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GRAPHIC
COMMUNICATIONS
AN INTRODUCTION TO TECHNICAL DRAWING
IN PRIMARY EDUCATIONGRAPHIC
COMMUNICATIONS
AN INTRODUCTION TO TECHNICAL DRAWING
IN PRIMARY EDUCATION
)
——|
——|
|
—
|"A PICTURE 1S WORTH MORE
THAN A THOUSAND WORDS"
(Old Chinese proverb)
Preface
THE SCOPE OF GRAPHIC COMMUNICATION IS MUCH WIDER THAN
THE CONTENTS OF THE TRADITIONAL "TECHNICAL DRAWING" WHICH
WAS MAINLY CONCERNED WITH THE APPLICATION IN INDUSTRY.
GRAPHIC COMMUNICATION PROVIDES USEFUL SKILLS FOR EVERY
OWE LIvine IN A MODERN SOCTETY AND ESSENTIAL SKILLS FOR
THE GRAPHIC COMMUNICATION COURSE WILL HELP YOU IN
LEARNING TO MAKE, READ AND WNDERSTAND TECHNICAL ORAWINGS,
DIAGRAMS, SYMBOLS ETC, THE COURSE 1S ARRANGED IN A
SYSTEMATIC ORDER AND BASED ON MODERN EDUCATIONAL CONCEPTS.
THE WORKBOOK-APPROACH APPLIES "LEARNING BY DOING", AN
EFFECTIVE METHOD IN THIS FIELD. PRESENTED 1h OBJECTIVES,
INFORMATION, EXERCISES AND TESTS AND LABELLED WITH GRAPHIC
SYMBOLS FOR BETTER ORIENTATION,
STATE WHAT YOU WILL BE ABLE
TO DO OR WHAT YOU HAVE LEARNT AFTER YOU
HAVE STUDIED THIS UNIT AND COMPLETED THE
EXERCISES,
PAGES MARKED WITH THIS SYMBOL PROVIDE
INFORMATION HICH YOU SHOULD STUDY CAREFULLY.
THIS SYMBOL INDICATES THAT THE PAGE CONTAINS
EXERCISES, DRAWING-PRODLENS ETC. PRACTICE
TS AN ESSENTIAL ELEMENT IN THE LEARNING-
PROCESS.
oO TESTS ARE MARKED WITH THIS SYMBOL.
WE HOPE THAT YOU ENJOY THE COURSE AND INCREASE YOUR
INTERNATIONAL COMMUNICATION SKILLS. UNESCO GISHes 10 THANK
ALL WHO MADE USEFUL CONTRINUTIONS,=
GRAPHIC
UE communications
WHY TO STUDY THIS COURSE?
THIS COURSE IS ABOUT COMMUNICATION. COMMUNICATION
MEANS TRANSMITTING IDEAS, EXPERIENCES OR MESSAGES, OFTEN
BETWEEN PEOPLE. THEREFORE, YOU ARE COMMUNICATING WHEN
YOU SIMPLY TALK TO SOMEONE. PEOPLE COMMUNICATE IN MANY
DIFFERENT WAYS: BY TALKING, BY WRITING AND OFTEN ALSO BY
ORAWING. COMMUNICATION BY DRAWING, OR PICTURES, IS CALLED
GRAPHIC COMMUNICATION. PEOPLE LIKE ENGINEERS OR TECHNICIANS
OFTEN EXPLAIN HOW A MACHINE WORKS BY MEANS OF DRAWING, WHICH
IS A SPECIAL TYPE OF GRAPHIC COMMUNICATION CALLED TECHNICAL
DRAWING. TECHNICAL DRAWING IS OFTEN CALLED THE UNIVERSAL
LANGUAGE OF TECHNOLOGY SINCE PEOPLE ALL OVER THE WORLD USE
TECHNICAL DRAWING TO EXPLAIN HOW THINGS WORK, IF YOU WANT
TO UNDERSTAND THIS TECHNICAL LANGUAGE THEN YOU MUST LEARN
VERY WELL HOW IT IS WRITTEN.
THE GENERAL OBJECTIVES OF GRAPHIC COMMUNICATIONS ARE:
Oo
e
9
9
5)
oe
TO DEVELOP THE ABILITY TO EXPRESS IDEAS
AND DESCRIBE OBJECTS BY MEANS OF DRAWING;
TO INTERPRET NORMS AND SYMBOLS USED IN
TECHNICAL DRAWING AND IN DAILY LIFES
TO DEVELOP SKILLS IN LETTERING AND FREEHAND
SKETCHING;
TO READ AND UNDERSTAND SIMPLE SKETCHES,
DRAWINGS AND DIAGRAMS;
TO APPRECIATE QUALITY IN WORKMANSHIP AND
NEATNESS IN PRODUCTION;
TO DEVELOP ACCURACY AND THE ABILITY TO
THINK VISUALLY,GRAPHIC
COMMUNICATIONS
SPECIFIC OBJECTIVES OF THIS COURSE:
AFTER YOU HAVE STUDIED THIS COURSE AND COMPLETED
ALL THE EXERCISES YOU WILL BE ABLE TO:
IDENTIFY LINES, TYPES OF DRAWING
AND BASIC DRAWING TOOLS,
DRAW FREEHAND HORIZONTAL, VERTICAL
AND INCLINED LINES.
WRITE LETTERS AND NUMBERS FOR DRAWINGS,
CORRECTLY MEASURE DIFFERENT LENGHTS.
