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I Am Legend Rhetorical Analysis: A Cold, Internal War
I Am Legend Rhetorical Analysis: A Cold, Internal War
Conner Mullen
Writing 39B
8 February 2017
with the vampires surrounding his home, but also with himself. Richard Matheson consistently
implements rhetorical devices such as repetition to extend Nevilles issues. Matheson creates
situations that gradually reverse the audiences thought of Robert Neville as a hero throughout
the novel; eventually, he becomes the monster. Through philosopher Nol Carrolls The Nature
threatening, and impure, making him a monster. This transitions symbolically to current events
happening while Matheson was writing I Am Legend; the Cold War was in progress and
influenced Matheson heavily. He uses the novel to explain his thoughts on the Cold War, where
Robert Neville is the United States side and the vampires are the Russians. This shadows the
racism during this time as the Americans see the Russians as inhumane, parallel with Mathesons
display of the vampires. Ruth is introduced later into the novel as the alternative hero that
Neville cant be, due to his self-battles with alcohol, loneliness, and loss of sexual activity. Ruth
becomes the prime example that the vampires arent necessarily aliens in this world, but their
own society trying to survive. Relating to the Cold War, the novel explains through Ruth, who is
on the opposite side, how Americans are coming to realize that the Russians arent these
inhumane aliens as first thought during the war, rather people too. It also implies that through
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Nevilles self-battles, Americans are the not perfect heroes either and are equal to the Russian
people.
First, Richard Matheson allows the audience to perceive Neville as the typical hero of the
novel, but later introduces a rather opposite side to Neville in certain scenes to slowly revert their
perception of his heroism. As the last man in this world, the readers lean towards Neville as the
hero trying to save the human race, which Matheson utilizes with these scenes to create a conflict
for the reader. For example, Matheson describes Neville as repeatedly saying Leave me alone,
leave me alone, leave me alone! (9). This excerpt slightly hints towards the everyday internal
conflicts Matheson described Neville as having. Additionally, this rhetorical device of repetition
reinstates Mathesons illustration of Nevilles mental problems. To further this claim, Matheson
writes Then why dont you stop pouring alcohol into yourself? he thought. Why dont you shut
the hell up? he thought (10). Almost instantaneously, the reader lessens their heroic perspective
on Neville as Matheson chose to write this argument with himself at such an early point in the
novel. Mathias Clasen, a Danish scholar, states in Vampire Apocalypse, all the while
struggling with deep loneliness and dejection (315). Using the trope of Neon Sign Hideout,
which defines as a majority knowing a location which seems to be hidden, Matheson can create
the setting of the vampires around Nevilles property, endlessly disturbing him at night and
causing his mental issues portrayed (TV Tropes). It is evident Matheson clearly meant to display
monster, being threatening and impure due to categorical interstitiality, Neville is the monster
(55). To verify Neville as threatening, there is multiple scenes where Matheson writes him as
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driving stakes through the vampires hearts. For instance, Matheson mentions He forced it
down. It was insane, there was no rational argument for it (15). There is no justification to
Neville performing these acts of driving stakes through their hearts during the day. To be
categorically interstitial, Matheson makes Neville the last human, becoming the hero, but then
strays from the heroic actions and instead writes Neville to have mental issues and depression,
becoming an alcoholic, and having sexual fantasies about vampires. Neville can not be
categorized as a hero and isnt completely a villain due to his nature as the last surviving human,
making him categorically interstitial. Also, he is extraordinary in the ordinary world due solely to
this confliction. Fulfilling Carrolls definition of a monster, Neville is the monster in the novel,
during the 1950s. Robert Neville represents the American side and the vampires are meant to
represent the Russian side. Matheson used vampires as a way to describe how he felt about the
Russians, while he is meant to be Robert Neville. Clasen develops some of the anxieties
Matheson had in the 1950s as fear of nuclear and biological warfare and also fear of being
all alone in a dangerous world (317). Matheson clearly shows these fears through Nevilles
experience throughout the novel. The vampires are a prime example of Mathesons fear in the
character of Neville, due largely to the symbolic fear of the Russians. The vampires are
significantly symbolic to Mathesons beliefs since they are the predators in the horror story,
where the Russians are meant to be seen as the predators of the Cold War. Overall, the symbolic
resemblance of the vampires to the Cold War leads into the symbolism of the rest of the novel.