GENERAL NOTES ON FUNCTIONAL SYLES OF LANGUAGE The object of lingo-stylistics is the study of the nature, functions and structures

of stylistic devices (SD) and expressive means () n the n hand, and the study of the functional styles, n the other. functional style of language is system of interrelated language means which serves definite aim in communication. functional style is thus to b regarded as the product of certain concrete task set b the sender of the message. Functional styles mainly in the literary standard of language. The literary standard of the English language, like that of n other developed language, is not as homogeneous as it m seem. In fact the Standard English literary language in the course of its development has fallen into several subsystems each of which has acquired its own peculiarities which typical of the given functional style. The peculiar choice of language means is primarily predetermined b the aim of the communication. n set of language media stands in opposition to other sets of language media with other aims, and these other sets have other choices and arrangements of language means. What we here call functional styles also called registers r discourses. In the English literary standard we distinguish the following major functional styles (hence FS): 1) The language of belles-Letters. 2) The language of publicist literature. 3) The language of newspapers. 4) The language of scientific prose. 5) The language of official documents. Each FS m b characterized b number of distinctive features. Each FS is subdivided into number of sub styles. These represent varieties of the abstract invariant. Each variety has basic features mmn to all the varieties of the given FS and peculiar features typical of this variety alone. The belles-lettres FS has the following sub styles: ) the language style of poetry; b) the language style of emotive prose; ) the language style of drama. The publicist FS comprises the following sub styles: ) the language style of oratory; b) the language style of essays; ) the language style of feature articles in newspapers and journals. The newspaper FS falls into ) the language style of brief news items and communiqus; b) the language style of newspaper headings; ) the language style of notices and advertisements. The scientific prose FS also has three divisions: ) the language style of humanitarian sciences; ) the language style of "exact" sciences; ) the language style of popular scientific prose. The official/ document FS can be divided into four varieties: ) the language style of diplomatic documents; ) the language style of business documents; ) the language style of legal documents; d) the language style of military documents. 1

The classification presented here is by no means arbitrary. This classification is not proof against criticism. Other schemes may possibly be elaborated and highlighted by different approaches to the problem of functional styles. Thus, for example, some linguists consider that newspaper articles (including feature articles) should b classed under the functional style of newspaper language, not under the language of publicist literature. Others insist n including the language of everyday-life discourse into the system of functional styles. Prof. Budagov singles out only two main functional styles: the language of science and that of emotive literature. When analysing concrete texts, we discover that the boundaries between FSs sometimes bm less and less discernible. Thus, for instance, the signs of difference are sometimes almost imperceptible, between poetry and emotive prose; between newspaper FS and publicist FS; between popular scientific article and scientific treatise; between n essay and scientific article. But the extremes r apparent from the ways language units r used both structurally and semantically.

VARIETIES OF LANGUAGE
The actual situation of the communication has evolved two varieties of language - the spoken and the written. Of the two varieties of language, diachronically the spoken is primary and the written is secondary. The spoken variety of /language is characterized by the presence of an interlocutor. The written variety, on the contrary, presupposes the absence of an interlocutor. The spoken language is maintained in the form of dialogue, the written in the form of monologue. The spoken language has considerable advantage over the written, in that the human voice comes into play which involves intonation, gestures, etc. which give additional information. But it is the written variety, of language with its careful organization and deliberate choice of words and constructions that have political, cultural and educational influence n wide and scattered public.