IN MM AND INCHES,
SKETCH FREEWAND SIMPLE FLAT OBJECTS,
GIVEN A PICTORIAL DRAWING, DRAW
THE MULYI-VIEW DRAWING OF A SIMPLE
OBJECT.
GIVEN AN INCOMPLETE MULTI~VIEW
ORAWING, DRAW THE MISSING VIEW.
MAKE PICTORIAL DRAWINGS OF SIMPLE
OBJECTS.
MATCH A PICTORIAL DRAWING WITH THE
MULTI-VIEW DRAWING OF THE SAME OBJECT.
CORRECTLY PLACE DIMENSIONS, ON
ORAWINGS OF SIMPLE OBJECTS.
DRAW A SIMPLE FLOOR PLAN OF A ROOM,
MATCH SYMBOLS WITH THEIR DESCRIPTIONS,
o
8
9
9
9
oe
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°
9
®
@
@GRAPHIC
COMMUNICATIONS
HY P-03
WHAT IS TECHNICAL DRAWING?
TECHNICAL DRAWING IS A GRAPHIC MEANS OF
COMMUNICATING WHICH IS INTERNATIONALLY
UNDERSTOOD. IT IS, THEREFORE, OFTEN
CALLED THE UNIVERSAL LANGUAGE OF TECII-
NOLOGY.
TECHNICAL DRAWING COMMUNICATES IDEAS BY
HEANS OF PICTURES, DRAWINGS, GRAPHS AND
SYMBOLS.
WHEN A DRAWING IS MADE WITH THE HELP
OF DRAWING TOOLS, IT IS CALLED MECHANICAL
DRAWING. WHEN A DRAWING IS MADE FREEHAND
TT TS USUALLY CALLED A SKETCH.
THE BASIC ELEMENTS OF TECHNICAL DRAWING
= | ARE:
~ 1, LINES
= | 2. syMBOLs
3. NUMBERS
THE TYPES OF LINES USED ARE:
1, VISIBLE LINE
2, HIDDEN LINE
3, CENTER LINE
4, DIMENSION LINE
THERE ARE THREE TYPES OF TECHNICAL
DRAWING:
1, MULTIVIEH (ORTHOGRAPHIC)
ONE OR MORE VIEW (PROJECTION)
SYSTEMATICALLY ARRANGED,
2, PICTORIAL
ONE VIEW DRAWN AT A SPECIFIC
ANGLE, AS IN A PHOTOGRAPH.
3, SCHEMATIC
SIMPLIFIED FUNCTIONAL
DRAWING.IC ww
COMMUNICATIONS P “ 04.
| DRAWING TOOLS
THE SIMPLEST DRAWING TOOLS
NEEDED FOR THIS WORKBOOK
ARE:
1. DRAWING-BOARD
2. TRIANGLE 30° 60° 90°
3. TRIANGLE 45° 90°
VERTICAL LINES ARE DRAWN
ALONG THE VERTICAL EDGE
OF A TRIANGLE WHICH HAS
BEEN PLACED AGAINST A
PARALLEL EDGE.
A RULER WITH A METRIC
SCALE IS ESSENTIAL FOR
EXACT MEASUREMENT.
BASIC DRAWING SUPPLIES
ARE:
J. PENCIL
2. PAPER
3, ERASERGRAPHIC
COMMUNICATIONS
BASIC SKETCHING TECHNIQUE
FOR SKETCHING HOLD THE PENCIL
IN THIS POSITION,
FOR SHORT STROKES USE A FINGER
AND WRIST MOVEMENT,
FOR LONGER STROKES USE A FREE
ARM MOVEMENT,
BRE TCH ING [GR IZONTAL LINES
MARK (0 POINTS AND KEEP
EYE ‘on END” POINT.
SKETCHING VERTICAL LINES,
SKETCHING SLANTING LINES,
TURNING THE PAPER MAY MAKE
EASTER * SKETCHING VERTICAL
AND SLANTING LINES,ini
GRAPHIC LI
COMMUNICATIONS P =O
LINE SKETCHING
INSTRUCTIONS: TRACE FREE-HAND OVER THE HORIZONTAL LINES.
SCHOOLGRAPHIC
COMMUNICATIONS
INSTRUCTIONS:
INSTRUCTIONS:
CU p-o7
TRACE FREE-HAND OVER THE VENTICAL LINES,
SKETCH VERTICAL LINES BETWEEN THE POINTS.
| SCHOOLi comaticons [CJ P-o8
TRACE FREE-HAND THE INCLINED LINES.
Mf
SKETCH THE INCLINED LINES BETWEEN THE POENTS.
