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Gujarat University

tlr~a1:oRtlr~: ( V I)
Samkhya-Saptati-Vrtti
(VI)!

Edited by
Dr. Esther A. Solomon
M. A. Pb. D, School of Languages, Gujarat University
Ahmedabad

Gujarat University

A1unedabad-9.

First Edition ]

[ 1973 FOREWORD It gives me great pleasure, indeed, in publishing Dr. (Miss) Esther A. Solomon's book entitled "'Samkhya Saptati Vrtti". of this commentary on the Samkhya-Karika is preserved in the Jesalmere Bhandar. This commentary is very much like what is known as Mathara's Vrtti. Dr. Solomon is of the view that what is known as Mathara- Vrtti vis a revised version of the commentary edited by her. She has made a detailed comparative study of these two commentaries from the point of view of expression and contents.
A single manuscript

Gujarat University

1973

I am most thankful to Dr. E. A. Solomon for


Price Rs. 6-00

agreeing to the publication of this book which was undertaken as a research project in the School of Languages of the Gujarat University. I have no doubt that students, teachers and others interested in the study of the Samkhya system of Philosophy will benefit much from this book. Gujarat University, Ahmedabad-9. 16th May 1973.

K. C. Parikh
University Registrar

Printed

by

Published by

MahlDt Shree Tribbuvandasji Shastree, Ramanand Printing Press, Kankaria Road, Ahmedabad-22.

Shri Kanchanlal C. Parikh, Registrar, Gujarat U Diversity, Ahmedabad-9.

Preface
A palm-leaf manuscript of this hitherto unpublished vrtti (V 1) on the Sarhkhya Karik~ is preserved in the Jesalmere Grantha Bhandara. An account of it is furnished by ~l ~q~ihi~w ~i{ a16~~ ~~~r~ ~~lqSf (Catalogue of the Palm-leaf Manuscripts m the J aina Grantha Bhandara of Jesalmere) as follows:
"EfiJlli ~Q.,Ij; q'Sf l{<n~a-f-t~:t<li~ur;
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[Copied in about the first cent. V. S. ]; ~~ ....

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[LeHgih and width]-12"xlf'; *(~q'SI'Jlf 'J)~;r ~ [there is an ornamental design on the last leaf]'" There are 3-4 Jines to each side and about 55 letters to a line. of the leaf

Pulinbehari Chakravarti has m his Preface (pp. II-III) to 'Origin and Development of the Samkhya System of thought' (Calcutta, 1951) made a mention of two old manuscripts of two unknown commentaries on the Samkhya Karika of'Isvarakrsna, displayed at an exhibition in New Delhi of some of the important manuscripts belonging to the Jesalmere Bhandara. I have been fortunate enough to secure photo-enlargements of both these single manuscripts from microfilms deposited in the L. D. Institute of

6 Indology, Ahmedabad. This was made possible by the good offices of Pt. Dalsukhbhai Malavania D,irector of the Institute. With the kind permissio: of Dr. Umashankar Joshi, the then Director of the School of Languages, Gujarat University, I took up the work of editing these commentaries as a part of my work in the School of Languages. None of the leaves of the manuscript of V ., 1 IS mIssmg. The edges of the first few leaves are broken and consequently a letter or two at the end of the lines is missing. Similarly, the corners of the last two leaves are broken. It is very unfortunate that though the name of the author is mentioned at the end, yet since the leaf is broken just here , ~ only atl:q'FHl followed by a fragment of some letter can be read. This last could be a remnant of i or 1:1. Had we been in a position to know definitely the name of the author of this vrtti, it would have been something significant for the history of the Sarnkhya system. As I have pointed out at a number of places in the Notes, this vrtti (VI) is very much like what is known as Mathara-vrtti, It can even be said that the latter is a revised and enlarged version of the vrtti printed here. Knowledge of the name of the author of this Vrtti would probably have provided a definite clue to some of the doubts and questions regarding the Matbara Vrtti,

for ~T~h:'I.,~ for ~T;:CI), addition of some unwanted letter (e.g. ij'ijijCJr:qo for ij'gCfR, 3I('~CJCJT:q for SI~Cff:q') and such errors as 'fi~r~fb (for 'fifqw~~R:), i! for Rr, lli for fiIi, 5!i for ~ (e.g. q'fiT~ij~~Tfur for qCfiI~~fr~~Tfor),or even ~ for ~ are quite common and have mostly not been noted. al!~~t( is written for atr~~CJt(. The anusvara (. ) and the visarga (:) are omitted at a number of places. Such cases also have mostly not been noted. Expressions are at places unnecessarily repeated. The emendation is given in round brackets ( ) after the incorrect letter or word or words as the case may be, and if some thing is to be supplied it is put within rectangular brackets [ ]. As this is a single manuscript, and as I feel that it should be compared very carefully with what is known as Marhara-Vrtti, I have tried to see that the text as printed here is very faithful to the original, though I am conscious that this might result in some inconvenience to the reader. The method of marking the karikas varies in the manuscript. The numbering starts from the second ka:rika, which is given No. 1. The subsequent ka:rikas are given serial numbers accordingly till ka. 23, which is numbered 22. Then from ka. 24 (&lfil~rif)o )we have the correct number (24). In place of this, I have started numbering right from the first, giving the first karika No.1. Similarly, up to ka. 21, a g is put at the end of the passage introducing a new karika:, and the number of the karika: is put at the end of the karika-text. From ka. 22 onwards the number is put at the end of the introductory

On the whole the manuscript can be easily deciphered. Scribal errors such as confusion of a. and ra. (e. g. CJq.~~~ for crtrij'iI~, CJij'fi'l. for CJ~Tn., ij'r~t~1{

8 expression and ,~' is put at the end of the karikatext. I have maintained the same procedure of putting §' at the end of the introductory expression and the number at the end of the karika-text. I may state that I have used the abbreviation VI for this Vrtti for no other reason than this that of the two single manuscripts of the two hitherto unpublished vrttis that I edited, I took up this one first as all the leaves of this manuscript have been preserved. The other one (-I call it V 9-) has many leaves missing, though it also is very interesting inasmuch as of all the hitherto known commentaries on the Sarhkhya Karika it seems to be the closest to Paramartha's Version. I have tried to arrive at some idea of the chronological order of the different commentaries on the basis of these two vrttis that I have edited. I have discussed this and other allied problems in a separate study entitled-' The Commentaries of the Sarnkhya Karikx= A Study'. I have there also made a surmise regarding the author and the date of VI. So I refrain from saying a nything here. My editions of VI and V 9 and the 'Study' are meant to supplement each other, though many points may be found discussed in two or all of these. I may simply mention here that in my view what is known as Mathara's Vrtti (M) is only a revised and enlarged version of V 1. In order to help the reader arrive at his own judgment in this

9 respect I have given three appendices at the end: {i) Passages found in VI, but not in M; (ii) Passages found in M but not in VI; (iii) Noteworthy difference in expression in V 1 and M in certain passages. It is likely that some passages might have .escaped my notice, and these appendices (-especially iii-) are not meant to be exhaustive. Their purpose will be served if the reader can detect the conscious improvement on the expression of VI in what is known as Mathara's Vrtti and see for himself that the latter is based on VI, which does not have any quotation from the Bhagavata or the Visnu Purana or the like. In the Notes also I have at a number of places compared the expression and ideas in VI and M, as also in other commentaries where it was found necessary to do so. The text of M can be emended at places on the strength of VIand vice versa. My heart-felt thanks are due to Dr. Umashankar Joshi, Vice Chancellor of the Gujarat University. It was due to his encouragement that I undertook the project of editing the above-mentioned vrttis on the Samkhya Karika. I am also thankful to Prof. K. R. Chandrashekharan, Director, School of Languages, Gujarat University, for providing the facilities required for my work. I would also like to put on record my gratitude to Prof. Dalsukhbhai Malavania, Director, L. D. Institute of Indology, Ahmedabad. It was he who suggested that I edit these manuscripts and got photo-enlargements of

10 these made for me. I may mention that on more than one occasion I have turned to Prof. H. C. Bhayani, Head of the Department of Linguistics, Gujarat University, for guidance on metrical and such other textual problems pertaining to the aryas and the commentaries and I am highly thankful to him for the same. I am grateful to all my friendsI may mention Dr. N. J. Shah in particular-who have been helpful to me in different ways in my work. 8-10-1971 E. A. Solomon Abbreviations V l-The vrtti published here. VSI-Another vrtti edited by me. M-Mathara-vrtti (Ghowkhamba Sanskrit Series, 1922). G-Gau4apada-Bha~ya (Chowkhamba Sanskrit Series, 1963). Y-Yuktidipika (Calcutta Sanskrit Series, 1938). J-Jayamangala (Calcutta Oriental Series, 1926). T-TattvakaumudI (Poona Oriental Series,1934). P-Paramartha's Chinese Version. (The Samkhya Karika=-Studied in the light of its Chinese Version-Translation into English by S. S. Suryanarayanan from M. Takakusu's translation into French-Madras, 1931).

'"

I owe a debt of gratitude to Shri Ishvarbhai Patel, Vice-Chancellor, Gujarat University, for expediting the publication of this work. But for his deep interest and active support this book would not have been out so soon. The Proprietor of the Ramanand Printing Press and all his colleagues have shown great promptness and patience in the printing of this book and I hereby express my hearty thanks to all of them. 16-2-1973

E. A. Solomon

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CONTENTS
(1) Foreword (2) Preface (3) Abbreviations (4) Text of V 1 (5) Notes (6) Passages found in V 1 but not in M Pages 3

5-10

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11

(7) Passages found in M but not in V 1 (8) Noteworthy difference in expression in VIand M in certain passages
(9) Index of Karikas

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tf~ ;;rT;:q~fif(~ o'tq:a- f;r~~if;1.fq:~ :;n~JtP~~~qr~m:~:;n~~n~ , ;:r f{ ~'i:lT.:r~;:ff~~;:!ffl'aa~Jtrf;~wtJte;'l~q:_ I fen ~T;:~~ aTomfq [otr~ otrTfit] ~qtif ~J:lTH:':i~~o(em:r I ~~~T~ ~~ilJtT~~~iJi;q'l~;:asr~)q:~ o1:(Tcqfagm ~~HatrTt~oQ:m+( I ~TCfiti oT.f~ [~Q, sr ] fir:fr.n( fif~r.n )~ifQ~~ '-fi~Jtl~ ~;t{~O(tn~~ I fen~T;:~~~ o?t:;:n~ ~'elTir ~~!=fTijf)enTili'SI'?tT~TqTq ~T~ui (J~Jtl~~ I f~T;q:qT(~T)f~ao'lmJtil{f~CTJ:I;'l~ :;n~~Tt(~1qen (oq:;n{tl)~~l~ fir ~~T;:rf(q~ fenf~t(fi:o ~~ !:fq{i\' enT~ ~~U~T~{lf~aqott~q_, fefi~T;:~f~( oftii)rt o?:l~, aTft;s~

3=la~Tf~f~ri

fsrgui qr~mqa-

SI'\lTit ~~~$~cmif~ ~T !l!Jf{: iI ~~T~)Sfq if om ~[~: ] I qfi:~o :q (-R ~f;:a :q) (f~Tq: !:f~y;:r[ ~o at ]qfq- firgarq_ I :qr;:q~, atRt~Fci oq"-fcf

r~

;:r fir~~ at~~~ I ~~e(~$~crJtif'~ 'SI'irT gGTr~+trr !lar+~ ~~ t:fa~f~ f~ 1!~~ iI ~q:T.f;:~(oa-) ~ I q~TSq ~"~qJf9q ~fir fiJ4tHT! fijilf~ tJ:eJ Q'lq:~GTirr~fq

--

!:f~T~ Cfi~ItT~Jll~ 'fa !:f~~<ilT~ ~qTif ~'3if:;;fm~ ~~~fo o~qT~f~w~ I fen~T;:q~~'qq€r o'lq:c( fu~~qi{ ~qTilq_ I fen:qr;:q~ q~o;:3r o?tq:~ ;;::;:fCT;:'SI'J::PS?t"-f(f ~~~l~Ta,;:r: !:f~T~f~T~ I ;:r f~ !:f~l"'1~q Cfif~q_ !:f~{f~o
I (f~Jll~ ~qo;:::(q_ ,

fenlr~) ;:r ~q:tr€t "'~' q~ll~ gottaqq:ir( q~JI'T~ !lUTr~(fiJ:Q'q:{{)laqq:a- ~ !lOfT g:~qT~r;:n t oqq:a- o'lT t::: e--, ~" ,.... t:' ~ ~ ~ r:. !:f~Tiliflq aTr€l~r;:n fstltl!lotiJ I~~~, at;:lf ~otr ' aT;:q(!:fetTilrqra I fen[ ~ 0 ~] :err;::;r~, fir'lirr ;d"fa-( e;:;rq:cr ) ~~;~~n')aT~;((JT( ot=q(J~T) ~l!'t~)n;rr~,~q: I ('I'~fq* ~oe(~~'l~)fqq_ , fii' :qr;::q~ ~Tr:rT;:qo'tq:ci ~~9;~'tTOT{q_,

.* * tA

Superfluous. line or two might be missing here. See Notes.

ifijffflrq_ I ~p:n;:q~qfc{T~ oqq:ir ~6t{!!~'lf1Jff ~fJff;:q o~r !:f~riJqfq fi{qq~;:fT~ ~oti~~'l~fJfT;:qq_ I fen :qT;:~ ~(I;t oqq:a- ~~:~mar;;:r

~tl!3=lijf~T~~Qij~fit;r
* I.e.
~~iJfq ,

~~<iTftr~: I o~T sr~T;rJlt'l~a';i ~~t;: [~~ a:r]~J{T~Tif( ~) ~~Q~ftr~: I fen :;:rT;tf~ srqq'~fiif o'l~ ~HJ{T~f:C:~~~R qqe{fO', ~{~r~~a';J{r;(rafrf;f{'Q'TfUr ~, orJfr.tTuQ'fq It~T~a'Tfif srf(~f;o I oQ( sr~r;rJl'fq ( fiJI' ) I tJ:ir Qtlq:('fTotr:sfotrT:~Rii\q( t~) trtl_o~~trTltt~iQ'T!!q:ir Sf~fofq'~q :ala: ~'e~ Qqq:ffiQqq:~l: ~~"f~Q' ~ QQ1~Q'T~Q'tJf~o~~Q~-ofilqfrff~o~T f?fqtTa'~oij,:r:rfro: I ~T~

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srt=Jq'~f;JI:Qtr~tl'To~ I

[~~"f)Sttrmw: ;r ~;(~ari :r;:;~f(f] I fir~Ettl'e{ItQ'l~if ~~Qtr'Ofa- '!U;~~q~~q~~:r;:~T~'lT Sq'tI'q'T: ~f;o I o~T ~~"fTsfq TiR:e{tI'Et:,;r ~ ~~ ~e{a';:;(JfQ7.t[ flI ]<fffif.1 ~;{ir ~~ ~~T::t7.l: ~r.(f! f~ ~T;qq:_ ~~( sr~:::r)aT~Q"il:I ~~IiI')sfrt

[ItJQtr<faJJenFlfe{T~, ~~iT sfq ;rTT~m s ~f~q'T~ ( o(q'T~q' ), fen ~T;:tr~f(i5'WJl'Qtfq:a- ~srf~~ir if :r~~fu

[~q]

Er~pt ~

~m I

~ ~JfTfiffo I a'T+!li

ena-~r+Q'r, Qr.rq:~nQ'lq:or+1f fqqfra-

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~"~i~

t:(tr~: I "Ii: . ~ItT-r. I T~uT Q'l'Rl'ltotrq:ir~, l;r~ar: ~~"f: I ~~q'~~~aItTR:r ;(7.tT ~aTT: ~~q.;r ~f;:(I' I a:ro'l~ Qr.r~ :til' ~f;:(f I [~~ ~] fen ~T;:tr~fe{~ren Qtr:sfoJl'Qr.rq:~~,

:alsrT~-fir~Ut Qr.r~oJfQtI'::fir ~ fir~Of; ~~1iI' ~f'(I' QtI'T'a?fTa~(f;( 0(£ (I';(?) fenq'TfJfenr ~OfT: Tenq~h fen~~~it(tI';();;tr~ II ~ II

fiffir:m:

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fir~:c:

~fQ'~: I fen ~T;:trfa"fQT +rT:sf~rtril: ! f~ ~Trtrq_ ~mT;7.f

~fT~'lSJTRt~",~~q-~T:

SJf.T~SI~fu~T~.n:

I
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3T[ lf)J;:'l'fitlT~T~'l~;J;Jfif?lr{~( ~ ~)'l~

:alSf1~ ~JfT~: I ~)Rr~ a:r~1fa'~ fq''f~a1 [atTf+rT J iflil'TgurTifT ~Cfr.(I' gurr: !f1~trsr1fir~IiI'T~T~if~T~rti Sfl'~q-

a-

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(~JfT~ ~:~ )(i5'~Uf::nfq'ffl:.1 itT fu: ~~f~~ enT~~~Tfo~q(i5'+tI'( +r )aO({_~f()6qf~d~irf{'T( ;i!{T )~a;+lr-g~T( O~O;+lTfc:fi'GOT fir )'lifoq'~¢F~;J~~~ifTf~ )fu:( (f~:;r:

( a:rT~q' )ItTiq'~rtr~1~~1'~~~f:;;:uJfTif' O~JfT )~~;qT~n;JTf~:tiI', oq ~~;j Sf{itoQtl~ I a:r!:ll'(=7.tf{ifef; I en~J:I~q~~:

Sf(~o~~if. I fCfQT~TfIt~ (I':t:' ~~JlT~ J:I)ir~~~fqT~ I ~T fir enf~q_ q\~TRl~!IqQ5+Q'( ~)a- [~~ ~] a:r~f;J,,~a:rT( 0 q~T )(i5'~q~~( ~ )~;trq'TifTR:a'enT( ~;:7.tq'ififTtl:o-

See Notes Superfluous.

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would

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I-This

I Cf?f ~n(,~!ffloii ~ be better.

Cf.~

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I '~' ~;~:

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is superfluous.

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if ~~: fin ~ 1!fi=(lT~1iI' atTiTR:er~~ ~o: ~~~ ~fo =att{T(~~T ?)T.{T~~II'm'l~[:] I

[ Q~qr:q~fr7.{tiJr~~Q;{~Q~rq~q ~W~ I u;ur~~~iT ~ ~P·H ~ijq ~Cf~~~rtiT~: II ~ 0 II J


~1iI' ~TIiI'~er~~T~R:hiTITT~:;rer-l iff[~T~ f~wi{_ at-e~q~qTf+l~T'lq1!fi~'lT0t:;rif'[f~~ ~erifqq_ II'er~~ I ~r'l""!2:T;:o~er~~Ts~~01~ler) U[~'0~]~~'1':;r (ou~:) ~lmf+l~f~: ~~.:lit +l~fo ~)o)SfiififT ~~m ~tUTT +lerfer I tJ:~ ;r~~T~f0WJt~oifqf'l ~(qT ~erifg~fu I o~ifT~er~4 ~Q~f;o ~UTT[:J q:;T~ff~ I ~~t~~ (!5)q:;)'l[T.{T]~T~ cn=(lT~~1iI' '{fo, aTsr ~n:jT gurCfi~('~:q ~(o)~T 1!fiiiq +Ier(~~T~')iI: I atsr 'l"t!T;:o~ I ~f:;rffCfi0 ~1~T ~Tii ~ferT t(~ ~~l(qT m~T~~:;:.;~fer(trT~T;:O~ ~:;:.;~f;:er)'lierCfilir(~i)~~: ~~ ~T~01: ~)f~q: 'l;:~T;i tT:;:.;~fa I er.,~~ T.{1~T ~H~lR:r(f~:) ~~')aT:, ~tsM ~Tm-Ol)~~lo~~erJtfq T.{1~-t(fo I ~ u:erJt;iliTsfq T.{1~B"BliJi;;;:;.iliT'+lqfo I tJ:;rifer ~~c;~51~er~if~ sr~) ~U1T: q;=(IT~~~: ~[~~aT]~m[:] ~~~: ~~isfq ~~~~rrt~ ;,n~f ~'l: I 3l~T~--73"~ ~ o~J:fTil_ ~(ofa)~tmf~fo I 31U fiti~g;Cfi: U~TiI~l;'l~~Trr s:f;:r ~q_, ~~)~)s~<fif~~T f~ ~trTiT) ~'l~o:( oiJ! '1-;r:~q~er:)I "fi~m:u)(~ '1'~T [at;:~o~1!fi+itCf:]~1lif~~f1J:tT[:) I 73"+l~;;n++JcrT ?i~if'lT:, tr~T ~f;ifqfuo~) ~~'l)(~~))cqt ~tfj)(~~TiJlf)) tr~lT aitgulT(~T)~T~~T[:] I ~erT+lT~q:;[:] ~~F;:,!I';UT;:ft[:],-'UfJ.fa'W~cnT q~T iff~~t~Cfi~l[:], ~T'l"F;~~: ~l;lqeriftfT6qT I ~f~=r. ;iTssr:(sc) ~'1'trr:' atsrt:;:.;qa- I al;:qa~·

i[~qT~

W'Cf~7.{I~( RJq7.{Tij'T~ fij'~ ij'Tf~~Cfq~'l ~{'H'l I ~~~:q. ~'i1.l~~i{ ~fg(~~)~q~R(~)~Te{~ II ~ ~ II

1!fifl"-Ji( '.f.T)~UTT01j feriir[ 'd~~]'l: atm;;~~ I o~~T 1!fiT ~fu~~f.:f~~~: Bi~~~TrrTT.{T~lf+l~~rrl: ~fuqB'fo I ~. (51)if-~~(~)011 Q~~( oifT-e~~)iflIl'm~(~)~~ftr~fm\i~T(qTf11f· :::?;f)q:'tl;IiI'T~:JT~~(~) er~~TifTiff ifTrr~T11ff f~~T~ II'fa:rt~(~Tf~)· m~) ~fu I at~(:fi~)er~l:;:';T.{ ~')ol"UTI;;)ifTtToTif3'lerfu I ai{~ir ifTif(in)C1~~ ~UTfer~~ ~mir(if:) ~srij': ~f~J:lTsr: ~~T~ ~Tfa:r~ f~:a[ if]~'1' ~~'l~~ I ~er~mer:~:t~'lJTfQ' m~l\. I ~;r~it ~Tif fu+'1'T ~ot+'1'(+'1')s);:'lf;rmfo I . atsrHr-o~~lT.rn1 f+l~.t(;{T)rruU1f ferer~of cn~Tf~lJ:~T llerfa i'er'1'T ~T~ 'liir fer?tT s~TFe;r~ I fenifir ~~IiI') +ferro I aTsrT:;:';'1'~ -~lf:a_1fCf~_(~l"e"?l~~~l\. ;:rH~ ~ [if]~ fT.{Q_ ~if~o ~ ~~T~')if) m~!J (;r_ I 'l~at) srnr I tr[~~aT]~~en~T (q~:n~f) ~(q)~~oTiff f~ cn~i(~~):mT) I atsr)~q~ atCfi#!+fTC1~' f~fq~T [f~] ~=(It II'q):mT cn=(lT;q I aTsr)· [~]BFr~q ~'l:n~(F:i II'f~~ (~l;'f~'1' ~~(~ !iRr~) !I11f(!5~if I

* Something

like

':3ta:

~<f il;2T, om

q<fT<iiaf

is missing here.

~~

et~Q'Hfu: ~fu~f~ (VI)

~~Trr~~i:r~~~R~fq~T ~~);r) bR:.(~(f~:) ~T~~-;r!!~~nf;;r:f5fi(f..""if~)~~T~T q(at)~(f I ~T41T~(~)SRr,~(~T)41Tq: ~~T~tlitq fcrq~~ [~~ cr] g~ ~f~a~git

~iI~

rn:

~ir(f~(~Wl)~i~~(~:)

~ir ar.i1~(~)m~gCfi: ~q)rr~g~:, o~~ q~ie{;~cr~ I [~~qQJ ~~q. ~;?:lll. I at;~crar~Tif(;T) I ~~q ~~'liot~~tfocr~)tT) +JcrTa I oT q~;cr;:~T ~m;(fl:JfTtat, at;~TsfQ' ~cr~~: ~a ~o:, q~~fQ' aile{ I ~ ~~T;JJifQ' ~~~~ ;fT$ ~~crT Acr~~, ~iTsfQ' !lm;i' ~~T JfT~ tT~fu I fCfi :;:rl;:~ a~~r: ~;l:' 'a~ ~~~;{ ~~T;J~~T ~cr~~(~~)~ I (fl+"?1i !I~T;r~QTl~i [t.,O at] [~]o~ffiCfi~(~a~a(~a:, or ~~ffi~~~:) ~;l: I (f~~T ~i@:r~ttTTQ ~fu I Qjr ~m;r~~~~t(ttTl~ ~;iTl~f.a~fa 1 ~ni~ .~T~f~rr~~~qf~Rfo ~(~)::r~ I aT~qf:a ~;f: 1I~1I o-, o-,
I ~):

~fm:

I ~~TiI'~~ f~~T~Tq~~[ ~

:q

a~f<l(fir)~~~qT;:JiT~T+lTcr: ~~Tti~(C{l~ I atm~;]' ~afi ~m<l~tFtt: ~~ 1:~~si1~~ I at~~g~: I ~T~ r-~~ ~r(f II ~ II

~~~

~~;rT~ [

~tR~rq ] ij~T ~~T;r~


ij'~rr~ij:
~rrT~

I
" ~~ I
~~f.r;r ~

~~.n-~) (

~tq;~~~~fq

~(~);~:
I ~~:

~~~
~~~~ ~~r;r~~
~€f{!ir

arcr[(1

~trr[:]

>:;1

~'

~gurlTurl ~~fd 3:~qTl~Jid: I ~q~~T~ a~T ~rrTS~~ aqR:qil': ~~?:lTm q~~~q

Cfifu;:nJiTfa I ~~ ~ ~~~:I ~~ ~HfT ~~~ !f~ur it~ (its~?) ~roq(f)fo I ~~)sfi1 D~ ~~~~ ~f.6' C{T~~Rr ~it~ (fTcr~ ~Tm(if)~~~~d~g~: , 'Elq.~~(f~S~~at] ;;rTtq[~]~gCfi: !J~TiI'~~~tdq ~;:~: I f~;;rT;:~~ atrq :q~ ~Rr[:] q~;cr;:~q~41~[dq ~]~~a:
~:<j< I ~~~ii~~~:
I~ :q

~mur

sr1i~~~~ijtS~~R[ ~~~ijT~J ~ * tftiSijtfi: I ij~qT~fq tft~~Ff;ffl_ q~.~·n q~ ~Tf;r 11~ ~ II


~'limRfo ~~~f~~~ I ~~: !J~fa(~)iI~T~cq~~ ~~: ~[iI'] I ;far-( (~~)f:iJ:: ~~r JiTa: ~fcrQ_ ~T(~~)faf~fu[:] ~~ (fa:) m:u~tTll ~fu ;fao: q~i~· ~oTs~iT~ ~~~ I at~~R~iI ~iq: ~~(q~i~~sC{T:-) l{m~[~] ~~~t ~~o~ da- I (fWlot~ m~Cfi~~m~[~~]CfiT~T[qJ qt~C6T tTor «!f'l.r~ qs::;:ro;:~ [~o.i(]srruitCfiri!{~~~T[for] ;;r I ~iiiti~a(a);qysf ~~(f;:msr ~Q'at:Jt'TSr ~;:qysf ;r;~;:Ji1'Sr ~ ~fu I treritr-~ ~~ ~ aTTiI'qs::qa;:itT;(nur, q~~ -a., ~TI or msr(tI~;]'~fiJ~murr~fir, qs::;;r~~f~,fur crt;f?:rrfur'mt1'.W{Q'~~r:; JiiI"::itfu ~q "l1s~~T tTot: I f~:;:rT;~, o~ [atfQ'] qt~~Cfi'(( qs::;;rl~: q5::;:f~~~mf;r I ~iii~a;:JiTsrr'1{TCfiT~ ~a.fUr ~~ ~ f~~or~~lor:, ~i=(t:Ji'~. '8sn afisr!!ur7'~ur:(UJ), ~~t:Ji'rsrmq~a~;]'grlur: (~T.*!:I according to vrtti, This karika is found in a confused
form
In

~T~: qT~f~~iqf~~o: mm~f41fu:(~)o:

(o~Sr ~~ua:)

i~

:q

~~?for;f~ fir~rrm I atmT&a'~sir~q)~iI':(O~QeT~~iI':) qf~~~I!fff: q;:~TiI'JlQ~~ ~;:o1"-{;~[:] ~:(R-)lif~ ~~ ~t(f!:) [!Jtq:o'll] at;:~ m ~Rt q:S;:lTJiT( o JiT)~~ ~ ~ ,~ ~~,~ ~~~I tT;:gq~~[:] I at~tt~~ir-"41T 41) tTJirfT~~o: (Oefa) qwt: (qwT) ! ~~T +lC(i~o~T~fQ' iI' ~efiI'tm ~~, tT;:~ mr 'ElTJi~JiR:o 1 iI' ~[\oj~cr]~~TJi,;a- a~t ~Cfi;:itil'TtiT~1cr;:~ 4 ~l;f)Rr+ (~Tfu) ~crJif1tJiJi' q;:QTtt ~~" [~fa] I

t8':~~~qf), ~~a;Ji'SI'~T~:

~~q:

IS

unnecessarily meaningless

repeated in the manuscript. here. It should be after ~~.

+ ~fu is

the text of the manuscript.

See

Notes.

,
Jffa (~ifa ~q"(fu:) [o~] aT1!TW~tU~tr~ I o:i{ ~:mr-~~tqc:.. • ~ ~;~~q~h~\q'(~;:~~~~~fuenrq'li~ql ~~~r~1!TW ~m;r~· fJlfo I o~]T ~~ ~;:r~o+Jr~;:a- ~1!f~~afufo :atfir~Ta'l;q~~ (~ol~;f~'fafEf~T~lSCf;}~) t{~T;:;;:~UTtfT~)qf;::~o~o[""~:at]it(olf~~t{)qf~~'ff

i:lg~1)TT:), q;~o;:J:Hsn[qJ q~;r +J~T~('n;~~q~;:iit I

'l~\'

~T q'~:q~1)TTI qi{ q5::en:~:

~~:€n Q~::foT;~"lo~,fq~TifT;:m~: Sllt~o ~fo, aT'S!" f~. J ~Tf~"[ o· ]q~;:of~~~oa?1lOfa~ Q~~qT[ '--. ar]oJ:lQ~mJffq ~
'~~Tiff qR:J:lTUTTf~~f~ (qfhnuTTQ_' ~~TRtf+t:) q5:;rft:l;;;:rl~ii~f+rQ~f~~To~ I * aTfq :;:r)lOfoil::q~:qfcr~fuo;::r~) ~sr osrr~~ ~o:
I

~~~iJ',. I a~T ~)~~~~)it Q~~Q'~fi:5q~lit ~~~;~!!~: ~q~Ta: ~)srT{Jq'(fu~~~qi:l

~~~q~q. ;{Wl~ ~'(~

[CfiT. ~'--.]

;jf~\, ~U~T f~~) ~nfQ' ~:l;fa- ifTSf ~~:I;f: :anll~ !:(~~dHIffo;~~<fir o~~ Jf~a: f'q; ~~U1fm~sr):;:;r;r~ II~II

a~) ~f;~~TU~fu~c~;:~

mao

~~if.

o:i{

~mf"ifo~!((~~if·)~~Rr~~~~q;:rl~~l!!qT~\'-

3l~{f;rij'r~

~f~~~T ~T;i

n,Uif

Q:~~'{

I
~~l~c

WlmrhH!!'l,(Jla ( 0 ~~Tifr!!qr~Tif~Th:fr~Q"(q~) Bts::;~~r~: I u:~ qs::;r ~+n f+l~qar;:~qQJ.lr~tTraTf;r I a~Tsq,(Tf~~~:


(~T) ~;(TSm

ij'rRer~irn~tf (frqij'~~qTf~q~~'{ II ~ ~ II
aT"i~;r~T~) ~f~~-e~q~n~) ~~ ~l;'l ~fo fifi:l~Slfoqf~~~ ~~(~)ci~:TU1iJ',. I fin :qT~?;I~ ~n:rl ~1;:f ~ ~ (r ~ ~,.... r ~f r:. q~l~~~ 'q~~iT_ u:)~~!~_o I asr ~;Jf ifTJf q J'lU1iftJ:lT551'. ~)qdT ~J:lfif:l;fJ:T~~U1:
I oS!' q~ ~JtT: q~

~urTq?jfa{ ~f~'(~

[al]~)~: I u:ir ~(~T) ,(P-fo~~~ ![f~: f;fi:l;fa q"(qT~~~o~) SI~g~~TifTf~T~if:

~TifTf~f+r: ~T

~~~~tf~a-( -;~~'lT)

~;:TmlT;:~~qTifT

f~1.fit

'l~~~~TUTTJ:l;o:::fi~UTTq~qO': [0]:;;;~1:qiJ',.1

mUTTifi(f~U1f) :q BJ:l~:nr:-=iil~~:

C ~(~) x lif~+J1 it:


CfT'eifo:

fifqJfT: I aTH~:~TS~~~(~) ~~:qd ~r'-T+J;'lcnH~ ~fo t{+JT: I aT~)~) ~l;~['''\~q]U'tT ~h:.r~HH:t:~T~cn:r!f+n~ ~fo f;r~J:l:(Jfr:) I u:f+r~.

