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The speaker asks the sea to crash into the shore and change into foam.
Perhaps, he intends to break the silence of his heart which impedes him to “utter /
The thoughts that arise in” him. Repetition of the word “break”, as one may say,
underscores his intention to break the unbearable silence. Both “cold” and “grey”
might be associated with death, morbidity and mournfulness. Crashing of waves
on “cold, grey” stones may help the speaker express his feelings and come out of
the paralyzing distress.
From the second stanza, the poet begins to liberate the focus of the poem to
an active and fruitful life. The sea is an indispensable part of that life. The
speaker wistfully watches the fisherman’s boy playing with his sister; the sailor
lad who sings rowing down the sea; and the stately ships which sail with the
purpose of trade. Perhaps, the ceaseless motion of life is what this picture relates.
This motion is heedless of personal anxiety and pain. Hence the contrast between
the world of the speaker and that of the fisherman’s boy or the sailor lad. The
former is saddening; while the latter is vibrant with joy. The speaker can only
gaze at the gladdening life. He cannot integrate himself into it since he is weighed
down with someone’s memory. Though the identity of that person is ambiguous,
we can infer that he is someone who is very near to the speaker’s heart. Even after
that person’s death, the speaker feels the touch of his “vanish’d hand” and the
“sound of” his voice.