This document contains notes on sound compositions for a film. It describes four tracks - a voiceover track to tell the protagonist's story, a diegetic track for the music the protagonist listens to, a diegetic dialogue track for conversations and confrontations, and a non-diegetic track to set moods and convey the protagonist's emotions to the audience. The purpose and diegetic/non-diegetic nature of each track is specified.
This document contains notes on sound compositions for a film. It describes four tracks - a voiceover track to tell the protagonist's story, a diegetic track for the music the protagonist listens to, a diegetic dialogue track for conversations and confrontations, and a non-diegetic track to set moods and convey the protagonist's emotions to the audience. The purpose and diegetic/non-diegetic nature of each track is specified.
This document contains notes on sound compositions for a film. It describes four tracks - a voiceover track to tell the protagonist's story, a diegetic track for the music the protagonist listens to, a diegetic dialogue track for conversations and confrontations, and a non-diegetic track to set moods and convey the protagonist's emotions to the audience. The purpose and diegetic/non-diegetic nature of each track is specified.
our protagonist, Amy. It signifies her story to the audience as its as if she is reading her thoughts out loud allowing the audience to sympathise with this character
This will be used as the
music that Amy is playing through her headphones
Will be used to show the
conversation between Amy and the unidentified male, as well as the confrontation between her, Olivia and Elisabeth
Here the composition will
be used to signify different moods created by our film. They will be reflective of what we want Amys character to portray to the audience