Publicist Style
The publicist sty/e of language bm discernible as separate style in the middle of the 18th century. Unlike other styles, the publicist style has spoken variety, namely, the oratorical sub sty/e. The development of radio and television has brought into being another new spoken variety namely, the radio and TV coetary. The other two sub styles the essay (moral, philosophical, literary) and journa1istic articles (political, social, economic) in newspapers, journals and magazines. The general aim of publicist style is to exert constant and deep influence n public opinion, to convince the reader r the listener that the interpretation given b the writer r the speaker is the only correct one and to force him to accept the point of view expressed in the speech, essay r article not merely through logical argumentation but through emotional appeal as well. This brain-washing action is most effective in oratory, for the most powerful instrument of persuasion, the human voice, is brought into play. Publicist style in general is characterized b the following features: 1. Coherent and logical syntactical structure of the text; 2. Expanded system of connectives; . Careful paragraphing; 4. Ample use of the words with emotive meaning; 5. Wide use of imagery, but the stylistic devices used in publicist style not fresh and genuine. 6. Brevity of expression. In essays brevity sometimes becomes epigrammatic. 1. ORATORY AND SPEECHES The oratorical style is the oral subdivision of the publicist style. Persuasion is the most obvious purpose of oratory. Direct contact with the listeners permits combination of the syntactical, lexical and phonetic peculiarities of both the written and spoken varieties of language. In its leading features, however, oratorical style belongs to the written variety of language, though it is modified b the oral form of the utterance and the use of gestures. Certain typical features of the spoken variety of speech present in this style : 1. Direct address to the audience (e.g.: ladies and gentlemen, honorable member(s)); 2. The use of the 2nd person pronoun (u, etc.); 3. Sometimes contractions are introduced (Ill, wont, havent, isnt and others) 4. The use of colloquial words. 5. The use of ready-made phrases r clichs, especially in orations n solemn public occasions; 6. Stylistic devices (parallel constructions, antithesis, suspense, climax, rhetorical questions and questions-in-the-narrative) closely interwoven and mutually complementary thus building up n intricate pattern; 7. The most typical stylistic device of English oratorical style is repetition which enables the listeners to follow the speaker and retain the main points of his speech; it is meant to convince the audience and to add weight to the speaker's opinion. 3

8. Similes and metaphors r generally traditional, as fresh and genuine stylistic devices m divert the attention of the listeners away from the main point of the speech; 9. Special obligatory, forms n up and end n oration, e.g. Lords; r. President; r. Chairman; Yr Worship; Ladies and Gentlemen, etc. At the end of his speech the speaker usually thanks the audience for their attention b saying: Thank r Thank very much. 10. Expressions of direct address, e.g. dear friends, friends, Mark !, Mind! This style is evident in speeches n political and social problems of the day, in orations and addresses n solemn occasions, as public weddings, funerals and jubilees, in sermons and debates and also in the speeches of counsel and judges in courts of law. 2. ESSAY The essay is literary composition of moderate length n philosophical, social, aesthetic r literary subjects. It never goes deep into the subject, but merely touches upon the surface. n essay is rather series of personal and witty comments than finished argument r conclusive examination of n matter. The most obvious characteristics of the essay r the following: 1. Personality in the treatment of theme; 2. Naturalness of expression; 3. Brevity of expression, reaching in good writers degree of epigrammaticalness; 4. The use of the first person singular, which justifies personal approach to the problems treated; 5. rather expanded use of connectives, which facilitate the process of grasping the correlation of ideas; 6. The abundant use of emotive words; 7. The use of similes and sustained metaphors as n of the media for the cognitive process. Some essays, depending on the writers individuality, are written in highly emotional mnnr resembling the style of emotive prose, others resemble scientific prose. In comparison with oratorical style, the essay aims at lasting, hence, at slower effect. Epigrams, paradoxes and aphorisms comparatively in oratory, as they require the concentrated attention of the listener. In the essay they mmnr, for the reader has opportunity to make careful and detailed study both of the content of the utterance and its form. 3. JOURNALISTIC ARTICLES Irrespective of the character of the magazine and the divergence of Subject matter - whether it is political, literary, popular-scientific r satirical - all the already mentioned features of publicist style to b found in n article. The character of the magazine as well as the subject chosen affects the choice and use of stylistic devices. Words of emotive meaning, for example, few, if n, in popular scientific articles. Their exposition is consistent and the system of connectives mr expanded than, say, in satirical article. The language of political magazine articles differs little from that of newspaper articles. But such elements of publicist style as rr, bookish and high-flown words (e.g. abivalet, exhilarated, ipalled, etc), neologisms (which sometimes require explanation in the text), traditional word-combinations and parenthesis frequent here than in newspaper articles. Its argumentation and emotional appeal is achieved b emphatic constructions of different kinds (e.g.: 'how dim the outlook for Victory was', 'Stevenson is anything but n irresponsible mn', 'it could well have bn, though', 'he is at exhilarated and appalled'. Humorous effect is produced b the use of words and phrases which normally out of the range of this sort of article: melacholy, gracious/y, extedig his best wishes, and b periphrases. Literary reviews stand closer to essays, but mr abstract words of logical meaning used in them, they often resort to emotional language and less frequently to additional set expressions.