‘SCHOOL DATEGRAPHIC
COMMUNICATIONS
STANDARD LETTERING
1, ALWAYS DRAW THIN GUIDELINES
2, REST YOUR HAND ON THE PAPER
3, DIRECTION OF LETTERING STROKE
4, ROTATE YOUR PENCIL
STANDARD HEIGHT
. USE 7mm FOR LARGE LETTERS
USE 3.5mm FOR SMALL LETTERS
face CEO
L_ a)
+ THE WIDTH OF LARGE LETTERS IS
as
rab ) oO APPROXIMATELY 4, 5mm
arr OE
+ THE WIDTH OF SMALL LETTERS 15
APPROXIMATELY 2, 5mm
t
“epfamannaruaus e
r 25
SPACING ©
Teh aL « EQUAL SPACE BETWEEN LETTERS
+ PREFERRED VISUAL SPACING
SPAGING ©
SPACING BETHEEN WORDSTt GRAPHIC
Tt COMMUNICATIONS
COPY THE LETTERS (7mm HEIGHT) IN THE SQUARES AND
BETWEEN THE CUIDELINES
ABCDEFGHIJKE MNOPORS TUVWXYZ
INIA I IN)
ABCDEFGHI_JKLMNOPORSTUVWXYZ
(
GRAPHIC_COMMUNICATIONS SERIES P
STAPLE SCREWEYE HOOK HINGE
file
WRITE BELOW: GENERAL TECIINICAL EDUCATIONWat COMMUNICATIONS Ci P ™ 1 1
COPY THE LETTERS AND WORDS IN THE “SQUARE AND BETWEEN
THE GUIDELINES,
SECOEEGHTIRKCMNUPRS TUVWKYZO
{ CTU CCC)
ABCUEEGHIITREMNUPOR STUY WXYZ
‘SCHOOL DATEGRAPHIC of P- 12|
a
NS COMMUNICATIONS
REPEAT THE NUMBERS BETWEEN THE GUIDELINES.
INSTRUCTIONS:
COPY THE NUMBERS BETWEEN THE LINES BELOW EACH ROW.
25 30 35 40 45 50
¢ 5 10 15 20
i 4
60 65 70 75 80 85 90 96 100 26
22 23 24 26 27 28 29 33 34 67
WANE SCHOOL DATEGRAPHIC
COMMUNICATIONS
SYSTEM OF MEASUREMENT
TNE METRIC SYSTEM THE BASIC UNIT 1S THE METRE (m)
THE METRIC SYSTEM WAS INTERNATIONALLY ACCEPTED IN 1795.
METRIC SYSTE
ieee ee eee
METRIC SYSTEM
OECIMETRE
© vecimetne
e © centimetre
|
; ee CENTIMEIRE © miceimerre
AI scien
BASIC UNIT = DIVISTONS DERIVED UNITS
1 METRE (m) = 10 DECIMETRES (dm) :
ARE TRE) (m)RIOORCENTINETRESE( ci) |, ot meceecaunes nat beet tee
T METRE (m) = 1000 MILLIMETRES (mm)] 1 CENTIMETRE = 10 MILLIMETRES
IMPERIAL SYSTEM,
LENGTH IS MEASURED IN YARDS, FEET AND INCHES,
1 YARD= 3 FEET
1 FOOT =12 INCHES (")
DRAFTSMEN USE THE 12" SCALE
WITH Ys" DIVISION,
LLINCH IS EQUAL 25,4 MM,ZT GRapiic
UUs COMMUNICATIONS P-14
INSTRUCTIONS: -]..HEASURE THE LENGHTS BETWEEN THE
ARROWHEADS WITH YOUR RULER,
2. WRITE THE CORRECT NUMBER iN THE
FREE SPACE AS SHOWN.
a ye
—_—H
- > Kk ——+} a
—1 | t
ee ay 7 7
INSTRUCTIQNS: 1. MEASURE THE MISSING DIMENSIONS,
2, COMPLETE THE DRAWING WITH MISSING
ARROWS AND NUMBERS IN SAME SIZE AS SHOWN,
NAME SCHOOL. DATECOMMUNICATIONS P-15
1, MEASURE THE MISSING DIMENSIONS,
2, COMPLETE THE DRAWING WITH MISSING
ARROWS AND NUMBERS.
ANSTRUCTIONS:im GRAPHIC
MO COMMUNICATIONS
INSTRUCTIONS: MEASURE THE LENGHTS OF THE LINES AND
NOTE THE RESULT IN THE BOXES ON THE RIGHT
AS SHOWN IN THE FIRST THO SAMPLES,
MEASURE IN HM
1) 35
2112
3
4
5
4
Cy p-16|
MEASURE IN INCH
—_1L 3/4
241 1/2
4}
1
4
|
3
4
5
6.
7
af
9
0
2
4
a ee
1
—
u
1
13
]
——
15
16
V7
18
DATEGRAPHIC
COMMUNICATIONS
1, TEST,
MARK YOUR STARTING TIME.
CK) P-i7|
TIME STARTED
1
2. ANSWER Tilt QUESTIONS.
3. WRITE THE NUMBERS, UtGs LTE T)
4. CHECK YOUR WORK.
5. MARK YOUR FINISHING TIME.
6. NAND THIS TEST TO YOUR TEACHER.
[7] {9 WRITE THE NUMBER OF THE
— °o @| CORRESPONDING FiouRE
=a \ AFTER ITS DESCRIPTION.
A. SYRBOLS
= e » BASIC LINES a
t_____t + 30°-60° TRIANGLE
. MULTIVIEH DRAWING
°o 45°-45° TRIANGLE
+ DIMENSIONS
PICTORIAL DRAWING.
se vo O ScALe
US) Je
+ SCHEMATIC DRAWING
159-759 TRIANGLE
LL
I 0
COPY THE NUMBERS,
{ 60 65 70 75 80 85 90 95 100
26 27 28 29 33 34 67GRAPHIC
COMMUNICATIONS
« MARK YOUR STARTING TINE,
DO THE EXERCISES,
CHECK YOUR WORK
MARK YOUR FINISHING TIME.
