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HOW TO APPROACH GIRLS ON THE STREET DIRECTLY & NATURALLY -->> I Have a Confession To Make...

Im intimidated by much better looking, more confident seeming guys, and I al ays !""#M$ hot girls in a nightclub ont be interested in me. "o %ust to clarify - Im like a com&lete !'C hen it comes to the classic understanding of (TH$ )!M$ - i.e, a&&roaching and attracting hot girls in a nightclub environment. *ut I am currently dating three beautiful girls. Infact, Im very -->> confident that in a cou&le of months time, Ill have t ice that. *y this time ne+t year, Im ,$-. ,$-. confident that I ould have found a girl of such high /uality that Ill ant to have a serious monogamous relationshi& ith her. 0$h1 *ut I thought you said your game as shit12 .u&. 3anna kno ho 1 "treet game. !nd not %ust 0e+cuse me, Im looking for the nearest treehouse2 kind of street-game - Im talking about 4I-$CT streetgame. Im talking about going u& to the hottest girls you can find and letting them kno straight a ay that youre interested in them. Im talking about not really having a clue e+actly hat youre going to say hen you a&&roach, but instead trusting yourself to come u& ith hat is needed in the moment. I can guarantee you no - if you dedicate yourself to doing hat I say to do, battle through all re%ections, correcting your mistakes and &ersevering - you ill be in a &osition here you can date as many hot girls as you like, ithout using any scri&ted o&eners, routines, or gimmicks - %ust being yourself. -->> 5o . "itting comfortably1 )um1 6k, lets begin. 3hen I first started doing direct, I got e+actly the same res&onse. The difference is I didnt give u&. I made a firm decision that 4I-$CT "T-$$T )!M$ as hat I anted to do. Its ho Ive decided to &lay the game. "o I &ut on my seatbelt, and rode it out, till the bitter end. "o forget about any negative e+&eriences youve had T-.I5) direct street game. .ou ere %ust doing it rong. Im going to tell you ho to do it right. 'orget !bout Ho .ou Think It "hould *e 4one 'irstly, forget anything youve ever e+&erienced about direct street game. I hear so many &eo&le tell me 0but Ive tried direct, and they %ust tell you straight a ay theyve got a boyfriend2. They &robably do. M$. I got there first 78 -->> The 4ifference *et een 4irect and Indirect 3hen you a&&roach a girl indirectly on the street 9ask for directions, a female o&inion8, you are HI4I5) your true intentions 9that you are interested in the girl romantically:se+ually8. *ecause of this, the girl isnt considering you as a &otential romantic interest, so if you are dressed &oorly, have &oor body language,

clearly dont take care of yourself, and generally sound like an uncalibrated eirdo ;;< of the time she ill sto& to ans er your /uestion, as doing so isnt conveying any romantic or se+ual interest to ards you. )irls are generally nice, &olite &eo&le as long as you are nice and &olite to them. Infact, it is im&ossible to get re%ected from going indirect. .ou cant re%ect someone H65$"T=. asking for a female o&inion - infact to do -->> so ould actually be /uite rude. >eo&le get re%ected hen their intentions !-$ unintentionally coming through, des&ite the indirect verbal communication. "o no the girl can re%ect you, because she is no re%ecting hat she &erceives to be your C6,$-T advances. If you go indirect, you need to be ?@@< indirect, so as not to arouse sus&icion in the girl. If you are going indirect, but they can T$== that you really have romantic:se+ual intentions to ards them, it is &erceived as 3$!A behaviour, because you are clearly too scared of saying hats really on your mind, for fear or re%ection. 3hen you a&&roach a girl directly, you are forcing her to make a second by second decision hether or not she can see you as a &otential date:boyfriend:se+ual -->> &artner. "he might re%ect you straight a ay, she might listen to you for a fe seconds then decide youre not her cu& of tea, or you might be talking to her for ?@ minutes, give you her number, then hen you call, decide not to ans er the &hone then. directly is ,$-. >63$-'#=. If she &erceives you as lo value, its not. T o &eo&le could a&&roach a hot girl, say e+actly the same thing, but get com&lete different results. 