DADDY YANKEE

DADDY YANKEE

PROMOTER SHALL PROVIDE THE FOLLOWING:

DADDY YANKEE

01. PROMOTER REPRESENTATIVE

An experienced representative of the Promoter, to be available on site from the beginning
of load in until load out is completed.
Promoter Representative shall have decision-making authority, especially in matters
pertaining to show costs and labor.
Promoter Representative's contact information (including mobile and email) shall be
provided to the Production Manager (hereinafter referred to as "the PM") 21 days before
the event.
(1.A) CELLULAR PHONE
One requires 5 cellular telephones with international calls from the arrival to the country
and the same are given when coming out of the country.
02. PERMITS AND RESTRICTIONS
All permits necessary to carry on the production of the event must be in order prior to show
day.
The PM shall have access to copies of all such permits. Promoter shall advise the PM in
writing of any legal, local or facility codes, ordinances, restrictions or limitations which
could prevent or delay any of the Artist's production requirements from being properly
carried out.
03. GROUND TRANSPORTATION
When applicable:
01 Luxury SUV with room for 6 Passengers, 24 hr/day, for exclusive use of the Artist
during stay.
02 Luxury 15 Pax Van, to be used by Dancers and Artist's Staff during stay, as needed.
01 Luxury Mini-Van, to be used by the PM during stay, as needed.
01 Luxury 15 Pax Van, to be used by Artist's Crew during stay, as needed.
01 24' Luggage/Cargo Truck, with driver and assistant, to handle luggage transfers, as
needed.
Drivers must be responsible, mature adults with valid driving permits. Drivers must be
experienced and have full working knowledge of the local area, including location of
convenience stores, pharmacies, restaurants and hardware stores.
04. LOCAL STAFF
01 Dressing Room/Catering Coordinator-Attendant, day of show. Report to the PM at the
beginning of load in or at other previously arranged time.
01 Runner/PA w/own car, day of show. Report to the PM at the beginning of load in, to
remain on call thru end of load out or other previously arranged time.

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05. VENUE ACCESS

Production must have full access to venue from 7:00AM on day of show thru end of load
out.
This shall include access to all venue facilities relevant to the production, specifically
access to the production office, catering room, the stage and venue power sources.
06. POWER
All power must be 120/208v 3-phase, five wire (3 hots, ground, neutral), or, if the
corresponding local power is different, appropriate provisions must be made for
transformers to supply power for touring gear. This will be advanced by the
PM.
Separate services must be provided for sound/DJ rig, lighting/video, props, rigging and
pyro.
The stage must be grounded by the house electrician prior to the start of load in. In the
event that power is provided by generators different specs will be supplied 14 days before
the event.
Sound/DJ200Amps 3 Phase, at USL
Lighting/Video2 x 400Amps 3 Phase, at USR
Helicopter (at FOH) 220VAC @ 100Amps w/Camlocks, +
30Amps 110v at FOH
Applicable only where helicopter prop is being used.
07. STAGE
A working stage area 60' wide x 40' deep + 60" high is required to properly carry out the
Artist's production requirements. Temporary stages (i.e., arenas) need stairs w/handrails
USC and both at SR + SL.
The stage must be level, preferably with a black surface, and free of any irregularities.
08. WINGS
Wherever possible, temporary stages (i.e., arenas) will require a working area 4' wide x
24' deep + 60" high USR + USL, with stair access from the floor.
09. SET/SCENIC
Production travels with set consisting of various scenic elements and props relevant to the
tour
10. BARRICADE
Stage must be protected by a free-standing Barricade running a minimum of 80' side to
side, spaced 10' at center. Bicycle rack Barricade may be used to complete the sides