NEWSPAPER STYLE
Newspaper style was the last of all the styles of written litrr English to b recognized as specific form of writing standing apart from other forms. English newspaper writing dates from the 17th century, when short news pamphlets began to , and though they couldn't b classed as newspapers, they were unquestionably the immediate forerunners of the British press. The first of n regular series of English newspapers was the Week/y News which first appeared n 23, 1622. The first English daily newspaper - the Daily Courat - was brought out n March 11, 1702. And it is only in the 19th century when newspaper developed into system of language media, forming separate functional style. Not all the printed matter found in newspapers comes under newspaper style. Stories and poems, crossword puzzles, chess problems and the like serve the purpose of entertaining the reader, thus they cannot b considered specimens of newspaper style. It is newspaper printed matter that performs the function of informing the reader and providing him with n evaluation of the information published that n b regarded as belonging to newspaper style. Thus, English newspaper style may b defined as system of interrelated lexical, phraseological and grammatical means which is perceived b the community as separate linguistic unity that serves the purpose of informing and instructing the reader. Information in the English newspaper is conveyed, in the first place, through the medium of 1) Brief news items, 2) Press reports (parliamentary, of court proceedings, etc.), 3) Articles purely informational in character, 4) Advertisements and announcements. The newspaper also seeks to influence public opinion political and other matters. Elements of appraisal m b observed in the very selection and way of presentation of news, in the use of specific vocabulary, such as 'allege' and 'clai casting some doubt the facts reported, and syntactic constructions indicating lack of assurance the part of the reporter as to the correctness of the facts reported r his desire to avoid responsibility (e.g.: 'r. was said to have opposed the proposal'; 'r. was quoted as sayig.). The headlines of news items, apart from giving information about the subject-matter, also rr considerable amount of appraisal (the size and arrangement of the headline, the use of emotionally coloured words and elements of emotive syntax). However, newspaper evaluative writing unmistakably bears the stamp of newspaper style. Thus, it seems natural to regard newspaper articles, editorials included, as coming within the system of English newspaper style. But it should b noted that while editorials and other articles in opinion columns r predominantly evaluative, newspaper feature articles, as rule, rr considerable amount of information, and the ratio of the informative and the evaluative varies substantially from article to article. understand the language peculiarities of English newspaper style it will b sufficient to analyse the following basic newspaper features: 1) Brief news items, 2) Advertisements and announcements, 3) The headline, 4) The editorial. 1. BRIEF NEWS IEMS The principal function of brief news item is to inform the reader. It states facts without giving explicit comments, and whatever evaluation there is in news paragraphs is for the most part implicit and as rule unemotional. News items essentially matter-of-fact and stereotyped forms of expression prevail. As n invariant, the language of brief news items is stylistically neutral. It goes without saying that the bulk of the vocabulary used in newspaper writing is neutral and mmn literary. But apart from this, newspaper style has its specific vocabulary features and is characterized b ,n extensive use of