4e&ending on hat is being communicated, you ill either be &erceived as a high value, confident, e+citing man ho isnt afraid to say hats on his mind.... or not. Im going to teach you ho to come across as high value. Its the classic fake it before you make it thing. !ctually *$I5) Approaching Directl !ro" a Po#ition o$ High %al&e If she &erceives you as a HI)H ,!=#$ guy, a&&roaching her high value is your ultimate goal - but this takes time and high value e+&eriences. Infact, alot of guys I have sho n this stuff to -$!==. !-$ high value &eo&le. They either dont realise it, or they %ust '6-)$T their value hen they are in the &resence of a hot girl. The only ay to combat this is to a&&roach, a&&roach, a&&roach untill you are desensitised to it. $ventually you ont forget your value, you ont be afraid any more. .oull be able to a&&roach the hottest girls, and act ith the same confidence as hen you talk to your best friend. !fterall, isnt confidence %ust the absence of fear1 This Is Ho )irls 3ant To *e !&&roached This is the stuff movies are made of. $very girl Ive ever been ith ho I met using this -->> a&&roach has told me they =6,$4 the ay I a&&roached. They told me theyd never been a&&roached that ay. =isten guys - ;;.;;;;;< of guys 465T do this. 4es&ite hat youve heard )I-=" 465T )$T !>>-6!CH$4 =IA$ THI". "ure, guys try to (strike u& conversation ith hot girls. *ut 5665$ goes straight u& and does hat I do.

If you do this right, you can forget about 4H,ing. .our a&&roach is the demonstration of high value. So Ho' Do Yo& Do It In A High %al&e Wa ( They are many things that communicate high value hen you do a direct street a&&roach. Here are the main ones that you needB )* !a#hion & Groo"ing *efore you take any &icku& courses or s&end !5. money hat so ever on material or &roducts - 36-A 65 .6#- '!"HI65. The fabrics that you decide to adorn your body ith say more about you than you &robably kno . I girl 3I== -$C$CT .6#, %ust because you are earing clothes that communicate lo value. This isnt so im&ortant for indirect game - but for direct game it is $""$5TI!=. 3hen youre selling your house, you are al ays advised to s&end a fe thousand &ounds on making it look more &resentable, so &eo&le ill be more likely to buy it, even if the things you are buying ont even be there hen youve moved, like &lants, furniture and curtains. -->> The &oint is, &otential buyers 9 ith little imagination8 come in and make a /uick decision based on the '$$=I5) that the house gives them. If you s&end a fe thousand making the house '$$= like a home, they are far more likely to buy it. "o dont like your fashion be the reason they girl re%ects you. !sk the girl later hy she didnt sto& and talk to you, and she &robably ont kno . If you dont kno !5.THI5) about fashion, then I ould strongly advice seeing a &rofessional ho does. I ent to see 6llie from >#!Training and the change as staggering. .ou can do nload his >4' from the ebsite 9 .&uatraining. com8 - on there youll see he actually used me as a casestudy8. If you dont have any money, then start &aying attention to fashion -->> magaDines, or getting some advice from any friends ho do have really good fashion sense. !s a general rule, make sure your clothes are 3$== 'ITT$4, and if youre unsure, kee& the colours to a minimum. If you like funky, rocky kinda stuff, then go for that kind of look. If youre more of a suave, gentleman ty&e of fello, then go for that kind of look. 465T T-. !54 4-$"" I5 ! 3!. TH!T 46$"5T "#IT .6#>$-"65!=IT.. +* %i,e This is the hardest thing to master, but ith &ractice it ill come. I ould describe your vibe as the (general feeling, or the energy that is coming from you. The coolest guys I kno %ust emit a never ending su&&ly of &ositivity, self-contentment and %oy. 3eve all s&oken to &eo&le ho arent really saying anything to turn us off, but theres %ust "6M$THI5) about him that communicates an unha&&iness, or a dee& -->>