~ ~in

~~;::rTi:Fi~~ ~+l: I oS!' ~T ~~Ttl~7ffWiil;;r ~rJTifT ' q)TtT"fiilf~ (ql~J:lif:'-fiTt{~~f+t: ) aT~)~OT ~H

~::..

a~T ~G ~~:Hf$aif ~fqllT !{TUT~T~TSS>e"?lT~"lien~~r;iT~;:S!';zmi=f~ ~TIl: <iie~~q]~;;;1.f)S5';~~f;r fu(71)~T~ifl~ito~~T~~T~qiJ',.1 at~sn:n~) ;j}~~if (~"e~if or qt~Qi\'if Y) I :qfbnq~~O'~~ f+l~t~a- q~;r fifq1=JT! I qfut~[1.fJ:l]fu~· ~: aT"et{a ~ ~;~: I ~T~ fkfq~ qT~+~;:ot: :q I a~ qt~ q)U1T~~~( oEt~)iT;:~~fusren~lflTf(]T(=r;1.fT:;n'(UTrfi{· ~T~~TfUT I al+1.f;:ai: ~U1~t;'l)Q'~f6~ [ :] ~TifiJ',. aTrit , !!UTT: ~;:;r,(if~fnrlfB, aT-=~[:] ~l;'t: ~fa I CfTm;r~TiTif ~t~)~qf~(~t<fi)qqf~ ?)~~~;:o~UT ;i}~ ~fo I [ *;r'(~~Jtfq fEIfq~ ;:r£mJt+T.{-=a-;( I ql~ ~fil':r~~~u~JI~ifrf~~'l· o::r <: r. ~~:...~::.. .~ I ~~fl1l$I~:;Ji~~, ;{1~q::rI:l;f~rq~!1 (f~+~;:1~ tl,(T~~~ aTi~~UT~l:r.:rTq:fRr~~TR~)qF{.* ] ~'T fiI'tit+:r.:r) fq'(~a~~ Jfta:rt \n~o)fu, aT+~;:a~U1 ~titif(~iif)1{;;~~UT ~h:t;i\'· [u\~:at]ur Jf)~) ~qfo, qTmif ~~'( I Q:?'l~~~~

~f~eT I (f~T i_:r~it~ o~'liT(qoT)if'l+lT~~f;:(f~~ SI~)7ff;:r+ S(t{)7ff;rlSq ~.or 01iqT~·)-~ ( qT q~~~~~ ;'-T;:a~ ( ~~ ~~lifT;:(f~ ? ) ~tqTQ_ q;~~t{)q~Jli(JI:) a~-

r)

~~:;:;m-

* g~"ilsfq
~qitcnf., See G.

'~~lcPHTiJ(cJlq_' (<fir. "I") ~f~T~f~~S!~oiji~ijrcr: I q~f~~!crCl,(<flf<f-Somelhing like this is necessary here..

Or ~Cl1 ~H~fW.fi{THIlI~aij- tr qij: I ~


51li) iI~~ql~o~i:t!j

~r~

+ One ~~l~il superfluous here. After ~ there is blank is


space enougb for one letter. Or Is it

(o;fpF.{'(~:r.:r) Tq: I a~~;=j'~fq~ ~

ql=:f~(olOfit)qUcil~~o f~~T'

err... •.. ~

=Somethtug like this is necessary here for completing th.e sense. See G and M.

atrumT ~T~"IIT (~f~m) II""T ~fu: !f~ (~r~n:1;f)C{f~~ei ;fsr!fiTm~1:(fir)~Cfmm I atfuritfd' ~~if(~.n) 1 l{~CfT atf~f~ A~f:;:r +T~1;f!,~1;f: I ~fqifTa- ~(ir ~~ (~~~~~T or ~~fi{ ;Y~T) CfT~il~~ Per~Tff I ~~itfu fSr~ ~t~~~Tfa-: ~({:I'~)lIififcr) +Tqf.a-(ffi) I !fTrnfi:RT if if +r-f~ fTf;:a-~f.-o(fg) ~ if !fTtefTFa- I !fT~. ;~f~ffi ~m ~'qf 1;fTCfr.a-~T0(1~f;o(fu) oFrr.:af;:rfi~;r(~t)fu I tf~f{~fllfu {:I'Qef:fl';rff)S~1;fT :fl'rr~T ;Y0fT ~~fi:r ~~~nTf~trT fqll~fTf;:a- ~~t +Terfu(?) I 1;fsrCfilJU~f~~",fu ~mT~~~.U['-\ q];r ~sr ~~T C{~gfu;;~m ~ asr a-qr CfEfTa-I ~7I'Tfir:;sr~CTTf~ {:I'rRer~Tf;r~q'TTo( ~%:: I ~~ ~;:~;r ~if~a-"aT atf+Tli~ +TCfa-~o~ ~;:Cfq{05T +TCJfu ~~o~(~C{) ~f;:qCfilwr. [~UTTWf.] !fTt"la-lfu I f!:f.5:TfT~[~] aTII~"~Tf~q~~(~o~) I ~;mr_ ~~~qTfirq~itor . ~~~n'ij"~Cf~fJ1;fIl~~ "( at~~11~rif"CfU1q"' ~ ::. ~ ~f ~ ~~~q

mn:mr

~~~T

uf+T[ ~ij~ ]1i(ilT);r(!5~ur~qT(m ?)~~T~~m~f+lm;r~~UTT~~~[~J f~i!.(~:) SfC{~a ~UT: I ~~ ~fo ~I$~[:] tP;(f1;fqTf~(;r~) I ~~T~l ~~ir ~~;;1;f~ I ~(Q:)f;~~ qenT~~Cfia(~a);:JtTsrcf;(Cfi:)q'5:Tf~~Cf 1 ti:f;"Wl tJ;~l~~en 1:faw)srr~lf;r 1i;r:qdO:OTTiJ '{Q~q~qTolTif I o;:msrlQ1;ffQ' ~G~T~Tf;r q;:~raTf;r tJ:qli&~(~T~~~~~~.nfur q5:;fr-.. a;:;rTmq~q;:;rTTiJ I at~ ~fir~)SiI~l~ 8T(~mf~f;:~1;f~(~~~o:a~ II~II

~~~sr

~o~m~ [~~~"l~] ~(I'~~m[:~ ];:"lsrturTffi 1 atit-

mf~[,",,",~];n ~Efi~~[:J srer~~ fer(~)1FQ'fa:[t];nruij_ I


'{Qr~~cr;qrSl[:] ~ ~r;m~ij~B'r~lIt{~ II ~ '"'II
m~~Cfi d~r I [1;f~] ~;:q~~t +TCJf~~l't, a;r [:;sr] ~~;r ~51~(f~~T atfu~~ +Tqo~a~ mfiCfqiT~l~ ~~~ I a-~1;f ~TFi~q;~1;f ~ ~ {fa- ,{QC(T:q(tf: q"ij'T ~oT 1 ~ ~~fu~) ~~Ts&~T~: tJ;~~~~t{1;f~qw.lfu I ~TQ_ ~~enT;:ltctlT~~f;:Sf~To( fq~:;rTfir ~~'t1:f~ur~liuff;r +Tqfa-(f.:-o) I
a~~~Q~
~Tfuli;fi U:i!I)T~~i!I):
!«{~~

~fa I osr(srr)~~"l firm ~a-~~(")~Tf~II~~4 f31;fCfifR:, ~)~) g~t~~ ~1~;:rTirl~:(~)~mr !mfi:{~fd' I aT~ ~"if~)ot i!J~:rJi: I aT~T;:f Ir~fu~~t~~fi~o1;ff~urTf€{f~~i:t~ :;srTr+Tfu~~ O:o~"ij'l;r~ I ~ • t:; r:: _.::. ~ :,.. ~ (' atq~~ I~m: !f~I(fD"I)I,~~~C1~qDntt{ I at;r~~['-\~Sl] ~furm if +TCfrO' ~T~T;r I +rcrfa I JI~IIT ;r I tfC~oTifTIi~-1f;rTII qTfufrft~ifqf~~srCfil"TCJ{:I'Tfmq~ (o~II1Cfin~~;:rTfu~CfJlCff~~qJl1;fsr~mCJ~f~CJ1l.)I ~ t":. r: ~ ~, t:![] ::. ~Q~T~T ~~~. ~~ -, ~g'+T: ~I~ ~q~gl+T ~ ~ (~lU :fl'T1;f~ I 1:~)lIir%l~~1;f ~~Ur c{~~'iI'EO~;;~~ II~II
II~~)

~~f~.

~rn

:a:{f~r~)s~~~~qr[ ~J frftfl!f: srer~ij ~~q:I ~~1(~)~ ~Efir~~;n~~,SI~: q~Efi~er 1I~\l1l


I aTt~,

atf+T~)S6~[:]

aTt ~Q'rij,at~ ~i:t, att ~

~a, -

atSJ'Tif-a;:JtT[sr]~;ir[:] ~ ~~q~a I atsrl;:;~~ ~<:n~;:JltSJ': 11;f~ *~~~~om ~~~:;sr +ler1;fir~T~ a(tJ)~T~~~~a-;r (f~r ~:fl'eT atf+l+T~fu o~ aTII~)s ~~R ['-\t.\~] I a~ Tf atlitl~~ +{olfi{R::rn- {Q'i:;:rt?}: 1 qi13l ~aT I ~ +{oTfq(f€{)~ol(a)S)ir~R: q5:Tf o;:msrr· ~T::{1;fr.:-o(fu) I o~"~~ ~o~~a;:~T(~] {fo I fCfi ~~ a(~):fl'~l~+T~JJ:.l ~~T ~1:fl'~(~51)~~~~ +TCJ~~ir~l't ~S~R: [O:CfiT~~fUf] Q5:Tf o;:~Tsr(Qg(fO(Tfl)rtm{~fi:a-(fu) I a-iJ ~(Tf?) ~~ ~CJOq~ atf~~€r
C~~ffi)~T~
I

~a-

q;q, ~

~ir(WJ:, alt ~Q'(~)~;ilq)

~~qJl(m)·

~T~: is superfluous

here.

j
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~l;qT~[:] ~a-6~fufo (~ir~~ ~fu) ~~T~~ ~~f::a: I ~ ;n~1 f9:fq~: I ~'i~'9:q~~~(fi~)~Tf~!iUT~l;q-T;:O:{Tq(;fi~[~~a')~:] I [!PiqT~] ~~Efifu~ ~~JI~~')~3{_ I f~S:~:lT;:~[qJ f;'f+r'a~fJlf~~:(~)~~W;r I aSf f.:rfJ1~ ~Jll fafq~ a(=~· l;q-~oa~~TJ1! (oSf fWffi:r;'f ~JlJ~fu~ [trfJlf::a~~emJl· ' -e ~ r- (~ ,....) WfT~]o(~~ol~~~T+r: ) ~J1ur ~JI;r~"'qJlTT~ o... ~~~TT~ ~ [~T. ~'d] I ~~a~q~~q~tiflf~rn I !l~fu[:] !:f~TWf[3{_] I fu~(ir [!l~~er~] ;;~tl ~)~~a[~JfT][\.9to,aT]ff1~JPi~~Tq_ I ~~T ~f~~~T !:(~(er~tit;rT(;r) ~qtT1;~ ~;:J~:;;~f(f o::a~~~)fo I ~ !l\,lT;J+rfqfer~~q~Tit;r JlT3tir erT ~~ qT

1:~1~~~ ~f~UTT:(~~T~~T~RrOTT:)~;:~(;:~) ~~: I NifT atT~i.tUT m&~T ;r rngrn I ~~'5.iqem~ir "li~erT fu'sr;r[ ~]foQ;a- I ~~ ~R ~~qq~~~T;r)~ ~~~~.1T;r')ir Sf~tq~fq~ cn~Ol4f_ aSf ~~~ +feror ~~UTifq ~~~'Tfu I -af;:+r~~T, AiS:~T;:~~ ~~T[vm]~+~T fu;rT ~~r mtlT I

fuif;~T~r

fcritif q:;~Utif i-1~~ ~f~o;:~T ~~t !lfq~~ ~~ol +lerfo, OO~~')~ !:(fer~~ Jl3'(i~T~qfu, q~~:{1t !:(fq~~ q~~fu I o~Jlr~<:fff ;:rzeri'I51erfu~ f(;Wl{ I
+ ~~T~;nt.s superfluous. i

(~ifVl);:~) en

cniTfu

q~

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?(~t~~-

aTsrnr-~ ~T ~~Rt(f~)qrfuir {h.:r~fu I Of~ lim I aTsn~~

mr

f(!$w ~Jlmlt~
II~II

(~q~) 'CJiNi~fqur~ fcr~TlTfilflr~n~ I

~,~'

~fo I ~~(tfi~)~uj

.~t( ~j )f~f~~r~er(~).~rerr: !ir~fij;nr ~i'Rr;nr~qItT~r: Ii


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II~~II ~ fsTfq~T ~Tqrf~~;:~ I aTsr ~f:q~ ~fR:rf~tfin, ~f:q~ !JT~fo~T:, €t~~~foent: I I o[\9'~q]:;r ~ffi:rf~CfiT,.... '<t( q~~'l: ) aTrr~~;iT ~!J.... ,... ...... ~Tq?1~ ~r~~lf +ilTqo: q~T~ ".;+ ~ ;t .~ ~'<. ~ fq;:fi1:~ ~+t :qfq'~1 +iTqT:;8'~(q;:fiT ~~I ~rif qrT;lf~~lffuf(J I~ 'IT(~T)f~f~~T ~~lf;:a- I SfT'lifir~ fiTiI ifT(if) mQ(: f~~ ~:;rT: ~;r~~fi;:~fi~iff~J:rR~if;:;rifT~)( o~'iToifT) q~::r (~) 1:a-'lT~(q;:if~~en~1J'(Tifi ~~')~qoi 'l):S~'liQJTit~a~R) +ifqr aT~~~~(q;:ifT il'Tf~(fiff~) ~~if~ I tJ;a- ~fi:renT +iTqT '(f~~' [~~fu~ ~~T-] aTTTlT~~(~)f~
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ersn~-~~ +iiTqoT 1_Oef~~T~lTql~T 'fiffil~~f~Rren!l~-

[~r.'d";(]

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~r;'-ij
a-f;fifu~(ir ~~'~f~f~fiff

:qr'lerqT F.t'l~(Jrf~~~it

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~ g ~~l

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fuflr~1{_ I '{~~)~ ~;~ ~~(~) 1!fi~)~ firf~=ti) *~~T ~~~fru{-ccl iT~fu I =!:qlf)ill"ifT ~~Qy1{_ I osrT~(.a) m~1{_ I

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ifqita- ;:«,:n~) +iTcn m:~~r~~ ~;:~, a- ~qr (~~ or tJ;~ ?) ~~ffienf '{f~~;:~ I ~qif~ fir~T mqT [~~]~~m ~~f~cnf~(f ~~~T~ [\9~aT] ~~~fu I

f~w

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firq:6~, q~~Tqcpif !fTtif)fi;, ~)~ q~o)(~iT: I aTo) ~ir f;rflr~1{_, aTqq;lTl ~fi:r~en: I ftfi5::qr;:~, firq~~Tf~
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* ~fcrr

~~q~~1~1J.is unnecessarily repeated in the manuscript.


is superfluous.

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fiI~f;:~~l fer'il'it+1l1 fer~~ol '-tilf.l~Jtq~: ~~ g; ~rir wtr~o qs:~f6l'~foa~q~~~ I a-ifT~ril",!~~<1(UJ)~FitUJ ilTf~o ilT~: , ~~m[~ l ~'lifu!! ~~) +fer[\9~3T]fu ~~T~Q~~,~qS:~o;:ill*~ I as.~TililT(JtT;j B !!~fi:I~[er]if~ l~~(~~:) ~~~UJ'(UT)~T~ ~B{_fo. f'3l~ itit~ ~~'l~«(q)f;o~fa, as.~~'iir fotf~~ st'lifa~~) ~f+if~~: I f~;:qq_ - [ ;j]Bro ~ffl~.=n~qfa ~rifT~' it(~s)4 ~~l ~lif: ~~ ~iTfo a~T fir~ir iI!!T~~t~ (~~fu ~T~~~~~)~) ~~ +ff6f"~o)fu I a-iI ~TirUTqeru l1qa'Tfo I ~A:~~rqQ~ ~;:il ~To I 0''31 ~Tif) filFi:Rr ~~~T ~fuf~Cfi:' f~s::qT;:~ Q:~f~fer~ro). I ~[QJ '{Qciib~tr[~~q Jilllf6f~T(~ )JtTUrJtTfE{ fi{~"i ~;r~aiiUT mffioT[ ;JT]Jffu~To) ~fu ;:r !Jf:m: I atsm!gUT(ofu~)a~ filfi:roJt~~rol ~fi:r~~: I f~~;:~ fq~~~fir(fa)q~i~: I ~q~T~l~ (~qtr~TV aTil~~T~rn:~f~: Sflfu~T;JHt~rf~f~(~~j: I atsrT~~EPifilf~ fq't:naT ~f~f~Cfi: I 1l:qitar( oitae:)llRr~:(it) firfJf~~fJtf~~fitfu, q:~ 'il't~~f6f~T fotfJt~~mf~~)(~:) [Biifl or Sf~$l] 1S~~~Ta: I !:f~fCf~T.f:Sf~ffiq;:~ ~~?!;;:;~aI "alsrT~ fuf~~~fiIf~CfiSfBW: f~itt(=JtCfi~ (T~Jll(it~:) ~~~srT;;:;~~1I~1I
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The Karika: text

in the in the

manuscript vrtti is

is ti-~I~

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q3T.{

q~~J:l~~;;:;~a-

II~II

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UiTT1I... hence it is given as such here.

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qs:~ ~~~T

'(fa tr)s~ ~TlTf~~o)

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I

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aTa' :q?{q'iI~~a

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(o~ttR II~II

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~f~[;~~Jfq(q)~~~fm~f~'iGTI (
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See

Notes.

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,~

au~~rn"~r~ij~: ~i~~qr~rW{~r~~rqr~~r: I

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w;ff f~~l
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II~II

~r.:r :q m~sID m~[:] ~Ts~i~ft~fq~: II~~II


~[~~~]ir: ~~S\~'lir
~:~*I ~)\l~lmitir+l~lJ:~·

~:~~rrn tI'~~snf~: I

fq'l~(m~f;rfi:r~;r ~~T(~~) !;fol'enlt~qT t6ii'lt1tq ~TUTi~l(~)~T~f.tTJ:I;~(tit[;r] ~r;r;rf~rr;q ill$' 1T~~fu I ~ q~~T f~fu: I ~~ ~T(atT)f~~~~;r ~Rit"'Ufqffi(f(q)lifrt=tt~(o'liq~~T'lT)~~f;rm~;r :q a~~ !T(fTenR 'litCfT 1{6~qtmr ~~Tmt ~(~)~'J;rr~;#.fT( ~)ait;r ~WfJff~rr'~
*There is some come confusion here. The first four siddhis are not discussed. A part of the exposition of the fifth< also is missing.

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~~1lRlJJ1iij ~:~

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[~] q-fu fifm~T~ (f€fJI)~)I ~~)em~y;rj ~q'~~~~~; I ~cn~ ~q q~T~Jff~~'q;

ri~ I ~

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f~s::qT;:t1q_ 11~11

[~T~:] ~q~T(~)uT~: I ~q ~q;fT~1I.1 ~~T cnf~q_ ~qT~firer fusrT~ cnuf(f q;~ ~qT~f;fq !(~T;% q~~ 'cnufrr I ~ :;;ff~l fiJfq~: ~i~T~~~~Tf~!!U1~~T;:((~)q~fo~~;:o~(o~;:a' f)~ I Rr~ (:5tit~ ~i~l~fq(fu)q'~: ~ ~)~[~oaT]~fa I aT;:a- :q ~QJ~~T;:O~)~i~~ ;J)~cn~)fir I aT~T[~] ~~ +lrrq~T q-~T;t ~qT~mq q~~;f'R:+la- I (!q~T ~(:;:.rT or fq ~o;:f !i~T* 1{Q~!]~ ~l;q'~ ~oif da I (Jq cn~;f~o;% !(~lir ~lo:ft~ ~T ~l;q.: ~i~T~fi1~q'l~f&~ ~)it~ ~)~fu(te:~) gu!~l;'5fT~~i~?:tT ~):qf~o~~T( Q~) t:fo ~'lfTd :;:.r ~f~T f~qf~aQ?lmfu I al'SH~ (aTsrt~a-) ~t[~~ aT~o~TifTJffq !f~f~~T I ~~T cn~ir?rTi[ II~II

~ ~~ftf~qT f;:rq~it "~~Ttf?lT'[~lJT~ I ~lS"~tf Q~TSS~~nt% ~~T~ ftrf;{q~ ij- ~;;fQ: II'-\~ II
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firq=aa- ~Ta:ir sr~fu~f~+IT~if* t{T(aT)~~T~+IT~if o;:~T~. Stf;~~ll~(a)+Il~if a:q'qT~if ~t1+1T~ fa'iptrtfqm~;r ~~~:~mi[+lT~;{ o~ffilf~:aT~i~'5f) :qT(~T;t ~l;'iJ~t1T(~~) !fcnT~ fiffilq:6a-1 ~:l.<tsriJt{Ts+lClfo, ~)~ fT~cr'Tf~~: I
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W~~'WIrlRf"T~ffi~;r ~a:rtflfir: I ~f~tijlJR'JfQ;rr ~i.{ ftnntr H:r~rrQI{I\,9 ~ II g I


_ Rt~7.fqtQ'~~afJffu
Ienr~T~RurT

I '~'l~?t ~~~~~.fir ~?t)m ~: I '!lTta-(t~) ~)~it~' ~f.;:r N?i)": f~~: I '~;:Jf~~1Jf~~U1T~ {Ta ~Cl(~'l)q~~ fu~~ I ':q~~JfCl~ ~Ta ~~~: T~T:(~T) I tJ;~(ei) 't[~o~q]Tll~T~i: 'lrnao:sr (f~(;:~) I ~ffi~Tqcit~Cf I Tcn5::qT;:~Q_aTr~~T~enT, fif~~ ~~q~T ~Tf~?tp;f~o~~Rq~~~~ (~ ~~T~ I o~T q~CfT~)fClClfifOT~fu q~ ~T~t: (~~ ~: ?) [q~ClT~:]I I ~T~ [fer]crfifot: q~qy~~qfifalufir Q'f~e'JtTaf;rfa I ~T~Sr ~(~mdClT~~ atsr'ir-en~itaQ_ en(at)~;:~ ~cra')fir I atsn~~ 1t~1I

fif~~:

f~

!ltall_ al~~:(~:)

~:qf~q.(~)" qS:Tlro~Tnht)~enCfI~Jfl~~T&sr~a)iff '1o, oo~~~~: t~t(~)~tUt~ srtt'(r ~;r~ 'trnd;:sr~Nff~; ~f~m:rt~~fa~T Per~)uUrJfm[~T] ~~~~Cl~p;f f~r.aq_

{ffi

I enTt.cnT~urf~~7.f ~tT~~;:a) oq_(€r) fe'~l;:(j 'lft!O;:srmm I

~9;~~iCl)

m~
I

ij~qr~ tr~m.:rr( tr)~~ ~~fq~ ;rr4ij~ qf«TOT'{ I ijr5J~ {{~~( ~~;'{~:) a:~OT~ijir;:ijfiJer +;.rf{ II\,9 ~ II R
~~~TQ_ 'lrna;:sj[ 'i~Q_ (f~JfTQ_]~ffi ~~Q'O) ~f;~of~~~: I

~g: I ~JfT~N :oo.;rmfa I [m~~~ it~)~qmfi;:fo]

~~~trtf~~~s'.JT~ijs~[:] ~~~;r~ [~o tat] "f~tr 0tfT[ 3lT ]~Pt~rfiJ[ ~]f~Qr[ wrra:~~r~fu :] II\,9 ~ II
it
enf~t:
I {i\':;;n;:it

'lNa;:Sr q~~f atfi1~~~ ~7.ff ~~~'d'n I o~5'-'Q's::qRcq.q~[it~' ~~ :qrf~f1:an qs::;;n.

I!(IQ_ ~~T;

JlTmcnr:

oq'f

ft

o,~f~q:;Jf~~~~ I ~f ~t:mT ~)~~T( \i~) ~)~f~o:(~~ I at~ ~:~T~f ~T~SI'Cl( ~~T?)~lWJlfir ~ I t~~-~f ~ ~~fu I ~Ttro~ q~iS:')ur~ I ~.... 1) (;r.... srffiq.~: I aro[a:] ~fu q)(rn)Q't{T[~O~q]ij ~ q~. m~~'-l:I ao:~ 'iiS:O:fl~Yif:) ~tq1Jf~enT;:amq ~~ ( I ~~T ~~fu( ~~ sfq )~~Ut ~gr) ~Q'~~ Q?tfq:o . (~T?i5', ~~ )m~~ !i~~~ 'lmr;:sr~Tfu~(f<fo:)

'U~si"

"[ at~(f~it~~~~,~Cl~]

q~N(Q'TU~)JlO=~Jf~)
I II"

~a~[¢]:
=-:T;:JfT~JI - -

f;rqfu(~Rf:) ~t'l) filitfir('1)) an[cr: 9;JI~: R:~[:] ~')~~


:q

~TmIflT~,q~~sr)q:ol~T:

~f~~~T

~~:,
II~tI

~Nr:

~ifffi 1l~1I
~j~~afa~f~: ~TaT:(m) Jf~ Jf~TS$I'): 1I~1l

Qfhnun( [.:~itn:r:] qs::qf~~,~~~f~: !fmif~T~~~~Jf'n~t%:q f~ I '~\'Oq~T~cm( q~'~T f~~T I 'a~Q'U~~T :q ~ .fa sr~if~~~fCf N'W( I'~ ~~" d~r

~~

'~m

mr

Notes
~q. <firq~Pl .•• This

M and G, but not introductory details this vrtti, even at language. M refers
cmrn ~cr~t:lt ~q~W~1'la_1~r <fifq~) "Y+r ~licr

mangala stanga is found in in V2 and P. M gives the same regarding Kapila and Asuri as greater length and in poetic to Kapila thus : ~qcrCf: ~UIJf~~1Sj"~~r~+r~~
~llJ: ~crr~J:~cr12~ qOlT~f%:of{

~~rq~: I

These details are not found in


<fifq~ ifT+r, Cf<a~-

V u V2 and P. G has: ~6 ~FrcrT'l.~~~:


~if'fi~ ~ifr~~

~al~~

~iffCfif: 1

a1Tt!~: <Iif~~cr
~(~~ ~~UJ:

cfl§: qJij~~

I
II

3S1T: ij'H m<fCfT q~~:

_.The manuscript has ~iff1'+rI~r~if which can be read as ~;m+rms~if, or even emended as ~iff1'+rf(1'+r)~I~if. The construction is a bit clumsy here. Compare as against this M-~ ~if ~UJ~1Sj"r;auq~ ~rrT1'+r~Ts~if ..
~~1:1~

~T~if •••• ID~lifcR)~rafCffl~if~~utCfT~iffscriJ)iitif CI+rRr +r\iil\iifq~~+r~I~l({_ I a1;a!laT

~q~s;:~

has a1~Cf) +!fqf which is evidently not proper, and seems to be a later correction or mistake. V2 has aRJfia) 'l1'crTCfT'q; PDisguising himself, he approached the brahmin, f~l~<lq~6:~-The ends of the lines are somewhat faint and a letter or two is even missing, as the edge of the leaf is broken. Similarly the top portion of the first line on some leaves is somewhat faint, or even broken at places. But the text can in most cases be easily and correctly guessed. Here, for example, fs: is faint and a1 is missing at
~at·

~T-rvI

the end of the second

line. Such cases will be mento discuss the text

tioned only where it is necessary or where there is some doubt.