DADDY YANKEE

(depending on width of audience area). Absolutely no bike rack may be used in front
of the stage.
Blow-thru Barricade must be used in front of any area with speakers.
Bicycle rack Barricade must also be placed around FOH/Mix position to secure personnel
and equipment involved in the running of the show.
11. FOH
Sound12' wide x 8' deep + 12" high
Lighting12' wide x 8' deep + 24" high (behind Sound)
Video8' wide x 8' deep + 24" high (behind Lighting)
FOH/Mix position must be located 100'-120' from DS edge
positioned splitting center line.
Cable ramps (Yellow Jackets) or cable through must run from
Stage to FOH Position.
12. RIGGING
See Rigging Plot (separate)
13. LIGHTING.
Promoter/Venue shall provide 3 FOH 2.5K spots in good working order. See Spot Call in
ITEM 18.
House lights must be controlled by the LD at FOH. This includes concessions, advertising,
etc.
14. SOUND
Monitor mix position is DSL; in arenas it is on the floor, not on the stage.
SPEAKER SYSTEM
A High Quality Professional 4 Way Sound System With Enough Power To Provide
Sufficient (SPL) Audio Reproduction For A High Level, Professional Concert
Event.
System Must Be Able To Produce A Minimum of 120- 130 DB Clear, Undistorted Sound of
Level, Coverage of Floor (Including Front Fill), Middle and Upper Balconies and Sides
When Seating is 180-270, System Large Enough to Properly Cover Entire Venue.
VERTICAL LINE ARRAYS ONLY:
X-Line Electro Voice, Adamsom Y-18 T-21 Subs, Meyer Sound MILO, Meyer Sound

DADDY YANKEE

Sub 700-HP, GALILEO Management System

F.O.H. CONSOLE
A YAMAHA PM 5D RH IS REQUIRED FOR THE F.O.H. AUDIO ENGINEER
MUST BE PLACE CENTERED IN FRONT OF STAGE AT 80 TO 100 FEET
F.O.H. OUTBOARD GEAR
(1) REAL TIME ANALYZER WITH CALIBRATED MICROPHONE OR SMART SYSTEM
ON A LAPTOP COMPUTER
(2) EQs 31 BANDS 1/3 OCT
(1) CD PLAYER
UPPER BOWL P.A.
ADDITIONAL COVERAGE (P.A.) WILL BE REQUIRED IF ANY VENUE HAS MULTIPLE
LEVELS. THE UPPER BOWL SEATING LEVEL, THE SPEAKER SYSTEM
CONFIGURATION CAN NOT PROVIDE ADEQUATE AUDIO THROW THOSE
PARTICULAR UPPER BOWL SECTIONS. P.A. SYSTEM MUST BE PROVIDE TO
COVER THOSE SECTIONS.
*ABSOLUTELY NO EXCEPTIONS!!!!!!
MONITOR CONSOLE
A YAMAHA PM 5D RH IS REQUIRED FOR THE MONITOR AUDIO ENGINEER
*ABSOLUTELY NO EXCEPTIONS!!!!!!
MONITOR OUTBOARD GEAR
(1) 3- WAY INTERCOM SYSTEM (FOH/MON/STAGE)
(3) IN-EAR WIRED SYSTEM SHURE
(7) IN-EAR WIRELESS SYSTEM SENNHEISER 300 G2
(20) AA DURACELL BATTERIES

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(4) 9V DURACELL BATTERIES

(2) SHURE UHF-R WIRELESS SYSTEM WITH KSM9
CAPSULE
(4) STRAIGHT MIC STAND
(2) GAFFER TAPE 1 WHITE, 1 BLACK
FLOOR MONITORS
(4) FLOOR MONITOR WEDGES - MEYER SOUND UM-1P OR EAW OR CLAIR
BROTHERS. ETC.
(4) SIDE FILL 2 PER SIDE
MSL-4 + 650-P, EAW KF850 + SB850 (2 SYSTEM P/SIDE)
3 SUB P/SIDE
CABLES & MIC STANDS
ALL NECESSARY AND REQUIRED (XLR) AND UNBALANCE CABLES,
MICROPHONE AND D.I. BOXES MUST BE PROVIDED FOR THE SOUND SYSTEM.
1 SNAKE WITH 56 CHANNELS AND 12 RETURNS FROM THE MONITOR CONSOLE
TO THE F.O.H. CONSOLE MUST BE PROVIDED.
ALL NECESARRY AND REQUIRED SUBSNAKES MUST BE PROVIDED.
ALL NECESSARY AND REQUIRED ASSORTED MIC STANDS MUST BE PROVIDED.
POWER REQUIREMENTS
POWER REQUIREMENTS PROVIDE 120VAC 60HZ TO ALL NECESSARY AREAS.
DJ REQUIREMENTS
2 CDJ-800MK2 PIONEER OR 2 CDJ-1000MK3 & 1 MIXER DJM-600 OR DJM-800

