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    Morakot Cherdchoo-ngarm
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    The document appears to be notes about musical elements across different periods of music history. It discusses harmonic language, texture, melody, rhythm, and form in the Baroque, Classical, Romantic, and Modern periods. However, the document is fragmented and does not provide clear definitions or examples, making it difficult to fully understand.

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    The document appears to be notes about musical elements across different periods of music history. It discusses harmonic language, texture, melody, rhythm, and form in the Baroque, Classical, Romantic, and Modern periods. However, the document is fragmented and does not provide clear definitions or examples, making it difficult to fully understand.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    10 views1 page

    Ds LFKJ

    Uploaded by

    Morakot Cherdchoo-ngarm
    The document appears to be notes about musical elements across different periods of music history. It discusses harmonic language, texture, melody, rhythm, and form in the Baroque, Classical, Romantic, and Modern periods. However, the document is fragmented and does not provide clear definitions or examples, making it difficult to fully understand.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Grade 8,,,fff

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    8D

    Harmonic Language
    Baroque : Major/Minor/Modulation
    Classical : Major/Minor/Modulations(to IV,V, Relative Major/Minor)
    Romantic : 7th chords, chromatic chords, Modulation to more distant keys, Extreme
    chromaticism
    Modern : Chord used outside Tonal relationships (Debussy), Atonal/12tone/Serial music
    (Schoenberg), Neo-Classic was Return to Tonality spiced up with Dissonance (Prokofieff,
    Shostakovich), Other Scales used (pentatonic, Bitonality), Dissonance

    Texture
    Baroque : Polyphonic/Imitation/Fugal writing/Dances such as the Sarabande can be more
    Chordal or HOMOPHONIC
    Classical : light textures/HOMOPHONIC/alberti bass/middle register of piano used most
    Romantic : Thicker more complex texture/broken chords and arpeggios used over a bigger
    range to create a bigger sound/
    Modern : Varied/ Chromatic pieces tend to be thicker textured and Neo-Classic pieces
    lighter textured

    Melody
    Rhythm
    Form

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