1
ai
a
4,
STARTING TIME:
FINISHING TIME:
PRINT ON THE LEFT:
2.
3
4.
oF
ANGLE AND TRIANGLE
Wood AND PLASTIC
STONE AND METAL
MECHANICAL TECHNOLOGY
ELECTRICAL TECHNOLOGY
MEASURE THE LENGHTS OF THE LINES AND
NOTE THE RESULT IN THE BOXES ON THE RIGHT.
To
MEASURE IN MI
SCHOOLGRAPHIC
COMMUNICATIONS
aeeeeneeeee)
TYPES OF SKETCHES
SKETCHING IS MADE IN ORTHOGRAPHIC
PROJECTION OR IN PICTORIAL PROJECTION,
G@ ORTHOGRAPHIC PROJECTION MAY USE ONLY
‘ONE VIEW OR MORE VIEWS DEPENDING ON
THE OBJECT.
QTE HOUSE SHOWN WERE IS SKETCHED IN
TWO VIEWS? FRONT VIEW AND SIDE VIEW.
PICTORIAL PROJECTIONS ARE EITHER
TSONETRIC
OBLIQUE OR
PERSPECTIVE.
© an tsomeraie sketcw 1s coNstRUCTED
BY USING THREE AXES: ONE VERTICAL
AND TWO AT30° OF THE HORIZONTAL.
QoL IQUE PROJECTION USE THE FRONT FACE
4) my SHAPE AND ONE SIDE AT 45° OR
PERSPECTIVE SKETCHES ARE USUALLY
DRAWN BY ARCHITECTS. THE LINES TO
THE VARNISHING POINT ARE WOT PARALLEL.GRAPHIC
COMMUNICATIONS
KEEPING THE CORRECT PROPORTION IS A VERY IMPORTANT
FEATURE IN FREEHAND SKETCHING, SKETCHES ARE NOT MADE
IN SCALE AND PROPER PROPORTIONING IS ACHIEVED BY
ESTIMATING ACTUAL DIMENSIONS,
COPY FREEHAND THE SKETCHES ON THE LEFT IN THE
SPACE PROVIDED,
SCHOOL.GRAPHIC
COMMUNICATIONS
COPY FREE-HAND THE SKETCHES ON THE LEFT IN THE SPACE PROVIDED.
I=
[J
=
—
\GRAPHIC
COMMUNICATIONS
COPY FREE-HAND THE SKETCHES ON THE LEFT IN THE SPACE PROVIDED.
| SCHOOLGRAPHIC
COMMUNICATIONS
O iiss
THE
THE
| © hey
TOP.
ORAWING A MULTIVIEW PROJECTION
@ 4 dice 1s sHowN PICTORIALLY LIKE A
PHOTOGRAPH, IT SHOWS THE OBJECT AS IT
APPEARS TO THE EYE,
A VIEW OF AN OBJECT IS KNOWN
TECHNICALLY AS A PROJECTION.
PROJECTION MEANS "THROWN FORWARD",
THE PROJECTED VIEW DESCRIBES THE EXACT
SHAPE, THE VIEW PROJECTED ON THE
FROTAL PLANE IS CALLED "FRONT VIEW",
WW P-23
THREE PLANES FOR AN ORTHOGRAPHIC
ECTION ARE:
1. FRONTAL PLANE
2. HORIZONTAL PLANE
3, PROFIL PLANE
DICE IS PLACED AT THE CENTER OF
THREE PLANES,
TOP VIEW SHOWS THE EXACT SHAPE
E DICE 1S VIEWED FROM THE—S
Tit
GRAPHIC
COMMUNICATIONS
eo
{\
iY
THE SIDE VIEW IS SHOWN ON THE
PROFIL PLANE WHEN THE DICE 1S
VIEWED FROM THE LEFT.
A SINGLE ORTHOGRAPHIC PROJECTION
OF ONE FACE OF A DICE COULD NOT
DESCRIBE THE SHAPE OF THAT OBJECT
COMPLETELY. THEREFORE, MORE THAN
ONE PROJECTION AND MORE THAN ONE
PLANE OF PROJECTION MUST BE SHOWN
ON A DRAWING TO INDICATE THAT IT
IS A DICE,
THE PROJECTION OF VIEWS IS SHOWN
PICTORIALLY AND THE PLANES CAN BE
UNFOLDED TO A FLAT SURFACE.
THIS METHOD OF DEVELOPING VIEWS IS
CALLED ORTHOGRAPHIC PROJECTION AND
PERMITS A THREE-DIMENSIONAL OBJECT
10 BE DRAWN ON A FLAT SHEET OF PAPER
HAVING ONLY THO DIMENSIONS.
THE MENTAL PROCESS OF READING
A MULTIVIEW DRAWING IS KHOWN AS
"VISUALIZING THE VIEWS". THIS IS
ONE OF THE MOST IMPORTANT ASPECTS
OF DRAWING TECHNIQUE THAT YOU CAN
LEARN,THE MULTIVIEW DRAWING IS THE MAJOR TYPE OF DRAWING USED
IN INDUSTRY, USUALLY, THREE VIEWS ARE DRAWN,
3. LOOK STRAIGHT AT
THE TOP AND DRAW
THE TOP VIEW.