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ST1
ST1

INPUT
KICK
SNARE UP
SNARE DOWN
SNARE 2
HI HAT
TOM 1
TOM 2
TOM 3
OVER HEAD L
OVER HEAD R
DRUM TRIGGER L
DRUM TRIGGER R
BASS
GUITAR LEFT
GUITAR RIGHT
CONGA
CONGA
BONGO
TIMBAL DOWN
TIMBAL OH
DJEMBE TOP
TOYS LEFT
TOYS RIGHT
PAD
KEY L DIRECTOR
KEY R DIRECTOR
MOTU LEFT DIRECTOR
MOTU RIGHT DIRECTOR
KEY LEFT
KEY RIGHT
KEY LEFT
KEY RIGHT
KEY LEFT
KEY RIGHT
DJ LEFT
DJ RIGHT
PAD
CLICK TRACK
DJ VOCAL
BASS VOCAL
PINTO VOCAL
COCHY VOCAL
DADDY YANKEE
DADDY SPARE
VIDEO LEFT
VIDEO RIGHT
MIC DIRECTOR
MIC JAVIER
AMB LEFT IN MON CONSO
AMB RIGHT MON CONSO

MICROPHONE / D.I.
SHURE BETA 52
SHURE SM-57
SHURE SM-57
SHURE SM-57
SHURE SM-81
SHURE BETA 98
SHURE BETA 98
SHURE BETA 98
SHURE SM-81
SHURE SM-81
DIRECT BOX
DIRECT BOX
DIRECT BOX
SM-57 OR DIRECT BOX
SM-57 OR DIRECT BOX
SHURE SM-57
SHURE SM-57
SHURE SM-57
SHURE SM-57
SHURE SM-81
SHURE SM-57
SHURE SM-81
SHURE SM-81
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
DIRECT BOX
SHURE SM-58
SHURE SM-58
UHF-R KSM9
UHF-R KSM9
UHF-R KSM9
UHF-R KSM9
DIRECT BOX
DIRECT BOX
SHURE SM-58 IN MONIT
SHURE SM-58
SHURE SM-81
SHURE SM-81

STAND
SHORT BOOM
SHORT BOOM
SHORT BOOM
SHORT BOOM
SHORT BOOM
CLAW
CLAW
CLAW
BOOM STAND
BOOM STAND

SHORT BOOM
SHORT BOMM
CLAW OR BOOM
CLAW OR BOOM
SHORT BOOM
SHORT BOOM
BOOM STAND
BOOM STAND
BOOM STAND
BOOM STAND

IN MONITOR CONSOLE
BOOM STAND
BOOM STAND
WIRELESS
WIRELESS
WIRELESS
WIRELESS
BOOM STAND
IN MONITOR CONSOLE
BOOM STAND
BOOM STAND

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MONITORS AND IN-EARS MIXES

MIX
1
2
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23
24
CUE L
CUE R

DESCRIPTION
SIDE FILL LEFT
SIDE FILL RIGHT
DRUMS WIRED EAR LEFT
DRUMS WIRED EAR RIGHT
BASS WIRELESS EAR LEFT
BASS WIRELESS EAR RIGHT
GUITAR WIRELESS EAR LEFT
GUITAR WIRELESS EAR RIGHT
PERCUSSION WIRED EAR LEFT
PERCUSSION WIRED EAR RIGHT
DIRECTOR WIRELESS EAR LEFT
DIRECTOR WIRELESS EAR RIGHT
KEY WIRED EAR LEFT
KEY WIRED EAR RIGHT
DJ MONITOR WITH SUB
PINTO WIRELESS EAR MONO
COCHY WIRELESS EAR LEFT
COCHY WIRELESS EAR RIGHT
YANKEE WIRELESS EAR LEFT
YANKEE WIRELESS EAR RIGHT
DRUMS SUB
REB 1
REB 2
REB 3
JAVIER WIRELESS EAR LEFT
JAVIER WIRELESS EAR RIGHT