1. Special political and economic terms (. g. Socialis, constitution, president, apartheid, b-election, Genera/ AssebIy, gross output, r capita produetion). 2. Non-term political vocabulary (. g. pubIic, l, progressive, nation-wide, unity, c). characteristic feature of political vocabulary is that the border line between terms and non-terms is less distinct than in the vocabulary of other special fields. The semantic structure of some words comprises both terms and non-terms (. g. nation, crisis, agreeent, br, representative, and leader). 3. Newspaper clichs, i.e. stereotyped expressions, commonplace phrases familiar to the reader (. g. vital issue, pressing rble, infored sources, danger of war, to escalate war, war hysteria, overwhelming majority, aid stormy applause ). Clichs than anything else reflect the traditional mnnr of expression in newspaper writing. They commonly looked upon as defect of style. Indeed, some clichs, especially those based trite images (e.g. captains of industry, pillars of society, bulwark of civilization) pompous and hackneyed, others, such as welfare state, affluent society, false and misleading. But nevertheless, clichs indispensable in newspaper style: they prompt the necessary associations and prevent ambiguity and misunderstanding. 4. Abbreviations. Among them abbreviated terms-names of organizations; public and state bodies, political associations, industrial and other companies, various offices, etc., known b their initials very mmn, e.g. UNO (United Nations Organization), TUC (Trades Union Congress), NA (North Atlantic Treaty Organization), EU (European Union), FO (Foreign Office) , PIB (Prices and Incomes Board), etc. 5. Neologisms. The newspaper is very quick to react to n new development in the life of society, in science and technology, e.g. lunik, splash-down (the act of bringing spacecraft to water surface), backlash r white backlash ( violent reaction American racists to the Negroes' struggle for civil rights). The vocabulary of brief news items is for the most part devoid of emotional colouring. Some papers, however, especially those classed as "mass" r "popular" papers, tend to introduce emotionally coloured lexical units. However, the basic peculiarity of the brief news item lies in their syntactical structure. As the reporter is obliged to b brief, he naturally tries to rm all the facts into the space allotted. The size of brief news items varies from n sentence to several (short) paragraphs. The following grammatical peculiarities of brief news items of paramount importance, and regarded as their grammatical parameters. 1) Complex sentences with developed svstem of clauses (. g. ". Boyd-Carpenter, Chief Secretary to the Treasury and Paymaster-General (ingston-upon-Thames), said he had asked what was eant b the stateent in the Speech that the position of war pensioners and those receiving national insurance benefits would b kept under close review" (The ies)) 2) Verbal constructions (infinitive, participial, qerundial) and verbal noun constructions (e.g. "r. Nobusuke Kishi, the former Prime Minister of Japan has sought to set n example to the faction-ridden Governing Liberal Democratic Party b announcing the disbanding of his own faction nubering 47 of the total of 295 conservative members of the Lower House of the Diet." (The ies)) 3) Svntactical complexes, especially the nominative with the infinitive. These constructions r largely used to avoid mentioning the source of information or to shun responsibility for the facts reported (e.g. "The condition of Lord Samuel, aged 92, was said last night to b 'Iittle better." (The Guardian)) 4) Attributive noun groups another powerful means of effecting brevity in news items, e.g. I heart swap patient' (Moring Star), 'the til income and expenditure figures' (The ies), 'Labour backbench decision' (Morning Star), 'r. Wilson's HMS Fearless package dear (Moring Star). 5) Specific word-order in one-sentence news paragraphs and in what are called "Leads" (the initial sentences in longer news items) is more or less fixed. Journalistic practice has developed 6