LOOK STRAIGHT AT
THE SIDE AND DRA 1, LOOK STRAIGHT AT
THE SIDE VIEW. THE FRONT AND DRAW
THE FRONT VIEW,
9°)
FRONT-VIEH © SIDE-VIEW
———}
PICTORIAL PROJECTION (OBLIQUE)
[o|
ORTHOGRAPHIC PROJECTIONS ARE
MULTI-VIEW DRAWINGS,GRAPHIC
COMMUNICATIONS
HOW TO MAKE A MULTI-VIEW DRAWING?
WOLD UP A MATGH-BOX AND LOOK AT IT-
@ in tue virection oF Arrow.
PLACE A PIECE OF PAPER UNDER THE
MATCII-BOX AND DRAW THE OUTLINE OF
THE MATCH-BOX.
°e LOOK AT THE FRONT, THE TOP AND THE
SIDE OF THE MATCH-BOX TO SEE THE
EXACT SHAPE.
DRAW WHAT YOU SEE WHEN YOU-LOOK FROM
THE FRONT, THE TOP AND THE SIDE.
THE THREE DRAWINGS: THE FRONT VIEW,
THE TOP VIEW AND THE SIDE VIEW, SHOW
THE EXACT SHAPE OF THE MATCH-BOX.aa GRAPHIC
At COMMUNICATIONS ol P-27
A MULTI-VIEW PROJECTION HAS ‘BEEN SKETCHED FREEHAND ON
ACM GRID FROM AN OBJECT WHICH WAS PRESENTED ISOMETRIC.
TRACE THE MULTI-VIEW DRAWING.
i I i '
SIDE-VIEW
FRONT-VIEW
TOP-VIEW
{4 |
SST NS
VVAA/ADABDIAAANININS
ISOMETRIC PROJECTION
SCHOOL eaII COMMUNICATIONS jal P =28
DRAW FREEHAND A MULTI-VIEW
PROJECTION OF THE OBJECT
WHICH IS SHOWN IN AN ISOMETRIC
PROJECTION.
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SJ
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SJ
7
yd
A
SCHOOL jorGRAPHIC
COMMUNICATIONS
i
WHICH IS SHOWN IN AN ISOMETRIC
PROJECTION OF THE OBJECT
PROJECTION,
DRAW FREEHAND A MULTI-VIEW
DATE
[se#ooimi GRAPHIC
Mu COMMUNICATIONS
QRAW FREEHAND A MULTI-VIEW
PROJECTION OF THE OBJECT
WHICH IS SHOWN IN AN ISOMETRIC
PROJECTION.
AVAVAVAVAVAVAVA
yGRAPHIC
COMMUNICATIONS
COMPLETING VIEW EXERCISES
INSTRUCTIONS:
AY THE PICTORIAL DRAWING ON THE
EFT.
STUDY THE VIEWS DRAWN.
COMPLETE THE DRAWING BY DRAWING
THE REQUIRED VIEWS.
a HERE
DRAW THE FRONT VIEW
FRONT VIEW
SCHOOL DATEGRAPHIC |
COMMUNICATIONS
START HERE
DRAW THE TOP AND
SIDE VIEWa=
Ttt GRAPHIC
J COMMUNICATIONS
INSTRUCTIONS: 1.STUDY THE PICTORIAL DRAWING
2,SUPPLY THE MISSING VIEWS,ina GRAPHIC
Mu COMMUNICATIONS
INSTRUCTIONS: 1,STUDY THE PICTORIAL DRAWING
2. SUPPLY THE MISSING VIEWS,GRAPHIC
COMMUNICATIONS
INSTRUCTION: 1,STUDY THE MULTIVIEW DRAWING
2,SELECT THE CORESPONDING PICTORIAL
VIEW AND HARK THE BOX BELOW WITH X.
ct] fol
Be
a8
O
NAME SCHOOLGRAPHIC
COMMUNICATIONS
MATCHING PROBLEM
INSTRUCTIONS:
2.
STUDY THE OBJECTS DRAWN PICTORIALLY
COMPARE THE MULTIVIEW DRAWINGS BELOW AND WHEN YOU
MATCH THEM, WRITE THE APPROPRIATE NUMBERS IN THE
BOXES BELOW THE PICTORIALS.GRAPHIC
COMMUNICATIONS
MATCHING PROBLEM.
INSTRUCTIONS: y stypy THE OBJECTS ON THE LEFT,
DRAWN PICTORTALLY AND NUMBERED 1-4,
2. COMPARE THE VIEWS ON THE RIGHT AND
WHEN YOU MATCH THEM WRITE THE APPROPRIATE
NUMBERS IN THE BOXES BELOW THE VIEWS.
FRONT VIEWS,
° dP Oe
C) O
SIDE VIEWS
Fea
O
™ SU C0
0 oO -O
SCHOOLGRAPHIC
COMMUNICATIONS
INSTRUCTIONS: 1.STUDY THE MULTIVIEW DRAWINGS
2,SUPPLY THE MISSING LINES.
P4O) C0’
| [
ae
PLT]
[F1]——=
Tie GRAPHIC
J COMMUNICATIONS
3. TEST
MARK YOUR SIARTING TIME. TIME STARTED:
STUDY THE PICTORIAL DRAWING.
DRAW THE THREE VIEWS. TIME FINISHED:
CHECK YOUR DRAWINGS.
MARK YOUR FINISHING TIME.
HAND THIS TEST TO YOUR TEACHER.