FOR FURTHER QUESTIONS

Javier Diaz
Javier@progressivesounddj.com

TYPE
2 MSL-4, 3 650-P OR 700
2 MSL-4, 3 650-P OR 700
SHURE
SHURE
SENNHEISER 300 G2
SENNHEISER 300 G2
SENNHEISER 300 G2
SENNHEISER 300 G2
SHURE
SHURE
SENNHEISER 300 G2
SENNHEISER 300 G2
SHURE
SHURE
2 UM-P OR UPA-1P, 1 650P
SENNHEISER 300 G2
SENNHEISER 300 G2
SENNHEISER 300 G2
SENNHEISER 300 G2
SENNHEISER 300 G2
1 USW-1P OR 650-P

SENNHEISER 300 G2
SENNHEISER 300 G2

DADDY YANKEE

15. VIDEO
Video control must be set at FOH, to be used solely at the discretion of the Video Director.
Triax Multi-camera Composite Field Production
Package:
STAGE
01 LED Screen center inside stage 15 x 20
06 LED Screen 5 x 7 (inside structures)
04 LED Screen 3 x 8 (Front rizer of the musicians )
02 15' X 20' RP Screen, SR and SL outside PA array
03 Christie LX100 12K Video Projectors (RP)
Applicable lenses for projectors
03 Video Hum Eliminators
All motors, truss and rigging for above
03 Sony DXC35 Cameras as follows:
01 Studio Configuration at FOH, 36x Sports Lens
01 Studio Configuration at Mid House, 18x Lens
01 Handheld on Stage
03 CCU
06 ISO 8" Preview Monitors
01 Preview Monitor
01 Program Monitor
01 Waveform Monitor
01 Vectorscope
01 Sync Generator
02 Panasonic AG-MX70 Switcher or Sony BVS3100
03 Kramer Video Amplifier
01 Kramer VP-88 Matrix Video Switcher
01 Professional DVD Player w/Remote Control
01 Mackie Audio Mixer
01 Stereo Audio Hum Eliminator
01 Six-Station Intercom System
01 Technical Director (Switcher)
01 Engineer (configure, shade cameras, monitor system)
01 Playback/Matrix Router Operator
01 Projectionist
03 Experienced Camera Operators

DADDY YANKEE

16. PYROTECHNICS/SPECIAL FXS

It should come as no surprise that this production will feature extensive and varied
pyrotechnic effects which play an important role.
These effects occur only on stage and over the stage area. Sparktacular is the Pyro
vendor. Contac person:
Miguel Hernandez
pyromahn@gmail.com
www.sparktacular.com
Pyrotechnics will be shipped from Miami by Sparktacular once they get in touch with the
promoter rep or local production
SPECIAL FXS
08 Cryo Jets (with hoses and fittings)
06 Fire Fly Propane system
02 Dragon Fly Propanes system
02 Confetti machine (50 lb confetti white & silver )
GAS REQUIREMENTS
12 75 Lb. Co2 Tanks (SYPHON TYPE ONLY)
06 25 Lb. Propane tanks
All gas requirements must be provided by promoter since obviously the crew cannot travel
with tanks.
LOCAL PROMOTER IS RESPONSABLE AND MUST PROVIDE: PERMITS FOR THE
SHOW, A LOCAL COMPANY WITH TWO LICENCED TECHNICIANS TO SUPERVISE,
SAFETY EQUIPMENT AND IS ALSO RESPONSABLE FOR TAKING THE PRODUCT
OUT OF CUSTOMS AND HAND IT TO THE CREW, ONCE IT HAS ARRIVED IN THE
COUNTRY
Overweight (in commercial flights) paid for equipment to be used during the show, must be
reimbursed by promoter. Pyro staff will need a office or pyro room secure enough to
work with the product.
Promoter must pay 100% of the pyro budget before the showstarts in cash (Only US
Dollars will be accepted), if payment hasnt been received before the show, pyrotechnics
and special effects will not be used and operational costs will be charged.