insecurity that is &reventing him from truly e+&ressing himself. His ,I*$ is %ust a bit off. In -"4s *lue&rint, Tyler says the (The "elf is !=3!." Coming Through. This is your vibe. Having the right vibe ill get you laid. 5aturals dont kno game. They %ust have an a esome vibe. Ive seen &eo&le a&&roach, and get blo n u&. !nd theyre vibe is really.... serious. 5ot &erha&s very negative, but theres %ust something not /uite right. 3atching him talk to the girl, theres %ust a "$-I6#"ness to him.... I tell him to smile, and he does, but his ,I*$ is %ust kinda..... serious. Then later in the day he comes across a really friendly, se+y girl ho gives him a really &ositive res&onse, hich -$MI54" HIM that he I" actually a cool, high value guy. 'rom this &oint on ards, every girl he a&&roaches is different. Hes not saying anything different before... but his vibe has changed. I can see he is more &ositive no . Hes ha&&ier. I cant tell you hat it is hes 46I5) that is making come across this ay.... maybe a slight cheeky smile after saying something... maybe its a glint in his eye but its because he actually feeling more confident ith hat hes doing. -->> Hes !CT#!==. $5C6.I5) talking to this girl. TH!T is the core of hat I ant you to take from this. .ou need to learn to $5C6. this. .our vibe needs to communicate that you are a H!>>. &erson. If you arent ha&&y, then you need to really focus on hy this is. If its your %ob, then you need to take time a ay from &ick u& and focus on your career, if its your friends, then you need to take time a ay from &ick-u& and focus on finding a better &eer grou&. If its %ust the fact that youre single and you ant a girlfriend then try and start $5C6.I5) the &rocess of learning ho to talk to girls. This alone ill im&rove your success rate dramatically. "ee your vibe as gift- ra&&ed &resent that your giving the girl. 5o girl ants to un ra& it to find a yucky bundle of hatred, anger and self-&ity. They ant to find a shiny ball of '#5 and H!>>I5$"". 'igure out a ay to make learning &ick-u& '#5. -* .o/ Lang&age 3hen you a&&roach, you need to use your body in a confident ay. =ook at the ay you stand in the mirror and com&are it to the ay &eo&le like tom cruise stand. The best ay to im&rove your &osture and the ay you move your body is to &ick someone you admire, and model the ay they use their body. I have modelled various high value &eo&le Ive come across on my little %ourney, not of them famous, but %ust high value &eo&le ith good body language. =ook at the ay they gesture ith their hands. =ook at the ay they stand. =ook at the ay they -->> talk to &eo&le. "$-I6#"=. do this. >ersonally I think this is more beneficial than s&ending money on any &icku& material. 3e all kno that your &hysiology follo s your &sychology. 3hen someone is de&ressed, you can tell by the ay they are alking and moving. If someone is %oyfull and ha&&y, they have a (s&ring in their ste&. *ut also a firm believer that your &sychology also follo s your &hysiology. If you move your body in (the ay a confident &erson ould move it, I believe you ill start to feel more confident. If you slouch and act like a nervous, shy &erson, I believe you actually start to

feel orse. "o model body language role models, and start to ork on ho you use your body. !s a rule I ould suggest the follo ing the ne+t time you a&&roach a girl. - 4ont slouch. Make sure youre standing u& fairly straight - I like to feel my &ecs against the insides of my clothes, this reminds me that my chest is out and im standing u& straight. "ont shift around. "tand solid, rooted to the ground. !ny movement should be as an e+tended e+&ressional -->> gesture, rather than out of nervousness or discomfort. - #se your hands to gesture. Make a &oint of using your hands to e+&ress yourself more. !lso, if your hands are already out of your &ockets, gesturing in the air, you only need to gesture a little further to kino the girl /uite naturally as &art of a gesture. the smile you need2. "o if shes s&rinting at fall s&eed, you need to be laughing hysterically. hehe 9im only half %oking8. 0* E e Contact .ouve all heard the term laser eyes right1 3ell, hen you a&&roach a girl directly on the street, you need to be looking at her directly in the eyes. 4ont shift your eyes a ay and look behind her, or do n or to the side as you talk to her. .ou need to be laser eying her. Imagine her naked, on your bed. Imagine all the things you could be doing to her in %ust a day or t o. Its not "T!-I5).... its a soft, yet focused eye contact that lets her kno that you and her and the only things that e+ist in the moment. 1* S"ile 6k, this one is a ne &ick-u& technology I have recently invented. I call it smiling. .ou need to smile hen you sto& a moving girlE If you dont smile, the chances are she ont sto&. 