COT
NAME SCHOOL DATEar GRAPHIC
HM = communications Ww P~40
BASIC TECHNIQUE
@ piace tHe opvect IN sucn A position
WHERE THE FRONT VIEW SHOWS MOST OF
THE DETAILS,
@ oeaw starting Lines
© ona oursio€ FRAME IN THIN LINES
FRONT VIEW
@ oraw parts To BE cUT OUT IN THIN LINES
© onan FIntsHine LinksIC
COMMUNICATIONS wa P ™ 41
POSITIONING AN OBJECT.
@ tHe oBvect 1s REPRESENTED IN AN
ISOMETRIC PROJECTION. ALL HIDDEN
EDGES ARE DRAWN BY SHORT DASH LINES,
i tey © tts position The MuLTIVIEW
DRAWING IS SHOWN HERE, PLEASE
NOTE THAT THE HIDDEN EDGE OF THE
OBJECT IN THE SIDE VIEW IS REPRESENTED
BY A SHORT DASH LINE.
TURNING THE OBJECT UPSIDE DOWN
HIDDEN LINES WILL APPEAR ON BOTA
SIDE VIEW AND TOP VIEW,
oa
@ ine: oBsecT sHouLD BE PosITIONED
IN SUCH A MANNER THAT HIDDEN LINES
APPEAR TO A MINIMUM AT MULTIVIEW
PROJECTIONS.
© THE OBJECT OW THE LEFT, HOWEVER,
SHOWS THAT HIDDEN LINES CANNOT
ALWAYS BE AVOIDED,
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TRACE FREEHAND THE SKETI
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A CUBE HAS BEEN DRAWN ON
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THE LARGER GRID BELOW.
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COMMUNICATIONS
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THE LARGER GRID BELO!
DRAW FREEHAND THE ISI
PROJECTION OF THE OB:
It,
START HEREsaa aaa tena
DEES EAS OARS
HOWN IN THE
3, TRACE THE ISOMETRIC SKETCH
GRAPHIC
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TAKE THO MATCH-BOXES (60.40.20) | |_|
2, BUILD THE MODEL AS SI
MULTI-VIEW DRAWING,
INSTRUCTIONS:
I,WY DAALA Y
DIY LDALLBALLY.
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MATCH-BOXES (60.40.20) |—|
GRAPHIC
COMMUNICATIONS
i
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INSTRUCTIONS:
NAHEaa aaae
DLADBABALSELESA
OA
GRAPHIC
MATCH~BOXES (60.40.20) |_|
E MODEL AS SHOWN IN THE! |
EW DRAWING,
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5
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WAVAVAVAVAN
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TCH
INSTRUCTIONS:
imGRAPHIC
COMMUNICATIONS
DRAWING A CIRCLE FREEHAND
BASIC STEPS:
« SKETCH HORIZONTAL AND VERTICAL
CENTRELINES
SET OUT THE RADIUS OF THE CIRCLE
USING A RULER OR A PIECE OF PAPER
. SET OUT POINTS OF THE CIRCUMFERENCE
USING THE RULER OR PIECE OF PAPER
AS A GUIDE
. CONNECT THE CIRCUMFERENCE POINTS
WITH A CURVED DARK LINE
ROTATING PAPER TECHNIQUES
1, SKETCH HORIZONTAL AND VERTICAL CENTRE-
LINES AND SET OUT THE RADIUS
2. HOLD YOUR LITTLE FINGER IN THE CENTRE,
PRESS THE PENCIL LIGHTLY AND ROTATE
THE PAPER
1, SKETCH HORIZONTAL AND VERTICAL CENTRE-
LINES AND SET OUT THE RADIUS
2, USING THO PENCILS, HOLD ONE PENCII.
POINT IN THE CENTRE, PRESS THE SECOND
PENCIL POINT LIGHTLY AND ROTATE THEtiti GRAPHIC
COMMUNICATIONS
DRAWING A CIRCLE WITH
ASOMPASS
PARTS OF THE CIRCLE:
1, CENTRELINES
2, CENTRE
3, RADIUS
4.
DIAMETER
STEPS!
1. DRAW CENTRELINES
2. MEASURE RADIUS
PLACE THE NEEDLE
POINT OF THE COMPASS
AT THE EXACT INTER-
SECTION OF THE CENTRE-
LINES. ADJUST LEG OF
COMPASS TO THE RADIUS
3.