~q.

\laT.

~l~~ifm~H~ l1T~~~a~- This

occurs

at the end

aF.\TifltfT ~:~T;rt in the first line of

fiI~~~j ~~~qa:~~l+r:--This
~or and the portion of

occurs

the Jeaf having the underlined letters is broken. Only the lower portions of U, <rand ~ can be somewhat seen. From the space it can be inferred that the text must have been f~TIl+rr~' cr~~q~~~T+r:. This vrtti (V 1) is very much like M but even M does not help us here ~~qa:~+r:. trtsgr~lQ_ l~ ~ as it has a~H::f1tlt ~:~?{~IOJt SICl1'iTt portion underlined is at

of tbe first line of li'al. Something like rcr can be read and from the length of the other lines it can be said that one letter at the end of the line might have faded and so might be invisible; a~ is in the second line. My conjecture is l1r~~~Na~. l1T~"~T~H~l1T~~Ef~JJ., a~ 'i6e1~~T;:~f~I,;~T~a: also likely, ._.is but only one letter seems to be missing, not two ( tf;:~ ) as required for the latter.
~

,-,q.

qtflf+rfa:qT~<fi:-Something

like r~ can be seen

!~ ~a-The

the end of the first line on ~or and the leaf is also broken here. Hence only the lower portion of ;r, and crTcan be somewhat seen. =m occurs in the second line. M has orT~~=mTSWl. Hence here has some justification.
~q. cnafq~ a1f~~!@

at the end of the third line on ~or and One letter seems to be missing; <fiis found in the next line and is not connected with what follows. Hence this conjecture. ~rn is very freely, and many a time unnecessarily would employed in V r- ~tfTmra-CI_ ~ any sense.
I

'i !{~~T!Ii ....

the conjecture ~TtfT ~ra-This

not have

conveyed

~~~liflfiJr;mT

Occurs in the first line on ~or and the leaf is broken here; only the lower portions of ~, <r and ~g can be seen from and the number of letters can the slight traces of the others. ~~tf! ~tl;:~l~- This occurs at the end be counted

of the first

~at. 'i~~(:~~ ~~rt61('if or ;fit) fqtfT;:q~~lor~uOJtq ~+rf~' : -fqf:qf?6ffaaTfir--a~~ before ~~~ would have made the sense clearer. Compare V2-~H:l~~~ CfT<rc( al'lTs;' : ~r~o~~:, a~~r Cfir~~(:~:( )~~T;fit )fEft;ft;:~H~~lor~u~m~t:ll (<fiT fqR:!f'tifr~aTf;J. V 1 trying Is to make the sense in V 9 dearer? 1\,1 has 3l6~rwr~i::f,\fq~: fi{tf~: <fir~~i.>lHT~f<fiffqtltr+rfi:\·~lq~r~qf(:R~f~Tfrr~lJIf: which is a much more compact expression, mentioning the different branches of medicine. The author of V 1 seems to be very much interested in Ayurveda. He cannot resist the temptation of quoting a few Ayurvedic formulae. I have not been able to trace these.

line on ~or and the leaf is be seen of ~a~t ~, tf~~ being

broken; nothing can in the second line.

The author of our vrtti is very eager to explain points pertaining to Ayurveda and give a list of ailments. M is quite brief here, and rightly too.

~t~~~:
~q. aTIN~"lfaCii~rfqo~nil~~-This

"lfu~m
occurs at

(V 1)
the trate ~Cfil;:amif.We do not find this in the text of V l' The scribe at some stage did not copy the lines in the proper order. Or the author himself got involved in the rigamarole of expression. The text should be ~~~qra a~lvr ~a 8{T~fraifi1 ~:~fir"lM !ioeT(;a I !JiJ~Cf~~ ••• ijct ~~ C,i5~~ I ~rn :q'f~ :(C,i5)<6: I !Jf6lffiraJ~g ~WT<6l .... ~ar: II ~ I q;;i arCR~C6Tfraifiil.8{~f~f.ctqi ~ ~~ss(-!JiJ~f(: I ~5fqvr:... ~~Ttrcr: II ~ I· M has rectified this and also avoided some amount of repetition. M reads ifiliT;:ar('~raa)s~TcrTtt ( ~, qifir;:arf~aa)s~TCfTQ" ).
\9q. !J",~ri!;-M

end of the first line on ~~, and a small portion of the leaf is broken; some letters at the end are not visible. Some portion of fq and the lower portion of o~ can be somewhat seen. ~ occurs in the next line. Hence this conjecture. atTrssF:J~fcrCii~~Tfq 81qJ~~ •••••• This, occurs at the end of the second line on ~~; a very small portion of the left side of at can be seen, and qr is in the next line. I am doubtful about . as one more letter after vat should this conjecture be missing in

view of the length of the other lines. V 1 has later qcrJiT~~fq,£;rfq Wfraf.rcmn~f~: mfraCiiMiT: C6~f~ ~~fa" C6~Rl;:;rfu. But Sl!fTCI oes not fit in here. d similarly supplied aTr~aj~..... and ~~ in ~) ~~ ~11(.

~aT~......

has the two stanzas the latter being thus : 3~raJ:

!J~:

••••and

~~Tifil ~ !iW ifiT~Rf~qili:


~ ~~

'l~iJfra ~C,i5fiJ1f~
M has two

~ar:

II

I have

'2T in f<6~~~

~q)S1i2tlT

additional

stanzas occurs

here-~rf;r

i(lf;r

~ ii.~rfir aod ~~ ~~ f:fJi~~F~ ... .... ~:at. ~:~T~~~~;rtTl •.. This . at the end of the first line of ~at. On this leaf, some letters at the end of each line are missing, so I have supplied q~ra in view of ~:~ and the wording of the karika.

t.9:at. ~Cfirra~TCf) ;:nf~;:CI~lq~-The two drawbacks in Ayurveda are mentioned in V 2 as I:F1iI;:c::H:~:n~rcr: 81f~;:aT~Tcr~. The second hemistitch of the arya according to V 1 should be : £:~ ~rqr~r ~;:~C6r;:alr~;:aa)· ~rcrrn:., and not O~i'~CfiT;:al~~aa)s~crltt. The text of V 1 is a bit or 'anaikantatva' confused here. 'naiknn tabhava' signifies that these means

~~ff~:
which clearly

~~rg: .... M has ~-.;~wf


requires emendation.

~CfT:

!Jf:f~t~rs:-

mayor may not yield any result. whereas 'naty antabhava' signifies that the result is there but is not a permanent one. Thus C6;_n~~~cr~)· sqrn qT ~ crTis an instance of ~~Fa~rcr, whereas ~tTr 'lfi:ro~T~qilCf; •.. 1iT~~qnCl) i~;:ij- mtiil' crr 3f:fljqrn is an ~qC;r instance illustrate of f:f1~;:a~lcr. Similarly !J",~fi!:~f~iJ: should f:ff(~~lcr and !J~qar~~ ~~r<it... should illus-

STQfJi ~);r•••.The scribe has unnecessarily repeated some words-atqm ~)ir ~l~ffi 8{~;r 8ItAI' ~litftH~ar 8{~q atq;:;r ~~tfcH~q ~crrvr fli aiJq~fifiUTCfi{{rfa": fit!J ~~~a4 Ji~~~~rnI I have given the correct text to avoid confusion. The underlined letters are missing at the end of the line and are supplied. All underlined letters in the text, it may be noted, are missing in the manuscript.

~~~am: ~~f~

(V 1) ( ~cii :st~ffi I ij-;:r tij-;:r ~;:rCfi)~~( ~'~f:q~ I J aiminrya Brahmana, II. 113 (pp. 207-8, Nagpur Edition, 1954) -as quoted in the notes on Abhidharmadtpa, p. 154 •
~ o~.

q_q. Ka. 2-~~Tit; ~~~ C'lTCf~t~"fqO~ ~sr<6TiJT~~_ qfi[l ~ (~T)q_ I-M has 'I"~'IfqOqf!JSj<6T'IT qf;lT 5,,~1~rq_ 'anl:l~ fqa~ .~' (err.~. ~. ~~) ~Rr 'I;:?ror. ct~r Gi(a@St~~n{:-This is not quite dear. Could it be 8l~'I;§f-in the hymn used for consecrating ? or ~@ ~ M has C'I~T (~+r ~~C{: ~cf ~it5f m:~: ~ ~ ~ctT.m:ij-.OUT vrtti has :stlit'l... first. This mantra occurs in RV. VII. 66. 16-a~~q~cf ~~~~q_ I q~iI+r ~~: ~ :stlitJf~~~: ~ctJl. I Could M have corrected VI? as : , ~oat. ~~ ~ctrf;:r.. -M, G and Y give the stanza . ~C'lTf;r;r~~~;ij- qu;:rr 'I"~~ sllf;:r I f OT"<i~I:1~ <A';:rr~ff;r q~f~fuf+J: II
liI'~

;:r I:l(;:r)dr~'qi'lorff &i(~cr-V f if

has the stanza

in

the form: if cr~ :'1:qj'lorclfliff~ ~1!! u~~(~I~ !)fcr<il&q;,~ I


II

3lIOfr~~~c<il:li(rqll'~qSTn~rg~qrcrCfiIf;r M does not have such a stanza.

The stanza as giveu in V 1 is found quoted in Abhidharmakosa-bhasya IV. 68 of Vasubandhu, in Abhidharmadtpa- Vibhasa-prabha-vrtti IV. 3.191 and in Syadvadamafijari (Ka, 7) of Mallisena, This idea is found in most of the dharma-sastra works; e. g. \3'il:r&<6T~ ~fC'l~)iT 51flJTl~~ ij~l:lifTq~r~ I fq~ "friT ~ CJ~:'1: s::qrorctF~s~qrcr<6Tf;r q II -qfugl:l~~fcr XVI. 31. P-For the case where some one utters a falsehood, some devas Or rsis declare in the Vedas that that does not imply a crime. Such faults (killing, , lying, etc.) are found in the Vedas, consequently the Vedas themsel ves are not pure. ~iT Wt.... ,~ ~at. ~lifl;:~~&l?Htur 2 ••••V has ~2:i11;:~ij'&l?IrfOr ~~rOff

~IDrij--Could
'l~

this

be ~~~

rn'fCTr-M gives the second line as ~~,,~~ iJ~ ~crm ;:r~Cfi: i1'f~ I it;;:r iJ)ij~...•.. See ~ll:st: Cfia{rn~~r:qR:] m qr~~lCfiT;:rt ~ m5l'~mJ<l IlTtlit "f ~~ I ~~)~ "~~Of) mijit;r{a~ ~crHl~IlT~al~fa I a~T \3'~ "llil'fo (or ,,!l:i~fct)Q.UTlf;:rf=mrrf~ +rTo~~ ~!f~R' \3'~fo aq ijilTsrrij," ~fo--Abhidharma Kosa- Bha~ya, IV. 68, p. 241(K. P. Jayaswal Research Institute, Patna, 1967); So also Abhidharmadjpa-Vibha~aprabhavrtti, IV. 3. 191 (p. 154). (K. P. Jayaswal Research Institute, Patna, 1959). Cf. 8l~ amrcr: I ~q~) ~;:r ~o I....ct~ iiaJl. I ~ ;rre~fir~, \3'q ~cr~n~~ ~lJ)srlJ1. I ;:JqrCJllr~T~~'''frit~, ~crm~ ~~l~~~ra. I ~sr ~~ij film fq;:~tt. C'lQ,_ fcJfa~ I ~() a,

qft'l'Ofqar "f (;T~q;r~,;:rmqf{ilrorqf'lil~ ~~JI.-This should be emended as follows- q~'IrorqClf. , ... <6T~l1frf{f . qftmlJlCJij_ Cfir~ ~1iG'l. or qfi+rrorcrar. ltil~OfT;:rrJfQRorl+rq(<6T~ ..... if ~lilq_. The former is better. This escaped my notice when the text was being printed. Both V 1 and M say here that a parimanavat karana can have only a :pariman.avat karya.

~{{tafcr:

::~f'ff{{~m 1) (V

~lat. qs:qf;f~fucr~q~ -The second line as given here ... is rather unusual, the well-known ,one (-found in V 2 and P here and at many places in most of the commentaries-) being ~i!1ijusl fu~l cnfq ~~€t ifl:;Jij'~~:. ~~at.Ka. 3. 'lNcr)!1~qr((~fcr ~~ijre~iJrCl_ •••The vrtti as ~~: it is given in the manuscript is confusing. The ~cribe has somehow changed the order of the lines. I have given the text as it should be. The manuscript has the text as follows : 'l~Cflij'qr~~fu~BlItJ:. o~~ ~: I 'tqitcf ~iJlut~: 'ttfl' {{~ml: <ti~url~ ~fa asr ~~ur ~~~ ~ €t ~~~ I ~if ~ ~~r~r: iJ;:I:TCfr~~q~;:Cfr: I 9l~~ 't~tft ~'qil~ift sr~rurt~~ift tif ~<6T~ur q~fi:lqiJ: I It may be noted that M and G say that aharnkara is a prakrti because it gives rise to tan~atras,-though they too accept that aharnkara gives rise to the eleven indriyas also,-because it is intended later to point out that the tanrnatras are vikrtis of ahamakra, but are the prakrtis of the mahabhtitas; and then say that the eleven indriyas along with the mahabhutas are just vikrtis and not also prakrtis, V1, Y, J and T state that the aharnkara is a prakrti because it gives rise to the eleven indriyas and the five tanmatras, In V 2 the sentence stating this point seems to have been omitted by the scribe. According to P, only the five tanmatras originate from the ahamkara; the eleven indriyas and the mahabhutas are regarded as originating from the tanmatras. Ka. 4. ~~q. The text of this karika is very much confused in the manuscript-~lli!~!JiJrifiJrncr"'if:q

{{~~~rur~ocfm{fU1fi:r'i ~it~~f;a: ~;[TurIRr; the text as I but have given it, and as it is found elsewhere can be derived from the vrtti. ~~at. 9l1lT;[t ~lflCJ:qif -The ... scribe perhaps found that the hemistitch ~lUJt~I[tflS]ll(il)ci CJwt had one letter less (-tit is not in the manuscript-) and could not supply the letter tff as he was not enlightened enough. So he left space enough for o~e letter after oqJ1i~. The stanza as found III M and G is 9lrq~f ~mq:;;r;{mta ~q~~Tffr~: In V 2 it ... is given as alTflifT ~fHCJ:ae:rmffi~qaJij f~: ... V 1 has alTf(f(t ~THq:qi{i{r~ ~~~ f<f~:••. which is obviously not proper. We expect ~qaJ~l~ here. Could we say that V 1 was influenced by V 2 and hence this mistake could occur ? The illustrations ~qtiTst~~~:,~ ~qU~ 'and ~~T: ~q: are found in V 2 and G; and ~qiTSt{{~~: nd a ~~ qif'l. in M-though these are stock examples and no conclusion can safely be drawn from these.

~t...;r. ~o~~iJlurffi;amn:-V includes a1mqf'ff, if~<f, 9l~, 1 SIfu~T, 8l"'q~ and ~1l2rin ~; and ~fu~ in ~mq:q;{. V 2 includes ~m, [ir~w], almer, ~rnm and ~1li!T
in &1~m;:{; and 1tm~ and 8l"'tq~~ fmHq:qif. in M includes 9l~fQfu, ij'~<f, &l~lq, ~fa~r,
~q;[Tif

ltfa~,

and ~llGT-allin 8l~m;:{. G includes ~fqfu in 8l~mif; and ~~CJ,8l~T<r, ~fCf~T,

ltfu~

and i3q;[Tifn 8lmq:qif. i P includes the six methods of demonstration, that is to say, comparison (upamana) and the others

in sacred authority.

Y includes upamana and aitihya in sabda; arthapatti, sambhava, abhxva and cesta in anumana; and pratibha in one of the recognised three. According to J, pratibha is pratyaksa or anumana; upamana is sabda or anumana; aitihya is aptavacana; abhava is pratyaksa, and sambhava and arthapatti are anumana. According to T, artriqf:n and ~l=(Cf are a{~TiJ; 81l=(TCf ~Rr~; '3'CJJijiJcan be included in ~';~ or ~iJ; is and itrn~ is not a pramana at all; or if it can be determined as having a trustworthy origin it can be included in alTmt. fcrr'C~~ ... The , pratibha as given in M is :
~fuotiJ

V 2 -~l~~'fil~
~~IQ_ ~~
~1'C~a ,

i't~~fftla ~~ ~fcJliqra ~j1~~fa , il~: q~r, ~ft~fu ~~'l ,!Cflff~€t'l ~fii;:;:


IQ_ ~fq~1
'l~;:;

M-fCff~{li;:;it~r~ra~~~ CfT51Cilfa:I
G-,!~ij'~~T~a ,!q~~;:;ferTtr.,

~~ICf~fu

,!cfrn~ ~2 fa ,!~q(( , Of~l,!~~~ifr~qft 'lli~

~Cf ~fa

~rn

~qtr.,

~~r ;r~~f~r

~R;:;

J- 'let

~,,;r~~T~a

!{fa l{~qq, I

~fq~CilRr~m~a

~~r~a~~l:lt ;g~r'lf6;:;and infer that it

P--Men see black douds is about to rain.

~-V

l-<15CfIJT~~iU~'fifqatf: 51r~~ ~tf~~

~Cf1lT~lcfts~JJ1~a I
,
I

t~a:r. ~fa.:rar~~ ::q

stanza

illustrating

V 2-~~T~fir;:~ ~l~ ~~fq


M-~~!u<{'fifit;:~ 511~~ ~~

~Cfl1lars~'il~

~qUJ~Ts~JJ1~~

g fqi"~~~ ~~~ ~

'lfiJcm;rT~~r~f

~~~r 'I';it~:
::q

g ~~:n~q_ ,
II

G- ~~i{T~ci;

:jf~q~

~CfI1lJij~I~ ~~rt~fta

~<fUJmCf~ffi I

G has the same stanza g at both the places. V 9 has


~f~i1r'l

with

in the place of

g fq;:~~

~~~cf)ri~1Jf

'lf~ollt ~;rlJTl~s~'if~;:a~~q al~r~ ~1JT~r ;rl~~

g, a~iHq_ I'

P--Seeing the water of a river recently muddled, they know that rain has fallen higher up the river. It may be noted that J gives the same interpreta tion as POTCflaT~~I~'lr~ ~tf<f((-~!f ~fl'+I'~~I~olfa
I

~~Ts~~r

~m

This is found in V 9 also, only the second line has ~~ ~ri1'n(~~)~ f~li~~ ••• Ka, 5-~\Sq--V 11 unlike M, does not give any details regarding the members of the syllogism and the like.
1{,~crn:--V l-~r'l~'lir~ ~~;rr((

'3'f.Jf\

'l~~ar

~~r ~lft~t;

~~ fewf;,fa

~TJJy;:~a'~!;2"is

omitted in V 1; the illustrations given


811il'
I

by others are : V 2 -~~ g if"~


q~"""lJ~t SRqcH 81161r ~

3f-eqa ~~r Cf~;:a'fil~


alr~:f !Jf&qaT all;JT

"1_ol ~f~'ll~ijfq

M,

G-!JfiqClT;J~~illn:

~ffi I
"fa'!f<fiiT ~~l;:ff~-

i't~!!ifqcf ~r ;~J~;:;ilf~alfa al~'iliJq_, ~~ i't~: q~ ~f~Rfa ,

J-trT;n;:~" ~W~fw~~fCfltr. 1~~T ~q~~ srrfHi~T Cf~r ij_~~l~t ~r;rr;:~if ~r::a~~tf~

IlfCf~~qlq€t

P-They see the mangoes flowers at Pataliputra and infer from it that in Kosala too they are in flower. a~~§f~rn'I.0~Ofiij:-M gives here only one example-f~w;; ~~O~T~~;}""R:5GTsfq ~§fT ~fT1;~~ "i"i+T~"" q~ijJ;g~a~<t f:f~o6fiTfu. 1, V lH G and J give examples V of ~ir ~~T f<15§f1 m~ as also ~fWol ,{~T ~t ~,,~~. y does not comment on this. V 1, V 2' and M give the example of qRi'n~ and fsr~tJG(G employs the words ~fcr and ~o;g). J gives the example of ~T~ and ~~o.
~~at.

T -81mcr:q;rf+Tfo ~~lJfir~~: qRfui ~~!YJ~ I atrHr~mT~~ ~rcrq_ 81mT I :qr~"" ~fu~fu 81IH~Rr: ~fcf: <1Tq~~f;rcf I crT~~~r;{~ I In the karika, we find a definition of each of the pramanas. Accordingly aptasruti should be the definition of aptavacana. But besides the Vedas, the Smrtis, etc. also have to be accommodated in aptavacana. Moreover, aptasruti can hardly be called a definition. So different commentators explain 81TR~ra-~mer:q;rq_ as they think fit. ~itlJ~~-The three-fold objects are vyakta, avyakta and jfia, M is specific here-aa:ct oWfaT.;;~qCf~r~~f~aJr~fsrfcrl-l!>nni'it~ 'I~~ ~ Cfi~lJ f~~: ~~Tfl. I ~fa Only we miss the expression f:ff~ ~it~~. M looks like a commentary on V 1 here.
~~~. r~fq",~
~Q.,at. Ka.

P-When one perceives the mark, can be established by inference.


~~iI'.

the

proof

81IH~fu~lHerVTJI:-According V 1 and V 2' to OTTH~fu signifies the intuition of apt as like Hari, Hara etc. viz. the Veda; and 81THer:q;r signifies the utterances of the authors of the \:lir~l~s,viz. Manu and others. M explains 81m~fuas 'the aptas and the Vedaboth these are 81THer:q;r' --sum ~T~~ atr:qT~f:~fa~~oa:~ a~l-1~+TTHcr:qifq_. So also G. P is like V 1 and V 2 here-'The four Vedas given out by the god Brabma and the Dharmasastra of the King Manu.' justifies how 81Ttcrcr:q;;'l. and 8lTH~fu could be the same-81rt~~~T ~T ~fcrq~;:q~~T~fcfU~TCn8lTHcr:q'"'l~ , a~itQ!~) CfT~: q~ ~erait\:l~'{~Git\:lr;:a~r(lffl~ ~Ga:;;Tq~~ I Y gives different interpretations so as to comprehend the Vedas, utterances of Manu and the like, and of all reliable persons versed in the different arts.

6-~~n~I fq~~Of eT<lJa

i:ftTf

firf?r~;; ~rnfu<ii

V 1 tries to illustrate how pradhana and purusa can be established by samanyat('ldr~ta anumana, No other commentary gives such an illustration, not even M. M is elaborate here and justifes this inference of prakrti from its effects by stating that sat cannot arise from asat and the effect cannot be dissimilar to its cause. For establishing puru~a as the 'calanakriyasaktihetu' M gives the example ofloha and lohacumbaka. G has ~a~~aol ~aiJ~crrl-1Tfu anfls~ls~~raT ~lif ~ra- I V 1, V 2 establish purusa by saying : '{il;rft:o~lifr ~~lJTij ~I-lT;l ~~Tf~W5fq~fcr I
~F~-

P-"The Spirit ought to exist because her [Nature's] products, that is to say, Mahat (the Intellect) and others exist only because (the knowing subject)exists."

~~:~~(Vl)
M does not derive its inspiration straight from the Sarnkhya karika. (See Ka, 17). Surprisingly both VIand M do not comment on cmlT~fq :qyf~~q . ~~~. fu:al~JJq;rll\R~~ f1il{:--A second head of the monarch. M, V 2' P give the example-f~l~JJ;rl~{~ ro{:-a second head of one who is not God. G has just f~l~ fu{:. Could it be that the scribe added q; O{;rl~~ sounded strange, so he wrote O{q;rl~{~ Or the author perhaps preferred aTq;rT~{ to aT;rl~ which is negative in significance. 7 ~TJJl{;~m:.-a~pn f:q:qg(~ffi.fq-q;r q~JJ~51~c:r~~:qThe author of VI very often puts his illustrations quite attractively. Others give here the illustration of <fi'Jl(~ aT~;rin one's own eye; P gives the or illustration of a particle of dust in the eye.
~oat.Ka.

pass by in front of him as they are existent (~~r~). Or we can emend the text as oR~erT~cr~~cft ~f3tcn:which sounds better. M has a1;rqft~aRr'nt\T~T;:rnfq ol ~~. ~T;:ci" ~~~. Ka. 8. er~TtlT;rcr((-Could this be emended as er~TtlTq:~ cr~tlTOlTcrq_ or or cr~tlrr~qQ:.. 9 has ~rit"ltlr;rr ?V and M ~T~. Later in V 1 we find l'fl~~~ ~;rT~~: ~;r~1 cr~tJTaT~~~ Ii6T~~. Can we construe this as 81t~~~ erltlTOlT, ~;rr~~: ~JJ~:, ~~~~ <fiT~~-There should be a er~r, an effectual resort (saviour) of the people, whose effect this is ? Or is it crGTtJTQ-that which gives rise to the erGtree? G-51m: 51t1fii fcr.q 51'lia{~q, V 2 -~{~1iIf;rf~~: I a~~ O{~~~ ~~ JltJT;rTq_, J-Sl\'n;r~ ~~;rtl~ :itf~~:.But Y like VI has
~~at. ~~<iiTlJfT~cmur5lfu~cr~liTJJ:~~ at. S(t{r~;r fq~JI:- V 1; M has ~;:ryfB:ij~.

mOl ~~~.

'tRr<iiT-"impurity or impure secretion of the eye, pencil or paint-brush's-Monier Williams. Does our author want to say :qg~<iiT or does he delibrately employ the word aT:qg~<fiTin the sense of ~-that which does not make the eye impure or ugly, but makes it healthy and pretty? (:qg is used at places for =<fg~). 1 does not give any illustration of ~~~J:~. V ~~~~t{ here as this has to be treated later. M does-etJJT~~R:;rl~~q{'lTlJfcft ;rlq~+~;:ij-I aq_ fCfiilJJTtfTil+l1er:. M mostly changes the expression at each step-sfss ij;r ~cr; fon;r~T;r qa:, fq;"~tJTJJ~er:, ij-tJj ~JJ~rcr: 1iI~ijqf{q;~Rfg'l.I VI has the same fit; ij-;r ~Pcr everywhere,
~oat-~Oi(

V 2 -CR~fm5lRr~tlq_,M -~~fq-CfiTIIfi g
Slfcr~1:Wl \j~. We would

&mf:

~~6mr

;ro-

~<iiT~urnfu~tJqis not a good expression. expect aT~~5Ifa~~ or ~?Cfi{UJSlfcr~ (-O{'~: ~~qj, a~ in view of the next karika (Q1~<fi\IJfTq_ M perhaps tries to explain aT.•.•). m<IiT\IJfSlfa~~ when it says <;Tij(f: ~wralfu 5ffi5lfa~liJT~. VI does not quote any Sruti while commenting on this karika while M does.

ma~~:~~)

should mean

Ol\;rT~f~T:(~:) ~~crl'nf~IJlcil ~~T: This that the men, women and the like

q;:~r~f~Q .... M gives er;:~r~f(Q~~T~-~fif(iijtl' cannot be who does not exist. It may examples other than fu<iicn+~:
~ij~.

a~'t.

the illustration of had of a er;:~~~ be noted that change the point

~t. "

at issue. The karana is regarded as existent by both the Vatsesika and the Samkhya; only the Vatsesika does not recognise the effect as existent in the cause in an unmanifest form. It is newly created. M gives this illustration of q.:'C~r~~Q~f~r« on ~ ~ the analogy of 'I!+rnijq'2:suer\1lT. Actually f~ar+~: a(;'l is the only proper example (V 2 has this alone, so also G). ] has gone a bit off the track when is says:!{~ ~~ a{ij'a: tfi\oj ;rr~a. ~.n ~~ferfij"r1Jfr~l"rq_, ~~cr ~q_ ~Gf~i{O~ a~er ~WJogr~"r <6T~OJfq~ttor fiji~~ "HHI:. , ~~at. f~r;:a~~ This expression is obviously 'Superfluous. M does not have it. Or what the inquirer intends to say is, "Your own view as expressed in an earlier ka:rika: (ka. 8) is that the effects mahat, etc. are both ~fafer~'l and 5Tlifdij'~. Kindly explain this." 1\1 improves upon the expression here : aSJ~~ ~~~r+rT~f~t !{fa arm~1=~~I:1;~5TfuqT~r~
~\~I

principle, whence comes it that some affirm that the effects already exist in the cause, while the others .... ~r::a-'l:ftt ~rq"~f'l~ Such an explanation is not found in any other commentary. The text also needs some emendation.
~\9~.

Ka, 10. ~~~

In V 1 and Va, the style adopted is at places of a dialogue between the pupil and the teacher. The pupil asks the teacher a question arising from the latter's expositon, Va uses the term a1;:a~'5f~!, a question contained in and arising from what has been previously stated. After answering this it is said. 5T~ Cl~T+r:. 1 uses the expression V a1;r;:a\5T~-the teacher asks the pupil to ask the next question. M has simply rel3g cncr~aq_ a{~q_'l=t~T+r:(See , introductory passage of ka, 9). Could iij;r;:a~SI~e a b .scribal error for Wa\SI~ ~ P puts it differently:-Some one may ask: If the disciples ought to follow (a doctrine as) their

~wq_-V 1 gives two explanations (;~ -:q~fo ~loj q{a;::;j~'lra-,~1"wrffiw;qalfo f~wq_. he formcrr T er is found in M, G, P and J. (Va does not explain this term). Y explains this by a~~1Jfrqq~q_.The second interpretation, (that which gives an indication of, or points to, or serves as a sign of, the submerged thing' - is not found elsewhere. ] also gives two explanations, f~~~~as;r;:rrolf'qimfa R?w'J. being the first one. T similarly has-R?w' 3Nr,,~~ I ~~r ~ ~~~T~~:SlIlI"~ ~w· ff~rqR152:T~~'lfa I SI~r~g if SI~r"~~R?w' !J~fij"~lf ~er~fq.] and T are clearly improvements rnw' on what OUf vrtti says. OUf author unfortunately has not explained ~¥f+rir~W'lrn- he has explained as <i5lj rr~. But Jater in the cornm. on Ka:. 11, we have q~ +r~T~T~ w· fif~oi ~r~+rllJ~ff~ ~rif rSJ~lJfiTer ~ .
i(~~.

fq;~r;:~~fq('~ oq'ffi ~('~qolJ'qiq_-A line or two seems to be missing before this since the prattka 'fqq~lff+rclf'Qiq' not been introduced and mentioned has and aq~g+r~er the case of avyakta has not been in explained. Even fifi~:IF~'~ seems abrupt here when the point at issue is different.
~~q

~'lff;:Sf+re~~ ifi~+rl~ri'+r": 5111T'lrerr({;-M explains this thus : ~'fa;:~ «Clli'qf'tfifir\lJffcrr((,; V 9 -aw~,,: SI~'la)fq~:, G-51~er-

is explanatory-ara=s if ~crffr~il_ ~~~ill~~a I (~l~cua ~ ) a~~~'t ~cr<li~ ~ifllfcrif a~~nfa~~utre ~~""r~ I ifFlltIT~gilf~rll~~'f q~a;~('ir ~f~~itcr I fcrq~l(n:!<;~'Qiq_ ~~a~ if f<ti~q~a. T-q~a;;;j ~~~tf~ I ~~ql ~cr<f,I~Sij~T~ ~iff~c~ ~~~T 'l~Sq~~, 'F~~T ~UlT~m ;;I~"tilt ~iff~gf+ifa ~~: L .••. ~fu ~~: ~q<lilli~~fllT~'lq~~ I ~if 'Rt 51~fa+iqa3i1loj ~ CfiRUJilfq ~cr<6T~~if~ q~;~ 'ClJ'Qiil_ I
(QfT~:;

many)? V 2 also uses the expression f;r:~n"r~:. All the others have Mm;n;:ll: and J alone explains it by 81fcrlifllfcrl({, is not a common fcr1:fll of others. it specifically mentions here that the purusas are many and that in respect of anekatva, puru~a is like vyakta (and unlike avyakta) (-so also P and J-). M and G on the other hand, say that purusa is one like avyakta. Could this be due to the Vedantic trend of their authors? V 2 does not explain this point at all in connection with purusa.
1

~~at. ~tilstll~'fi:-V

The avyakta on the other hand does not require such re-filling ('!~) and so is svatantra, independen t in the production of its effects. Y is missing here.
~Oq. Ka, 11. fftIT~1:l1if,,-fq fcrtfllfClTn.. oll~ ~~~:~-

~~~. Kn.

