, th,.O' w;I' ''''''' he th. ''' ••• g". b,,,,,,, , '.U,ld ,., "'k on" ""I 'h. woy I "'n to " th, " as t. ,

"""'. "'" """''''"'''' ., ""'" I 'I>;"k"", .0, B., 'Ve, 'f 'ne, doo" ""0"1,,,", h,,, ·r. '''m, u"'" Up, f,,, "Od ""'.gets who "n> i. to,t'""'''''''g "'!e ...

A T(l< Sa 1{1(l> Y'QilJ r 1)"1 by fro,m ea r {j'i!fe.ct, SlllY<t'll{,]'Y Fl"'Om _". ~hej.rgjgs fOlf tl'l!P Mlearltkn~,

l@O!N:I ;fl)er~j>()y bo teak! fl;1. For the first tht@!i3' months, .2·,' '0. n,,, to "0 p,""jC'~I, 0o,1,,". ".,," ;, , f,,, "" fi'QIll d'Qi.~g Niilctk;,,~~y @\!el'lfth!~lg 'IIthen Y.Q~ W~ire $fi!j

'I.V~rki'lg, .

3·. G~~' >LIsed to ·oIep'FessioJ']l, VOlli vtm J~i'.Il{e ~Ua{~"5eW;!!IY :;;0 >o;i'te!] dUFirlg a lid "fl'~iF the nflle' mo ~ttl per~lod. 1R~1i(j th,(l' Des,[cle.ra:ta, it ml,fl"J11! heJr.

4 5 6

Avo,id g,(ltlk!g rnvotved rn i'J'®tty q'U<iJ1'i'ie1s" Alii bi'lrcJ(i\s aiFe PfoD'l'le iLlil tn~s, wne-n they gt't t(JIge~heJ:

SrI1~~e G-ven If one {If ith@ b<lfld' rne-mb@(;;j I,v.reicke.j Ms car;

7,', .... J'f tjl~ band W<lt;!h, <I' If.:lO:JUOtl, gf'o'ert 10' t~em. ,EVen 1il(~.n-pr:eog11l<:ln~ pelDp1e nell'!'Q jt

As J'm.lCII;alS poss,bk!, "'leet with th(:'1'l;! o~Jv OJ~ce <i J:nolltn Of on!y du,rJl1g .ext'<1t'1iM e~~ergeHc't ;ro' jVoQiJ rJlle temp,t<l,tioll Q fgo [rig Da (I<: .f() YO ur ~oJd fO~~1i'Mld r,oH tlfes.f\'~e_

,9

TO aVojd :5~:ressl ;tll'lf ~:() P,OstP'Ol!;le rrlloEebng Wit'l, fJrsHime Pf\'ld'IK~lrs; Qrd-tjm-e. P~Muc(l'rs WI!']!) StirJ ha'rJ.e.n'[' produ1;'ed' .n ~1J(;tessfu.r {Ol"!cert 11110 the pas.t fiv~ ¥etll"$ and proE!it~II:I,d Eha~ they h<lio'e; i.llld ![!>Fod~Jce~'S 0 fHie or,d s(flool~ (try

to liigur.~ tJ'i@t Olit},

Make your hand (<l!t:ld in my CBS;l'1, !iN~ me-oro 'CO!:l1P<lH'IJ Fee,1 thai! YQU ~laWi)n'~ .aba'lQo.i1ed t~Ham,. R~s.s!J.I't!. them ~'j<l~ they W~~~ slJlr ·~"''Veil io b :for the tl@>::tco tJP~€ of mO>llth~ obly pre:SCI1,t.iJ1'g to !ne'll YO!l1r P1ijlt')S, >e'llelll jf th.ey a I'e i~~.$t t~<3I;t - pfa FlS,

Go Of:! \l!orking. j/Q u' r1 n~e.d it :to ft'IE cI Va-In c,nih:t

10

11

Name: BL CID Ad.dl'es.s;!!:-.~ . .AJ?B\.· V!LI.., QC 8jgnature~ wtr; ~

Favo-rit€! Appa.:riitu.s: POI'lERJ)F.IVER

Color ofp·cklst:iDks:: OF.Al-lGE JODS

Dt'eam PiQnic: STAAl'1:BERRY FIEl.DS IdeaLPhHosopby; .IDEAL \'Il"lTH YOU LATER •. , Name of Harne: 'F ]!!.KR.EN 2:

Favol"its' Size: 3 G~D F'avoI'ite Time; Di1.RK AGES

Vll1at des,tructs ;yuu most; onstage: l'.lARCUS

Nu:mbl3r of socsets in room (dO u sha.ve'?).:. 5IVE VVhat's the frequency Kew1!{lth?: S'l'.IPE IS J. •. FAG li'avol"ite, "FQI'lleut;": P12,OaO/l'10. APPLY 4 !t(TATER 5< ELEC'l'RICI'rY' Y,ERSEl"P'

Favorite, Lost Items: VIRGIlUTIES

Fa.roOllS Last Words: "1..JW\'C:'.Wa: PU •.. " "k""tE U strRR7" Favorite Constellation: THE SHINY ONES

Fa-vo,rite VO'l;rq-e,l Movemoot~ TOO !\fAN): TO .;m~·1'IQN Favorite Cl'lorrl!.~ kTJGHENTED T

Ua,ffie of Cal'; TRASft

Shade' Qf Shades,; PALE HORSE SI".udliIDt No.: 87-0479,8 Minera.I Wa.ter: COE..D

Brand/Colo!' of Underwear: ,·mITE JOCKEY Fa.vortte El e Color:. AQUA ll-l.aOON

Chair: R~-KLEIN

S:j@1il ,of D Tjm.,e; • I ' w: ONE OF rm,iRt>lLL !;'IONJ<JtE ~"AN'S· Favorite Leo: MAP..""IiNEZ rom EUENDIA

Fa.vorite 18m; FRE.E~WJ:tS~l.

