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Developing the Innovative Global Citizen in the New Media Art Room
Andrea Rico
ROOM
Abstract
Driven by globalization and technology, the digital world is the new classroom. Our
heavily saturated visual culture has the greatest influence on children and young people
(Freedman & Stuhr, p. 821) and shapes their whole being. Thus, it is imperative for art educators
to embrace new media and creative digital learning as a means develop skills that will empower
students on the individual level, local, and global. This paper provides an overview of the three
competencies that can be developed in the new media art room, which will be required for
students to experience success in the global world. The skills highlighted are intercultural skills,
participatory skills, and emotional and metacognitive competencies. The paper closes with some
examples regarding how these skills can be practiced in the new media art room.
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The digital world is the new classroom. Globalization demands that students develop
skills that will allow them to communicate, collaborate, and problem solve with people all over
the world. At the same time, technology insists that students be ready to interpret and manipulate
technologies that have yet to be invented. Thus, educators today have the great responsibility of
applying their knowledge of technology, pedagogy, and content to create interactive learning
experiences that will foster these 21st-century learning skills (Punya, 2012, p. 14).
For art educators, this means embracing new media and creative digital learning as a
means to develop skills that will empower students on the individual, local and global levels.
This paper is organized by the three skills educators should teach students, so that they may
successfully participate in the global digital world. First, interculturality and its importance as
21st-century skill will be discussed. Then, participatory culture will be examined with the ways it
can be nurtured in the new media art room. After that, the value of helping students develop
emotional intelligence and metacognitive skills will be reviewed. Finally, the paper will close
with some examples regarding how I intend to incorporate these skills into my art curriculum.
Interculturality
The Internet and new technologies now provide young people the ability interact with
and influence people all over the world. As Delacruz (2009a) explains, the Internet is
increasingly proposed as the very arena in which global civil society will come together to forge
public opinion and facilitate collective civic action (p.10). Thus, it is the responsibility of
parents and educators to model and teach students how to behave respectfully and responsibly in
the global digital world. More specifically, fostering intercultural and collaborative competencies
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within the classroom is of the utmost importance. At school, intercultural lessons can be taught
across the disciplines. However, the new media art room is uniquely qualified as a safe place
where students can practice interacting and learning from and about a variety of cultures through
important aspect of contemporary art education theory and practice in a globalized world.
programs, they can occur through online discussions, social networks, websites, virtual
communities, and video games (Parks, 2009, p. 194). The framework for teaching intercultural
competencies starts by presenting the visual arts in their contemporary, socio-cultural context
(Freedman & Stuhr, p. 816). New media art lessons should be guided by Freedmans principals
Participatory Culture
Jenkins, Purushotma, Clinton, Weigel & Robison (2007) report that fifty percent of
American teens are actively involved in what has been termed, participatory culture, by creating
and sharing media content online (p. 3). Participatory culture is a culture with relatively low
barriers to artistic expression and civic engagement, strong support for reacting and sharing ones
creations and some type of informal mentorship whereby what is known by the most experienced
is passed along to novices (Jenkins, Purushotma, Clinton, Weigel & Robison, 2007, p. 3).
Young people engaged in this digital culture value social connections and believe their ideas
matter (Jenkins, Purushotma, Clinton, Weigel & Robison, 2007, p. 3). In an attempt to ensure all
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students have access to acquiring the skills developed through this participatory culture, Freire
and McCarthy (2014) assert that educators must create learning experiences that foster critical
Some ways educators can help students develop participatory skills, according to
Delacruz (2009a), is by having conversations that lead to public engagement, including civic
works that have both personal and societal importance, caring enough to take time to do the
kinds of things that matter both in and beyond the classroom, and by forming more direct
partnerships and collaborations aimed at public engagement (p.11). More specifically, Lin and
Bruce (2013) assert that students should practice participatory skills through the process of
critical community inquiry (p. 337). The focus of critical community inquiry involves
investigating how to address real-life issues within the community through the use of art and
digital media. According to Chung (2010), through this process, students can strengthen their
collaboration and social skills while utilizing their creative skills and media knowledge to
educate the larger Internet audience (cited in Lin & Bruce, 2013, p. 30).
remember the core individual. How are teachers designing lessons to nurture the emotional
intelligence and metacognitive skills students will need to navigate the global world? It is easy
for young people to lose themselves online, so it is important that educators to help students
of who they are, their place in the world, and their moral obligations as digital citizens.