12. al~T""iI~T ... ~;:~CfTifr~a"ll~crtifTre:.M ...

attWT'iI ~~llaiflltl:is unnecessarily repeated in the manuscript. 81~q_-V l' V:I and J explain this by ~~~:~~'iI ~~Cl'l?lltl:. M and G have ~ffllfa instead of ~~~, this being meant to explain the term '~5if', and a conscious improvement on ~~llfu. ~~at. ~~crfff- 2 also employs '~tlcrf;::a'. uch forms V S are not often used. The other writers change the grammatical construction and use 51ij,lla or 51~;:a I S~tf~ or~fcrr('(_-Some word like ~illT""rq_ r ~ijl~""Tq_seems to be missing after S~tf:. o The author wants to say that as ~~a is common to all ~s, so one ~tf is not common as an enjoycr to ~QTf~,~~, ~:~ 01' fuf~ or the like which serves as a fcrlifll. ach purusa has its own body, etc. which it E wrongly appropriates to itself, and they are as many as the purusas are. Or could the text be emended as fir:~nilr;:ll: S~lifGlSfcrT({ sqq-: (-these do not have ~ as a common enjoyer, as the purusas are
~~q. f;f:~T'fI;:ll: ~tf:

I
?

serves as a very useful guide in the emendation of V 1 where it is necessary. M explaining tamas gives the list a1~r~It~T~~ll~PllIS'liijOtJ:Hifr~aCfllfcrq-r~~crc""Tf~ 'if. err after ~;:ll is difficult to explain.t Could it be superfluous ? Or was there some word like crTff (being hurt) or crrif (being dried up) ? Vi: V 2' P, M, G and J explain this as a distinct characteristic. T on the other hand says : ~fu: rn;llT I ~r 'if 31i'~EIiiIf~ij'iI'q~ (e.g, ~Rrf~~cr~~ll:, al;~TrlllS!l~~~ll:, etc.).
ar.=~;:~~fllf:-

have cd as ~~~T:Q'~cr(~flTffi~;f a-:;:ll~ and V 2 as ;:J~~T: tI~cr~~~)CIlT ffil~a elil ;:J:;:~~. V 1 alone gives the second line as ~~ [~] ~~cr~~~1ile) f;t~ir fq~:. G and T quote five lines: a
i?t1;1l);llrn~~T: ~~
tI~
ij~Cf~

~~q. ~~mTfil~ir ~~cril_ -M and ...

l:.~~t u!~;f ~<i"

tlcT~"rfirif: I fil~<t~~: II

Cf

a;r~~Trq fJJ?:!~€t ~~~~ ~I ~~): ~'tif~~~)ffr?:!ijaJJ ;J'«J€t II ~tifTIlTre:: 51~)'T) if~'T) cr)qVS~~€t ~ f II ~~~) fll?:!;j~~ ~~~ ~~ €t ~'tif~~ fiJ?:!<l3(: \
I

a;rm fir~ fcr~: II-DevI Bhagavata

3.50'

~T '<:f ~d: !:A~T"'6'Tcrfff ~riJl~t ~:~i!.G"T I 1lG" ~ '<:f is used in a causal sense-causing JJ)~ (-M uses the expression ~:~+i)6'1 ~~fff or ~:~1~ ~)6'T~ =<I), V 1 com, mentIng On &l;:~;:~i'tl~:in Ka 12 gives this very explana .. tion, and without giving illustrations for rajas and ta~as s~mpl~ says t:rcrij"~1icrfq )ij~'l,But introducing ~ Ka. 13 It raises the point : ~'tif~~~aijtfu ~:r~rcr~TfUr if qT; the primafacie view is that they are not so because each of the gunas is known to perform its own operation as also that of the other two, Here wehave a detailed explanation. M adopts the same method, Here M says: ill '<:f ¥l~: ~~rcr&:T ~<ifa, ~qriJl",f ~:~r~ \If'Tl1JT ij)~w '<:f, which is definitely better, but not in agreement with the illustrations for rajas and tamas, where we have the expressions ~Pl"'t ~:~rll m&:T~'<:f and 5Ofq-acr~t '<:f ~:~) ~'>::"f.
. ~~at,

~l1J1{CJ~~ ~P-fCfcr: 1~T",,)q~r~f~ r:;;lf<faa: Cf~qrqfu~1iGT Cf~m 5 ~l I ~lu~: I Cff;a~~r~!.! ?:1i~51roVS<ii~51ifu: ~~iJ ~ttunW+rTCf fq~ ~~cr~~)q'fi'~la:. fciCfci' ~q~~ I ;:r '<:f Cf~T~~if R~crijfq ~l1J~ ~qfi{l{~~: ~~iJ ~ql1Jtq+rrcf q~~m:lilqiim~ ~:~ ~q~ , cu:ra) ij)~: I qci ~r~ ~~: atT~~T~VS~l1J~~ ~'tCf~~~~~<15~l1J~ t{fr~: , '<:f q~ ~4 Cfij: C6IN'fi~'tcr1;~ ~fq.cr~~aT~'~'" \~~: I a~ijl~r~Cf ~l.IJTiJt ~tJ~rifo2Ifa'fi~: fq;'€II;:~a:.-aT~l1J+iaTiJt I ~cr~qq&:l1Jra:. :ij€tS~ifI ~~T ~'lq~{§;:a)~'C~~~r~(>~~1;'fim~:q 51faq~a cr~T~~qtltif, Cf~~T~ij~lal ~~qq_ I

SlTfwlT ~iJ ~;ttIJ{TWI@~cf ~Rr I Cf~~T(~q) )q'fir{r~ ~:~~q~€t I qir ~~CfJJ~l ~. ~ V 2, P, G and] do not raise this question of ~m~;:Cf\. ~a~ ~ I <tiR1Jj'~l1JT~qra:.~~JCilf'Qimq after this the passage q~~fcr " ,ewi~~qfq is unnecessarily repeated, Only the prattka is meant to be gi ven here-'6T{I.IJ~l1Jr{Il'fifCJro.. <tiT~~Toq'Qiijfq fi{;jlq_ I
~~at,

~1 has here ~=tcf ~~~ij~l

V2, G, and j, unlike Vi and M, explain, giving separate illustrations, how each guna performs the operation of each of the other two in respect of different persons. ~miJ~Cfcf W~?4it~~crr~~ ~ij:-y(p. 71) has explained this very well : ~r3iJ~i:'I~'la ~~?4iT~!.! ~if~rif' Ci~fa<tiU'R'5;:+rT~'fi~l1Jf~~q:,crT~~~qT:, ~FaH~ crr ~a i3'('qf~. ~~ fifo, aJSJ !_ij:-iJ, ~IJ{~~~ ~Rncr ;Jl{'fiTtlCI.. 51~TiJ~cnqqif: ~. I
~~q.

l~aT, Ka 15. aTt{cr51~'<l ~q__- Something is missing ~ here after 51~riJq_. We should have 81ftCf51~T""il. ~a: I ~'li qRJlTUT1~ I ~~ vs)~ ~~lT <fi~rsf~:f a~ qRill l1J' ?:52'l. I V 2 has this here, M and G say ~~ ~'" 'fiafs~a a~~ qRIlTl1J' ?:1i2'l.. All give the illustration of a potter making a jar of a limited size out of a Jump of clay of a limited quantity. This does not seem quite logical, <tiHI1I'l. instead of C6=nf ould have w been better; pradhana is later on referred to as <Jir~l1I,Moreover there is hardly any importance attached to the kartr in Sarnkhya philosophy. P has 'In the world, a produced thing has a measure, a dimension, a number'

-which IS very clear. Y and] also have tried to make the argument more precise (~q: q~f;ffi a~~ qa
Qf:lf~i6GT •.. - Y; ~O{:q qfi:ftral~~q;: ~qq1
~'2: 1

~~r .••

&IT''~rkt:rq;I'':q ;r~({~~r~a;qrSif;:~~+IaT~I~Tfcfl8fa: I at;rr~liflif*~ ~qmOJr ¥ffqa~'l. 1 ~~lift ~~iI~a~o~~ Cfir~OJq~alfa~rqF~T~G;r~;rT~'l. 1-] )

molasses, etc. than in water from the sky turning into different juices and adopting different tastes. G, Y, J, T on the other hand explain ~~~CJtJ:. properly, though in their own way. See &lTq;mT~'Ii~ij'q~ tJffict ;:"~T~iqJq ~?-'~lifFI..f¥f~a Cf~i{~r;:a~:-G; ~~ni'aR~T~fcrf~J1;G~rl=¥f~: SI~fuu~lJTOJt qT~~JJT~~({l .. t fcr~lifT{( ~l~~fcrlifT~~~~Qj :qTqq~a-Y; ~~T ~f~cn,,;:afi::~r~'Ii~~;rfq a~'Ii~ ~l=~ra:~I1J~r~~fCJ:u~rlijr~I~~ CJ~a ]; ~~r ~ qTfi::({fcr~~~Cjiifq;~~;rfq a'\'l\ WCf'liTUifT~l~ ~Tfi:*~aTcnaTcnlf~CJf:q~~qfai'~ilil~m~ifr;r~Cfi'lifqr~+@~lJ

our text be 18q;~qT~r;rsr~JJ~a@li'q~: I ~T({l"J. ~~ a~O{ ~~;rfu I or better still 18q;~ .•• iJ5{~: 1 ~"oT~lifOJT~l"J..• , ~ Va and G give here the example of the inference of Brahmana parents on seeing a Brahma-batu (Brahmana boy). P saysWhen we break a piece of sandal, the fragments of sandal may be numerous but the nature of sandal will remain one. V 1 and M do not clearly show how avyakta can be established on the strength of samanvaya. Va, P and G are very clear here; qcj [smar o~"Q'i ~~ ela: q~~,iI': ~~t~ ~riliRuT a({fq fsr~aj ¥ffq~-

~q,aT. 18'1i\i5.•. The fusion here. But we can in view of M. M has q:r ({~a. Could

scribe has created some conattempt to restore the original


18q;~'litJr~JJTsrq~aq;r;:q~:
I

m~

+IlifOJI~fir

q;~~a~r

qfi::OJ;r;:;r~~Tl=\i5~CJOJrCRfiq;lifr~Cji~~T fq'li~a

••• T. V, and

P have given examples of the different tastes and modifications of water according to its different receptacles. V l' M, P and Y have not shown any special interest in explaining the expression SlfaSlra~I1JT-mrfCJ~lif1tJ:., whereas G,] and T have specifically explained it. The second line as commented upon by V 2 seems to be qfi::OJTJJCf: ~w<fq: 'l~~'l~;¥fT~iffcr~liTa. ~ See Notes on V 2' It is interesting to note that after the pranka SlfcrSlfcro we find a~r~~n~~fcr~lq:_ in the manuscript, from which it is obvious that something has been omitted after the pratrka, It could be !;1m 51crlfaCJltqr I ~UJTifTm~~~cr~~ fq~lif:. (See G and ]). M also does not give any explanation, but straightaway gives the example, a~r
qq;~~;r;:afi~ltJ:. ~~ qrna'l. ...•

<fire-Va.

vtil.

Ka, 16. ~~~Cffl.-~~ ~f~\i5~ •. -Vj and M have much importance to this illustration; (-M has not proper-)
f~;r¥fr~O{ qfi:OJqfcf
•••

Dot attached

they interpret it only thus : ~~T ~f~~ir.6 f~qfu


fl;rqtJ:. which is dearly

and then switch over to ~~g~~T ~fu'liT the different modifications of

The author

or VI being fond of ayurveda is more interested in sugarcane juice into

Moreover applying the simile ~f\i5~CJq, V 2' P, G and J explain how avyakta is modified as deva (with sattva predominant), manusya (with rajas predominant) and tiryak (with tamas predominant). Y and T simply speak of different modifications.

,0\.9'

·M refers to the a:dhya:tmika (buddhi, aharnkara, etc.), and a:dhidaivika (srta, usua, etc.) modifications, whereas VI mentions the a:dhibbautika modifications also-deva, gandharva, yak~a, etc. . ~ila)li!lJCfmCfq-f~~~Tij<f-Mas ~lij)liIJfCfTCfCfq-~~r~Ol. h But see V s on Ka, l-~fl:T~fcr~ ~~r ~la)rorCflaCflff~r~<i~~I~~~ ~lj(.

~~ <Ji~~R~~<ii~~'~Ol ~i(rtT ~q~~:~a I a~:tn ~~'~<fT {(~lH~ I ~f:qa:<Ii~lllitatOl Cl~~T I aTr<liT~~~ ~GT~OlfI 8l11llfq'ifTfifT <Iil~<iif~lJf~ifrl:T'h:~Ci: ij'~ll: fq; ~)~n~Cf~<Ii 8lT<Iil~Cfa:i1 ~fcf I f<£laR((a:tr:qI~fcrSlfuqfi:I allqf;{l'{~T: ~ Q<IiaTfi,ijfa~faq~T: I ~1!lJ~Ia_1' ~ qr~,~cr~~Cf~:~<f~ittfi fa I-Y ~ f~~ ~m fCf<iTi\f:I ~'fi ~CfT~ ~q-: «<imll~ f~ ~~at I «~ <lir~T~qOlCfTit<filfflT~~~Tffl<lifCfr((, ~Tmml~'l~Cf([ ~fijp«tl~~~<Ii: ~q- ~;~q~ I ~'fi I:!<f~UIJf: ~~q-:, a~r~~~Rcr ~~~wm: 3lfa~~lt ~qlfT8lffCfiClr ~~aCff~Ol: 1-J ~ a~ Ka. 18. ij~er. The manuscript has f5r~!lJI~~~llf~Ef in the Ka, text. But the vrtti has a~u~fqq~~rCl which should obviously be emended as ~~u~f<Jq~ll'O:. G, J, T and 11: have ~~ullO; Vg has fu'~lJfr~o in the Ka- text, but the prattka is ~~~fcrq~~f~~Cf.Y on the other hand has ~u~o in the ka, text and ~!!UTr~oin the pratrka. This confusion is due to the occurrence of f?J~!lJTR::fqq~m~ kn. 17. in is the only place in VI ( as also in M) where the author refers to a different interpretation of the karika:. We find that Y has such an interpretation. (See ~r~w~uj ~ ~~Ofw~1ir ~ <ii1~~Of~rCf~tlT::c;t ~~q~fqufl:T a~:!l'lil~Cfq:, a~ ~~~: I aTlrJtT ~llTQ_ij-Ol ~~oii ~o4 a~:~i'.fif~T~'Ii~q~qrfu<f1 ol Sf~~+JTqg~{fl."+J<frq:" I:!Cf~~ ~r;ril~otsfq ol ~q~~I~q~T<fg~I 8l~Cl ~r~ ~~f~ <iiT~<ii~otOl ~rilTq+J)q: ~OlRrril~IJfTq~TiJ: Il~ri{~ 1 aOl OllifT allf~rOl:~l'{tfcri)Nl:TiJlq+JTq«'il~~fiTfa U nfortuna tel y 1-Y). the text of V s is a bit confusing here-~rllf;{~J{rrq~~lil) if&<f:~q-T:, ~~T q<iif~;r_alN~r;r iiI'&Cf: fur~TiJfiJu~: I Ci~ ifiTfua:. ~aal: <liTf~q:, ~qfCflim;a I ~~'fi: ~lf: ~llTq:, I:!'fi~t !l~m~t «oCff: ~«~~<f; ala: q~mil) <I'~: ~q-: ~llr~iiRJ{;r_~l<ff;:Cl ~tlr a{~ 1
~~at. aTq~ qudr~f;c;...... This

firfimq_......

~~at. Ka. 17. ~SJlaqu!!lt'CfIQ_- explains this thus: V1 ~~Ta~ qU!!l~~~Cfq{f!!l~ail:rCf: ~~Cl!Hr!!lfciaflllq:, ~~TaqU!!lfCfm: 1 J has the same explanation, only more explicit~~r~Cl ~fa ~~Ta: I ~~ra~I«1 qU!!l~rn ~~raq~T!!l:I ~~fai'iJ ~g: !H:r!!lf~ «T"ll~ I Compare T which is clearly indebted toJ. V 2, G, Y, T and M do not give the grammatical explanation of the compound. ( See llCl: ~~TCl~ qU~: a~Tq:, ~a): - M, ~ ~~TClT: u~f q ~~r:-Y). U wT<i; ~'<mn ~

supplied

Much has to be emended in view of what follows.

and

1:Iijaf. ~(?'if~Cfo:-V 1 does not pose the philosophical problem precisely. (So also M following VI )-Is there one a:tman in different bodies like the one thread running through many beads; or are there many purusas like the many moons seen in river, well, tank, sea, etc. (-and yet earlier it is said that the one moon is seen in different places)? This latter cannot prove that the purusas are really more than one or many. P and G do not give any simile for purusa-bahutva, though they do give the simile of string and beads for explaining how the purusa could be one. See on the other hand :

~'mr-

~1if: ~~<ti~IJ;r_~CT ~l~~;r_ ('3it~~: or ~l~~"l.) q<lif~


t~f'cH
I ~~<Ii:

~a ~~fWt~;r_ l

(;zft;ffir or ~a) ~c~

~~fCf:

:V~

(VI)

alCf:q~~rn).. of V 2 can be emended as alCf:q~~UU . ~6q: ~lir:~: ~ q<timr;r_ [~lTa] :mqfra' ~~S;:~ ~~ ~cH: I Or as 810: q~~T;r) or6q:[~~1ifr I ~~~: ~:]~<1i~IJ;r_ ~qfcr ~Rf [~~ ~1~~:], al~ ~f""C;; :!T~r \i'Qjq;:Cf: :!T~<1i: ...•.. ~li: See also "In case Spirit were one, when one man is born, all the others would be born also. The women of different countries would become pregnant at the same time; they would be brought to bed at the same time; they would have all boys or all girls. But as all (the individual spirits) are different, the births do not take place at the same time. We know that there is a plurality of spirits. If spirit Were one, at the death of one man all the other men would die also. As this is not the case, we know that Spirit is not one."--P The two interpretations are not substantially different. The emphasis in one is on different creatures having their own birth (at their own time and of their kind) as also death. The emphasis in the other is on different creatures having contrary experiences (which cannot co-exist in one) at the same time. The idea of contrary experience is brought out clearly in Y and also somewhat in the interpretation referred to by alq~ qOuT:!T~Cf VIand in M, though even in V2, P, G, J and T the idea is the same that if there were one purusa all would be born at the same time or all would die at the same

time. It seems that the first interpretation given by V 1 is its author's own, while the second one is the one handed down by tradition. From this alone it need not be supposed (as Pt. Udayavtra Sastr! supposes) that this passage beginning with iRq~ qOol~frCf an interpolation introduced at a date later is than that of 'Y. The idea is found in V 2 also; the author of V 1 only puts it pointedly so as to refer to the contrary experience of birth and death not being possible at the same time in the case of one puru~a.

~t...q. mcrM~;r<li~OfT;iftI-Mhere Cf~;rTrslfaf;{~Cf~orfqrifq' has


so this can be emended it ~or5lfaf;{~q~ ? as 3:lfaf;r~Cf<ti~or!~fq. Or was

ilTi(Tfql:lT: 3:I~~T:-3:lf~~T:s alright as it signifies i 'cognition, belief, knowledge'. But the original might have been ~: or Sl~ri(T: view of ~mI'l~~. in V2 has ~~ ~)~ i(Ti(lfql;fT5I'!f~~t:2T. The explanation of ~rrqf'3:I'l~~ is missing in M. t{q~~gf~:-After this some words are rmssmg, but can be easily restored with the help of M. Ka. 19 ~~~. Cf~;rT~qq~~l({fij~-M, f V2, G, Y, J and T have Cf,;rT=C~ fqq~fm('(., though they explain it by fqq~~l({. Cf~;rT:c:q fqq~~l({ is not explained in VI (as also in M, though M mentions Cf~r=c'"fqq~fqr({ as a prattka without giving any explanation). This might be because this is exp1ained in the previous karika. fqq~~ seems to be a scribal error; it makes the line defective.

~k~~tftfu: 1maf6:cI'T(V 1)
~~iI~T~if -M has here ~ :q ~;:rT~~ 31fijqOJf~~f(cn~ ... -~T~ 5fffam;:rTiiT aiillRenmiiT ~Tf~JfTSf) ~OffcJwhich is clearly an improvement on VI. like &la ~Of~~f, alft q<rflli'flf required here (-so also in M, as the editor is rightly remarks); it could even be &la ~<r ~~rqq_, ala 'q<r &lCliaf. therwise O the next sentence would be unconnected, and the vrtti also would not seem to comment on the whole karika:. In V 9 also the text has some word s missing-~~iJTf~Of~: a~y;:;r"ij~~:, [;P:~~tT: ~~TtI: CI~l=fr~ I ~llGTJ~1~ ~IJfT;:rt fi~r ~ a~;rr~CIi'flf. See G - ~~iJT;;p:~~~~a~l=fl~ ~li2T a~iJT~<tiaf ~~q-~aq-tCfi~OJrrnffi I
~\9aT. ~~ailr:\$~~. a~TaTiI)~~q_-Something

S~1!{~~ ~OJT;:rt:qmiJ': ~~~iJT;:rtS~cH<fi~) ~

efTqfi:<fi~~~

~tTr ~T~~~iI~):, a~~"Ii~~) en ~tTT itq-~):, ~:mq~t CfT ~tTf ~~~~WT~~~):. ~r~ffOf~) OfT a1~;:~roJ~t:, ~tTT ~Rfif;{fiRI) Off~tTT :qPil~:m:, ~)~~(nwl:€1llJ) ~~T~~mqT;:r~Il:c~~):, OfT ~r~f:;;~"Ii) ~~T Jo.:Of~ai'qTfo;:rt:, CfT fOfq-~fOfq-~fit~'fI1 ~tTTiJi'~:m~<fi~tf~fa efT I.•..•.iI ~q-r~<fi:, 1f;{a ;rlI:€15HHi'IQ , t:loClitOf ~~q-~~fq1!{f~fCfflC~'~~ f6 ~OJTiIT fql:J~reffilf~f;{~PJ51trW ~ef
~~T((

I-Y, pp.

105-106.

V 1 and M do not show how ~Td~~Cfi ~~)iJ' 1S untenable, and do not introduce the concept of al~~g'li ~~iJ' but straightaway refer to the sarnyoga between pradhana and purusa as at~~gCfi. on the other hand shows the incompatibility Y of all the above-mentioned sarnyogas and says : al;:lf~g ~l(311lf: ~lf)iTts~~fil'fl: I aSfl~CIi~~'1)q1f1ft6: ~1!{l;:a:Cfi~OJ~t~fi:r;:rt~~rqrtI: ~fr'lfl:-lilr=;ftrl;JF~r~ ~l:ffi ~~t;j q«<ti(>{;~q~:;;ij~ ~f~~)l:J: I - Y, p. 106·

This

should

be ~~a;:rT: lVI has afi

aq-t ~a;:rfci ~~lq_ I text of the ka:rika: is not found in the manuscript but can be derived from the prankas in the vrtti. tf~tlr: is super. fluous, Only M and Y besides V 1 give an exposition of the different kinds of sarhyoga, The illustration for ~1~R~<ti ij-~tlT given by V 1 is "'<lOjfiOfil~t:, by Y ~~al'r'llfailt: and by M ~qojm:. Y seems to have taken the suggestion from V 1. V 1 and M do not mention ~)~CfTw~ ij-~)iJ'.V 1 and M do not initially refer to fq~~g<ti ij-~tiJ'; ut later while eliminating b the sarhyogas in respect of pradhana and purusa, they refer to it also. The author of Y seems to have noted this inconsistency as also some lack of precision in the exposition. Y's treatment is more systematic :_
\$!aT. ~li'hTts~'lif<r~ ~~tfl:- The first 1l

Ka, 20 - The

that Y mentions :q§"~~): as an illustration of ~f'flf;{fiI'fI ~~)iJ', whereas V 1 and M mention here ilf~~t~<ti~):. This last illustrates according to Y, fqq-~fOf1!{mfolrn'flir~m which is not mentioned at first in these. Can we conjecture that the text in V 1 was originally ~fu~gili) ~tTT:q~~qm:, r..-q-~f<r1!{filfirfi!~t ~~r iJr~:q)~~): but the scribe omitted a few words and the author
~~aT-~.