Favorite SmeU: BEAUTIFUL

Blood Type: TI"IICK, HOIf AND SJ?'ICY Favor-iOO Beach: HEIDI FLJUS.s Fa,;lorlte Gym: GYM CARR£?

Favorite L·:J,OO: NIRVP.Jlll,. T.HE BOSS VAt.

Most Uniol'gettable Hi}tCh: JEE?NEY S'I'RI.iKE • 87 Longest Amnesia. '\;~T;ith Details and "W'by

(limit answers to 101 woro~ or more): ... FavoI'ite Adv~rb: f'ERFillICTOr.:-ELY

Favorite Pr,o; "PRO GAGO KAYONG t t·.HJ;'..'r" SukJng, Tinda.l'laill:: 'TITA. BUH' S

Number of Autogra:-pbs Signed: 1, 257,350_ 35 Favnrit@l ~ Site: ~J,hGlJ:W~U6LJ;C I'>!ARKE"T' t: FAGl-illIlm Fa\T01'ite Ex,cu~e When L8Il;e: OJ SI £f'.!r\RCU5 y.:..~SI .•• ,; Favorite Due: Sf'IDER-~~\j"

Favorite fI'·Word; FII.-l::!MU1D1UC

.Nunrbe.r of Jea:ns: 5 05

Diameter of Mouth; 35 Kl'f.

Name: .Uu"\CUS Address: URJI1'JUS Signatu:re;MA'(JJ S

FaNQI"ite Appat'atus: 'i.'QUR B1\.G lJ...ND CD CASE r>1i,l D008J:E~~SEI..OOI c

Galor Qf Picklstioks: REO DI'8'am Plente: SA ZOQ

Id.€\al Pllilmmphy: :00 ItJ.HA"r U DJG, DIG V i1j\'r U 00 Name of Game: TaR NAME GA}fE

Favorite Size: FITS ALL

F'a,:vol'ite Time: TIME };10MB .

~lha!;; destructs: you most Qlls:tage: SLY· S EU'fT Numbsr> of sockets in, room (do u shave?): 12, 13

rrm~N I' M SHA;,lUJG .

'Wllat' B the fl'€q'uellCY Kenneth'?: rr • S N(}"l' THE FREQ

IT'S THB TBO ,

Favorite "Fol' Roent."; APAR'l"HEN'l'

FavoI'ittt Lost Items:M'i SO-CALLED INNOCENCE Famolls Last WOl''ds: AI1EN!

Favorite Const{)Uation:' FT,AVIDS RAJOR Fa~ r o:rite Vowel Movement.;, UHH BEDE F'a,vorU..s Chord: F. M.%J Wi YOSI

UamG of Cal'; KIRS''f'EN

Shade' of Shades; potjl,RlZED Student. No.: 88-356??

Mineral Water: FREE

B:l.'rula/ColoI' of' Undei"Th~eru:"; EA.RTH

lfavoI"ite Blue 00101': "BLA.CK s: BLUE" Bl,Ul! Chau"; 4-L""GGED MONO LOCK

Signs of D Il'trne: FUR'l'HUR

Favonw LeO: ROMEO .LEO

Fa.vor.ite Is.fD.: FR~Bm~nSM

FavQrite Smell: THE fJtlfJA'l' I STriA T Sl~L I, " SMELL Blood 'Type,; ;llATA~nS Yl;,,-]lli

Favorite Bea.ch~ BQRACf.,Y. PhLAWAN, PAGUDPUD Fa-vori!:.€! Gym: SA..l1E AS ELY

Fa. voritt3 1,·3,00: VAN W! ANN

Most Uworge'ttiabl€ Hitch: !UTeli' WI UP POLICE i 93 (\'i/ RA:a1s)

Longest; AmnsIDa. Wi~h De.taJ.ls and 'i!llh.v (ll.mit BH'lS'W8rs to 101 r.vords 0'1' mere): AIL .. _ Favorite Adverb; ,TE'r LEE

Fav-oI'ite Pl'O: PROCR.EATEr PROSTI DA SNONMJI .. N $ukjIl,g TIDdal'l.an: TINDAHAN VI VKRGJ B

Numbl(lp of Autogl'e:.;pl1S Signed.:MENI ~llENI TE!{i;-<E!U PARS INS

.. FaVOl'iteUk~2 Site; BAGU 10

Favorite E'XiCUS6 When ~te: KAST 1>.N!c, AG1o. ~.j'G CALL.'I'UlE MUHLACH NT JULJ;E EH PACANAS F,avorite Duo: AKO ATSA."tA sr MC'ARON1'AS F:Mrorite 11'- Word: NE, FL.JJ;.VItl NE 1

NUmber of J€<MS:: 9

Diarllet@.r of l!'[Quth: PREE Sl.ZE .FITS ALL ELAS'J[':IC

If Yo'l're wOllhri~ why YOLl're the

oIly &ot&eA~ Otlt III flJe ~treet".,.

lts prollba~lv becalus,e:

a}l YOUI h,ava no Icar ste!re'Q' b)Yuu1re not tuned :into the Magic

,Ain1t nothingl you can do l'bOllt the trafnc, so you miight as weill enjoy the ride"

Be Uk,s the cool ones who have put us

in the #11 spot for 2 consecutive years.

MAGIC ,89,.9 lNTM WE RULE THE S'T':REETS AND TH'E RATINGS P'IR'OV'E: n

IU WANHII TiR:Y MY KUNIG FU?