DADDY YANKEE

LIGHTING
(2) LASER 40 WATTS
(1) CONSOLE GRAN-MA
(26) MAC 2K WASH
(30) MAC 2K PROFILE
(8) MAC 600
(12) MAC 700 SPOT
(10) ATOMIC STROBE 3000
(4) MOLE FYE -8
(6) MOLE FYE-6
(16) PAIRS OF BAR(64) to 6
(16) individual can lights PAIRS (64)(inside truss)
(2) F100 SMOKE MACHINE
(2) DF50 HAZER
(3) LYCIAN 1290
(75) VERSA TUBE OR R,G,B TUBE LED (I)METER WHIT DMX CONTROL (TO FHO)
PROFESIONAL INTERCOM SPEAK COMUNICATION
ALL EQUIPMENT & Cables,etc all necessary
Positions and the subject plot of lights to size of the place of the event
STRUCTURES or SCAFFOLDS
(20) Layher de 2.07 x 2.07 x 2m (by modulate)
(12) Platform of layher
(5) Set of stairs 2 meter
MUSICAL RISER
(4) RISER 2.44 X 2.44 X 1M( diamond or squared form)

DADDY YANKEE

Scissor lifts or similar effect

it is used as it leaves from intro of the show is placed front the stage in the floor it needed a
corridor underneath stage so that artist arrives to the scissor

17. MEDICAL
Promoter Rep will provide the PM with the name, phone number, address and directions to
the nearest local hospital or emergency attendance service.
18. LABOR AND SCHEDULE
Absolutely no volunteer labor shall be permitted. Labor shall be provided exclusively by a
professional labor company. General show day schedule and crew calls are outlined
below. PM will provide a more accurate show day schedule and crew calls during the
advance.
7:00AM Breakfast
7:00AM Rigging Measure and Mark Floor
8:00AM Load In
01 Crew Chief or Supervisor
06 Riggers (TBD on advance as per venue needs)
15 Stagehands
01 Fork Operator
04 Truck Loaders
01 House Electrician
12:00PM Lunch (set up for 2 hours)
4:00PM Dressing Rooms ready

DADDY YANKEE

4:00PM Sound Check

6:00PM Dinner (set up for 2 hours)
6:30PM Doors open (or 90 minutes before the start of
Show)
7:00PM Show Call (or 30 minutes before the start of
Show)
03 Spot Operators
04 Stagehands (06 if there is a support act)
Note: Must be big guys, they will work on a moving gag
01 House Lights/House Electrician
8:00PM Show
10:30PM Load Out
01 Crew Chief or Supervisor
06 Riggers (TBD on advance as per venue needs)
15 Stagehands
01 Fork Operators (second Fork Op TBA)
02 Truck Loaders
01 House Electrician
Calls may change depending on venue requirements, support acts and/or other
necessities.
19. SOUND CHECK
Artist requires a two hour CLOSED sound check. No guests, press or other non-working
personnel shall be allowed in venue during sound check.
20. SUPPORT ACT
During the advance, the PM should be advised if it is a regional, local, or venue
requirement that a local support act open the show.
Support acts must be approved in writing by the Tour Producer.
Once approved, promoter must arrange for separatetransportation, dressing rooms,
catering,
FOH and MON desks, snakes and sub-snakes, microphones,
etc. for the support act.
Support act shall be allowed a line check and maximum of 25
minutes performance time.

DADDY YANKEE

21. DOORS OPENING

Doors shall not be opened to the public until permission has been given by the PM. This
issue is not negotiable, and failure to adhere to it is grounds for cancellation.
22. PROGRAM MUSIC (WALK-IN MUSIC) AND ANNOUNCEMENTS
Production will provide and control all program music -- music played during audience walk
in or egress -- as well as any announcements made before the start of the show.
Announcements shall be restricted to messages containing public safety and/or
emergency action information. Announcements on behalf of sponsors, and/or
announcements of future concert dates shall not be permitted unless previously cleared
with the PM Producer.
In no situation shall there any form of announcement presenting the show, or an on stage
presentation by guest radio or television personalities, or any other sort of MC. The show
has a very dynamic and powerful opening and we do not wish to spoil it for the fans.
23. PASSES (CREDENTIALS)
Credentials are controlled and provided by the PM. DY laminated passes and stick-on
passes will be provided as needed, and will be the only passes honored backstage or in
other areas where work is being carried out. There shall be absolutely no access to the
Artist's Dressing Room area without the express permission of the Tour Producer or the
PM. This includes
The promoter, promoter's staff and venue personnel. Access to the Dressing Room area,
backstage, or the stage is strictly forbidden to any member of the media, and especially to
any type of photo or video camera.
24. SECURITY
Promoter is responsible for the safety of the Artist and his Entourage, Staff and Crew, as
well as the security of all equipment, materials, tools, etc. carried by the Tour.
Security personnel must be provided by a professional Security Company and must be
experienced adults. NO ONE UNDER 18. NO VOLUNTEERS.
Personnel must be uniformed and carry no firearms. We shall not tolerate any sort of
violent act. Security Personnel must be posted in the pit between the stage and the
barricade, at all access points to Dressing Room areas, hospitality room, catering room,
stage and wings. Personnel must also be posted at FOH and MON world, as well as at all