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One way we can foster emotional intelligence in class, according to Delacruz (2009a) is
by asking students what is important to them, listening to what they say and then allowing time
and emotional space to let their ideas germinate and develop (p. 12). Another way we can help
discussions, and critiques online. Overby (2009) asserts, that a blog, website, or social media
page, allows students extended time to respond and converse with others about making art, and
creates an opportunity for all to participate and share insight, removing the social dynamics that
Implications
After reviewing the literature regarding new media art skills, digital literacy, and global
digital culture, the urgency to prepare my students to become innovative global citizens becomes
apparent. I now recognize that I must teach my students the skills for jobs that probably do not
exist, yet. However, regardless of what career field my students enter, I believe their success will
depend largely on the skills discussed in this paper. Now that I understand the value of these
I believe all teaching starts by establishing the appropriate mindset for the particular type
and curious mindset. I am not interested in teaching my students how to be tolerant of other
cultures. I want to instill in them a genuine curiosity of others and an appreciation of what
different cultures bring to our global society. One way I could implement this in my class is by
connecting with other art teachers and their students online. I could use social media or a class
website as a safe place for my students to communicate with students in other countries. Through
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this kind of interaction, students will be able to not only exchange ideas about art and artmaking,
but share information about culture and daily life and thereby be practicing their intercultural
skills.
difficult because they are already doing it. However, I am interested in how I can use their online
participatory habits to develop intrinsically motivated citizens who will influence change in real
life. I believe following a social justice media art curriculum could help me achieve this goal.
This type of curriculum could also serve as a way for students to continue developing their
Lastly, I believe the emotional intelligence and metacognitive skills of my students will
ultimately determine how successful they are in all their future endeavors. I can help foster these
skills in my class by providing opportunities and time for students to practice connection,
reflection, and self-contemplation. I intended to establish a class blog, but I also would like for
each student to have his or her own artistic space online. I would require each student to have an
online artists journal/sketchbook. Students would be encouraged to discuss, reflect, and critique
each others work. Interacting online would remove some of the social barriers discussed by
Overby (2009) and would allow students the time and safe space to practice emotional and
metacognitive skills.
The new media art room provides an excellent opportunity to show students what the
world has to offer, but we must prepare them. As art educators, we are responsible for creating
the innovative, global citizens of tomorrow. Thus, we must empower students by creating new
media art experiences that invite students to interact with and learn from people from a variety of
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cultures, and that instill within them a desire to be agents of change, and that help to develop an
internal emotional and cognitive strength to thrive our increasingly complex, global world.
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References
Delacruz, E. (2009a). From bricks and mortar to the public sphere in cyberspace:
Education & the Arts, 10(5), 1-22. Retrieved September 5, 2016, from
http://www.ijea.org/v10n5/v10n5.pdf.
Delacruz, E. (2009b). Art education aims in the age of new media: Moving toward global
civil society. Art Education, 62(5). Retrieved August 29, 2016, from
http://old.library.eiu.edu/ersvdocs/9443.pdf.
Delacruz, E., Brock, D., Fuglestad, T., Ferrell, K., Huffer, J., & Melvin, S. (2014). Teaching art
in the age of social media: Firsthand accounts of five technology-savvy art teachers. The
Journal of the Texas Art Education Association, 61-68. Retrieved August 29, 2016, from
http://www.taea.org/TAEA/Docs/2014/TRENDS-2014.pdf.
Freedman, K., & Stuhr, P. (2004). Curriculum change for the 21st century: Visual culture in art
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Freire, M., & McCarthy, E. (2014, March). Four approaches to new media art education. Art
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Jenkins, H., Purushotma, R., Clinton, K., Weigel, M., & Robison, A. (n.d.).
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Lin, C., & Bruce, B. C. (2013). Engaging youth in underserved communities through digital-
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