3ho ants to sto& and talk to a miserable &erson1 I definitely dont. .ou dont need a cartoon grin, but as a general rule I like to sayB 0The faster the girl is moving, the bigger -->> 2* %oice Tone3 Spee/ & %ol&"e This is one of the biggest sticking &oints I had to deal ith. I have al ays talked to fast. I dont kno hy, but its al ays been a &roblem of mine. 4uring a one-onone ith !dam =yons ages ago, the first thing he told me is that I need to slo do n ho fast I talk, and its been something that Ive been orking on ever since. 3hen you a&&roach a girl, .6# !-$ I5 56 -#"H T6 "!. 3H!T .6# 3!5T T6 "!.. The end of (the o&ener isnt the goal. )etting her to sto& isnt the goal. The goal is to come across as high value. "o hen you o&en, %ust "T!-T T!=AI5), and starting talking slo ly. "moothly does it big man. Cust start talking slo ly, and youll be amaDed ho it changes to hole interaction. .oull actually feel alot calmer and more confident because of this. If you can sense that she isnt interested in THI" M6M$5T, i.e, she begins to slo ly alk off - 46 56T s&eed u& in order to 'I5I"H hat you ere saying in the ho&e that by finishing hat you have to say is going to C65,I5C$ her to sto&. -emember, your ,!=#$ is hat is going to make her ant to talk to you, 56T hat you have to say. "o if she starts alking off, C!--. 65 talking at e+actly the same &ace as before. Talking

fast communicates that you are the kind of &erson that e+&ects &eo&le to interru&t you at any minute, or that &eo&le generally dont listen to you, so you -->> have to get hat you have to say out fast, before &eo&le lost interest. >eo&le ho talk at a leisurely &ace, ho add &auses into their s&eech, communicate that they are the kind of &eo&le that &eo&le =I"T$5 T6. .our goal should be to &ronounce your ords C=$!-=., and confidently, and at a casual, rela+ed &ace. If theres a &ause in the conversation, &ractice 56T filling it, and $F>$CTI5) her to fill it. -egarding voice tone - If you talk, you should feel the vibration of your voice in your lo er throat and chest. .oull notice that as your tone gets higher, the vibrations go u& to your mouth, your nose and even further, de&ending on ho high you go. -aising your voice tone is "$$AI5) -!>>6-T. Imagine ho you -->> alk talk to a gentle granny. .ou ould ant to seem as non threatening as &ossible, so you ould raise your voice tone right u& to sounds really nice, friendly and agreeable. 3hen you a&&roach, you ant to make a habit of kee&ing your voice tone do n to a chest area. This is very im&ortant. )oing direct on a girl ith a lo er voice range ill communicate e+tremely high value as you are not seeking ra&&ort. If you say the same thing to a girl, but your raise your voice tone as you say it, it ill communicate to the girl that you 3!5T H$- !>>-6,!= for your a&&roach. .our saying 0I like you - is that ok12, rather than 0I like you, and i dont give a fuck hat you think of that.2 9dont actually say thisE haha8 -->> The Approach 6k, heres the %uicy bit. Ho its actually doneE The girl is moving, so you need to sto& her. -->> Cog &ast her 9on either side8, and as you do, turning to face her as you &ass. Make sure you have eye contact ith her, so she can clearly see that your intention is to s&eak to her. Make sure you $!"$ into her field of vision so you dont startle her. -->> -emember to smileE -->> If you look at my hands, you can see they are infront of me, and slightly to the sides, in a kind of 4PLEASE STOP5 po#t&re. This is a subtle thing that can sometimes make the difference bet een her sto&&ing, and her alking &ast. I al ays do it. ! very im&ortant thing to &oint out here, is you H!,$ to sto& 4I-$CT=. infront of her. .ou need to give her room to sto& - if you %um& in too close, shes likely to continue straight &ast you. The faster shes moving, the more s&ace you need to give her to sto&. The reason you need to get directly infront of her, and not a bit to the side, is hat it is communicating. Charity &eo&le dont get right infront of you. They ouldnd dare. Homeless &eo&le asking for change ouldnt &resume to sto& directly infront of you. Club &romoters dont sto& directly in front of you. .ou see they all $F>$CT you to not ant to talk to them. .ou on the other hand, are a HI)H ,!=#$ M!5. !nd o& are a,o&t to "a6e a girl# /a . "o of course shes going to ant to listen to you. "o )$T -I)HT I5'-65T 6' H$-. *=6CA H$- >!TH. 46 IT .6# >#"".EEE hahaha 6k, no hat you say to her.