DADDY YANKEE

access points from the audience to the backstage area, the stage doors and loading dock,
and by all personal vehicles and equipment trucks being used by the Artist and
production. A security meeting with the PM shall take place at 4:00PM, or a minimum two
hours before doors on day of show. PM will provide a Pass Board at that time.
25. MEDIA/PHOTO/VIDEO
Only fully accredited Media approved by the Artist's Public Relations Coordinator will be
allowed access to cover the event from a favored location. Appropriate tour passes will
allow access to photograph and shoot video from the pit exclusively during the first THREE
songs. Audio feeds will not be granted nor shall flash photography be permitted during this
time.
Only accredited media with a Tour credential (laminated pass or stick-on) shall be
permitted to use professional photo andvideo equipment.
Access to Dressing Room area or access inside the venue during sound check shall be
strictly forbidden and grounds for removal from those areas, and loss of the media pass.
For more information regarding media please contact:
Mayna Nevarez
mayna@nevarezpr.com
SIGNS Promotion
Suitable lable, logo,photo, artistic name in area where the artist frequents
26. DADDY YANKEE DRESSING ROOMS
Star quality dressing rooms with climate control and private bathrooms. Once Dressing
Rooms have been made ready they must be locked and the keys given to the PM.
Star Dressing Room (for 8 people ready at 6:00PM)
12 Diet Pepsi
12 Pepsi
06 7Up
12 Bottles of Gatorade
01 Pitcher of fresh squeezed orange juice
24 Aquafina Water Bottles at room temperature
01 Fruit Tray, variety of seasonal fruits (not sliced)
01 Meat Deli Tray, variety of meats to include roast beef,
smoked turkey, ham

DADDY YANKEE

01 Cheese Deli Tray (whole wedge or sliced, NO CUBES)

01 Bread Basket, variety of fresh baked breads, rolls, etc.
01 Coffee/Tea Service,including milk, sugar, honey and a
variety of teas (Earl Grey, etc.)
01 Tea Ginger o Jengibre
01 Ice Service (to be replenished as needed)
01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC)
01 CD player with speakers, like a boom box (IMPORTANT)
02 Comfortable sofas
02 Tables for hospitality
01 Full length mirror
01 Clothes rack with hangers
08 New, washed, medium bath-size towels
DJ and Male Dancers Dressing Room (for 8 people ready at 6:00PM)
12 Diet Pepsi
12 Pepsi
12 7Up
12 Bottles of Gatorade
12 Aquafina Water Bottles at room temperature
01 Fruit Tray, variety of seasonal fruits (not sliced)
01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham
01 Cheese Deli Tray (whole wedge or sliced, NO CUBES)
01 Bread Basket, variety of fresh baked breads, rolls
01 Coffee Service, including milk, sugar, honey
01 Ice Service (to be replenished as needed)
01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC)
08 Comfortable chairs
01 Table for hospitality
01 Full length mirror
01 Clothes rack with hangers
08 New, washed, medium bath-size towels
Female Dancers Dressing Room (for 8 people ready at 6:00PM)
12 Diet Pepsi
12 Pepsi
12 7Up
12 Bottles of Gatorade
12 Aquafina Water Bottles at room temperature