It may be noted

of M saw such

a manuscript

of the parable of the blind and the lame is not quite systematic as there is no reference to the blind man in the beginning; he is later abruptly referred to. M rectifies this drawback. Something like ~;r a~ <tif~~;:q 8fr~lrtis

Ka. 21. The narration

~mrfu: necessary after :;,it~~f~~a:. puts it thus: ~~Tf;6~ ~l'<iI~: M ~~f;, ~ir qT~J~~~ 51f~~a:I ~ :or ~T~l'<iI~hfi:J~a: I atr~sfq ~~'~a: ili~~or;r~T ~~iJT;rI V 9 starts relating thus: ~ 'fi~TRr~iNI~l(T: qrr!~~ ~~a: I ~ :or ~T~~l'<iI"Wia~cf~Cf: ~T~~: ~~l1T;r I ~::j'fifqf~'qi: q;:~T;:r;rq~"t.~;rrClT~I:T: qf(t{ij;rTor: q~~;:rT ~~: I Ka. 22-~o~. From this karika onwards the method of numbering the karikas changes. Up to now a '~, was put at the end of the passage introducing the new karika, and the number (~<j Or the like) was put at the end of the karika. From the present kanka, the number is put at the end of the introductory expression and '~' is put at the end of the karika. I have continued to put the number at the end of the karika. Ka.22. This karikn is written in a very confused form in the manuscript-~i{mcrcits~~'lOfl'<il ~Efi: I a~~ tJT~~'fiT(( ~~Cl~q_ qtJJ~g1191I tJ~~~:qr~ qs:;:r ~Tf;r I I have given in the text the ka:rika as it should be. The text of the karika has tTOfl'<il, but the pranka in the vrtti is tTOf~g. ;r~"t. ~: SRIT· 'lfu: ~(( ~~a: RmJ: ~ffi: ~'l~. ~fo ;r,a: q~~:- VI' Compare ~T"t. ~: ;rfffi~ ~f~r:- 9; V buddhi, mati, khyati, jfiana, prajfia-P; ~T"t. ~Nm~ qfa: ~lfaW;:rfqfa- ~~T~f~~(,Iffl~--G; ~T"t. ~~: ;rro: smr ~~Hfa f:qfa: ~ft: &~: ~1J~'l~ ~fa q~f~:-M; 1f&T"t. ~~~fu~r ~: ~~fa~~CfU fcr~~ ~ .: I-Y;. If~TOf.. ~f~frfa: ~~ ~~~l:Tr~ ~f~f~:-J; Vacaspati IS· not interested in giving such paryayas,

~Rm~

(VI)

With regard to prakrti, VI simply says that it signifies pradhana. But-3Tiifu: SlI:lTct ~~ "g~t q~f~~T:-V9; pradhana, brahman, bahudhanakaP; ~iifu: 5II:TT;l s:i~~ "gl:TTo:rcfi q~~T:-G; Sliifu:~I:lTo:r~~ ;rT7.tfu Iff~~ I ~~ aro~:ffi il'gl:lr(,ll<i; (-Should this not be iifgl:Tfil<6?) ;rr7.tm q~f~T:I-M. Y does not mention synonyms of 3T~fCl ati{<fiT~. and ~fa: ~I:TT;ifiT~or;rc~~ ~tJf~TniClij)iifg~' ~iiafiJfa ~~f~T:- J. ~~-V 1 mentions ~,f~, ~iia<fias the q~m~~s of a{~<fiT{.9 and P have the same list (-they V have ~iia instead of ~iia'fi); see also a{~'fiT~ llaTfG:~iia~~~Tsfu+n;:r~rCl q~~T:-G; Cl~ ~it ~f~T:-~iii;H:a~ijT llcH~~f~T;flsf~T ~-M; ~<fiT~: quJqfon:ar~~q ~f~~<fiH~~T:-J. ~ (~) M states here that ahamkara signifies all that can be expressed by the 64 varnas [21 vowels (svara) +25 consonants (sparsa) +8 semi-vowels and sibilants (~ to ~)+5 anunasikas + anusvara + visarjantya + jlhvamultya + upadhmantya + vaikharr], It also says that the eleven organs are produced from vaikrtaka having sattva predominant in it; and that the five tanmatras are produced from bhntadi having tamas predominant in it, whereas both are produced from taijasa which has rajas predominant in it. This is not found discussed bere in V H V 9' P, G, Y,J or even T as this is to be discussed later. Moreover VI like VIP P, Y and G bolds that sabda-tanmatra produces akasa, sparsa-tanmatra produces vayu and so on; M, J and T on the other hand hold that the respective tanmatra in association with the earlier mentioned

a~~,

~Rm:

~mau~u

~to

ones produces its effects (akasa, vayu, etc.) with a correspondingly increasing number of qualities. V u however, unlike V 2' P, Yand G, mentions the number of qualities in each mahabhnra. M gives here the explanation of the word "bhagavan' supporting it with the help of the Nirukta-theory viz. '~~~~Cftih:n~r;~lfil~F;r ~~~Tfi(~cr and also quotes from the Visnu Purana, This is not found elsewhere. At the end of the comm, on ka, 22, Vi says that the Sarhkhya-kxrikx has said that moksa can be attained by the knowledge of vyakta, .avyakta and jfia, and points out where instruction has been given in respect of vyakta and avyakta. V 1 does not mention here that pUfllf;la has been established in ka, 17. M also has this very drawback. V 2 and G are very accurate here. Ka. 23. ~~aT. We have fCJufT: in the text of the karika, but all the commentaries while commenting mostly employ the word ~~lt~q_ which is more often used. ~~at. ~~T:-atf~~ns~ijlj ;r~:q~ ~~51~m ~fcr~i{T:-V 1; &1f~~rr~:q~ =i:J ~f~~cijCft!HCJT I &1~~fiJfcrq.:>~~ ~qT: ~R; <61rnfar: I-V 2; atij:~r~f~i{~~~i{~Cliar ;r~:q~fqfcr s:q ~i{r: 1-Y; q 'G and J quote Yoga-sutra 2.30-&1f~~HiJ~T~~~i1~:q~f'q~~6:r ~~r:. M gives this very list. P has confused yama and niyama; rectifying this we can say that it recognises the following five as yamas-(i) not to kill, (ii) not to steal, (iii) to speak the truth, (iv] to practice continence, (v) not to flatter.

Comparing these one finds that ~~T, m, ~~ and ~~ are common to all. Following the Yoga-surra, M, G and J mention aparigraha as the fifth one; Vi' V 2 mention here iiJicijCJ(I~ and Y mentions afoli~'6ar. The definition of avyavahara in Viis the same as that given by M of aparigraha; only M follows the Yoga-antra in respect of the enumeration. atCfl(l'6aT signifies honesty, freedom from impurity. So ultimately there is hardly any difference, but the difference in the terms used should be noted. P has 'not to flatter'. Could this be due to the change in meaning in the transition from one language to another? (irijqr:-V l' V 2, P, and Y enumerate these as aTtfill:J, ~~~lfr, ~1:q,8l16:1~~T1:l1f aT5I~I~; G, and J quote and M, Yoga-sutra 2 .32-:u1:q~;:ClTlfflq:~1ffl:~~"cl~51fup:nifT(ir f;{~qr:. The list in VI' V ~, P and Y is more in accordance with the Samkhya theory and practice as ~"cl~5IforIlT;r ~1'C~~ (of Veda) have hardly any and significance in the Samkhya. M actually uses the word aharalaghava to explain ~a)tif, and the interpretation in both V 1 and M is somewhat (-more . so in M which quotes the Chandogya Upanisad in support) in accordance with the Vedic tradition. M exp1ains ~"clUlfoIIlT;r m~TQ[tq~q~~TCfqui as a1''{.~ij';:~TBT ifT-somewhat akin to ~~~~"n.(See ~"clU,foIIlT~ ClftJi;:q~q~c1<1i~qf&Q[ij:-Yoga-Bha~ya 32). II.
",,~q. ;(~~~"'- The

~n

scribe himself seems to be in doubt as to what he has to write, so he leaves space enough for one letter-5Iq~;r5llit~;rECf~-~ CJT... M

~mrcJr~~ crr~-o%~ ~~!J ~ ~~ ~~T~U5IfCfTtt ~~)q~~: O({~:q'l.. clearly seems to have attempted M to improve on V 1. I have emended the text as follows though I am not quite sure of thiso~T ~~~ o1'~r('qiT ~)ilI5lT(:qfi'a~!!SI~iI~T~~t"~-~ (or l orcJl~-!!) (SI~~tCJr~:Il;~~~~);;H Gn::e~~~ ~~'tmilFill(~~ ~~i(T~ 1) U~(qTq_ Ofi~~~q~"t(~: O({~~'l.. )

has am

~oti(

~~rClfi~ ~") qrCf~~rflffqfir1':q~: M and Y do not I-J. explain these siddhis.

""

t...~if.

iJTiQ ~Ti('l.- l' V 2 and M include here the arts V

also besides grammar, etc •. According to P this refers to the six Vedangas, G mentions the Vedas and Nyaya, Purana, Mrmamsa and Dharmasastra in addition. J does not distinguish between bahya and abhyantara jfiana and regards just the knowledge of the difference between the gunas and the purusa as jfiana, all else being ajfiana-though V 1 also says while explaining ajfiana that too much attachment to grammar, etc. without a knowledge of the nature of prakrti and purusa is ajfiana. See also ~n;j ij:fCf~ ~~q~~~uj ~~uj :q I oS[~1<gqW~~uj ~~~fi(fmr~'l.~~fci~filJ(- . T
~~at.

~f~;qfirfa UtT~i(aT The text is confused in the ... explanation of ~fufq and qfufq; even the word qm1'q is not found; some words seem to be missing. The definitions of ~fufq and q~1'q as found in other commentaries are as follows :--~f~~ ill" ~~");;p.;r~ ~~~T fCffi:fa;qf~fcTilf" atr~nfi(cr~Tln"f:qRr ~CfTfif- 2; ~m~ SI~:ql V ~(;5T2f~qQt~; ij<f q~lllqrn-G; ~fufcj 51~ar,~i( ~~Tq~T({lfir qfipcT ~aTf., ~~~"Iir(lfcrr ~<Jf;Cl I qfur~ qfuffi ~i( ~crctS[~~fu I-J; Cff~f<f:qar ~(1~")fui Cf~T~<ff:q1f~'l., ~~f~ ~aT ~~")rn"liTift ~~qf~~fo""~ 1-T; to be the supreme Lord of the three worlds, superior to an (tsitva); not to depend on another, to be capable of making the beings of the three worlds to come, and to make oneself servt:d by them (vasitvamj-P. These definitions do not provide any clue which could help us to emend the text of V 1 here without disturbing it much. Ka. 25. ~{.e,at. M had discussed the three-fold ahamkara eartier also; still in view of the karika it hall to explain again. V 1 says, in the passage introducing ka 25, f~fq1ilTS~~~ though it has not :acre:, explained this point earlier. V 2 on the other hand says here--al~f(f~fql:T: Cfi~~~; and M--f:lfqI:TT~~~ ~T~~lBlT<l:. e have in V 1 and M Cfia~~i{'~ the W in introductory passage. We would ordinarily expect ifiCli{~i{rq_ V 2 has); but Cfia~~ij~ (as too is alright, since the question is from which aharnkara the organs are produced and from which the tanmatras=-sattvika and tamasa being referred to here as productive,

~~~rroUq~~Iif-

Y;

!JUJ~~~Irl.im-

~~-M,

and

mention

rune

kinds of aisvaryas,

though they (except T) state that being mentioned in addition ones; garima is not defined of

it is eight-fold-garima to the eight well-known in G. T defines ~: it.

has ~~ifiT5ITCfmf~(q'l. instead

~~'1i'''T~UTf~qq; ifilif.t'tiJ~rCf~~ I(n~~~~ u :q5{ifiT"TCf~T~·n I o~ ~ifiT"'CfI(f,fii~J(' ~ifiTtTfCfr4llqilt ~' m'Oo1 ",if~ , ~i( c

the confusion whereas rajasa aharnkara is the helping force. As a matter of fact, 'tia~ and Cflcrq are found inrliscriminately used at a number of places. ~~fu-- We are tempted to emend this as ~~~~~~ ~~fu, but the author has himself used later the expression ~WT~ ~~lfCfr. So we should have here a~ij' ~~T~ ~@Ifcr, as V 2 also has. The author of M has recast this passage in his own way.
,-\,-\q ~~~~~

in

it. Vacaspati

says

~r~~~m~;:rf~(ii-.

(CfT~f;:~~~a . ~T~ ql~qT<:;I~~Tr.nt~:;m~fa -Compare Cf'Cf~'<:;~T~('n<t! qT<:;-qT<:;ll=1)~Q5T'fil~~'<IH:~fu CfT~Cf;::fcr<6ii -V 2; - M. ql~~~l~CfaFm~<6"~~r~~a . Our text could be emended as qT~~~~'QI'l'ilT6T~~m:!(fu in order to effect the least possible change. Or could it be qT~~T~'QiTiJ(r~R["Q5]~~~fcf ~
,-\~q. QT~~~'~~aij'T;:rT~l~~(~~fa- has M

~\~q. CfT~q<:;T~"~TOfif~~:~lH~fa-This should be

a~~

Ka. 26. All the commentaries read ~trif, only V 1 has the word nrifT, which makes the arya defective (-one matra too many) The order (If the mention of the sense-organs in the karika is as follows according to the texts adopted by the diffsrent com men taries-~'1f1i<t!:q~{tr;:r( ifTin V 1)iflfirCl,iT~~lfifG M, VI' ~g:~r'l~f'Jl~tr;:r~q~"'filfif-G; ~g:~?J~rlJl~tr;:r~q~;:rlr.r -V 2; The ears, the skin, the eyes, the tongue and the nose (-this last is like the text in V 1 and M; V 2 and G are alike in respect of order); :qg:~r'l~IIJl~ij';:rfcrm~~nfif-(Ka. text), T; :qg:~I?JfCf!l~;:rl(if);:rTfur.nI~!iTfif J (J. vrtti); qjoJrCf~:q~HI""lftr'firss~~,~-Y. Commenting on this karika, .J says ~i;::Cf~T;::'1'ijiij': iji;jfg ~)'1for<t!:qg~fu. ilia:, Could this help in any way in determining the chronological order of the commentaries?

Kx. 27. ~\..sat. V 1 reads qr~~<:;l!{f; and M have P JlT~~~T~:q; and G, J, T have il'T~t{T~. VI has not
made any attempt to explain how manas is sarnkalpaka. V 2 has explained this and P too has .given an exposition of this, whereas M, G, and J sll~ply draw our attention to the fact that the vrtti of manas is sarhkalpa. Y as usual explains this at length; so also T. G explains that from the diversity of the modifications of the gUQas proceeds the diversity of the organs and the difference of the external objects. J says ~ ~;:~ fcrli~im~~f;p.Jij'~~f;r~~t ~sfq ~qftIJlT'lfq~~Cf. T takes il'T~~r~ as but illustrative. As there is multiplicity in tanmatras though produced from one ahamkara so are the organs different due to ~qf~Tq~~. VI has an~<::R~ and M !{rmi\';::r~; signifying that the diversity of the organs is. also due to the multiplicity of the eleven sense-objects. Diverse objects require diverse and suitable organs, this being the second reason for the variety of thesense-organs. P says that the manas .is modified. according to the variations of the three gunas and

t....~at. ~f;:iI:~lfur-l' M and T have explained V

this

word as follows :-~;::iI:~Cfcniflf;:iI:~lflJl ~fu fCflf~;:nil', I ~;it afma itCf;:alal;:iI:~TflJl- ~~U~Cf Tiflf;:~llJll ~« ~fa fCfli~llJlt VI' a I ifTil', ClTfiI'.,: fcili'ltl« i{Cf;:~1fa Sire ~f~~Tfor-M.M has obviously improved on VI here and attempted to clear

~:

v'$llar

(V 1)
~~q. ~:a~'c~qQT~;a'om: lTC{! S a~T improved upon Q ~,'C~qqT~t ~~:, 8f"~qaTm ~Rt:-M has th is : ~;a~'C~q~T~ ;a'om ~T'li ~~q_ , a~~T: See 81'i~qm~t ~f.&::-~.

according to external differencethis is consistent with the context, though P's exposition of the ka:rika: does not bear this out. V s and Y read this ka:rika: as ~if.~q'if.JI'~'fif~a'C~R~~~~~T ~;j'r~~mij I 81;:i'I~~Cfil(!5fqli[~ ('f~I~~~~"iI~ a<I: I though V g also employs the expression .. ~q~UJTJI'rcro'fI~TiflfcfSfT~it~~ in the course of i

23.

~~at. a{Tif~~r.. 'S~nq~rnQ 'S~Tif:-Could this be o~Tt~ 8fiffa as in M (-V s has o~Tt~<faa-f, or did the author really intend ;5~Tq~ra- M says in connection 1 with vya:na-ollT<{iI"g<m ~~~~r?lI;:aJl';:~if fcrifT ~q~. while V 1 says .... if ~rt~Q:_; 2-'S~Tififg(;t~q~~: al;~t;:~if fcrifT if ~i[ij V ~qqQ:_. M can be emended in the light of this.

exposmon. ~\9at.

~i~~q~f~~~iI;:I:lT [qlijlift].. , ... ~~fra

I - The

~+ra

expression has become confused; M improves t;hus ~Oi~~~~q~~q;:I:lT: s:qlifT, q~T~liffq~un?m~: q


~q~
'fi{Q:

on it QlijTifT,
I

Ka. 31. ~~q. The ka:rika:-text


has o~g'lit, but the vrtti being has found prank a-this reading

in the manuscript o~gif.l ~fu as in one of the the

q~liJI~q ~if.I~~Tiflfi:rf~~Tfur !:(1~CfilfVr ~f.rqfra

'tJfoa~q_ m~CI"iffg~+rT~lo: I). J and T seem to have readily accepted this recommendation Our author himself is generally fond of the • order.sabda, sparsa, rupa, rasa and gandha (in accordance

It is interesting that the text of the ka:rika: in Y has ~qT~~; but the author has criticised this and recommended ~~l~~-When the senses were referred to. the ~~~~ was mentioned first and t~ere is no reason why that order should be violated when the objects are mentioned, hence we. should read ~~I~ ... the earlier reading being a careless one (a~ <Ii~UJf;,~ ~~~~~ ~T~qT6l<I: ·aij:'f~f;{~~lfa~~ SI<U;jfi{ ;JI~alfCl"~qT ~~I~~ q'lijliflfirrl}cr

Ka. 28. ~~at.

manuscripts of Y. ~~at. a~ "if1~~ifTqfcrifT Qqq~: (~Wf: ~ ) ~CI": M has ... improved upon this :-~ "if1~~ifTqfCf"i{T ~)sfur ~*CI": (T ~fa" j(qlrn CI~l~: ~JI'ql~;J SI~lS<!~' ~~T ~Uq~l ~fir of a~TfiI~aOlJq_I ~at "if1~iflq~~T~TJI'l<ia .... {l ~mqT ~~q. ~fJTTift~Rr:(fu:)-Or is

~~t
~fcr

~a~ later?

it

[~]~f,":-in confused

view
SI~fu:.

See M-3~liJT~: <liao~~cr ~fo ~lift

Ka, 32- V 1 and M seem to have

the

with the origination of the Sa:mkhya priniciples) and so srotra, tvak, caksuh, jihva, and ghrana, yet

V1 has

a~cepted (-and so also Vg-) the reading -~q,~~ ... This shows that this was the original readmg. Ka, 29. ~~at. ~ql~~IJ~~-All except M and G read ~ql~~IJ~q_.Yet V 1 has ~qT~~IRJT the ka:rika:-text; in ~~IJ~q_ in the ka:rika:-text.

exposition when they say-m~I~<lirnfr~~~~lJfq,I:fl~if.JI'rnmif(i5~q_ ~~~cii ~f:a~~IJf'l.and later cf ~liIfq!:l fqqiJ ~:alf;:il:~: ~~aJl'~ <liiff;~~,IJ~I~~frct I:f,~~f;a "if. V g and following it G hold that the kar mendriyas do the a:haraI).a and dharana, while the buddhlndriyas the prakasana. V s and G conclude ~:alfO:il:~: SI~I~a <Ii~~i(Il~I~d~CI" 1:f1~<.ff;CI"

:itfu. V 1 seems to be influenced


~

by V 2 here. Compare~

CI"~T~~ui <Ii~f;iI:~Tfur ~frCffqq~T~iflilJl'~l'qlQ:_ I:fR ~:alf;~~lfur ~ I Or a;~f;a- fcrq~~fill:fl~QfCf~~I~~~{Cfi::qlq~: I ~if.'~~;:Cf!<fi{uT <tiufa f;r~~~TJI't.:~

.and G has

8fq~ 8lT(-<f{T~~uT 'liiffr~~lfur~cff;a I I:fr,{aJl'if)SJ

~~:mrn:
~I~;% f!~f;~~TfUr ~~~fu _qcH::f~~~-n~ f!;a~~.,t iIi~or?Cf!1~~~fff-Y. Could it be that the author of Y is trying to draw some consistent meaning out of the state men t in VI? J and T assign aharal)a to the karrnendiriyas, dharan a to buddhi, aharnkara
and manas, and prakasana T adds-~;aq~iT\~.,tfij' g ~'t~ to the buddhtndriyas. SllUJTri\~~UJ~T I:W::~f;Cf.

~f'OO'~CfT

(V 1)

ijW<~

classifies each set of the karyas as ten-fold according as they are divya or adivya. The dharya according to T is: ~\1\'l_ I Cf~~qTNCfTfitqJ?a~")rn<Eq_ I ~¢~T~l.,t ql~Hiltij'~~: 'l~Cf't,~ :q qs::q ~o~T~o11a~T I:lT~fq ,-\~I:{T.

'-\ma

maintains that sabda, etc. (-the tanmatras which divya being ~~<£~Cf~lCf) and akasa, . etc. (which adivya being ~~~:~;l)mf~) are the SI<nT~~ of ~lf;:il:~s; ~iJ etc. are the 81r~l~s of the q;ijf;~~s;

areare the and

,
1

~~f\l1iJij't l:lr~'I.,8-\;:a: ~~'C~CfI:lT~~rorrCfTq:. just Y says i\~~fu q~ fq~T: qS~Tsfq~T:. We find gradual development in the order Y, J, T. V l' V2• G, M simply mention sabda, sparsa etc. and vacana, adana, etc. as the ten-fold

~~ . Ka 33. 81.,TiTallfq WTfa-V 1 has something .very ~q .. h b way of an illusinteresting but mtngumg ere y ~ . ~"':::nn+-=:Cf ;n1Jj~~~ ~i q;~T~CfTij'f«<fa<f~ "'u~ 1" trat1on-~~T '""11'1-'1 ~ =+ • r-: +-=: Thi ld have been ~~T~fqt<:Jfra ~UJ~~T;:(I ~:Sifi~T" ~ICf~ICf. IS COU f; ~ ~:S'f.~T' ~[~n]CfT 81~efC1CJ~lil'U~T ~fef~fu; or ~~T ~fq1i~;:a ~or~~T" _ :s: ~T]CfT ij'~~[~] q~li1'U5lT ~fq1i~fCi;or ~fq~fu ~UJ~~T"~ ~. (or ~UJ~~T;:Cf~:S:), q;llT~qTij'[:]~<fa<f~lil'\T~T ~fq1i~~--thIS 1ila~t ' doubtful but very temptmg. ~fq ~frCf b emg very, , di h ~ ld mean "after the side- IS or ~dor~~l ~:Slq;~T: u be ~:s~T: sweet talk." Or could w0 , essert, t lere w 1 ll . ~, . h about putting ~:s m the mout ~q;tIT: mean t a lk ). of the bride and the bridegroom and the re ~t!V~S of both sides i.e, fixing the match. ~r:1i~rn :UJ~~HI~:S.ld will be ~ in the sIde-d1sh, If the wou mean there ill read ing be 'il1ilT~CfTij':ij'qaCJ~lii1',{T~T (-the~e ~f~f1:~rn W1 be a weak king with attachment for yenowl~h-red arrnents of monks), could this tell us s.omethmg of

~L

karya. It may

be

noted

that

karya

~he date of the author of V 1 ? Could this ~ean that , d when some crown-pnnce was our aut h or I ive very much inclined towards Buddhism. In an! case the unwarranted reference to a q~l'f\T~T1S interesting,

here signifies the object, as Y rightly ~point out : a;aql~ao~ l:lRUJ1~ Sl<ElruRrcrc;~:q81a: <E1~r~i'~~~,., f;{%f~~lq: I I It is interesting to note that according to P aharaQa is the function of the internal organ, prakasana of the buddhtndriyas and dharana of the karmendriyas-an the rest. explanation quite different from

M gives the
how huddhi Ka. grasps form
qHf

example a future

~~1fi1,~fq1i~rn to illustrate thing. is given :

34. 'G~aT. The

text of this knrika

in a confused

in the manuscript

~lr.i{~lfur
~0i'-\1~ ~

fq~tnfq~l:fCf~Sf~lfOJ Cfli~CffCf I the the karika-text vrtti has seems to have

fCfl:f~T ~l:flo~fq qs::qfqll~fu 11 this qiijfcrll~lfOr the in

'G~e(. Ka, 33. The manuscript


of Wlfu) and ~a (instead

has <;!~rfu (instead

From

of ~~fra) everywhere.

qs.:qfcrl:f~lfur whereas

~~ffiirn:

~fum'&m (VI)
ment as also emancipation of the purusa. P also says at the end: "The Intellect alone then is the true Organ of Spirit." P says in the beginning too that this ka:rika: explains why the organs having illumined the objects, not themselves make them seen by the spirit. Y takes ~~51Tq_ explaining why buddhi as serves as the IDftrt and there is not direct relation between purusa and aha mkara, etc. The interpretation in J is similar. T interprets the whole ka:rika: as showing the supremacy of buddhi among the organs, as the others bring the information to it, and it does not take it to them. M is very elaborate in the exposition of this ka:rika: and gives besides the simile of king and his ministers, the simile of dasr-svairint and kamuka to explain the idea in this ka:rika:. M further quotes three stangas 8llItru f~~ ~~ ~ir ~tci ~~~ I•••••••which are not found quoted in any other commentary. ~m:1ust~~: S~tf)s~~: ~fff ~~crr ff't<Jrfir iTt$ ifalfCf-What is meant by ~m:1'{ the aggregate of is insentient things constituting the body.
~~~. ~cj

pratikas, but q~:qfqtf~fur the exposition. VI!,G, Y, and in M have throughout q~fcJtf~Tfor. has f",~tfrfq~lircrtf~lfar J and q~~f'ftf~lf!lJike V rl Ka:. 35 A line seems to have been omitted after the pratrka ff~lq_ ~feN' <fi~aT iImfur ~tfrfQr,as aIR C'fOOQ fSrf",~ <fi'{oT [Tf,{is not explained. Other com mentators also have not dwelt much on this point, though they do take note of it. P has given a fuller exposition.
~'-9~.

~~~. Ka:. 36. ~Vq<fi~qr:-V and VI!(also P) explain 1 the simile while others do not. M has not given any explanation of~~~IiT: (particular modifications of the .gunas); VI has not specifically explained this; but has interwoven some explanation in its exposition of the simile (~t\1q'1iwr: )-tlcm~~~!lJrfu~rf~'i",fq ~I~~ ~r fqtf~m ~'1ir~~~C'f
• ~Q,at.

Ka:. 37. ~f!Iq~)q~- VI seems to have explained In two ways :-(i) ~ ~ \3"q~~ and (ii) \3"q~l1ijq~);j Slfa ~?!I!Hi)q~. ee f?{15Cffq i.?)*~ ~S;q fqtf~: ~ ~cf ~~~q~ I S ~r~'l~~(~;.'~ ?)~f~q~rq: 1- V 2; ~r ~ f'ftA ~fcr \3"q~r~ itqrn~~)f;;~ cf cL .. M; ~i'~q~)q~q~)~ Slfa---G; ~ff~~ ~~ ;'I' Slf~q~lq~~;rrq_ g~tf~~ ~rl:T~fo ~r~~fa I _ Y; ~q~qijq~;j Slfff~~q~)lT~ I ~q;r~1im-~~mfi!~ ~) fqtf~~~)q~)q~ ~Rr ~ci ~~Cf~lfdf'ltf~~-J;BeT ~o;~r~<f. .~rff~ \3"q~)lT: ~tif~ a Brl:T~ffiT. ~~(l,-V 1 does not show the siginificance of this word. G and M construe ~~I~ and ff~;rrQ. (G; 81ff:-M) with the two halves of the ka:rika:; that is to say, the first line is meant to account for the statement in the second line. V2 is not very clear, yet seems to understand the whole ka:rika: as showing why buddhi alone can being about worldly attach-

~~"

:q-q~f<f~rffil'tCJ~)~)~ ,,~rn
ll~

Nil'

i.?ij5 ~

••••

1-

M has here : ~ ij: llffCfff: ~i.?~ i{~ fq;~fq<fi~~ta-~ff~, flli ~ ~ilt ~fcrofaff't:q~fi'litq ijTl:Ti~ur ~l:Ti~ur :qfir:~tI~g: I a\'ti :q-~ Mil i.?i.? mt\ firH-lfqtif~T~~~~ :q 'IT ta~rq_ I ~ft\ fq~cl ~ 'lifq~q~ ffOlTt~ij' ,"a3~")~~ :q II The verse ll~ fqil ...... has created a stir among scholars as Gunaratnasuri in his commentary on

Haribhadrasnri's Saddarsanasamuccaya, 31 writes as follows :it :;:.r q"CR~"tt~:n<{itqlJTf/<{frtf flToulFa~ I ~~ (~ fq" (;5~ ~T~ ~~ f;r~ ~~cr:;:.r IJl"l. ~~TMi6Tqq_ ~ I ~~ ~~€f it <6fqwarcr ffi'5ITt~fir "l~~~~f~Of II ~@Pa~St~<tij q~~~faCf~CJ~) aSTT~ir ~ \a: I fu~l 5u~T~~1qTfq~ <{TST II ~~~: On the basis of this ',"oUIT~' Pt. Udayavtra Sastr! is inclined to hold that this verse must have been originally writen in the margin of the manuscript of Mathara-vrtti and later became a part of it. The manuscript that Gunaratnasuri consulted must have had this in the margin. And if this was an interpolation, there must have been many such interpolations and this accounts for the presence of stanzas from the Bhxgavata, Hastamalaka stotra and the like in the Mathara-vrtti which is perhaps the earliest commentary on the' Samkhyakarika and is referred to in the Anuyogadvara Sutra. Now, we find the stanza with a slightly different WOI ding in all these- three occurrences. In the manuscript of V 1, that we have, \3"ffi' :;:.r qs:q~~rna;:~~l ~~ tT~fjftf is in the margin below, but not (~ fq"•••V 1 is perhaps the original of M as we have it at present and it has none of the SUSpICIOUSpassages referred to above. So (~ fq......cannot be regarded as an interpolation. Could qro~51T;:a have meant 'at the end of Mathara's commentary on Ka. 37,' or in the margin of the manuscript of Mathara's commentary? V9

has here ~'qi' :;:.r-qlijfif~fcH'I~q~) ~STaSlT~it cr: I ~Gl ~1 ~ ~U~(qTfq] ~it ~TST ~ ~~~: II Could these two commentaries have been referred to by GUlJ.aratnasUri, who perhaps quoted from memory ? qa q~ a~CJlq~lifT~qT<{jqlif~T:~~~~uTT: ~fq a!! ~:~f/ftcr <{Tfq i1sftCf, f ~ a~;n~fq~lifT:I <{fq~~;:a ~fa a{fq~lifT: a ~l;:aT~u liGT~ I ~ cr~~I1~fq~lifr ~r~r~~a- ~qTilt aOlllSll{Gr V 2; !!~iile:lUYl fqlif~T: a3fTfq \~~af/~l~: fo/g aST ~~qWCf.Gf~~<:la cr~ilr~fq~tfT q ~r~~;:a I <{ fq~t~;a ~Fa~~i!..G(q~fiI: ~~qli{<fil(f_ ~q~!!~CI~T
~f~~:

\9oat. Ka. 38. a{fq~tfT:-Compare here:

-M. M is clearly based on V l'


\9oat-~. ~T;:cr, ~G ~l~,
•••

V 1. explains in connection with akasa that ~y;:a signifies ~~~~uy and that when it causes duhkha it is ~\ and then uses the words ~~, ~:~ and 'flT( in connection with vayu, etc .. So also V 2' G and M on the other hand remaining faithful to the wording of the karika use the words ~Fcr, ~)~, JtG throughout. ~qTqd ~~t ~T ~iI~fcr (l,qrqd ~~I"q~~a: IVt ~;r. . llf;a)- This is superfluous in respect of qT~and should be insnted in connection with a1~ in respect of
'-9o~.

which ~( is not explained.


\9t~.

Ka. 39. ~~: ~'{l~tfl~~~'ffilfa-This is explained

by the different commentaries as follows:V 1_~~~"t~il;r(q~ (Y) illt!~fif \ ~<{IT.qf~~il\iilT ~ fqQ~If;r I V g-missing.

M - ~fil~ilt~fCR)"Q~: ,

~~~~~r;r:
I

fqt!~: \

G-~N~t~~~ifiT~~q~TijlfcilJ.