There are varying degrees of 4I-$CT... obviously going u& to a girl and telling her you ould love to fuck her ould have less chance of success that telling a girl she (caught you eye, so I ould say it %ust comes do n to &ersonal &reference. *ut I ould recommend a s&irit of adventure and e+&erimentation. Try these ones outB -->> ?8 Hey you - Im %ust on the ay home... but I %ust sa you. Id be kicking myself if I didnt come over and tell you Genter a sincere com&liment hereG. Im .osha. H8 =ook at you - you look fucking incredible. I had to meet you. I8 Hey, sorry to bother you... er... Ive %ust ran a ay from my friends... I sa you alk &ast and I had to meet you. 3ho the hell are you1E Id rather you not try and remember too many (scri&ted o&eners... the s&irit of the o&ener should be I5 TH$ M6M$5T. Id rather you use these ideas as tem&lates for making your o n u&. !nd I ant you to be honest ith the com&liments. Make them uni/ue to the girl. !nd dont say 0I like your dress. "ay YOU loo6 a"a7ing in that /re##. "ee the difference1 -->> No' 8 the TRANSITION* This is very im&ortant. "o many &eo&le deliver their direct o&ener, then kind of ait for the girls res&onse before they move on. -emember you ant to communicate that you dont ant her a&&roval, you are %ust the kind of man that isnt afraid to go for hat he ants in life. .ou ant to deliver your o&ener, then immediately transition into a conversation. Ho do you do this1 6k, this is the &art of the interaction that is going to mess u& the most interactions. This is actually the hard &art that takes the most &ractice. *ut if you follo my advice, and ith enough &ractice, you should be fine. 3hen you first start doing this, youll &robably be bricking it, orrying about hat youre gonna say after -->> the o&ener. "o youll go in, say the o&ener, stand there for a fe seconds, and they say something like 0so hat are you u& to12. !nd thats fine. 3ell... its not fine. Its shit. *ut I mean its )6I5) T6 H!>>$5 to you. !nd its %ust because you C!5T THI5A 6' !5.THI5) $="$ T6 "!.. .ouve started this direct game %ourney, so congrats for having the balls to go u& and do it. 5o s here the real learning starts. The more you a&&roach, the more desensitised your become to a&&roaching a girl and saying something direct. This is the first ste&7 getting rid of your !!. $ventually, youll actually really start to en%oy it as the ma%ority of res&onses ill be full of smiles. .oull make their day, hich is cool in-of-itself. !s you become less afraid of it, youll start to become a bit more rela+ed doing it. This is here it can start to get fun. 3hen you are scared of a given result, you using all of your mental ca&acities to try and find a ay to avoid that result. In this case, youre scanning your mind for that (ne+t thing to say, for fear of that dreaded a k ard &ause. I like to think of it like that scene in 3allace !nd )romit 9the one ith the evil &enguin8 here )romit of on the train, frantically laying do n railtrack infront of him so the train doesnt crash. "o in relation to this, youre afraid your going to reach back and not be able to find a &iece of track...... C-!!"HEEE The &roblem is, the mindset, the feeling of having to #"$ .6#- *-!I5 to try and 36-A 6#T hat to say, so the com&lete o&&osite thing you need to be doing. Infact, its hen you do this that