4. LEAN THE COMPASS FOR-
WARD AND DRAW THE
CIRCLE CLOCKWISE
WHILE ROTATING THE
HANDLE BETWEEN THE
THUMB. AND FOREFINGERGRAPHIC
COMMUNICATIONS
COMPARISON oF MULTIVIEW,
TSONETRIC AND OBLIQUE
NGS
MULTIVIEH DRAWING
1. CENTRELINES ARE MORT~
ZONTAL AND VERTICAL
«THE WIOTH (DIAMETER
IS DRAWN AS A CIRCL
LENGTH IS DRAWN REAL
OR TO SCALE
ISOMETRIC DRAWING
1, CENTRELINES ARE DRAWN
AT A 300 ANGLE
+ THE WIDTH IS DRAWN
AS AN ELLIPSE
« LENGTH 1S DRAWN REAL
OR TO SCALE
OBLIQUE DRAWING
1, CENTRELINES ARE DRAWN
AT A 45° ANGLE
+ THE WIOTH IS DRAWN
AS A CIRCLE
+ LENGTH IS DRAWN AT
HALF THE REAL LENGTHGRAPHIC A
COMMUNICATIONS
DRAWING THREE VIEWS OF A CYLINOER
1. A CYLINDER DRAWN IN ISOMETRIC
2, THE FRONT-VIEW, SIDE-VIEW AND TOP-
VIEW OF THE SAME CYLINDER
LOOK AT THE FRONT AND DRAW THE FRONT-
view (1)
LOOK AT THE TOP AND DRAW THE TOP-VIEW (2)
LOOK AT THE SIDE AND DRAW THE SIDE-VIEW (3)
THE THREE VIEWS
1, FRONT-VIEW
2. TOP-VIEW
3, STDE-VIEW
SHOW THE EXACT SHAPE OF THE CYLINDER
HIDDEN DETAILS:
THE HOLE CANNOT BE SEEN IN THE FRONT
VIEH (1) AND IS DRAWN IN DOTTED LINES
THE HOLE CAN BE SEEN IN THE TOP-VIEH (2)
AND IS DRAWN AS A CIRCLE
THE HOLE CANNOT BE SEEN IN THE SIDE-VIEW
(3) AND 1S DRAHN IN DOTTED LINES
THE THREE VIEWS
1, FRONT-VIEW
2, TOP-VIEW
3, SIDE-VIEW
SHOW THE EXACT SHAPE OF THE CYLINOER
WITH A HOLECOMMUNICATIONS wa P La 55
HOW TO SKETCH AN OBLIQUE PROJECTION
POSITION THE OBJECT IN SUCH A
WAY THAT CIRCLES ARE IN FRONT
VIEW
@ RAW THE FRONT ‘VIEW WITH THE
OVERALL DIMENSIONS
MAKE THE CENTERLINES, THE
SEMICIRCLE IS DRAWN TRUE SIZE.
DRAW THE DEPTH OF THE OBJECT
IN HALF SIZE AND UNDER 45°.
© Finatoy THE LINES ARE STRENGTHENED.GRAPHIC
COMMUNICATIONS
COPY FREEHAND THE CYLINDERS BELOW IN OBLIQUE.GRAPHIC
COMMUNICATIONS
NAME SCHOOL DATEGRAPHIC
COMMUNICATIONS
DRAW IN OBLIQUE AND IN FULL SIZE THE CYLINDER BELOW.
i
‘SCHOOLGRAPHIC
COMMUNICATIONS
NAME SCHOOLGRAPHIC
COMMUNICATIONS
SCHOOLGRAPHIC
COMMUNICATIONSGRAPHIC
COMMUNICATIONS
1, MARK YOUR STARTING TIME
2. TAKE THO MATCH-BOXES (60.40.20)
3, BUILD THE MODEL AS SHOWN IN THE
4
5
MULTI-VIEW DRAWING.
+ SKETCH THE MODEL IN ISOMETRIC
MARK YOUR FINISHING TIME
STARTING TINE!
FINISHING TIME?GRAPHIC
COMMUNICATIONS
+ MARK YOUR STARTING TIME,
A pare OBLIQUE DRAWING OF THE OBJECT
OW.
| CHECK’ YoUR_WoRK.
+ MARK YOUR FINISHING TIME,
STARTING TIME:
FINISHING TIME:@ isonernic sHowine THE siiAPE OF A
NATCH-BOX.
MULTIVIEW SHOWING THE SHAPE OF A
MATCH-BOX.
© easuaine THE HATCH-BOx.
G@ [sOMETRIC SHOWING THE omen AND
THE.SIZE OF A MATCH-8OX
6" WULTIVIEH sHlowiNe THE SHAPE AND
THE SIZE OF A MATCH-BOX.GRAPHIC
COMMUNICATIONS
ELEMENTS OF DIMENSIONING
1- EXTENSION LINES (THIN)
2- DIMENSIONING LINES (THIN)
3- DIMENSIONING ARROWS
4- DIMENSIONSGRAPHIC
COMMUNICATIONS
DIMENSIONING RULES
THE NUMBERS MUST BE GOOD READABLE
AND APPROXIMATELY 4 MM HIGH.
THE DISTANCE BETWEEN DIMENSION | LINE
AND OBJECT SHOULD BE 7 - 10 HM
THE ARROWHEADS SHOULD BE 4 - 5 HM LONG
AND IN PROPER SHAPE.
WITH THE UNIDIRECTIONAL METHOD, ALL
FIGURES READ FROM THE BOTTOM OF THE
DRAWING. THIS METHOD IS APPLIED IN
THIS COURSE.
E ALLIGNED METHOD, THE NUMBERS
ARE Math UP WITH THE DIMENSION LINES
SO THEY READ FROM THE BOTTOM OR THE
RIGHT HAND EDGE.GRAPHIC
COMMUNICATIONS
INSTRUCTIONS: 1, STUDY THE DRAWINGS.
2, MEASURE THE OBJECTS.
3. PLACE THE COMPLETE DIMENSIONS.
| IY
¢ 4
SCHOOL DATEa GRAPHIC
UIST COMMUNICATIONS
a P-68
NSTRUCTIONS:
INS:
1, STUDY THE DRAWINGS BELOW.
2, MEASURE THE OBJECTS.