what is called the "five-w-and-h-pattern rule" (who-what-why-how-where-when), i.e..Subjectdit-Object-Adverbial modifier of reason (mnnr) - Adverbial modifier of placeAdverbial modifier of time. There some other, though less marked, tendencies in news item writing such as occasional disregard for the sequence of tenses rule, e.g. 'The committee - which was investigating the working of the 1969 Children and Young Persons Act -said that some school children getting only two hours lessons day." (Morning Star) 2. ADVERTISEMENTS AND ANNOUNCEMENTS Advertisements made their way into the British press at n early age of its development, i.e. in the mid-17th century. The principal function of advertisements and announcements, like that of brief news items, is to inform the reader. There two basic types of advertisements and announcements: classified and non-classified. In classified advertisements and announcements various kinds of information arranged according to subject-matter into sections, each bearing n appropriate . In The ies, for example, advertisements and announcements classified into groups, such as BIRTHS, MARRIAGES, DEATHS, IN MEMORIAM, BUSINESS OFFERS, PERSONAL, etc., for example BIRTHS CULHANE.-On November 1st, at St. Bartholomew's Hospital, to BARBARA and JOHN CULHANE- son. Thus we single out the following tendencies with advertisements and announcements: 1. They built the elliptical pattern which means that all elements that b done without tend to b eliminated from the sentence. 2. Brevity of expression which is realized in the absence of articles and some punctuation marks and which makes the statement telegram-like. . The vocabulary is the whole essentially neutral with here and there sprinkling of emotionally coloured words r phrases used to attract the reader's attention, especially in the PERSONAL section, for example PERSONAL ROBUST, fried/y student, ot etire/y uitelliget, seeks Christmas vacation job. No wife, will travel, walk, ride r drive and undetake n domestic, agricultual r industrial activity. Will bidders for this curious/y rl chap, please writ/UBox . 552, (The ies, E.G. 4.) As for the non-classified advertisements and announcements, the variety of language form and subject-matter is so great that hardly n essential features cmmn to all m b pointed out. The reader's attention is attracted every possibIe means: typographical, graphical and stylistic, both lexical and syntactical. r there is call for brevity, for example WHAT WE WANT bank's business is with other people's mn, so we want people whose integrity is beyond quest ion. n is very personal business, so we want people who like people. Banking is work that calls for accuracy, so we want people who work accurately. Our staff has to have integrity, personality, accuracy. We want them to have imagination too. 3. HEADLINE The headline (the title given to news item r n article) is dependent form of newspaper writing because its specific functional and linguistic traits provide sufficient ground for isolating and analyzing it as specific "genre" of journalism. The main function of the headline is to inform the reader briefly what the text that follows is about. But apart from this, headlines often contain elements of appraisal, i.e. they show the reporter's r the paper's attitude to the facts reported r commented n, thus also performing the function of instructing the reader. English headlines short and catching. In some English and American newspapers sensational headlines quite cmmn. 7

BRITAIN ALMOST "CUT IN HALF" ST AUDIT FINDS NEW CITY DEFICITS IN LAST There also group headlines, which almost summary of the information contained in the news item r article. FIRE FORCES AIRLINER TURN bin Filled With Smoke Safe Landing For 97 Passengers Atlantic Drm In Super VC 10 Though the vocabulary considered in the analysis of brief news items, headlines abound in emotionally coloured words and phrases, for example End this Bloodbath (Morning Star) agent cheat (Dil World) Furthermore, to attract the reader's attention, headline writers often resort to deliberate breaking-up of set expressions, in particular fused set expressions, and deformation of special terms, stylistic device bl of producing strong emotional effect, e.g. Cakes and Bitter Ale (The Suday ies) Commander-in-chief Still at Large (The Guardia) mr respectively the allusive set expression cakes and l, and the term commader-ichief'. Other stylistic devices not infrequent in headlines, as for example the pun (.g. 'And what about Watt -The Observer), alliteration (.g: Miller in Maniac Mood - The Observer), etc. Syntactically headlines vr short sentences r phrases of variety of patterns: 1. Full declarative sentences, .g. They Threw Bombs Gipsy Sites' (Morig Star), 'Allies Now Look to London' (The ies) 2. Interrogative sentences, .g. 'D you love war?' (Daily Wor/d), 'Will Celtic confound pundits? (Morig Star) 3. Nominative sentences, .g. 'Gloomy Sunday' (The Guardia), 'Atlantic Sea Traffic' (The ies). 4. Elliptical sentences: With n auxiliary vrb omitted, .g. 'Initial report ot expected until June!' (The Guardia), 'Yachtsa spotted' (Morig Star) With the subject omitted, .g. 'Will win' (Morig Star), 'WiII give Mrs. Onassis $ 250,000 r' (The New York ies); With the subject and part of the predicate omitted, .9. 'Off to the sun' (Morig Star), 'Still in danger' (The Guardia) Sentences with articles omitted, .g. 'Step to Overall Settlement Cited in Text of Agreeent' (Iteratioal Herald Tribue), 'Blaze kills 15 at Party" (Morig Star) 5. Phrases with verbal-infinitive, participial and gerundial, .g. ' visit Faisal' (Morig Star), 'Keepig Prices Down' (The ies), 'Preparig reply cold war' (Morig Star), 'Speakig parts (The Suday ies) 6. Questions in the form of statements, .g. The worse the better?' (Daily World), 'Growl now, smile later?' (The Observer) 7. Complex sentences, . g. 'Senate nl Hears Board of Military Experts Who Favoured Losing Bidder' (The New York ies). 8. Headlines including direct speech: Introduced full sentence, .9., 'Prince Richard says: "I was not in trouble" (The Guardia), 'What Oils the Wheels of Industry? Introduced elliptically, .g. The Queen: " deep distress'. 4. EDITORIAL

