and war and these two themes have been welded into a single whole with great skill.The dramatist has shown that it is the romance of war that leads to the romance of love. Further, the dramatist's treatment of these two themes is characterized by realism. The contrast between realism and idealism is constantly stressed, and this results in a number of entertaining situations.
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Raina: Romance of War:
Shaw's views on war are expressed in the play
through the mouth of Bluntschli. As the play opens,we are introduced to Raina, a pretty, young lady with her head full of romantic views of love and war, result of her reading Byron and Pushkin. She stands on the balcony of her bedroom admiring the beauty of her betrothed, Sergius, Who is out on the front fighting the Serbs. Soon her mother enters the room to inform her that Sergius, has become the hero of the hour as a result of his splendid
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victory in the battle of Slivnitza. He made a heroic
cavalry charge on the artillery of the Serbs and put them to flight. He did so on his own initiative ignoring the orders of his Russian commander. Raina is in ecstasy, and in raptures kisses the plots of her lover, her betrothed and her knight. She feels that she has been a 'prosaic little coward', in her doubts about the heroism of Sergius, and that she is unworthy of him. Sergius' reported heroism in war feeds her romantic love of him. She is full of idealistic notions of love and war. Realistic attitude towards War:
However, her romantic notions of war and
soldiering receive a rude shock with the arrival of
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the fugitive Bluntschli. He is blunt in everything he
says, blunt as is suggested by his name itself. First she is told the truth about Sergius cavalry charge. It was something foolish and rash and Sergius ought to be court martial led for it. He and his regiment nearly committed suicide, only the pistol missed fire. Her heroic ideals of war, thus, receive a rude shock. Further, we are told that it is the duty of a soldier to live as long as he can, and that he must run away to save his life. He bluntly tells her that all soldiers are afraid to die, and further that it is their duty to live as long as they can. The conclusion is that most soldiers are born fools, and they are all cowards at heart. Bluntschli himself
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runs away and enters the bedroom of Raina to save
his life.
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