Y-iti)~: a~~;rr~~tl~;:rT~~snw~8JT:

I aSf aT~~~"t~t

M stands in good stead in deciphering script. Slij'<rCfir~is one such instance.


\9~Ij(.

the manu....

fiTt!a: ~~q:, ~t~~if~WfirQ]'t fq~:


J-'lmffq~r: f~~\NfI;:r:
I

q~

6Sf IJTQij)aT'l~f6Cf"tijrfif, fqQij: ~. ~mCfi~R'alfCfrtJ:


I

~sfq fcr~'fr:,~: ~~ra~l~~


",QijT
I

T-65f

a)'l~6~t~Tf;r,

fqQij~~ ~ifftCJ~\Nfr;:r

~fu li~ CfiT~:

P-The gross three of which, the (rudhira, marnsa, and three-semen, loman, asthi) from

body possesses six substances, blood, the flesh and the nerves snayu) come from the mother, the hairs and the bones (sukra, the father.

The author of VI seems to be impatient to include w);ror_ or ~or_ also among the 'lrq:::5f, so the number of constituents exceeds the number six. M also mentions r'f"l, but it drops it~. See on the hand-~Tf;r ~cr~~ iJ~ qf~ ~ =ifr~~ 1JTQ6: ~~Cf6:
~~~ ;:r~~ Cf~~~~~TJI': ~~ =if ~)q =if ~~ I 6~tlT-fCf'li =if

-The writing is faint, but this is what can be easily read. M has qafu here. VI explains fully how different kinds of existence are possible as a result of dharma, adharma or both. M mentions only the fruits of adharma and dharma-adharma (-something seems to be missing in M). P and G mention only the fruit of adharma and dharma. M has ~q~~n~q~~crwaTf<i qs:~ ~tJTifTf;r while VI has qg~rr· q~ij'~1~q~'flq~~tJT<ilf;r. In the absence of an~, it was not . necessary for 1\1 to employ a:{o:a, especially after giving the whole list.
~~wra~l~sf~(iJ)Cifilfcl

a~T~~~~1~

~fwct

=if

Jl'r«

:q ~~

<l<fCfi1 iJftCf~ !iOq'l:lT~ =if =ifTiJrra~~ q<f<rTra~~m~~ :qy\:l~~~ =if §iU;:5j =if ~i_?f;sj- =if 'flU =if
'if

tWl~

M is mostly like VI in the exposition of this karika, except that it gives quotations from the Chandogya Up. (Pancagni-vidya) and Puranas (somavf~tyannaretamsi purusas ... ) and it also adduces in support of the idea in this karika "~ ~)~T~~ ~i.t ~: ~ q~JI'rfilf;r, ~~r~TqT ~crTCfiT~<.?~~ ~~q6TI1:. 11" and "~~ ~qQ]'Tmcr anmtJ6Tif1 "-which ••. shows the Vedantic influence on M. Ka. 40. I,9laf. ~~'Qi'I_--Compare planations :
~cra:IT~d{~fq~ ~'h~4'llo1 [if) 5Ifa~,
rr~fcI , qcffiT~~ if g;Rtf~'i!Ii;{ij''Qiq,

qqrcr~ir~fa iJ~~~ f~

r-Caraka-Sarirasthana,
~rt;:r. =if~ fq~:

«~:

3. 6; ~J;r
~crf;Cf

~ I

Cf~~rn~T~fif: ~ I

the various ex-

6~tlT-t~'l~vw~fWfu~T'JT~It~:

Ibid 3. 7.

According to writers on medicine w~ should be regarded as fq~ and 'l'NIT as 'lrq:::5f. P mentions ~;:rT~ as ~,which is contrary to the views of Samkhya commentators as also of writers on medicine. \9~at. 5T~~-The letters on the right hand side of \9~at and \9~;r have become very faint. But

q~aT;rtq fil'tcrT f;{~tt~ffi ~lJffitI:. I-VI

;{~faw~. ~'tqT
~:q.<i
~o '"

81~t'f€i an. ~~4'lra~lt aitl~)f;rqr~~<WTTOJTf;t fq~~~~:

I-V 2

~JI'~'Q\q_

, ~Jf'T~~fu~§

~~~-M;

if
~~(aSRf~

~~.itf~q"ls~~~,
~ij'~fa'

~~',

IR8fcr I-G;

f;rqq~m'J.-The ~~" 1iI~1~ the absence of the gross in body is not capable of enjoyment or experience (V 2, G,

"~tf'"'~if ~~'l~1~s3f.t~~ 1 if f( ~",' a'i~ ~w==~~, f<6aij: ~~~;ft~"tl!nftJlilfa, ~~,"<i5"fq f~'tCJT mtJlilfa 1-Y a'lf "qf.q~ fq~rlJ~, qcfa"fq ~o~~ fu(;5TtfC~sf(Jlilfcr I-T. M is clearly based

J).

and M explain

this thus : ~~T~~T fq~~r

oq~)iTT~am~.
\S~~.

n:rm ~

I-J

becomes

atf\:lCfTmall.The idea is that as a scented by coming into contact

thing with

on V 1 as can be seen even

from the order of the words; and G on V g. It is quite likely that some words are missing after o~ in M. f~all. is explained as fir~ i.e. lasting till moksa is attained. Y on the other hand explains this as "connected with a particular purusa' (f;(~afttre m~-

I
I

scent

so the

linga

is

influenced

by

the bhavas

explained in ka. 43.' Compare - ~~~ar~rqr;r" \:l"f~l;r" q~1JT":, ~~qrftrCf!jq~fS:'iI(I'i{-G; i~Mqq~~q_-J (coloured a ~ by dharma,

erc.).

~q~~O{... a=:jflill~nr~tf: ~) ~~T fc6(;5 ( qCfO{Cf~Cfr~ifaB:~CfT'tH (I) ~rqT ~crf;:a-M has here ~;pn~tffu~nTrcrfMqlfuarnf2l~ : is equally ~~r fawqai'fqfjfcrT~ifem a~

3Ifa~ifTfu).
IS~~.

~"s1i~~~~f;r-~~ \j{CJ~T~iT~-After ~~Tfif there is blank space enough for one letter in the manuscript. Can we read this as o~tf;(1i~ ~1q+lT~ tJ~fa ? This can preferably be read as o~fil1iqTM has simply O~iftITWff8~t~Tf~~Cf~q.J(TiT~ffi-perhaps it avoids the difficulty in the reading in V 1 on which it was based. Y has in the introiT'Ema.

~~mr

m=n m<fT ~f;:Cf-this

~~.ihn<i

suspicious and can be emended with the help of V l' Could a31TIiITaq_ emended as a~frna ? and ~~r be f<6W •••• as ~m ~~ qcrO{q~srcfr~crn:. ~ifT~r ~rqf ~qf;Cf (As by a scented thing the wind and garments become
,i

scented,

so

bnavas get attached

to the

thing)

passage before ka, 42 : 8IT~ ~~ ~r'lf ~w~~qf~~~qi{~~ afij';r;r;'ff~iTCfT~if ~lfMsCf~T~~a~ if ~~~q",~. fa~~r~;r wr~~i'fU"'if~~TqTSs1i6Ta~ ~rn 1 (Y, p. 147). [Pulinbehari Chakravarti quotes parallel usages in his foot-note~ atT~<>\j{CJ1~TCf 51cft~~ qT 1 ijqT~~ ij')S5lalf~TsqT~~ fi'fqfIJf5qf~~ II ductory aSIT~tJ~Cll~Tq"liT"i'fiTtIif~Tq-~tI'r~QJq~~~tf:-Madhyamaka-vrtti XXVg; also see ~~ij'tITqt'if:-Maha-

I.'

By ~, V 1 and M understand L~q¥{iq, etc.; V 9 and P the bhavas, samsiddbika etc. while the others
\l~

etc. (See ka: 43).


\9\1i(.

Ka. 42. aSl' fiffiffi ~"l ij:fcrq a('g~tf~Cfr;:~~r":This much emendation. M also has 't'li~'lfq\:lq_; ~fqM~Ii.~~l'JqO{~is missing. as a31forfirr. \:l"f~~fqqll_[~fuf~<6'i't~M's dependence on

clearly

requires

only Cffl filf~

This can be emended ",,",r~] a~g~~a~f":. clear.

V 9 is quite

vyutpatti, 224 : 24, p. 72].

,n
\S'-\~. Ka. 43. ~or: f<n~ !J5IT: •••• -Generally
of Brahman are spoken ting the four adds In~. four sons of, yet VI after: enumeraM has ij.,CfiT~~: ere. h again ~~~l: taxing.
I3l3q. ~f~GJ'T(UJT):j(rl:l:-M, Y,

includes

manas.

M has .~or'~:;;li;:ij-~~9ri;:a:expression, but slightly

51li)~1iT-a compact

ij'fq~CfiT~~UJl"lq_-M G have here \3"fq;:.,'t~CfiRGJ'l"lq_. and V 1 has oCfi~or,."q_ hich seems to be better, because w in the second line the karika speaks of Cfi~orl~~UJ: and Cfil~f~or: ~TCf':.P has here-"These four sons, furnished with organs and their functions' ... perhaps Cfil~has been interpreted by P as 'functions'. See-qS::;_fTf~~:tU1~tI'cHCf(t. fufcr~ ~TiTq_-:SH~f~;:fj 'if I ~~ct m~€Ji fafCfI:l'I.-a~Cfij';r~T~ ijtfijf~;rrmlllif;:~tj\ '" 1•••• ~q;:iTtfiT~CfiT( tfi~)~or~~ ij'tfij'r~tfi;nf~~f;~ :q'~Cffa I•••.anf~qf;:~<ii~ g Cfi,tl<ii~or~ Cfil~UJ1;:a~or,~ijI-Y, pp. 147-148.

J have

the term ;:::Riorlq.'l:l,

G has

~lf~fur<fi and T ~lf~!6. V 1 has the term ;:::f~orar;:1:l everywhere; so also V 2.I t should be ~f~lJflGf;:I:l. Ka 45. l3,sq The knrika-text as it is given in the manuscript is ~~F~(.m(t. ) :s!iiRt~li:~ij'T~ ~Tif(~)ij'T~liJT(t. ... But the prattka in the vrtti is ~~ij'~Cffcr Uifl({.
o

~ifffi
~ij'TU ~~

~ro:[-

~~T

~lfR~

~U.li;r~cr (futafi~~ fCfli~+ijl fcr~Cfa") 1J ~I{f;rli;rq~: ~) iT[ ~ !Jor~~tfl;:a~~liiI. I

~~R~

~.TtlilJf~ ... -Compare

here:

\SI,-\q.~~rnCfir:-See G here-an:q'r~~' f;Jrn~ ~ftfl , a{''if,~~~fq fq~fufifcr, a~~~ar ~ ~TCfl:. P has a similar explanation, the latter part not being found in VI or M. Unfortunately V 9 is missing here. ~~fa<iil ~~T is missing in the manuscript of VI also and has to be supplied. It is likely that something like aTT:q'f~iiffi: fq~a: was there in the commentary before a{T:q'f~~' f;rf;j~ ~(,Cfl.P too has "The corporeal form of a master is called a product. Because it is the corporeal form of the master the disciple it with. respect ... " M has an:q-y~ff~~' •••• l3~at. Cfi~UJT~or:-M and J refer to karana as 51~;:::~f~fI:"r. understands G by Cfi~UJ ere just buddhi. h The author of VIis rather fond of enumeration, so he gives the following explan atlon-Cfi~orr-=~:;;ij;:ijapproaches !~~HTU ~'_~<iil~W~~lfur ~fa. He first enumerates the internal organs (buddhi, aharnkara, manas) and then employs the familiar expression q<6T~f;~fOr which

iT g ~l.,;r~a

ij-"~~iT ~~fili~or ifTn:cr '1)~:;

and G : ~~T .~ijR~utij;r~a iT a~~~TiTiI. I a~~ ~{Ti~T(( :S!'tifa~~:. 1\1 is clearly the latest of these commentaries. *nit ~Rlij'f~ ~crfu ~lifl({_;Dueto ~l~e' nif there is '~~n~-

~~TCfU~~"';:iJ'. M has simply ~~:n~~~l~~ ~;IJ ~Cffa. What V means is ~~ff~~ ~~rrCf~l;:a~ V 2 has the expression ~;:ij. iiI~l~ ~tI'rCf~Fa~ ~H:ft<l-y;:a~, and P, "By the esire tainted by rajas he will submit to a new birth in . the region of Brahma ... or among t h e aruma 1" s. The author of OM might have thought that one who performed sacrifices could never be born as a lower being or as sthavara, and so used the expression ~w~lf~~':n~~' . ~ I! 13~!i1. a13{T~~q~f+!~ fCf~Ta") ~ ~Urffi!6:-M has here a"",,~~ frlfm;q_ 1 511f'tI'~~T5IlfH~~uil fCfq'lffij") ~fJlf~'Ii:. M is careful enough to use the exact words of the .karika here also+a conscious improvement, though it makes no -substantial difference.
1

d.

~qq_- his requires T much emendation. It should be ~~ O'q \3'(,CfiG~ ~~if~~91atf~~qfcr 1 a;r fifq~;:r. The author of M feels that the word ~'I~ has not been properly taken note of and so explains thus : ~~~"'~~Hrtf« ~OJT~tIT ~q-;~ S!~ afe:q~ I ~~T ~'fCI'~ffi<fa••. O'qm ~~q~~n O'~ O'~~l ~qfO' I ~ r~~;r O'~ :of~m~ ~~~~ qi:'<fT~r~ ~Cffra. V ~T • .• a IS missmg here after O'q G'('Cfii ~qfa ~q~~l atn:r~iffcr. See ij'~Cf~'3I~O'qmorr;:rt Fcilr~: ~ •••••••..•.•••• G. W4
<!oat.

Ka: 46. frfq~ij-~~fa

O'q: ~~ q~:. M has u :of O'~ fqq~~:, but not oq ~~ ~:, as it has explained tamas earlier (O'~~ ~~lfa aJT:). V 2 is missing. But P says: Not to see these eight kinds, that is what is called 'darkness'. Darkness is the synonym of 'ignorance'. ~~", Ka, 48. qcri'Rt _ ~: qs:q .... The author has here either used alffi... in the sense of or this can be emended as qCfq~ aq:SlllO'~~: q'5:q... M has here ~'" rqq~~~~aq:SI1lO'~: ~~ frfflWqr;rTfe:trii~: qs:q ~O'T:. M has after at:rT~iJqliG~~lflsrrfq straightaway ~ :of 'I'~IJfs!TU1' and the editor rightly remarks that something is missing after osnfq. This can easily be supplied on the basis of V 1 which has here : ~ mqfu~aq'liGfcrll~"q~ ~r ~ a:qJT~li~TUJt :of ~lJfTifiJlsrru" ij~ ~:~~~ ...... The text of M can be thus emended at a number of places on the strength of the

,,'ot

roo;

~1Jf~'f~q yq'Fif ~~~q~: I SIf~~~f~1Jf ~~~~'I'mfircRO'umif:,O'f'fr'l''ffT'ft ~~~;rt q'5'i1T~~~ ~a 1- Y. ~ 'Jffi~a'l'~IT'I'~)s~m~ ~lf~ fq~~~~T;rl~"~ I ~<iim:fsr~)1t;r lf~m ~~Tll: 1~;:r~~;rr ~1~~: I-J. fcr'f'l'mif:,~'ii~ ~~hfl· ~~ I ~;r ~fqq-~:

~1Jfr;:rt ~lf~it~~~aT ~4l,hltqf,... O'~~ ~r.tt ~ ~)qJJ~ q~'ti~ ~ ~)crfsf~~Cf: I-T. ~oat. Ka:. 48. O'JJ~TCf~ ~fep:l~fifaO'~ifqT~n:r;Grg ~~ ~ ~CffO'-We apparently feel that this requires some emendation. M has here aJJ~~fqerT ~fo: I a~~ qi.?~a1fO' I O'~ q~qli~lE SIilfa~ ~~) ~fcr 1 •••••• In 0''1: the light of this we can emend our text as aJT~~T~fct~!n ~: I ~~faa~<nfcr-:rlq_ or O'q~~O'T~I:lT~~fa: t O''tCfq1~;:rrq_.... . .. . But even as it stands it is alright though it looks abrupt. cUl~: is the prattka, and then we have aT~l:l. ~~~~q~T'I'liGTE ~fa~ ~~) ~m. U nfortunatel y V 9 is rmssmg here. M has tried to improve on V r~oq. Ka, 48. After O'~~;:rm('+fl~~Ts&f+rrO' ~ 'I~~

wording

in V 1•

Ka. 49. ~~q. The karik~ is given in the manus. cript as follows : ~<iiI~~~~CfI:lT: !~~~~ U( ~: 1 ~Hi(~~liIfm~T~~~;:rr'l. I The confusion can be cleared as follows:
q~~~:
~: ~H~'"

~q~~~RIi~~ I "1c1r(~~ Cf1c1r ~~)fqq~~~WGl;:rlll."


U(

M, G, Y, P and T have the same text. J reads flrq~~T:.Our reading cannot be deterIIJined even from the vrtti. It could have been o~~~~~o, or o~q~~a:o, preferably the former. ~~q. Kit. 49.• fil{~:here, but can be emended The with text is confused the help of other

should have u

:of

we O'~ rcrq~:, which could agree with

commentaries as follows . "arrN~iJr;:qJI'f~m~ Jt'fiffi ~cn ~ ~~ii1u~~f2fCJ~~roCJcfqe~'ffT: " .....

~~at. Ka:. 49. ~qitCJT;:'C~~~r;:iJI?{T~~: ~fril:~q'CImT fqlf~q~ot


I

This is nearest to Y and J. "iIT~iJTP'C~iJ~fiJ il1ti'ffT'ffT :q ~ I ~ aPif~1ti11!~1ti",~;r ~~lcfflq~aT: II"


an;:~

as( arrN~ ~lJ, ~r


~.~:

:q~lf:, almct ;rrfW6J~:, JtCliCfT CJT~, ~~fJ~, ~~ iJ;ra:, ;fiho~ ~q:q':, '61v~tnUt:, ~lJ5~~, qJ~:, q~ffi IJT~T~?1CJfirfr~~ql:lr ~~ I-Y
iJi{ij" ~~:,

""

~~~furr;rt
~',

CfI~fCrT~T~fCJTf;r, CJR) ~, ~r~ IJTforqmq~Tift ii",U~fq~~(f;{ fqfq~~~ ....


~~ ,

&lqiMfff)"~: - M too has here ~CJitCJT;:'C~ ..•. oq'CIlcH fq~rq~iit &ltnJ~f sit;ao~:. Here ~fuif;:liJr:would have been appropriate in the place of al~,,~f:. There is confusion of two constructions. The author originally intended to employ a Bahu vrthi compound-an;:'C~~1tifql;:JJr~T~lfri{"~lq'IiJffir:-people having defects of sense-organs like blindness ... etc- are not capable of grasping the .object (-or attaining knowledge, according to M). M has rightly employed ~m!f~ot in the place offCflf~!f~ot, but not corrected this error. Ka, 50. M's ka:rika:-text is much different from that of V l' M reads the karika: as : atr'C~TffJl<p:J,;::qa~: •••... ~ri~T I CJT~T f~Tq~ q~ ;rq:q' g~~)sf~fu:aT: I! Ka. 50. atT~J{<fiT:-V 1 explains thus : al~Tfir.; ~~ ~'ff alT'C~h"il'6T:. Compare atH'JJ;:lJM15~ ~a-;:ijOT~a~?n:g6G~:-M, 1{~~i'J{f;r~crr atT'C~TffJ{Of~:-G; 'Internal', because the four contentments are produced in the Intellect, the Sentiment of self and the Manas=-P. Could our reading have been al~ri'JJfiJ ~fq~;a ~i'~'C~ffri:riiT:,or a{'C~i'qll.i:Jrq~a....••... !
~~i(.

~:,

IJT~~

arr~JfT;:~~~

il'6ffi-~~aT a~ I
~~~q~
......

~t'~T:q'J~: I-J. V 9 is missing. ') M has 8lT;:'C~.nN~mUJqr~fq~~('CJil<fi(~for('qqe~· ~a~)PiJr~:, and G-CJ'N~JI;:I:lCfT ~W~f~@CIiT ~(urlJT<it ~. . ~~Jqo: Ofii8::::J'"4rn5r:l ~ ... '~ii'ffJ !9ll1lfCJ .."[ffI~:I ~afU~m:
<,

.~. a;:~'6'~~~rfir

II

~a ~~~

~'S~~

: The first quarter in .the verse as we can read it in VI has 9 letters, so we can emend it as 'iIT~'C~'~~fct or is!TN~JJT;:\:7Hm~, the latter being more in conformity with the first line. ~~~. Ka. 49. ~~il:~r ~~n~lf;J iJo:~ (!f~q;T~~fiflitfqii~q:This obviously requires emendation. Could it have been ~~,fiJr ~Tsrr~lf;r,ijlflitCJitCfiT~~fq'fi~T q",:? (See G'~~GT~~Jfafq'fi{>qT at~f?faftffi). Unfortunately V 9 is missing here. M enumerates the ~~~~CJIiJSnd explains the a term 'vadba' (~~~Iurt ~Pcr~~'~TiI~~ qliJ _q q",:) and then straightaway gives the illustration-aes ~ii .<fifJ..~
~

;r ~r;j1ij- i6~J{ft'fffqq,§tur g'l:-M ... is more com pact and precise here. See ;r g ~Ala ~~url~lJffqfiJf~rf;r;~fCf~a<{T~a;rrq~cfrr[aHillrrrai'q)liJm<{~~r: i6CJ~ 5115i'~ftafqm'5f~T~<{r~ ~Tq1fa g6G:••••... -M, a clear improvement on V l' ~mur ~Tq~iW( which is certainly better. J has an1m fqlflJTq~ in the ka:rika: text, but the prattka iSifT~fcrlf~)· . lRiJT:e:q', and this is explained by ~~~T~~<rto~I'~J~~q~~dr qli'f~~, which tends to support the reading in
~~at. Ka 50 .• n~fqlflJTq~ilT~-M, G, Y, T, Pread

...

V l' Unfortunately Va is missing. arr~')quJT~":iI •••••• would mean : These tustis of the nature of abstinences from external objects-They are of the natureof the <UliS of Sl~;r, ~~, etc. Actually 8{~N, etc. are the causes to avoid which one abstains from the' sensuous pleasures. Our expression is a bit clumsy and later commentators have clearly improved on it ..
~ijST. q~Tf~: ~fiefm:~lTifmn~(~:) if~a1fa ~q~ ~unlUJ·

8it'Cl:. 'lrn:,~<:iT~~., ~qr~~,- (!) ~~m.~: EJWIT.~: (The seventh ~rn resulting from aFl~~ IS missing. Could it have been qRTqr~q_?)
T-Sl~:,
m\i5~~,

J-~~:, ~~q_, ~

.m'Cl:

or it~:, 'lrn:, qR~,

~~'L

qrUqr~JJ.. ~qT~:,

;re~:.

~~: I-Here the author's expression seems to have Iagged behind his thoughts, and so has becomeconfused. What he wants to say is that tustis signify that the person feels that he can obtain moksa by means of v airagya alone, even without jfia:na; but actually these tustts cannot lead to moksa, which is not possible without jfiana. The expression should have been something like qcriffil'fif~~fiWJ~f;f fqifT ;r)~s~rn ~~;r ~ut~UJ ~~: 1 or it can be emended thus : qmf~: ~fi2fi1~~;;rT~: ~fcr ~;r ~~ri~UJ gfia-: I, where ~;rr(( should mean 'in the absence of knowledge'. The names of thedifferent tustis are given in the other commentaries as follows :~~ST.
8P=~: ~f\i5\i5i{ ......

There is diversity regarding the names of the five Gfm ~R!s.The names in V 1 are closest to M and Y (and also Va), but ~r~fijCliq: is unique 1 In the manuscript of V 9 the relevant leaf is half broken, so only a few names can be read-~iI:1 ~ij~, ;rr~1'i1<F.JJ.,~'lT~fij''E~. V 11 V 9 do not refer to any ~;:a~ or ~T~.
~~i(.

~:~ the lines of portion part of

Ka:. 51. After the prattka ~(: ~~s"~oi scribe seems to have failed to copy some the manuscript he was copying from. The discussing the first four siddhis as also a the exposition of the fifth siddhi is missing.

Ka, 50.

M-an~t
~~r~:
~re\i5~

ifcrrifrlifq

~m;rt

!I;:tlT;:a1: ~raufOr
~+R1R<6~
~,";rr.

aT1'<lT 1~~: art

~CfTt ~~

• ~fu<lii{ ~

I
m'ffirf;r-a1.~: ~~~,
~iIF~fuClii{
I

G- arm ;rrqrf;r ~srT;:~


'lf~:, ~Cf;r:, qr~'l, y-~~:
~;rT~, ;reqT~ ~ij;J~,

81)~:,

;m:lq;q_,

~f~,
I

8{T'Cl:, 'lf~:, ~r~~,

~qr~, ~5iq_ ,_

Eighth Siddhi-aat <fif~~m"~rcrT(iI~qT(;r~liritlfOTT~;n I{iRJT~;r 'iI ~U~ ~q~~q~ m$ ~rn-This can be emended as : ~?U Clif~~ ~~f"~rqr~ij'crr(;r'lifI-lStlSforT~Ofr ~q~~if 'iI The person wins the favour of his guru by doing a few oddjobs for him and also by giving him money. M has here <fif ~TCJT(ifHqr~M~rqTSlq~~a;J'ti;r~· ~ sr~ffi~~if ~;rTu"~ ... Our text has ~r~T;{;r which should be emended as ~~T~if in view of 'iI which follows. See ~~"lSfNfsr~f~~ilt ~u~l~~ilr~lilt 'iI ~~iI)q~i'q ... -G. P explains the eighth siddhi at length and somewhat imaginatively. Unfortunately V 2 is missing here.

~~:~~(Vl) T explains ({Iffas follows : ({Iii ~ ~~~ff~, '~'t ~)I:T~' [qyftJffir ~.Il.~G:] ~~lf~~rCl')dffq~0!FQ~: ij'f ~ I ••• ~CfTa"ij'~lf~qlffij'rfft qft(T~tJf fcJ~ltiij'fl$fifiTHlf ~Cf~5S1CfftsCf~~~very interesting no doubt, but perhaps not intended by the author or the Sa:mkhya' tradition. T gives the other interpretation also, though it does not approve of it. 51. "I'he names of the siddhis as given in the different commentaries are as under:
SI'f)~

Could CfT~lf;CI'Jf_ in VI have been Cl'r~CI'T~Jf_ f One cannot by sure. According to all, the asiddhis are just 8ffiT~q_, a;~ar~q_, etc. Only

says

cmaT~fa~li1T ~liJ~~orriJril)~f"tlf'cm: (~)

~~at. Ka:.

This is perhaps meant to show that they represent opposite attributes, and not just the absence of each other. M quotes while exp1aining the am:ft fuf~ a stanza from the Bhagavata ( ~li[T alHgR'ffl"t.... 1.6.35). VI has no such quotation. shows that the treatment of fef~ is over. Or it can also be ~li[ral'lfcJI:T,s~f~: eferring to the eight asiddhis. r
~~11'. lfT fRfe~lf:'l.Ocfl~r:- he term a1fu;a~: is used here T ~~at. ~li[T al'lfefl:TT fef4r:-This

V I-atTar fEr~li1i ''_Efi'€tta: {{m: ~~rt SI~~ ")~"r;f ~~<6 ~SI~~CI'flrfa.