The function of the editorial is to influence the reader b giving n interpretation of certain facts. Editorials comment the political and other events of the day. Their purpose is to 9ive the editor's opinion and interpretation of the news published and suggests to the reader that it is the correct n. Like n evaluative writing, editorials appeal not only to the reader's mind but to his feelings as well. n the use of emotionally coloured language elements, both lexical and structural, for example "But since they m into power the trend has bn , , and the seems to b accelerating" (Dil il). In addition to vocabulary typical of brief news items, writes of editorials make n extensive use of emotionally coloured vocabulay. Alongside political words and expessions, tems, cliches and abbeviations we find colloquial wods and expessions, slang and pofessionalisms. THATCHER MRS. TCHER has now arrived back from he American jamboree (coll.) proudly boasting that she is now "totally established as political leader in the international sphere." This simply goes to show that the fawning (emotionally coloured) American audiences dawn from the top drawer (linguistic imagery) of US capitalist society to whom she spoke will buy (coll) any farrago of trite and pious platitudes. (Moring Star) Emotional colouing in editorial articles is achieved with the help of various stylistic devices, both lexical and syntactical, the use of which is largely traditional. Editorials abound in trite stylistic means, especially metaphors and epithets, e.g. inter national cliate, price explosion, price spiral, spectacular sight, outrageous act, brutal rul, astounding stateent, crazy policies. Traditional periphrases also very mmn in newspaper editorials, such as Downing Street (the British Government), Fleet Street (the London press), the Great Powers (the six seven biggest and strongest states), the third world (states other than socialist r capitalist), and so n. Most trite stylistic means commonly used in the newspaper have bm clichs. But genuine stylistic means also sometimes used, which helps the writer of the editorial to bring his idea home to the reader. Two types of allusions b distinguished in newspaper article writing: Allusions to political and other facts of the day which indispensable and have stylistic Value historical, literary and biblical allusions which often used to create specific stylistic effect, largely-satirical Some editorials abound in parallel questions and other syntactical Yet, the role of expressive language means and stylistic devices in the editorial should not b over-estimated. Original forms of expression and fresh genuine stylistic means comparatively rr in newspaper articles, editorials included.

SCIENTIFIC PROSE STYLE

The main aim of the functional style of scientific prose is to prove hypothesis, to create new concepts and to disclose the internal laws of existence, development, relations between different phenomena, etc. The language means, therefore, tend to b objective, precise, and unemotional, devoid of individuality; there is striving for the most generalized form of expression. The most noticeable features of this style 1. The logical sequence of utterances with clear indications of their interrelations and interdependence. 2. developed and varied system of connectives. . The use of terms specific to each given branch of science. But due to the rapid dissemination of scientific and technical ideas, we observe the process of "determinization", that is, some scientific and technical terms begin to circulate outside the narrow field they belong to and eventually begin to develop new meanings. But the overwhelming majority of terms do not undergo this process of determinization and remain the property of scientific prose. The necessity to penetrate deeper into the essence of things and phenomena gives rise to new concepts, which require new words to them. n the rapid creation of new terms in n developing science. new term in scientific prose is generally followed (r preceded) b n explanation. 4. Peculiar sentence patterns which b of three types: Postulator, Argumentative, and Formulate. 5. The use of quotations and references, which also have definite compositional pattern, namely, the of the writer referred to, the title of the work quoted, the publishing house, the place and r it was published, and the page of the excerpt quoted r referred to. 6. The use of foot-notes digressive in character. This is in full accord with the main requirement of the style, which is logical coherence of ideas expressed. 7. The impersonality of scientific writings. There is noticeable difference in the syntactical design of utterances in the exact sciences (mathematics, chemistry, physics, etc.) and in the humanities. The passive constructions frequently used in the scientific prose of the exact sciences not indispensable in the humanities. This, perhaps, is due to the fact that the data and methods of investigation applied in the humanities less objective.

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