-->> youre M6"T =IA$=. to run out of things to say. Instead, you have to be in the moment. .ou have to =$T )6 of everything youve ever learnt about &ick-u&. Cust rela+. 6bserve. Take everything in. =I"T$5 to everything shes saying. $,$-.THI5) around you is a &otential lead into a conversation, including yourself, and this craDy situation youve %ust &ut the both of you in. 4oes she have an accent1 Has she got sho&&ing bags1 Is she earing anything that you like1 Is she tall1 "hort1 4id she smile hen you a&&roached1 4oes she seem -->> friendly1 4oes she remind you of anyone1 3hats the eather like1 3hy did you a&&roach her1 !re you craDy1 Is she craDy1 4o you do this all the time1 4oes she get sto&&ed all the time1 Has she al ays lived in =ondon1 3hy did she come to =ondon1 !ll of that shouldnt come from your memory, but from TH$ M6M$5T. !nd the only ay to do that, is the be -$=!F$4 and C!=M. .our focus needs to be shifted from I53!-4" to 6#T3!-4". 5otice ho close I am to her face. This as a direct a&&roach, so dont be afraid to invade her &ersonal s&ace a bit. 5o %ust have a natural conversation ith her. )et to kno her. If your intention for the conversation is to find out about her, then you ill naturally /ualify her. =et her kno about you - o&en u& to her and she ill o&en u& to you. *ut dont forget, this as a direct a&&roach. 4ont let her forget that. Thro in the occasional direct comment to kee& the interaction s&icey. Then Jclose hen you feel like you have had a solid interaction. The longer the interaction, the more chance the number ont flake. If you can, instant date. )irls never flake after an instant date 78 'inally - te+t her ithin ?@ minutes of leaving her. .ou ant to kee& the interaction going continuously, other ise hen you call or te+t in a fe days, the memory of the fun you had together might have faded and you might %ust be (some guy again. Thats it - ho&e this hel&s guysE )o out and &ractice -->> it, and let me kno ho it goesE 6h, before I end it, as a final thought lets %ust /uickly cover one more small thing hich is very relevant to direct gameB -e%ection I have a second confession for you guys. These &hotos make me look like a &im&, but thats %ust sho ing you guys hen it goes right. !=6T of the time, it %ust doesnt hit. The girl has a boyfriend, is in a serious rush to be some here or %ust isnt interested at all. "ome guys ho teach this stuff ould have you believe that they are &erfect, but unfortunately Im only human. Im also a bit of a character ho isnt going to (fit ith every girl I meet. 3hen I go out there Im being M."$='. Im not hiding

-->> behind any scri&ted stuff, Im %ust &utting my &ersonality out there on the line, and I bet theres some girls out there that %ust 365T go for that. Im also a bit goofy. I like to have a laugh, all the time. I hardly ever take anything seriously. "ome girls hate thisE If I a&&roach one of these girls, you can bet the interaction ont end u& on youtubeE My &oint is that getting good at game is the first ste&. *ut once you get to a certain level here you start getting some really cool results, its %ust a &rocess of meeting !" M!5. )I-=" !" .6# C!5, so you can find the ones that are really right for you. The ones that love the kind of &erson you are. =ook - some here out there on the streets there is your &erfect ?@. I dont %ust mean &hysically, I mean the one ho ill totally =6,$ you. The one ho ill totally love everything about you. "hes out there man, and every second you s&end sitting at your com&uter and not out on the street is one less second you could be s&ending ith the girl of your dreams. I ould love to hear of any success stories from anyone - feel free to contact me on yoshaK&uatraining.com M!""I,$ thanks to .ad, one of the trainers at >#!Training ho took me under his ing hen I first started doing daygame all those months ago. If it asnt for him I ould never have been able to rite this articleE =ove you dudeE !ll the best, - .osha

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