~CI'T~m:~ c

M-atTariJID"t . ~;UiJr=CI'~fGr-crR ~~ 5I5~ir m~;j~~<ii a~rSlg~CI'fqffi I

cm:aR SIiit~
~aTt

G-alHITiJ'lTiiTfu~lfft m~SIl;:a~~T: ~:-cH~ Or~(nt ~"l~ SI!I~a-Slij)~qTii ~~ e({I5Igf~CI'IJ. I ~fcr

Y-cm:<fiIJ., ~cH~IJ.,CfT~lf;CI'q;, Slm~lJ., SI~f~lJ., m~TiJi( ) ~~lf<ti1J. ij'~T5Ig~ClIJ.-Same the names in V I' as J-cm:lJ.~ ~CfH:IJ., Cl'r~fCfU), , SI~f~CI'IJ. SliJ)~ , iJ)~"q_ ~~~, , ~~rSlg~CfJf_. T -ClHJf_,wmq, cn~ClT~q_, lm~, S ~~lflti~, ij'~SI!!~ClJf_-Same as in G, V 2-missing. ~~CI'q, iJT~iJT"q_ ,

P-These eight sorts of perfection are also called by the sages of antiquity: (1) Crossing by oneself, (2) Crossing we 11, (3) Crossing all, (4) Crossing with joy, (5) Crossing with an excessive joy, (6) Crossing with full joy, (7) Crossing by love, (8) Crossing by universal love.

in the sense of what blocks siddbi. Earlier it had a specialised sense- the opposite of the siddhis. P has the expression : "There are then twenty. eight incapacities, eleven which are caused by the defects of the organs, and seventeen which are' caused by the corruption of the Intellect." M does not have any such expression here. Earlier V 1 has enumerated ~frll:cr~li, algf'l and 8 asiddhis as different asaktis. The first line of this karika is found both in the karika-text as also the pranka as. ff fqilT ~w ;f fer;Jr ~ff ft.5wfCff;:{~m:, which clearly requires emendation, as it is not in agreement with:

Ka 52. ~~at.

~~:

"lMtracll (VI)
in a, though even the prattka and the vrtti both have the word Sliifa'fqiia:. S1Cf~ of b is found in Y .also. V 1'S reading is certainly not very good, and the vrtti has ij'~f~~;:a qlil" ~af~:. Could there have been a gradual attempt to improve the wording of the karika. V 1 again has ~r~~~: in -d, while the others read 81T~~:.

the question posed as also the exposition of the karika. The question answered in this karika according to V 1, M, J, P, is as to which of the two, ~q and ~., is produced first. Ka, 52 answers that they are produced simu1taneously, though J does not say so specifically in the exposition. According to Y and T one is not possible without the other and so they are mutually dependent, yet in view of the bljankuranyaya, this is no fault. This is different from what V 1, M, J and P have to say. According to G and T, the question posed is whether the purpose of the Spirit could be accomplished by one of the two creations, fi;5w and ~rcr, Or both are necessary. Y brings in the idea of affiJ<iiT~~~1Jf ~rt also, though it too says that ka. 52 refers to the samsaracakra, Ka. 54. ~\.9~. V 1 and Y read Cfi{Tfq~n~~g, while M, G, T. read Cfi{Tf~,<.?~. ~~at. Ka, 55. ~~ $I cf 31m fircr:ffif i{~~T~ fwwq_ .•. &nn~~. ~~ ~cr:ft~ .. ' This construction is awkward. M has instead ~r $I arSlfa~Cf~a- ;f{lRf~lflI. T9IWq;:~r am ~T$ ~ ~ S1Tt9lTfa, •••• The expression in M is definitely better and more compact than in V r- But compare ~Cf =if ~1~ S1~ wit~rllmor (ka. 63). Ka. 56. ~~~. V 1 has the first line of this karika: as ~~liI" S1iifafcr,a: S1effiij~~ff: S1'lf!ij'rt:;this is not supported by any other commentary. See ~rlllil"S1miiCf: SIcr~ 5~crliCf~q!~:- Y, ~rlllil"S1~m~"t q~R~,,+@.wa:-G; ~liI" S1~fa~) ~(~r~~~a~:-J, T; ~~ ~RI~ q~~~q~~:~1. V 1 also should have even metrIcally ~ll" ~rn~ff:

w"

~~~. Ka. 60. ~ =if a~ f.ti~ a<i~Fcr-a~ is used in a rather unusual sense-does not imagine or suppose that the other party would do something in return, does not expect anything of it. M has SI~qCliT~qi[q£t~ ~~ I and G ~T~: ~~qq;T~i{1~a-.
~~at.

Ka- 61.

V 1 feels that there is nothing

I
"

€lse with which prakrti could be compared, so ~1'{ does not signify superiority, but signifies excellence-'very delicate'. M has not touched this point as the wording of the karika is quite clear. There is nothing more delicate than prakrti. Unfortunately V 2 is missing here. P is like V 1 here. in M as ... ~ii ~~Cliitq qr.
~~aT.

Ka, 61. The stanza from the MBH is given

V 1 does not give any quotation from the Upanisads in support of the view of the Vedavadins, M quotes a~liI" q~ ~~'l. (Svet, Up. 3.15). 64. SlI"1TfifClil;:llaTfif [~] would expect here 81q~ ~i['l. here. alright as it stands, - the knowledge prakrti and purusa, M does not €xpression here. G explains \ffqft~

'~aT. Ka.

~I~~('q~-We

But the text is of difference of have any such as 81~iR~f(Cfq_ ,

the ego-consciousness also disappears. This shows Gaudapada the Vedantin peeping in. This agrees with the Samkhya doctrine, but is not supported by any of the commentaries.

~Ustlfij;r

~:.
I ;r

I alq~lsfq

~ar1

~"a:
I

qcj

alfl: ~~: (~~:)

Ka, 65.

Q..,-\q.

~Ff~qfqf;r'l~:-

reading, though neither V 1 it. The other commentaries have the reading ~t'ij~fclf;f~lll.- as an epithet of prakrti-rwhich has turned away from the seven rupas, dharma, etc.' P says 'ceases to produce and finishes by abandoning her: functions. '
~~q. Ka. 66. ~'IOJ; ~ ~
~'m

V J also has this nor V 2 care to explain

'Of these two, one get his wealth and the debtor is freed' So ~alau.o. could also mean, "each one of these two is associ~ted. with what is desired by him, or with what IS hIS goal.' Could it be ~Cf~a~Tqtlf'f;r ~'qi1~ Or oClftt ;r u ~~~1in view of what follows ~
~lflql ~crfa ~~lq~ ~l~i{ 'liitfa ~ooat. Ka:, 70. ~'l:q

explain number

a;::;JiJ.-V and M this by saying that it was Jmparted to a of pupils.


iif~~T ~

~T~~

~ ire'lcruUT;r

~~uJJ~·

!:fiqj it 51lf~~~fa- This expression appears confused. According to the grammarians, the word signifying the creditor (~~'IJr) is put in the dative or genitive. So we should have had lf~ij (or lf~) ~ ~ ~~lf~ ~ ~'IuuT: I ~;:r atl:lifOJr ~ :-!:fiqj it 51lf~~~rn I But the author has used the locative. M has here: ~s~~"I. ~ ~r~lfre ij' ~~~~~;rTIifi{tlr ~:m:-!:fiqj ~ ~~lm I M has used "l in the sense of 'to lend'. Moreover we have the expression !:fiforCfi~r~tarCfi" (Compare Gujarati 'dhlravu!p.') (5!ifor~,. debtor; ~rdOJCfi,lender). The author of V 1 also seems to have used"l in the sense of ' to lend'. So the text can be emended as ~ft:iI"I.~ ~ "'T,{lf~~ ~qoQf;r al~ ~:'··(=lf~JJ"I. ~ ~ ~T~~~: aM~od'r: ~~iloUf;r ~~: .•• ) which is clearly improved upon by M in lfls~"I. ~ m'{lfa·

I
I

qcr ~re,ca~ m~~iIT ~JJrw.~~[fiJ a~cr ~Ti{~fPJcci qO'if~r~ ~ I [~'l qs:qm~if '" ]. After ~tcf ~r'lq_, there should have been ail qcro.. I CJiI ~r~~ ~fcr:- This must have ?een the original teaching which was fully . explained by Paficasikha (~)in his Sa ~.l antra . S . tit .astitantra seems to signify the name f th work in which 60 topics or categories were ~eated~ as can. be seen from fq~a~!:("~!:(~Of~T~Of~l~tf%a,~ l!f~~a;:?ril'fu~~lliJ..
~: I _ ~_o~~.

The passage ail' qcr... seems to say what this CJ~ was. Scholars interpret this passage as giving an explanation of the word a;:Sf. Could this have been t.he teaching of Kapila given as the first sentence In the l!f~~a;:Sf written by qiijf.oir= (1) 1 -I' . ..,.... , . svara k rsna abridged the l!frna;:?r in his ~~~'IiT~'IiT, In V 2 the sc;ibe seems to have •omitted~ much-~fe.1tcf '<I'[;f ~ ~~~(Jq ~ _. "C. 'i'?r

~ ~oT~~'~
~~q.

~:. Ka. 66.


~a~Uqtlf'f;r

~'I. -This is confusing. M has q~~q~iN;r ~~lf!fa\ which is simple, but does not help us. V~ bas. here-aa~t ~rihl~

Valmtki, D eva 1a. ij'T 9


0

~a:~ 71. VI. mentions Bha:rgava, Ulaka, Ranta, while M mentions in add"iuon

at. o~~-q~fqq~llThe leaf is broken at this end, so something like qs:qfcrq~~~ ••. can be read and the next line starts with q~l~. If M can be our guide here, the scribe seems to have omitted some words (about half a line) and the passage should be as it is given in the text. This verse differs in wording from the verses in Y (-the author's own composition-) which are quoted by T. But J has : a~l :ql~ ~:h::r~'6T~:~0 ~

Appendix 1
Passages found in V 1 but not in M

(1) Ka:. 1. After ~:~~pnfirEJr~nrnr~T~T (2) Ka 1. After a~''i~T~cfi ~~r ~~_


'"

~!1('q""fr-

~ngfiT:;;~T f3l~Tt1T, <itTTqTgfi:r~~T fqqT~T, ~)s~: ,

8f~CffCJiJ<fif<Hlm~q'tef qT~l~~~r~fCJ;:r~~CJ:

~
II

8fT"fT~oCJfa~~rf{ij_, 8{T ~i:\llTtJ:. fq~~~rif't "'1i~ii~qri{fufa ';I'llllJlT 5ilfur ~tTTi{rf;r


I

an ~''ti{:

~TiT) fCJ~m $J~CJ:9:;:rT~:fi:~fCf: ~f{l~~ll ~ ~q'if~:

(J, 51)

~o~q. Ka, 73. ~'~ij_ 81~~<fiiI~g~ij_- Here the scribe

dearly

seems to have omitted a few words before ~T~. M has here ~T~71~ ~""Tfq~T~fa ~~, Cf1~lq<lill~fq;<!lq_. ~O~q. Ka. 73. ~q~qsfq qqur iT~a' ~q~<i 'Olffeto••• Here the leaf in broken, and the lower portions of some letters can be seen; it is difficult to say what the words could have been, but about 9 letters seem to be missing. Hence our conjecture (olI~o~flI~ ~CJ;:r~q)
I ------

V 1 mentions how one of the humours is predominant and gives a list of certain bodily diseases. It mentions ~ftga~~ ati_?T~: as One of the causes of mij~ ~:~ besides &~f<t!;{~tif and atf5!!J~SI~q, and tries to illustrate all the three. (3) Ka:. 1. <i~T ~T"f3~T ~I~: «;oFiTr~~l;::ijT U~
~<f

CJq <fi~fa ,

(4) Ka:. 1. After ~~T<iiT ~:<3>1mifif{ C6R1i<ialfcr


"~T$J~<ifq ~o,*f?r;f ~e;rq_. __•••• , I

~T~§t •••

M has here iJ~Cf) ~q~

f"f~qoj ,

~TQ_ I ~CJ+f(>q~T~~

1f~~Cfrm:~ ~i'~"f~~Tfq o~f!ta~filf6"af<i~:

it iT ~
~~

(!

~~Cf •••••. 11
~~I~

that the leaf is broken here. A fragment of a letter can be seen after iT; it could have been 6" or \cl. The follow ing letter-may be even two-is missing. Had the name been preserved, this could have thrown much light on the history of the commentaries on the :sa:mkhya-ka:rika:. We have seen that what is known as Mathara's commentary is clearly a .revised version of VI'

~o:t.q. ~f~T"'fT~iT ••. ~lIfa-It is very unfortunate

fri ~~:

:\.
.

••••••

~II

~CJJffq "fH~61a~ ~U'if~~SI~ipi

......

11 I

Gr(?f'6Tifr a~~CJIlf{fq~"'f;t ~CfT 51Cfl:qrt ~~a1fcr

(5) Ka, 2. After

'l~' Rftcn ~

l1fCJT V 1 gives •••

examples of Vedic rites involving some acts and then says : 8f~ ~llaTCJ~~Cfij_
;r \cl(",)~~q;ffi

a few immoral

~",~er

if

ij{1!! ~~.,", fq<ir~'tiT~ I

51fUTTf<i;.:r UO~Iti{Tql1T~ Q<fl'!7fF<iTi{qra'iiTfir"

iji~ijttfd:

't~~

(VI)
fClis:q-~~Tqqf~~+r ~;:r Cliij11frffi " ~1~IlJT ~~~ ;:r ~
'if

(6) K-a. 2. After

'Ii~qj~)~mwj

~2~-

a~-ilfl;n;:~~~~T~~r-tt

~lt ~ ,
~dasnij":

<6T~;:r tI11cflaTfir 'IiT~) ~

re.rn1

31~TCfO~fircft~f~

CIi'*

"lii5t<ioil lffq1i~ffi I I
I 1-

(7) Ka. 2. At the end this karik-a :

of the commentary
I

on

C'I~flil+rl:ql;:rrn~ ~~~~fCf ~~Tij'T ij'~~qr~ Cf~r :q (i5")fCfi<6T"'lT+rT~IIJf'fi:-at~

(4) Ka. 1. After f<ii Clifq~Tqij'qot~fff ~Tq:


II \:l~~~T~,oftf~~ I ::i'.l;:ijlj fq;:a:a f'li+r~ qcjcj
ij~({ I

;a-Irti "I-qs:q~~fcm~~) (8) Ka. 4. After

~sr ~:;nWt ~a:


tiT ~fa~f,,~~~a

31iifCl~) fqCfi'~~: ije~~:~~~~a

~U fuli~~

8l;:f{Ta: ~1lJ~T "Tf6<?; ... ~r\7~"":q

q~1 ~lT~q~lJn

~a~)T'lf;:r fcti~ij1:f1!. II ~

(9) K-a. 23. V 1 defines the siddhis. M does not; it enumerates the siddhis, including garima also among them. V 1 briefly explains the contraries of dharma, etc. also; M does not.

Ij

~1'i:!:~~ (i51~~T f8':&:1

cit

fq[,~

~(';:r+rl~?t({ "
-

(5) Ka. 1. -vfter the verse ~~'lC'lT~: ~~r<fil<r •••• =


tCfi'5'Cl.,rf~R fl~1;'.\:lTglf~~r.,f"9,IJf~~T ~~~'l.
~I R <fiTf., :q 'l<?1f;r

Cftlr f(II 'if

~~a

~"'l ~;:r

'if

qti~Q:_ I
~q(_;q5ffQ

<fi~~ :q ~TCic~

~~r C'liU lffqlim


~~Cl~~Tq~T~

aT;:~~TJ->;f.T~ff;.l:Jf~~~~~Tl~,

Wi

~HCiI[I:\~f; d

f~ti~:

C'lCf~ ~rRJ<\~") a1:fr4"<iTeT'C~aT'fT~Tfu I


I

~<U ~"l' .,ij"~g+4 ~fqcn~tf+lfirf

Appendix 2
Passages found in M, but not in Vt

rqfi1 fi;:~~d~Tils4

~r;:a: '~~ot

W3itl:1a

(6) Kn. 2. After


ft;s:q~~l q~iT

~1~lJ(ijT~mr •• :
I II

~~~~Cf1Jml:-

(1) Mangala
;:ra)sfi:~ ~+r~('~
~cH~

stanzas :
,
! I 911

q~r~~:

~~~T <iT ~{r'liCfq: "'l ~~+rf~~ffi

~cjfcrmfcr\:lmT~i{Tf~f~~~ ~m;:pJ_ q~~T lfCf~ g

~~~F~t ;:r

o~~+rt

Cfilfq~ \7~)fa~l~~'1
Cf~?t ~T;:r~~ CliT~IlJ'l. '

f6

~~CfTq~ft~.\:l") <it~
[~T.

~l~Cf
Jfr.

[~mcra ,. ~•~"'J
I'

~a:
9 9 ..~]

a-

a~~

'o<u~rsfi,,"l.

ij"~"~T: q~if~frCf

o~~~~Ci

qCf~~
I

ij'clfu&j'T11TTij~qtf;~~!:rif~q_II ~II fSfi~a-

~)* q~cit +l~1'i~T~~f.:a'

~fu ~fCf~T({

(2) K-a. 1. After a:n:~T awn~r ;a-~~m:


~~T<{ f;y~~ eilf;:qr~flf\:llij qCfcH
:q :q

(7) K-a. 2. (i)After


~~t(,lffi"6T~11T'l.
I

aI~~

31\:lT;:rl{:<6T~f+r~

;:r ~lil~

WC'lT ~Q:5t~)~'l.

~ql,~TC'I: ij'

~~~a
II

fuf%:
I

(ii) A fter ~: ~1:f:'_


ij'rilfq~nl+rr~11T 7j~iji(i ~q
alO: !lI:1T;:r~~~;g'~~

~T~~~ W!~C6T~q
faF.i;:: I :I 'ff$j'

(3) K-a. 1. After ~~~~fu~Cf

~fCf-

~'lf~~g~~~lta

Cf'lT f~- 'Cf~q: ij' ~Q: ij'T \:ll~C'f~ij ~Cfl ~q f;rqra: ~~~a:~~r~ij'T"~'l.

:q ~~tfl
II' ~

,. WiIlJTt'( ,

(8) Ka. 5. After C'I~~ij"lacr"'fi'l asrrf1 51firf~~OJm11T~Tqyffi~: ~~:


~a;rurT~~~~r ~~~~~~~ ~(~

~~IJfT~~~

3I+rTlJfq(T~!

qa~: 5mf

,'\,
8n~ I oS{ SliIiT~~itq a,q;:;:rnl:l)~a ~"cm:
fOU11d

!.fifq~~ ifClil._ I

(atmifT !Jl'~ClqT.fiL.. This ~qlf.alu~f~3'qiT 'if~o~C1~i'~lfll:')

verse is
,~:

in V 1 on Kn. 4. )
I

(14) Ka. 23. After

qf~~Jlf;r~it~:

ij'r·~a a

I:"fir:-

I:lT{Uft~l ~fot~lif I:lTg: ~~: ~iifCf5lq(mlTfUT"lT{OJr~. ~

5I~fim: I

~T uiT~liffqCfi1l~:
«TNaitqita:

a~~~ II
I ~~

« ClT~~: II q4'1~ijrn; qq:: <tiT~~ :_ ~~UfT


I

(9) Kn. 9. After


'«~er
~f~H:+~ 'ij'~q

(15) Ka, 23. After a:{liGnr";j~:q~ flIfClat;:~~:q I ~~~hl ~a(c'l'~:q{fCf ;:r ij~alfd ;j~:qr~l
5I~~

i:t~

crr

~)~~~~~

alT~l~~it!ffij:~i~

o~!.fi atr~~~~~~
i3"q'. \. ~.

~)~~~i{~ at'~1q:: [sr.

'1-~]

~rn ~:

atmlt(

"'{Cllfa'

I~

~cr~+=~~a~lJr~ ~1l~<tiIfO~~I:1H:orT~~qatI<tiTU

~~ct~=<t{alrn CfT t

(10) Kn. 15. After ~;:~S{~T ~)I.fi':5I~~~I~ ~NT~S~~'qiT:SlCf.ifoT I:ll~a~~rfcM'tfCf


I

(16) Ka,

23.

After Cl~~T~ ~~
~1I~~ftlJf:qfrCla:

~:N{~lf~;:rTt
11

a1ll~qqfi:~H:~g

~~nt~a
I'

alS{rf~<Jjrnf~
:q

51I:lT;:rq_ aC5t ~ I I ';:rT«at fq~a


~)l=~;:;:~

~liit
~TCf) atT~lQ,

~crl:lif :q o~crf~rit

~r:qitai'51;;fil~a'l

or tuij'C'f: ~fa

afqfu~
I

~a)s~rCf:

;:rT~I"'T f<J~a- ~o:

If:C1T~ [~. 'I ~], ~~

[ST.

i3""I:J.

\.

~.'1] !{fff ~~

ij5~liflq;TCfr(i3"'ffi

(11)

Kn. 17.
Ji~tfi"

Introductory-After
~~T
I

~~T 6tfuofit~"I'Q,

:q-

~n,~ T~3~lH~<lm:mt ql;r

(17) Ka, 23. After a'lr~T{~l'tJ~ «;:citq; t "B at Sl4i{rllr~Fa- ~lJr(l_ Y(UfTlJ~:n~r" m. '3"Q. '-\. '1~.') ( !{f~r{~~ , ft~ ~~qfc1~ri'{fll~l~ ~{tfcr WlTWrni'{ll~ ll~fi{ ~cf ClT~ Clr( ~~l((.' (m. a-q. -, 'I II. 'I) ~fa I (18) Ka. 37. After the example of king and minister,

~a:

q<fi1'~sfq 'l~m::IFT~n:'n ~?lTm;;ilwl.l( II

~~ftorl'f ~aT~-

q;r~<ii ~t~~IO:{ ;:r:q

'<l ~r:!q:qTt ~~~~

~~qf(Clr

at~Il"T~N;iiifqT~f;Cl
I

fr~lJr~lJf f'i:r!flJr~ ;:r Hr~ ~~T ij'~~qlii~~RUfl~~ q~~a~~~OlJ~'

fi

g gQ!fl~ijcr ~r!!q;~lJ

(12) Kx.
~fu~n;:r)s~iTcn

22, Afv.'i" aPl

~it q<lf<lr:-~~:'HaJf(l)

"{r~~~"{!~~i'{ {~CfCfl ;:r ~ql~ ;:r :q ~erTf;r:f~Tcp:nq~.,fti~~~''l~lJ


~iI~.

~fa-:q~:Q"R~qtit:

q~r~~<;,fnq~;drfll~.t~~frlf,iTT.di:JI:lT~a-

fii g

~a f;r~~lJf;:a
~t

~:a~n «~~<l di'6 'l'i'~iTro~cH ~ 'iiT~qoTa ~6ut<l)qfH~~CfG o:il~Clr~i5n:: v ifilf{orr f~;:~<lT Wqa: 5P?fl~H;:?fI~;:n~~T{ ~F<lfiNl~ff I

ff~q_

lJfl,,{qt fcr~~~W'{;:PH
I

~~f{O~T q;rlj~t fi:T!fhq~lJ~ ~alJa


I

~~SIJ"t ~~qfq cr~~fa~f'qifda ~~~

~~~r~'fiTr~ijirnfijui'ijro:{ aars!'il

a~T ~fi:orlq

(13) Ka, 22. After ~fi:I ~~~:_


atCl qcr <i'tT;:rT~f1fr=t~~ICf<r)~1i1T('{ ~fCl ~ iT ~fu
I

~fq gQ1f hr&Tll <l~Tl'lJfd


I

~'f0alJ'SCfRH~a 51l:ijdS=t:~~ I

CI"{~llCfr-

6tfll~ofClq~~r;:rlr(
t

~n.. fiifur~"{Jf51~,!Cl~

fer"{1:, ~lljl

~fCl cr

at;:rfd :q 'Oc=ilfCl "11:,

«'fiMcroj~~T~I,-

(19) Ka. 37. After ~1=frCf'''{~lq ~.ifl:1firfu mcr(f:~1;~cr~I~Tfril<f,T ~qOl!Tr.H~or:qrb~q«l~<l «T~l!fcr


I

~" ...rf;ri'~f+iJfI;:rfilf:a: I 'a:{t~~iCfojHl"T;:mf.:il~<lI;:Pf B~~r{iTr~itCl ~.Ii) !{fu ~~'qi~51rJlrO~T;:r 1 ~ ~--:,~

(f;r.

al(~r~-

f;S::~i'l;"I~~rnI;CfCf~TlI"":3fm(_ Sll:lri'{~lirFcH:fqfl~;:r alCl ((~'qiIJ;-'''1~~I{)


5I~~

fqfq~~ ~cr:qm~a ,

''3"m':f
~lfqt~{lOl"

fiI~

~a

ili{~ta
~:
a

SI",)I:l~ I
t

5I~~~'f
'lif1la- a{~

~fflO!rJf:nfCf f1f~q
:q B q{m{cF.J:
I

~r~ fq<mlffq~T

<n~~t l1f1Cfrf;; II' fcr

q~m;:r;:~ "l rcl ""r~ ;:r o'iiliRI:. qftf~lJ

"f~ fu~~~!~
a~Cfl;~

<m

qs:qf.roili:

;Jt~ fi{@m II

~"ls~' Q~~"l a:~1rn q~~:q'r~

~:

~~Tql WT ;r~~

\JItT~q~: I
(Ol~: iiff:

t26) Ka. 59. After

~Cf~: ~1iI""l !i:~Sf~ if,~~qfuff~T ~:~T~TCf; ,

u'
~q+JTq~qT:

~~T ~ClT&'fi~~ 'El2:T~T~ er~T£t~~~'fi~~T~T'i: ~cr"lS{l"'t(q)P3' tT=t~fa).

