Professional Documents
Culture Documents
Esther Quezada
TLS 321
9 May 2017
Studio Documentation
Studio #1 Painting
enjoyed working with the droppers, which is something that I had never done before. I had seen
my own students work with them, but I had never experimented with them. I ended up doing two
paintings for this activity. The first one I did was the one pictured on the right. For this one, I was
just kind of discovering how the watercolors worked and how the droppers worked. While I was
doing this, I saw my peers moving their paper to get the watercolor to drip and I saw them using
the droppers to blow air on the watercolors to spread it around more. I thought that this was neat
and I wanted to try it for myself; thats why I did a second painting, which is the one on the left.
The tape resist painting activity can be modified for younger children by assisting them in
cutting the tape and putting the tape on the paper. This can be hard for younger children because
their fine motor skills are still developing. However, its very important for the child to be
involved in this process because even though an adult is helping them out you still want their
Quezada 2
piece of artwork to be theirs. To do this, we need to ask them questions like, How long do you
want the piece of tape? Where should I cut it? Where do you want me to put it? Their
instructions should be followed. For older children, this can be modified by only giving them
certain paints and asking them to mix the paint to make new colors. They can also be challenged
to make a pattern or design with the tape. These expectations should be given to them before
Even though I only did one activity for this studio, by looking at the handout that was
given to us, I can get a good sense of what each activity is. From the four activities presented in
this studio, the one that I would want to use in my own classroom is the Q-tip painting. I chose
this one because it has Q-tips, and I think that by introducing children to projects such as these,
where household products are used, itll broaden their perspective as to what art can be and what
can be used to make art. I also like that this lesson can be modified for my more gifted kids.
They can be challenged to make a drawing out of this, or a pattern, so I would most likely use
unfinished. For this one I did the oil pastel painting and I
was excited that this was the one that we were presented with. Ive always liked the way that
pastel feels on paper. What was new to me was the baby oil that was used. Ive never seen this
Quezada 3
done before and I had never heard of this either, so I was slightly confused when I heard what we
would be doing.
For this I started off by just outlining what I wanted to do, so I just outlined the rose. I
then got my Q-tip and I smeared the oil pastel in; essentially, I was just coloring it in. I went on
to do that with my stem and leaf as well. For the sky, I just slightly colored it in with the chalk
pastel and I finished smearing it with the baby oil. Finally, for the bird, I drew it and smeared it
once again. I could have left it without smearing it, but since I had done that with all the other
things in the drawing, I wanted the effect to look the same. I was proud of this project, because I
thought that my flower came out looking decent, even though it is kind of messed up on the top
left corner.
To adapt this lesson plan for older children, I would have them work as a group; it would
kind of be like a chain reaction. I would have one child use the oil pastel and make one design,
without removing the pastel from the paper, and then they would grab the Q-tip and use the baby
oil however they wanted. Then the next child would do the same, until they decide that their
piece of artwork is done. Since this can be difficult to imagine, I would do a demonstration with
myself and someone else and I would explain it to them as I did above. I think that some pretty
By looking at the sheet that was handed out to us, the picture that I think looks coolest is
the chalk pastel painting. The colors look vibrant with the black paper. I would do this activity
with my kids if I was not at a school with low-income families. I would have to be mindful of
my students backgrounds, since we are using buttermilk. If I were at a school with low-income
families I would use the oil pastel painting activity. This was fun and new for me, so I think my
Studio #3 Sculpture
For this studio, I had the opportunity to do the pipe cleaner sculpture. I clearly remember
this one because we were presented the all the activities for this studio, and the one that I really
material that I had never worked with before, but that activity
was given to another table and my table was given the pipe
cleaners. I had worked with pipe cleaners before, but I had never
I dont really like working with pipe cleaners because they never do what I want them to
do and they always poke me, so this studio was no different for me. I didnt really have an idea
of what I was doing, so I just started making whatever, and then I connected my square (which is
the top one), with the squares that my table partners made and we made a whole new sculpture,
To make this lesson plan more challenging for my more gifted kids, I would make them
do what I did with my table partners. First, they would make their own individual sculpture with
their pipe cleaners. Once they finish that, I would ask them to find a way to connect their
sculptures together with their table partners. From there you can ask them, Can you stand it up,
what would it need? To adapt this for older kids, I would have them recreate a structure that
they have seen before. It could be the empire state building, the flat iron building, or anything
Finally, out of the four projects presented to us in this studio, the one that I would want to
do with my own classroom would be the twisteeze sculpture project. A lot of what I want to
introduce to my future students are different materials that can be used as art. The other materials
are all something that I have heard of, besides the mat board, so I would really like to introduce
the twisteeze to my kids. They would have fun creating sculptures with this, and I would enjoy
watching what they make and how they make it and talking to them about their thought process
Studio #4 Dance
what we would be doing that day. The only problem I had with
this was the parking, but once we figured that out, it was
smooth sailing.
Before doing this, I didnt really know what to expect. Would they be showing us how to
dance or would we be dancing as well? How interactive was it going to be? Right as we got
there, Nanette put us to dance. I remember that the first activity that we did we had to get a
partner. They had to close their eyes and I had to lead them around the room. To me this was kind
of a trust activity. I had fun doing this, and I liked being in control. When it came time for me to
be led I had no problem giving someone else the control. However, even with my eyes closed I
could still see shadows and at times it felt like I was going to bump into somebody. When I felt
Quezada 6
that way I would kind of stop or resist where my partner was leading me; however, after some
Most of the activities that were presented to us were activities that I would do with my
children and that they would enjoy as well. The only one I would consider not introducing to my
students would be the very first one that we did. I feel like a lot of us had trouble letting go and
letting someone else lead them. So, I would consider my students before attempting this with my
kiddos.
Studio #5 Charcoal
the most fun using this material. I enjoyed the vine and compressed charcoal the most because I
liked that I could use different techniques with these two. With the pencil charcoal it felt like just
using a regular pencil, so that wasnt really a new experience for me.
Whenever I do try to draw, I always try to make whatever Im drawing look exactly like
what it is that Im trying to draw. So thats what I was trying to do with the pencil, and I tried to
do the same thing with the compressed and the vine charcoal, but those were more stubborn.
They didnt always do what I wanted them to do, so I had to improvise with those two, which
took me out of my comfort zone. Those two drawings are the two that are on the right. I tried
Quezada 7
doing the same thing with the two charcoals, but as you can tell they came out looking slightly
different. Because these two charcoals didnt really want to do what I wanted them to do, I
decided that I was going to make random drawings, and truly experiment with these. Those
drawings would be the circle, the one on the corner, and the one on top of that one which is
barely visible. In the end, I really wanted to experiment with rubbing, so I made light marks and
I just rubbed what I drew and the drawing on top was made from the charcoal residue that was
I like the idea of introducing charcoal to younger kids. I did this with my own classroom,
and I learned more about this material along with my students. It was nice, I just gave them a
prompt and, they began to draw. This open-ended activity really allowed them to think outside of
the box and it allowed them to make a drawing that was truly theirs. I also loved hearing all their
comments about the charcoal, since it was their first time using it. I hope to get the chance to do