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Wednesday, September 9, 2009

BASIC MOTIF AS A FUNCTION ITERATIVE

Batik Lasem Art, Selling batik tulis Lasem : Batik is a traditional art
that captures what is perceived by the community of Java in
Indonesia to two-dimensional medium of fabric. Batik can be a form of
equivalence of the paintings in the public culture in the other
hemisphere. But what is reflected in batik tended not
"straightforward" what is portrayed by the most commonly known
paintings in historical milestones of human civilization. This is because
the fractal nature is reflected in batik, while most known paintings
are the forms of repose geometry.
The

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portrayal by
using
the
perspective

D is c overy Frac tal in Batik

transformation fractality is stereographic dynamics of the real world

into the basic forms of batik which a greater emphasis on the fact
that systems in nature tend to be dynamic. The development of
contemporary mathematics a fractal is a shape that the current study
has become a full-non linear methodological in capturing system
including our efforts to map what is seen on what is described in
batik cloth.

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The shape is too similar to living creatures may have a tendency to

become idols, and 2-dimensional aesthetic craft in Indonesia
acculturation shows a motive works that are so neat batik in the
transformation of the image into the arrest of the dynamics of
pattern objects.
Fractal geometry of nature Basic Batik Motifs
There are a lot of the basic motifs in the traditional batik. Basic
motive is at the authors 'narrative' of what you want to be
represented by batik cloth. Basic motif can act as
a major constituent of the design of the batik motif to just be Isen or
harmonization and ornament. Efforts deconstruction of the basic
motifs of batik of Java, for example, shown in Situngkir (2008). This is
done by showing a pattern that can be deconstructed as a
transformation element in the iteration function system.
For example, traditional batik "plane" that can be seen as the result
of the seven transformation of the whole pattern as seen in picture.
In fact, as shown in the picture, many Javanese batik using this basic
pattern.

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There are hundreds of batik design with ornamentation of this plane,

which is described as a bird's wing. Batik patterns such as cement,
gurdha and more popular use of this basic pattern. So, quite
interesting to find general aspects related to the transformation
equation used to bring it.
Another example can be taken from batik from Cirebon, West Java Indonesia. A very popular design named "Mega Overcast" which is
often the basis of ornamentation known as a form of "clouds in the
sky". This picture is shown in Figure 2.

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Designers (people who traditionally known as an intellectual) to

make some kind of "fractal transformation equations" given in the
form of representation rules, the fractal approach we see science as
a form of "atraktor" which mathematically.

Art (7)

"The transformation equation" is an interesting design to

manufacture a particular pattern desired by the designer. Thus, in
our example above, aircraft and cloud overcast, as well as batik
pattern design can be viewed as a product of the iteration function
system, is atraktor (cognitively) as traditional artists will display
"wings" and "cloud". This can potentially enrich our understanding of
cognitive anthropology, which is implemented into the body and
other traditional aesthetics.

batik process (3)

For example, as the traditional heritage of Java, batik design is

inseparable with the life of the king's palace (palace). However, once
the palace of Java has become the intellectual center as well as
government. The influence of the palace in a show of batik
intellectual milestones of ancient history. For example, when people
in Cirebon, West Java, know of two palaces (for political purposes),
namely: kasepuhan and Kanoman (respectively the oldest and
younger), both have the characteristics of different batik designs.
"Attractor cognitive" in a chariot representations, in the Palace
Kasepuhan described as a model while lion barong Kanoman Palace
described as Peksi Naga Liman. This characteristic also occurs in
other court in Indonesia such as Yogyakarta and Surakarta.

SFI fractal dynamics to capture the image of

By relying on the geometry, the visualization techniques, such as a

motive, using a variety of ways to mimic as closely as possible the
various forms of objects to be poured in the media and twodimensional images. Various techniques do here, ranging from large

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design forms that need to be very keen attention to the perspective

(the perspective) to the various techniques used in the process of
drawing (eg, shading in the sketch, and so on).

Motif (3)

It is not enough if we are grounded in a fractal pattern as the basis

for representation. What do not mimic as closely as possible what
you want portrayed but capture the movement and dynamics of the
objects that want visualized. In addition to these technical-technical,
relying on the representations of fractal consider other aspects, and
one of the most important is that atraktor of objects to be described.

Nature dyes (1)

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Pattern (6)
product of batik (1)
record (1)

Pattern representation with System Function Iterations were

acquired as a construction to the basic motif of batik have similarities
to the pattern we can get when describing the classical Japanese
painting famous artist Katsushika Hokusai of paintings titled
"Tsunami Under Kanagawa". Foaming waves can be reconstructed is
described by using the pattern function systems including iterations
of our generation through the computer. In the picture shown is how
the red triangles that indicate the general shape of the sea water
patterns, and the depiction of the blue triangles to "catch" a surge of
water from the bottom up. Here, the water as a system moves from
bottom to top (diagonally to the right).

Sores and
Craftsmen (1)

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This spectacular work shows a pattern similar to what is in the

traditional batik when we want to pattern reconstruction with the
same computer algorithm. In other words, I think we can apply the
same when we want to describe the re-awanan cloud patterns,
vegetation, sayapan fluttering wings, and so forth as a basic motif of
batik that our generative computational experimentation going
through the software.

September (2)
BASIC MOTIF
AS A
FUNCTION
ITERATIVE
Batik is
Fractal!
May (2)

Batik Physics: "Logic" in batik Batik Generation Computing

In the software that we introduce here, we are trying to fractal
transformation equations are the basic motifs of batik produces no
contact with the user. In other words, the task of software users is
to expand the imaginative horizons as wide as possible so that the
various motifs can be generated in the fractal paradigm as closely as
possible to the system of rules that may be present in the cognitive
process of batik designers in the days past when batik used to draw
with how to capture the dynamics of visual forms.

Software provided on the occasion Generation Computing Batik is an

attempt to describe the basic patterns are formed from three points
that form a triangle and its transformation which acts as atraktor.

Hist

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The steps can roughly abbreviated as:

1. Users determine the 3 basic points that become the primary form
of representation to be described in outline (note the order of the
points that make up the red triangle on the software).
2. It is then the iterative (repeated) determines the 3 points that
make up the transformation of the triangle that represents the main
form (on our software: the blue triangles as the transformation of the
red triangles).
3. Triangles which is the atraktor (towing) points randomly generated
by a computing process. Within each triangle (either red or blue)
have the same form (or a similar = similar) with the overall shape of
the red and blue segituga merged into one. This is the nature of the
so-called fractal-like nature with ourselves (self similarity).
Our software does not display the mathematical equations of the
transformation of the forms of the triangles. He just kept it in a
directory where the software is run. In other words, users need only
to the imagination of the patterns to be described (or arrested
dynamics) in the process of system functions Iterations were to serve
as the basic motif batik. From the triangles are then obtained infinite
basic motive to be described as a raw material in depicting batik
inspiration in a variety of media and forms, ranging from traditional
chanting pemotifan to process the most modern textile. Batik Lasem
Art, Selling batik tulis Lasem.
Diposkan oleh Batik Lasem Art di 9:15 AM
Labe l: Batik , Fractal, Patte rn

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