(20) Ka. 38. After ~<liu<li~rn'Qir~~~T ~f~~

a:CfTiIf fir~T
~wfT;n~~f~aT

fq1il"~: err;rrS!~~m:-

fitfq~1iI"r: ~Cl(:5r ~Cl'"'I~;r~T: ~T;:a~~~Ga~TSfqf~ID: ;rT~~e.1T~<Ii~crr~qlNq~OJ~'lffi ~q~q,~ ~firqT;r1

(27) Ka, 60. At the end-au


q~fqSf;:~T~: •

SI"lTif3{lT:«tf~~a:~

~~~f9~TR~~Urq

m~r: (~) I
~q~mrrTif~~I

(28) Ka: 68. Introductory.


:afqi(~T": -~TcrI: ~;:q~T~ era:. ~'6~OJ'l. 'li~f"'l~q~' '''T~'ffi

(21) Ka:. 39. After 31T~ ~~


~~r;:ffqIPtif)SC~q31T~: ~1~~I+~r~r.j~~ ~~:q'~: (~r.
I

fqg: ~ijiij;~q~O aerrSilI'I.,

'fir ~or1it ~<l;:if

~~;rT\~~,

arr~~~

mfOJif: ~q~if{'<fir~!! ~qT

~1~~Cfi~' 'a:{q~~ilCf ~l'ffi~ 'licr~ ~fcr e_1'q. ~"l.' aTifT~"q'li~!! 'lI~"ltf{l ~fir~"lsfiif:' (tTl. s. 3") ~fcr qft~Ttor
I

;rSfrf~l1fu1il"q: ~"l+i+iu:rn (OllifT+[;:crT'l'lliT ~iji~itfOJa, off: Sli1il": I '~fq :aq.


1.0,. ~ • ~)

~f~H,+~

~rn g
I

qS:q'i~r;rrserTqTq: qS:q'~T;rrserrcrrq:'

~cf iifi~Ujt 'C<t~,... ,


I

(29) Ka. 68. After It'fiTf;crCfi ~;HT'lf'flrcnq_•••


~<l~f~~: I if fcr"1iI"I:lTf~qq: 'fiT~,f:qfCfiVttf.,~f'flqq_
if :q' f;t'l~

(er, :aq, -, 'C,.~) ~r~:ng:~UiihqfqI


~)IJ'l~~erifir

~~1iI"~er:;r lij;r: q q~r;a~~~r~CfTs~crCl

"'it
II'

~if: ~~~f~('gq~t~T~~q'1iTf;aiifiTf~f;cr'6~):

~ ~lqfljWt

~ftr
I

(22) Ka. 39. After


ri

1J)P3· tT~~fcr~Offi:

q-"a:~

;r"t&r~~

~i;r

~~Tiifim

i{qT'fiT~

~l=la

{l ·q~mfqfir ~<Ii~qffTq_ I i{f~I~ atf~1iI"T:-

'~qT ~qOJp:"q ;m~rq~Tif1'

(23) Ka:. 48. After


itiq(OlT if~~qr ~mtff"t
I

a:qTifT.•..•

fil~qlf~~"lq~~FerTfa

~~!F ~~rf~fcr~f~aT

if

~qf;:CI

(24) Ka, 48. After q"ls::l:lcfTfam ~!j=t:qa~~ fct1il"~T~~~ Sllt~,fq ~)~~ if ~~€ts;:er~T~sfq

f~

~fcr ~'Cffl. I

(2 j) Ka. 51. After


~~T ~~T qrlfTor"lSt~~~ "q1il"T a"g~f:q'~uift
I

~~r5lTfHf~fer-~ f( ~~~~a~"lq~~f;:cr acffl


:q'-

qTSfT~qij=tg~T fq~: ~:qT~mCl~


II"

~;:~~qT

Ut

~~wfa:

~fffif~ (VI}
V 1 and M in certain passages

Appendix 3 Noteworthy difference in expression in Remarks VI ~"T~f~~rn~TCf 1 (I)Ka.1. M's style is (2) Ka. 1. ~& f~ ~qqTOJ. ;r~N: q;fq~T O'IT" obviously inar~<f I Cf~Tfq~;rTiT~~Tq;~"(~~f<iTiT fluenced by ~1<fT: ~5fq;:f{r .•• ~ ~ iTlf"~T~O'I Puranic acc~~f;:q;:if~T~ ~rr<fT[;r~ ~lJ~;:£r ounts and oil'fu <i~"T<{ I o~ ~~r CI~~ expressions <iiT~l4~fq;:;;q_ I ~T ~~Cf~ ~Il({;~ and shows o;rf~ Cf~it ;i~m:qTtqiflJf I ~ M to be qcmrqrO'l1fjT~T ~rrCfl<r. ;:J~~f~;:alater than

M
&l~~T 8lT~f~T otiti\'<Jr~: f~a ~~ ~ lfJfqTOJ. ;:J~~: ~lJ~f31~a;~r
I

~~a

~tf~f~q;I:f~~TO'I~~I~~~~q;:O'IT ~JfCfa: 51~Tqa: ~~'H~


P,

~UIJf~~tif~lqClT~T ;r.n~f%"Clft ~q~f~t

3~:

~<fT~;~~ gl:fTiiflJf-

q;fcj~T ~T;r ar~q I

~O'I ~Oj3l5~Faitq~~I:1~1Jf

~r~iflqr~QT{ ~rol:f~H ~<f, if~f~f~~~~ ~~q~Cf, oqf~

~~arCf~i~~Cf, q;r~Tf~1F~~~iiFI~lJa:

~~.u

~qo~l£r~q"~T~

~l=~lJ1~£r~Cf, &lfq~r;:I:f<iiT~51'<cf~O'I;iq;ils~

~fCfaiifllfCf~rl:fii~~a;fq~~O'I~61~utqT~i1I<i~t~~
I

ii:::rjj:::rllJfr({~qi::r~ln

o~<i~Tq~I~~ <iiHjO~!:!({qT~ al~T ~fi?cr~ &lr£r o;:Jrn Clij~ ~fa CfijiiTif{~ f<i~~m~~~:
I

\lI:rr({ifrf({q;T~ffl=q~ fi{fflJf~ q;?lii~ Cf~T<ii"l:~ lr£r oiifff O f~;:al;rTq~


I

a1~.n~1Ji~T~Tm

Vi~ qct fqfvf~rss~f~qiJT~ ~r&llJf· lif'H


1

q;1~ ~fa ~~fq;O'I-

q;ll5U~T;rilm

fq~tj Cfq~~~~lf!1;f
<fr:q~Cfr:q••• ~ •

~~r;:Cf~CI)

~ t.(cf
"CflJr~

fCf~;a~OJ. Oll~t~~lJl~ gjritll1Jfq~ti Cj~~~~Tf~O'Iqfl:fq;lh.Oja{af;:~a) lPCfT Cfl'q'fiii'~( 0 f;r??l~)<ir:q.•. ~

IFfa~T

f'l:::r~mTIl

~&lTq~~f<i~~r

~~Tsf!i fB:cf1~Cfq;g&~'!_o'Uf Cfr:q atI:. ~f'H .•. :::r~llr;r


I

31f~Trrl=~T· ~w·nfriT-

q<i~1'faT ~f",,~l~~fif15q~fq~q:~~l~~TS~fiifo e~<i~~ qqij~~

~iif~

+l~Tsfq fual~

30'1: ~

~msfq a~:

Qal~CfqffQ~ o~qT:q - ~ ~ 'lii'qT,


I

'!?f
~t at·
aa-:

'!_iif ~i'~'il~

air<iI+~CfT~•••. 0l1lm1

;:J6T~Till;:~~a~

filii~
Ol~ ~

51f~liJl=~T<il:q ff ... ~ils~if_ I ~ ~

Qol~ erqq~~ ;i,!Of &l~itf~lCfT:q ~ a~<iT:q if ~il ~) .•.

~m I

lflJ<iaT Oq~:-q:'.Tf;rf:;; I ~O'IU~ an~f~: '~r~=l~Tf~';JTaltI:.' ~f(f 1 &l~r~ <tifqM:-CiICl arff~it q~~'l~~Tii:
I

~<ilq_ '~:~3f~rf+1'<JfCfT< ~fa aO'lT~) ~l1<ior-offf~ija~;fttlt


1

~&lT.{~r~

Cf"l:~~~

o~riil~t

~:~51~TOjt 51cf;q;r~

~&l:q~q I~ ~~TO'It ~TS~qlq_~&~?ll:fl=ij

ij)s~cfj('i_-'lfllqOJ. qr~ ~({mf~<ii q~er


I

~<iC1TS~ ~iJCfClllll~~ii~lJi'gq_' :q. SI~f~mT ~lJqa: ~~

Cf~gfirro (q~~ ~~) fit~l:fllliT

q~~q~~~Tll: 'ff qcf

~fa ~

~cf

~~~~I't~;rq~l~

ifl~ ~1'fo ~fo

<tifti{llT:qT~~ ~TfrrO'l: 51TI1JT: m~T

qf~i'~ii~ q;fq~~

~~qHt~

51~~::IT lfllCfa:

(3) Ka. 1.

('1m

fu1i~T ar~<i I <f1'fa<W.!if_ 'lii'CfT~ar~cnit· .•• fq;

;r1fo ....

M V1

Remarks

1% 9"'~~ ~:~~~, ffi{T~-an~~


'lfi{tl
:q

•••• Cf=;J~qtr f~~i ~n~t


~~~f~ .. t

(4) Ka. 1.

<tiff;r

~"~Tf;r

!!~~~"f~rrff

~rn I

~:~ff;r

~~fif~T atsit~ an~T~:~ff;r I

V 1 is

ff~

~TT~i

~rfffq'ef~~~t

~'fij"~T~ ~:~~n:n~ijr;J
fg:fcJl-lij_ I-

rr.,lliT .•• ~q<fiff;r

:;ftfor

Cf=;JT'E~ff";f; f~!:T .••.

(5) Ka. 1.

anf<:1mrntfi
~~cr~r..m~ij_

cr~~m':-l::rr~!SI'.••
~~ ••• ~cnf;r

very elaborate here-it mentions the sthanas of vata, pitta and slesrnan, some diseases, the vaisamya of' the humours; it also illustrates manasa adhyatmika. M does not mention 'lpsi· tasya alabhah' as a case of manasa adhyatmika duhkha, nor does it illustrate any. M is more confident and compact

~~f~~~

\iCf~ml~f~T~ ~Cf~~ I "fi{~ fsI~~)lT!~fiI~~lJI~:q


I

qff~'Qjr~1JC6 ~:~ijfu~ffij_

I ffS{ m~li~

miflijrfif
fi{rn~Tf;{

"r~'fij"... ~~ncrnfor
~~~ ~:~~
I

~Cffff

~~;r.

f1i~fqfa

~mrfu:

'!f~~

(V 1)

v
(6) Ka. 1. atr~fq<t <f~~ril:-atfa~1i~Jf;rr~Ri!q&(it;gmqrf~~>I~fa ~~~q~Tfif~~l ~<liJ~r, \3'f~~ ~:ia a, anfl;{ ~fcr<li'l.'{flllSJr ~mn ~ijfq;:"JSS~ft ~ ~iJTSJ~J&tur~~ C'J~;rI' ~:~SJ~Tf~I "t1rarf3:~~HJr~~rq;:~fC'JI (7) Ka, 1. aT~ .,,~~qT~~aC'J~~1iUJ'l iif(;51~<fr cr~Cf' ~:~F~~~fcr1i~Trn I ~~r qf~~Cf~'nT ,!r~~., ~1i2:~a?ia~~ r~~r~T (J~flliJr <tiT ~<i3 fcrlSJ~q-;~WHl:lIq_, ~ I al~liqr~lIf;p~f;rfu ~fr ~:~rf~~;:rI ~~r~~~1~'1"1raii6 ~a1 ~~rr~r u~;:q;:;:n I c=m: ~ ~~r~: ~orcr;:a- ~tq~T:ql~ ~~ur~'lqi:j'ls;q~1r~ <Ii~f~t~alra- I (8) Ka:. L aTSJr~ ., fl ;rTll~i'q;:.,: ~?iT ... ;rrg~q q~ <iiufff I 3l~~~~ -~~~I~ ~) ..• ~ a~~q crei <linatfa I a~~r Cfi12 ;rrg~i'1;:"T IiTg~q••• CfiT

Remarks

M
~fq~Fcr<ii g ~crJffil~ ~ffiqa~ waT9l1'crraCf1SJf~ I qcrita-ffJilf+J~:~~~~C'J~~l~fi:~l'1TSj~~ ~&tUJ'~~ f~~r~r Qijrq;:;rr I

51~qQr,!;grffr~' 1SJ~ ~crl~ filJlTfwC'J~SJr ~~~: I ef~ '!~'fiT~~2 1J.crfq1SJ5Ialq;rn~ ~r~~~<ii iJ~1SJ~fa.,) en fqlSJ~efql6T""~~: I ~q~PJ~~:~rfll"la~~r~~~a~~f.TTa~ ~a1 f~~rffr ij~fq;:"T I ~ 'if ~~fq;:<T~:l;:fl+r'~f~~l~~ai'5!il<tiHW~~ +JiJq;cf <fifq~T:qr~ ~UfJl+~'HTC'J:, ~ 9l;q ;r~ftrMflSJa~:~51mifi'~Tr:n~ cr~~alfC'J I

.,T it1L

~.,m=;Jlff<lir~l~;:q.,~"'~~a~~T qcr ~Tqr~ij • I ~f~'l.' ~& ~Tt ~~~Ilr~r~ a'fJ~rfq ~qf'fJiliT~Or~ I ~~T <Eofi!its~a« efr 'iI.,fl(?~r: QijfQ;:.,~aritq o~p~r~~fu I

~~a

;:r~ ~:~~

•••• 'I" ~

M has tried to refine the expression in V 1 not dwell on the achievements of Ay (9) Ka. 1.
arcf:

and make it compact at every stage; Ayurveda.

though it does

~JSqJ~

~~J€tffi

ata~a~~~Ta~H,urrn: fCfi <lifq(;5fqij~;rrC'J+Jrq:


., ~i'~~

IO)Ka:. 1.

fi6f~~ ~u:its~tq 8'{T~~ ~1 i{T1SJ"l M is more '"' ",,__, polished and ~~r6~~ ...~ f;r~~"-1f~J: '"Cfif~ precise and ~r~J ..• aT~q fu1i~~iirfra~~~Jf~~~ compact. ~~ ~:~>lC'JAir~ ~gftlii!: I

'l.clq~Cfr!f~f.:r~'=T ~~ qr~~~~: I 1 •••• ~~:qf<lif~CfiI"'t st~ere,~,;rt .•. ~~ g f~1i~~CfiT~q; 8'{r~fra<ip;;:q~:~~it ~~~: a~ilr~'fct a~~ ~~qijqurfqfC'J I

ij. I

,
I I'

Remorkr

~wfu:
~ci
asr
~Cf:

~f%:dl

(V 1)

M
a~r ~'lc~fa~~or't1.jT~~fCf1fi: ~rnSl1JT1Ci: d~1fiTf;:Cf1fi' ... ~~f;:d%i Cf~~~ ~~ ~~ij- I ~~uitqa q~rii~ ~uCff;a f~1i~Ti~:r~~~l ~~:, an~~fq<6:
I

(11) Ka:. 1. ~1i:!:ilt atT~ij~ 9:") (()l.f ~'l a~;:~ls~") M explains the word am ~:~Tq'qlOeil~ (gcEf~fcrf6a 8n~~fq'i) ~~ ••. 'qr qr;J' ~rg~~ ... '~~ snor1'~Tn' ~ but does '~~nr~m: ••• '11~~ ~t~ qaT ,.. ' not explain
'fcJ(( ~I!;J'
!f.ft~TfJt
I

, .•. &1tllTrr_~~;ncfi fcr~ff.!:Cifcf':jf~Uf'll: ~Uf<TQ1fiaf I I

~)iJ qT~Tfil .• - ~~)ifa


~~ ~'il~a<ll'li~

,,~,

8t'l;:q,

amfa': ~~~f~:
wtd'lrm;:rT
fq ~:

f~ <TT~fu(~)~n

alHnili

!f.~li~fa

I &1~a;Jf~~~

'mCf:.ll~~ ~Cff"l.'liTiI,;:rf~~~fa

~~ij- I .... I a~iIT' ~lsq,ftT1fiT

~((fqf~ij~

~:~SlCfl'liT~~ ~~Cf,~;:rlt~if~

etc .. M explains 8l1lCfilr~~ as 8l1la·


Qlm.,t iI~f"T'I, ~

if?lf.:nfitf~ I ("'~~ ~;:~fu'~fu Cf~<1fOfqfi'UfI;J:' t:!<i;J;:ms~)q qT~fa ... ~~1".lcf <6~1i~Tll: I ~:~5ml<f.F?::q ~qi11~rcf1fd
cr~~q~1'~ trf~~T'ifT~~~Clf;:.,qH01T~ FfJ:laSlfd~l~

~~qrf~T qT~fl:rr6 ,

f~ g:cftm-

f~~~fu
s;filQ.
I

~j~~T~,~l

and does not refer to q~CfIiJ here.M explains the rc fully; not so

V1·
M has here tried to put systematically rites. We do not quote the passages here. the expressions in V 1 pertaining to different Vedic

(12)Ka:.2.

'liT {&GFa:-!{6:

~t~Sl1'~~
I

~TCf~r dtTT f(-'"If~~ ... 'alTliJ~ fqa~) i1~' if{"l. fq~T"l. !{fu iI;:~" d~cf ~~:q~T ~Tfq q~:~aT;:r~Tfd ...
11~~~)

r;{-armqui
'-:)

q~;:rl !J'3[<IlTIIT ~P:rTQ., m fqUG~aT;~~rfa altT ~~) ~ra)

'if ~faCf'if;:rT((~~
., .11~~

q<J f~

~al

~"dillSl) ifT~l

~;nu

m~ij- 1

(13) Ka:. 3.
Introductory

8t::jT6 -1{'l.fT ~'QiTo~l'ffl~T;:rt 'lifaf.fliJ: SlfC{~Tq 'illfirfa !{~sr~~ ~~~~~ij- I ~gfocTliJ:

VI
{14) Ka, 3., at~~litSfq
; qll'f
~1. •• ~~ilT~'1fiT~~~~lflJf'
I

Remarks

M
~Ir{) q(l:l afq'l

_fa f~fcf:

l:l"'Iro;rrfOt ~l:llfcr

~ftr:

I g;: ~Qj~tscrl;m~ijJ, q~I~~


I tTTJTfcr~fo~cr

Cf;:q'r'3fTogfu~~fff ff~lrSl~fo:
ot

•••• ~'f lft~~CJiT

'fT~~~g;
~~!ifq,,)

~",r.r'ir~ qif 'il~?Cn~ I ;:r g; l:l~ ~fa~iliROf('<rnl ••••lft~~ifi)sli


,~"':

t
I

SI~fa:, ifir~ifcr ;:r

l:l~fetCfilT(-~'H~(1iRr~~q,,~~~
Of f( (fa)s~!ifq~

tTIJf)

mrOs·

ifiT~OTmi'~'-f: I ifi~Rr~ ~~q;i1m' ; ~~i'qJi~'fi;cr,:;;Tt' c1~>lI~ fcr~fuf(i'~:;;~al at~T~-~~qt o~2Jffl~l;:rt ~~rort


I

I <J('q;:Of~~f'tr~~

~15)Ka. 4.'
.lntroductory

~'ft q<fffiq~~;:rt

SI~rort

~0fT~

Sla:rT~
I

i q~r~:f:!r
~fff OTlf"
I
I

it"!'

SI,"IJfSl~SlqTQ:Slf'rfailiitOT ij: ~~~~ fq~~T

SI'fiI~OT tl'qfi.-1rrq: ~fl~Tfir


, ~~

, ~crqcrSlJ:flor'j:q: q'ft tl'q~rrq:


at~l&"-'firfof
I

ifi{orl~ SlJ:fT"T~Cf ot
I

('I~:;;~a I sr)~",Tq
q~:
I

,(16) Ka, 9.
.Introductory

atf"f:J ~ "T~ci'i('~r~aT:

, crr~~Tf,.p:jqrrqi~~ ;
ar~;f; e~<f(lifi

({If

'(17)Ka.lll

SI"lrot,

~~lfTst~-

iTsn:
t[TcH

,(18)Ka.12.,' ~cf mra-{:iffiT (19)Ka.14.,


Introductory Tntroductory
I

fil?j;f...

ait[if]
II

31al Cfq~) fq?j;f fq~:


(~q;{('f:)
I

f~ilClFl

~MTqqRilrOr
.

I: "lTr.r?+lla fen'lifuf 1:t~


q{itrmr

{20)Ka.l 7.

m1~frl{q~~qra:o~fCff(<fCf)S~(f
I

q~ ~~~l{~~~r~~:
q~'lTrqr I

~1~;:r1~if~~Tsfq

Cfil'tfaft~TsRcf

(21)Ka:.l8.
'Ii~IJf~~qT~

~&" ~)1i itiA~:flolU: itiR~rlolr:


8ffi:

[itiA~1fNn:] *Rr'l.'liT:

*f~~fl;~r:
~f~fl:

*RI~'i"6T: *R~
q~J:f) ~ ~~q~~~T~i1St~

~R~~",:
I

M has clearly recast V I here.

u ~~*f"fC\
~~rlit

i(~~rrlol'l~'~~:

~ijl "f

Q~l:lmUJT: , ,",I;:~ I

eta:

~ ~ l~frit~r~~ at~

~ "fr~q(a~l~

~ ~r.rW€t~~~s~~,

tm::~mtrn:

:F'$f&m (V 1)

~~uRfcf: ~fu~

(V 1) M

(22)K-a.l9·1

V1
?~~T 'lif~:q~Jlf~~'H~: :~n;q1 fug;\lJt Qf~q~fu ~j~;q~T'TTo I ;q~if;qT~ifT'C~;qifT5Irn~6~;flfqTfOJ~;qQ't~"i1~~ fqi;ql~ CJ~ijTifTilt ifllJ~lOJt ~Tf&:fJlTsrT

Remarks

ff~~n <iif~~:lIJf<t;qil~ff: ~t~~;qTIlT:qT~~O) f~g;\lJt


~ :q ;)Iiflfi{~

51fa1f~fff

51fo1fOJf~&lfqf%.ffl~fon;q,~
I

51CJ~ql~lift cFiflJ~CJrfijift

~rf~"r?{) ~qfff

(23)Ka.22·

~CJfCf

"e~O;:ijTsrl~l'1i'~

(l~'liC?&:fQj,.~q~tl;:~ I Q~

o;:~:nsrl~r~: ~ fimOJC?&:fOJ: ••.

o?{ ~~~ff::"l?{r~l'f,mq_, ~q~fai"TsrT~I~: ... iT::"lff;:ilT:;m'lfi:Pfl~f:Ql~


:;nllOJ 'l~'tCJf~ 51~~ij 'tj~f;;r:qg~qs ~~IJIT::~T1iT~lf~'l?;ql Q~rfflfil' "~I~r~lfcr

~::"l'srm
ql€l+;q:
q~

~ql

~T

q:a~OJT
I

"~T~aT::~q~~ ~T'<~~ ~

~f2iji,,:
~fll"l"it ;q"f",;q"I~l~t ~q;:rl({ 'a1ffi"~51fcf\llT;qt rrm;:if"l~ ~u;qriT:' c

(24)K-a.23.,

:qfhrTCJf~~ff~ f~~)l~ qf~~~~a:rf ~~:

qs:q

f~~"':1 (qy. ;qT. Q. ~. ~'-\) ~r;qT~T: f~~;q: I ~q~lr~ g 'fCJffcfiarT~~51fuq&:fo ~Tq",,'I.' (vr. ~. ~. ~. H) 'fqa<tif f6~1~;q: ~~Tfim~ilTfu:~T ~~.
s:fit"lil)~qfr1iT ~:~T~n""T;:r;:ol:fii;5T~fff SlfffQ&:fllICJifq_' (qT_ ;q). ij_. . ':t.

~ir: I

~ v) 'lei' q qcfm",,~ ;qlfiTif: c~m::~qf;:rIJ::?JUt ij'sH1'J;qT<ti~uj !J.nfif'l·


51~WIQ' (qr. ~T. ij_.
~.'-\

"1)

~fff

f~~T=t~

~lJfiI;qa:rT:' qf~~,,-

(25)Ka.25
!

~T~~a::'nsr: :q'~CJ~~wt

~T •••• end

~~n~~~ilT ar&~

of VI on
~~ ~Irn,

ka, 25.

.(26)K-a.33.

~)~ fw
<fT1

q~"T~itq

;:nffTClilifllJa qT, ~CJlJfq••. i3"q~~sfq • qcfijTifiTqTf{::~ ;z~rn ~lolffil~TlJ€r

(27)K-a.33.

a1ifTlJfflJfq ~rrn ~OJ~~ ~l;~fff

;q~T ~fqqr;:ff

,.;~;qqy~~=qj-~ar~T~T (o~~;:~ ~ig~~: ;q~T <fT ~f~fff

~i

al~Cf~~'l~r~r

or

+Jfqt;qfu

M is clearly an improvement on V 1. Mhas recast VI in order to make the expression brief and compact. Either gives its own example.

fi!;q~CJf ~r'i~~ ~ "l;Jl o;qill'~lff: , ~Cfr~~ailTarr~r~ ~fqffl~6~f~r({ iT~OJ1~~~q~~~T ll;;r~ifli",: 'iCJRr~r.r-

ff;ill?{: ~~r~qs:q~)

lJOJ) ~itTij .••••••

en d of M

on ka. 25.
~srfq~;qg~~lmOJTfOJ ;:r :q ~rqlfir
I

CJ~T""F~q

~~~T~lf"" ~~f;~, ~Tolcrlf;r Cf:qifT~ll~"a:r~)-

'lei'

qT~qTfor:n~Ql~q~~Tr;:r 'nl"l~~

?arrfif;~~ 51qa-::ij-ifTOla~fcr~lJa't: I

!JOJ~;qT~ ~ig:, ";"iT;q<fT~:~~ff~ll(~l~ ~~fff ~)

(2S)K.a.36

w~ ~~ m~ ~ ~~f~lor. I
fq ....

Vi

Remarks
~~rS1;Jq.

M ~T~' f6 ~i~'
~~fa <l ~~f~lOJ_'
~<tfJro~~ , IfT~qlf"~q <lr6~
iI

~ct 'Iiiif;:~~ru~fit CfPl._ rr.r;J


qrfur:

~~::n (29)Ka.37.

an~~ ...
~~)
~~Sc~~

~~if~31~criftfq f;t-~I: I ar~r ~Rl~)st~;:q a~i.lTf;tfq

~IJTT:

~1"1"

~~~~)Si{~r~: _ .. Ihi!J'ld , a'iti

~<i
~ t6~

~fcr ~~'C"r ,
rr~iJfcf'

~iYAa- rr~{Jfo r.gu~I<l;:<::fa ,~~ ~~~ ..


fl~crl31~<:1iJtftJ ~~) SI"11Ofl~r:,
~~"cql

qTIJ~r~!! I ifOf: ir~q~fo SlT"1lfitCfiTat'l_Clf: ~f;a~;:~.


&1;:~S6~{:,

ifT~
'

'q~~fcra~,~j~

ilr~
I

(30)Ka.48.

I
I
~

I I

!lurr:

~r~Tcn:~:qt
•••••••

a1;JTir<nff~~iirf;~!llJfr

~fa

?~in~ JrT~ f(~~f;a , <l f6 ~rrqa: ~fq(il~ "a fCfjiJfq ~cfe:q. Jr~~3"·wr.lqj 1 ~Te~:qy.,t q;;:~fq~fd~~"~IT<litq ffi"1;~ur ~"1;~ 'ij
~~ f i{ :~~~~g:
I

;:JCfa 'q-

~~

R ... ' q<r

~Cfitit crq~) ~~: _ qs~ fil:"'~~r::r t~r:

T~"ri{r

I
itR:i i{
"1JJtil

(31)Ka.50.

~qr

'Ii~~

~fa"'Sr , ~crr~ I

"lTi{l~ f;r~~r en &'{f;r(~r <rT _~~IJ1H ••

II I

M bas improved upon the expression in VI'

Q,q.nfl
~Sl1H:n: I

fqr_:~:q,:q a~:SI~CI:q:

q;;:'ij ~GT fdnnlT;jT

f~~fi2.~cT:

~~T "f-fuq_ ~~rC'l<l1~' ~fn, ~ g ~T<lla ~!llJjr!!lJjfqfilf:q,h=rr:q(Cf~i'l'lI~r.Ofi'q~~·,arqqHf g2: }j~f:JicHa~:q '11m ~~~T:
+lT~i: I

<rr &'{qcflTClT itfcr


itf~
~~~
I

~cr{;.s Sllii':qfi:~rq"I~~T~ifT~

~Tflr;flfa

~Cf~"fur~T§rur
;n~('f ,,'~:

g~: 3I'tf3lO~~i'5ITfl:rq'itiT~r<rJJT~

(32)Ka.51.

~HIiT

~:qlif:

'o~ ~if"1T !!n:

M tries

to

<l~~

~}hn~il: U1tT~r;rFII:TH:qfa,

a~

~~RJq_

Slr~qCfjTU-

~o~~T Cfj~~ rr~fo'

"m:~fa' ~~~a'i1~'({ (33)Ka.56.


(Introductory)

~PflffitlJ~

q"lT ~Hql fuf~: I ~I~oir ~o<l

atSJr6-i3"~cr ~mrcfT ••. ~~r

cr~ 'Ii~if~CI.:r
~r~f~fcr",~~!! 9;ijlf'~ i~r
Q

~"1riJ ,!c~g<JCf 9;ijlf"~ ~)l!! ii"en

~m ,
~fcJ

~"1.:r ~T<llit "~r ~lf: ~hlf~a~~)


~~lffiO~

!!ur9;~"lT;:a~q~i"C~r ~

fi{'ff~ao~fiffo'

&'{~I~~

~6~)~ at~aOfrOfr;rfq

~t~-

be more effective and imaginative. M seems to be abrupt here. The scribe perhaps omitted some portion.

.. Tt~rJf

~~~r

aHH(f fi l'lWIirH~f\iij~l~lJjr at:"~'fi~o:qT iiqTq~r Elf~q:q)f~· ~t~:q~rOf!!q~~C'lr ~lfr ~H;rl I q!!\'lo;:rr;:>:tq~T6 I or~~ Slqaa T

~'~l~~r{~ij; !l1lJ3~"ll;:o~)q(Ofi<l~q ~rron;::r, ~T9!<nl{: ~~('51TrnRf~ ...... at'5lT~-i3"~5 ~rrcrClT.....

fefu:

, at~ fC!:qr fil~f~p::'ij

SI"1Ti{i1~ailg"cf

(~J

at~CI<lr<lT;:rfq 5l~f~i~T

, ~llr

Cfj~r~, ...

(Ka. 56).

m~QHrCf: <l~

(VI) Remarks

~i~wfcr:

<!fu«1lar
~T~

(V 1)

(34)Ka:.68. (35)Ka:.68.

:a-f l~~r",)sfq fq~r"'!: ~~'liI~CfIUI~:q"li"l;j'qCf~~la-~T{l~: I ~;:~sfq

M
~ama~
~~'6RCfIUT~"'':fi'l;;j'lCf~ 'la~T{l~:I 51~"'r~~ <6T{UJ'lfCfm.

affl1~'"

1U~)t fi{;:;J

'{CfT<fa.,

~T;Jo{

~Nr<i fi:rCfaij I ~~ lU{lt ~~ qrNcf a~ 'l~"fl 51rCf~fa, ~~It~ .. , t:!Cfflr~ ~~1~ qlij~r I

f~~a

M brings in more clarification; and makes the expression more compact.

Cf~~ ~~n nr.;r 'l~ arr'llf=!<t ij'iTf~r~;:

'{CfTCJa., ~T;r., ~{1~


I

Ii af;.,qait I ~~

~{n ~q:

qrNct act
f~~a I

llffrcrl 51rcr~fa t:!CT'l~~;:~~ 51fq~fa

qei ~~~ ~{1~ qs::q\'lr

(3~)Ka:.68.
q~l1T(l I

(37)Ka:.69. (38)Ka:.73

51~To{T~fq~a ~~:

~~{~~r~: ...
~q~Tif

;r0{ 51rntit~: I 8{?ta: ~ffi 0{ qf{~lUJfirRJ~: I

~uma:
~"o

tm~ftm (V 1)

~~l{t{~fa:

'!m~f,cn (V 1) No.
~'\

,...,
Page

Index of Kiirikis K-arik-a


,. 8IfailUt(l[T5l1tlllQ.. ,. 8tSr ~iRoriiail.. ~. ~qt{l~) ~:
V.

No.
'\'\

Page
'v ~~ ~~ v~ vo ~~

, v,
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K-arik-a
~O{

f~,!~SI~Oflq_
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,~
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v
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.,., "',,, 'I,


..."

lira :~ot ~~

",\

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0

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v.,. ~T?l~g,<6f+I~iJ.. v ,. 'l."l(,qri{ 'It{~ q v~. ~~~~(tfaa)S(~R: ~~;n~a~ vv. ~~: v 1.1,. Slfafqlif~T'i~<Hn~) v ,.
V".

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• .,e, {{lif srf~~t{rr:


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v~

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V\. 1.1,0.

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, ~.

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vv

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~'~~Hfff: :~J~9ij:cH I) (V ~t~~ta:

't"~

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Page
~o

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fullllrRq~~SS'H'U{ ~ e , ~I:lTCfq~r~fCfl~ ~'fjm<fiq_ ~~. ~Hf~t fCfi(?~s ~f:
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Errata Page Line


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