DADDY YANKEE

01 Fruit Tray, variety of seasonal fruits (not sliced)

01 Meat Deli Tray, variety of meats to include roast beef,
smoked turkey, ham
01 Cheese Deli Tray (whole wedge or sliced, NO CUBES)
01 Bread Basket, variety of fresh baked breads, rolls
01 Ice Service (to be replenished as needed)
01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC)
08 Comfortable chairs
01 Table for hospitality
01 Full length mirror
01 Clothes rack with hangers
08 New, washed, medium bath-size towels
Musical Dressing Room (for 8 people ready at 6:00PM)
12 Diet Pepsi
12 Pepsi
12 7Up
12 Bottles of Gatorade
12 Aquafina Water Bottles at room temperature
01 Fruit Tray, variety of seasonal fruits (not sliced)
01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham
01 Cheese Deli Tray (whole wedge or sliced, NO CUBES)
01 Bread Basket, variety of fresh baked breads, rolls
01 Coffee Service, including milk, sugar, honey
01 Ice Service (to be replenished as needed)
01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC)
08 Comfortable chairs
01 Table for hospitality
01 Full length mirror
01 Clothes rack with hangers
08 New, washed, medium bath-size towels
27. PRODUCTION OFFICES
Production Office
One large, clean, furnished office for Tour Production. This office should have two direct
dial phone lines and access to high speed internet. The key to this office should be given
to the PM.

DADDY YANKEE

Offices should be located as near as possible to the stage area, but always situated inside
the Dressing Room area.
Offices must be well lit and equipped with a minimum of eight electrical outlets, as well as
adequate climate control (air conditioner/heater). The offices should be furnished with two
8' long tables, eight comfortable chairs and two trash cans.
Offices must be clean and ready for use from the beginning of load in until load out is
completed.
Please have phones labeled with the correct numbers, including any long distance dialing
codes, prior to production arrival.
Please provide a cooler with ice containing the following canned/bottled beverages:
12 Pepsi
12 Diet Pepsi
12 Mountain Dew
08 7Up
24 Aquafina Water Bottles, iced
Also provide:
Coffee/Tea Service, including milk, sugar, honey and a variety
of teas (Earl Grey, etc.)
Ice Service (to be replenished as needed)
Glassware, Cups, Utensils, Napkins, etc.
THESE OFFICES ARE FOR THE EXCLUSIVE USE OF THE PRODUCER AND THE PM
AND THE ARTIST'S PRODUCTION STAFF AND CREW
.
28. CATERING
To be advanced with the PM at least 10 days before the event.
All Day (to be replenished as needed throughout the day)
Coffee, water, sodas, ice service (to be replenished as needed)
Breakfast (for 15 people, ready at 7:00AM)
Hot "American Style" Breakfast including eggs, bacon, sausage links, etc. Bagels and
cream cheese, whole grain breads, donuts, pastries Butter, margarine, jellies, marmalade,
etc. Variety of seasonal fruits and yogurts orange juice and other fresh juices
Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.)
Ice Service (to be replenished as needed)

DADDY YANKEE

Lunch (for 15 people, ready at 12:00PM)

Variety of deli sandwiches or deli buffet, including roast beef, turkey, tuna, cheeses, etc.
Variety of fresh baked breads, Potato salad, coleslaw, tomatoes, sliced onions, chips
Mayonnaise, mustard, ketchup and other condiments
Variety of cookies
Variety of sodas (Pepsi product only) and water (to be replenished as needed)
Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.)
Ice Service (to be replenished as needed)
Dinner (for 35 people, ready at 6:00PM)
Variety of salads and dressings (different from lunch)
Main selection to include choice of two:
Rice,bean,chicken,Meat, Fish, and/or Poultry, tastefully prepared without heavy sauces
(LATIN FOOD)
Side Dishes: Choice of two to complement main selections
Desserts: One sweet (cake, pie, etc.) + assortment of fresh seasonal fruits
Variety of sodas (Pepsi product only) and water (to be replenished as needed)
Coffee/Tea Service, including milk, sugar, honey and a variety
of teas (Earl Grey, etc.)
Ice Service (to be replenished as needed)
Show (30 minutes before the start of Show by USR)
24 16 oz Bottles of Aquafina Water at room temperature
12 16 oz Bottles of Gatorade
12 New, washed, medium bath-size towels
After Show (30 minutes after the start of load out)
06 Pizzas (04 plain, 01 mushroom, 01 pepperoni)
Coffee, water, sodas, ice service (to be replenished as needed)
The PM will advance Catering requirements at least 14 days before the event.
Menu suggestions are welcome, particularly Chef's specialties and/or other local favorites.
The above requirements include no provisions for promoter staff, venue staff or local crew
.
29. MISCELLANEOUS (DO'S AND DON'TS)
Show is approximately two hours long (120 minutes) without an intermission.
Two dozen (24) new, washed, medium bath-size towels will be delivered to the Production
Office by 2:00PM on day of show, for the exclusive use of the Artist's production. Don't
embarrass yourself by providing borrowed hotel towels.