3. PLACE THE DIMENSIONS.
NSGRAPHIC
COMMUNICATIONS P
| SCHOOLit GRAPHIC
COMMUNICATIONS
6
\
o~
9
e ‘0
1 AND 2 WALLS
3 AND 4 DOORS
SINK
1
2
3, SHOWER
TOILET
SYMBOLS FOR STAIRCASES
1, STRAIGHT STAIRCASE
2, BEND STAIRCASE
SANITARY SYMBOLS °
1. Doors
TYPES OF ARCHITECTURAL
SYMBOLS 7
2, WASHBASIN/SINK
3, SHOWER
4, TOILET
5, WINDOW
. an 5 AND 6 WINDOWS
WINDOWS,
SYMBOLS FOR WALLS, DOORSGRAPHIC
COMMUNICATIONS
a
SCAL
MOR 1:100
We sp-72
ARCHITECTURAL DRAWINGS
SITF, PLAW
USUALLY DRAHN IN SCALE
1:1000, INCLUDES THE
SIZE OF THE PLOT, THE
PLACE OF THE HOUSE,
THE NORTH DIRECTION
SYMBOL, WATER AND
DRAINAGE LINES,
FLOOR PLAN
SMALLER BUILDINGS
ARE DRAWN BY A SCALE
1:100
WILICH MEANS:
THAT 1CM_ON PAPER
REPRESENTS 1M IN
REALITY,
GRIDS WITH 1CM SQUARES
HELP IN PLANNING THE
ROOMS.
SYMBOLS ARE USED FOR
DOORS AND WINDOMS,
FOR CONSTRUCTION WORK
DIMENSIONS ARE PREFERED,
DIMENSIONS ARE GIVEN
TN_METERS
OUTSIDE WALLS ARE
0,30M THICK,
INSIDE WALLS ARE USUALLY
0,15 M THICKGRAPHIC
COMMUNICATIONS
FOR PLANNING PURPOSES
SOMETIMES THE AREA IS
ONLY INDICATED.
SCALED CUT-OUTS OF
EQUIPMENT MAY BE USED
FOR FINDING THE HOST
SUITABLE PLACE,
FRONT ELEVATION
SIDE ELEVATIONINSTRUCTIONS: STUDY THE HOUSE PLAN AND ANSWER
THE QUESTIONS BELOW,
WHAT IS THE SIZE OF THE LIVING ROOM?
LENGTH WIDTH,
WHAT IS THE SIZE OF THE DINNING TABLE?
———— LENGTH ____ WIDTH
+ WHAT IS THE SIZE OF THE BED?
---— LENGTH. WIOTH
+ WHAT IS THE WIDTH OF THE DOOR?
NAME sciioot DATEINSTRUCTION: 1. STUDY THE FLOOR-PLAN OF THE HOTEL~ROOK
2. DRAW THE FLOOR-PLAN IN THE SAME
SCALE AND ADD THE DIMENSIONS,a
Wi
GRAPHIC
COMMUNICATIONS
) @®
INTERNATIONAL SYMBOLS
1, UNITED NATIONS (UN)
2, UNITED NATIONS EDU-
CATIONAL, SCIENTIFIC
AND CULTURAL ORGA-
NIZATION (UNESCO)
3. INTERNATIONAL
LABOUR ORGANIZATION
(1Lo)
4, WORLD HEALTH
ORGANIZATION
5. UNITED NATIONS
CHILDREN'S FUND
6. FOOD AND AGRICULTURAL
ORGANIZATION OF THE
UNITED NATIONS
UNIVERSAL SYMBOLS FOR
1, TREATMENT OF TEXTILS
2. CARE OF GOODS DURING
TRANSPORT
3. DRIVING A CAR
UNIVERSAL SYMBOLS FOR
1, ROAD-TRAFFIC
2. DAILY USE
3, FIRST AIDti GRAPHIC @
MU COMMUNICATIONS
6. TEST
eae STARTING TIME:
MARK THE STARTING TIME
STUDY THE ISOMETRIC DRAWINGS ON THE LEFT. FINISHING TIME:
STUDY THE MULTIVIEW DRAWINGS ON THE RIGHT.
{MATCH THE ISOMETRIC DRAWING HITH THE MULTIVIEW ORAWING
OF THE SAME OBJECT.
| WRITE THE LETTER OF THE CORRECT ISOMETRIC DRAWING IN THE
BOX NEXT TO THE MULTIVIEW DRAWING,
. MARK YOUR FINISHING TIME
&
%
pGRAPHIC
COMMUNICATIONS
7._TEST STARTING TIME:
MARK YOUR STARTING TIME. FINISHING TIME:
+ MEASURE THE OBJECTS AND PLACE _——_
ALL DIMENSIONS.
+ CHECK YOUR WORK.
WARK YOUR FINISIIING TIME.
HAND THIS TEST TO YOUR TEACHER.
‘SCHOOLGRAPHIC
COMMUNICATIONS
8. TEST
- MARK YOUR STARTING TIME.
MATCH THE SYMBOLS STARTING TIME:
CHECK YOUR WORK.
MARK YOUR FINISHING TIME. FINISHING TIME:
TELEPHONE FACILITY
MAIN ROAD CROSSING ANEAD
SLEEPING FACILITIES
CHILDREN CROSSING
UNITED NATIONS
CHILDREN'S FUND (UNICEF)
SMOKING FORBIDDEN
WRITE THE NUMBER OF THE CORRECT FIGURE
AFTER ITS DESCRIPTION.
WINDOW
SHOWER
TOILET
voors os
WASHBASIN/SINK____
SCHOOL