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Large garbage containers shall be placed strategically around the backstage area and
USR + USL, and emptied periodically.
Ten (10) rolls of clear visquene are to be provided for each outdoor event, as well as
additional brooms, mops, squeegees and towels.
Audience shall only be allowed the use of small commercial type photo cameras. No video
cameras -- we understand there's nothing you can do about cell phones, blackberrys, etc.
The NO List
No weapons of any kind are allowed inside the venue.
No video cameras of any kind are allowed, except for accredited media with Tour passes.
No audio recording devices of any kind are allowed, period.
No backpacks, knapsacks or any type of large bags are allowed.
No beverages in glass bottles are to be sold or allowed to be brought inside the venue.
PRODUCTION SHALL NOT ACCEPT SUBSTITUTIONS, DELETIONS OR OTHER
MODIFICATIONS MADE WITHOUT THE EXPRESS WRITTEN APPROVAL OF THE
PRODUCER OR THE PM, AT LEAST TWO WEEKS (14 DAYS) PRIOR TO THE EVENT.
IF YOU HAVE ANY QUESTIONS PLEASE CONTACT ONE OF THE PERSONS LISTED
ON THE FIRST PAGE OF THIS DOCUMENT AND THEY WILL REFER YOU TO THE
APPROPRIATE INDIVIDUAL WHO CAN RESOLVE YOUR CONCERN. THE PM WILL
CONTACT YOU OR YOUR PRODUCTION REP (OR PRODUCTION MANAGER) TO
ADVANCE THIS SHOW. WE THANK YOU IN ADVANCE FOR YOUR COOPERATION
AND EFFORTS TO MAKE THIS A SUCCESSFUL EVENT.
PRODUCTION RESERVES THE RIGHT TO ALTER, MODIFY, SUBSTITUTE OR
CHANGE ANY ITEM, REQUIREMENT OR PART OF THIS RIDER AS IT SEES FIT IN
ORDER TO BETTER THE QUALITY OF THE EVENT. NOTICE OF CHANGE(S) SHALL
BE FORWARDED TO THE PROMOTER AS SOON AS SUCH MODIFICATION(S) ARE
MADE.
ONCE AGAIN, THANK YOU FOR YOUR CONSIDERATION AND
COOPERATION. WE LOOK FORWARD TO WORKING WITH YOU ON A GREAT
SHOW. END DADDY YANKEE 2008 PRODUCTION RIDER

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BACKLINE
Drums:
DW or Yamaha maple custom set,hardware-5 cymbal stands, 2 snare stands 1 hi hat
stand,Toms 8x10,8x12, floor toms 14 and16, kick drum 20 double kick drum pedal.
Keyboards:
1 Korg Triton studio 76
1 Korg Triton studio 61
1 Roland Fantom 76 (first vers.not the X) or Ymaha Motif ES 76
1 Yamaha Motif 6 (Classic) o Motif XS 6
3 Ultimate Apex stands
Bass:
Ampeg SVT 4 Pro Amp head,
Ampeg SVT-810E 8 X 10 Bass Cabinet.
1 Stand
Guitar:
Amp Head with effect loop Marshall o Mesa Boogie
Speaker Cabinet (Flat not slanted) 4X12
1 Stand
Percussion:
2 Congas LP 12 & 14 with tripod stand each.
Bongo LP with stand.
Timbale set LP,matador with 2 cowbells and clave.
Djembe 16 with stand.
Table with toys assorted (shakers,chimes etc.)

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DADDY YANKEE
STAGE PLOT

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DADDY YANKEE
LIGHTING PLOT TOP

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DADDY YANKEE
STRUCTURES

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DADDY YANKEE

8125 NW 33 ST SUITE 300 MIAMI FL. 33122 PH 954 6380840 FAX 305 3965699

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DADDY YANKEE

The lights that are appraised in this drawing are not

the correct this is single a reference for the assembly

to STRUCTURES or SCAFFOLDS & screens

it is only required that rider is respected