Charlie Chaplin has indeed made a mark in the field of entertainment as a comedian who portrays a unique approach to acting. His films were not only hailed because of its funny substance but also because they were coupled with a little hint of satire. His movie Modern Times was one of the most successful comedy film he made and it garnered several acclaims from different movie critics. Modern Times encompasses the struggles of man in a constantly developing industry. Chaplin did not only decide to make a factory as the setting for the film because he wants to, but rather because theres a particular kind of element in making a satire out of the lapses of the industry towards men. This paper will try to analyze the movie in the context of man as part of industrialization. This may also contain some analysis on the point of view of Chaplin as the film director and as somebody who had personal experiences in the interaction of society and the economy. Chaplins overwhelming concern in the earlier part of the movie is the struggle and tyranny of technology and society, how humanity is forced to fit around and within the machines and institutions endemic in modern society. The scene which took place in a factory in which all workers were monitored and overseen by monitors was a good depiction of the ensnaring and enslavement of technology towards man. Humans were confined to a situation and pace that only machines could work with. The scene where Charlie had an accident in one of the gears of a factory equipment had me thinking of a meaning to that particular scene- that man is slowly being swallowed by the inhuman pace of industry and because we cannot cope with it, we oftentimes make mistakes which are in nature, part of our humanity. Its the funny and comical gestures of Chaplin that made the setting alive. Its his human side, which in his case, were his clumsiness and imperfection that made the industry more human. Charlie Chaplins concerns are humanity and its existence within a world where middle-class citizens are dehumanized by the surrounding industrialization. An article from deepfocusreview.com said that When he (Chaplin) returned to Hollywood after a yearlong hiatus in 1932, he was taken aback by the tyranny of the machine and the dwindled economic status of Depression-era America. He blamed those who constructed machines for solely profit-making purposes rather than improving the lives of ordinary citizens. From this fact, we can derive that the movie was based on the great depression in America. The movie questioned massive factories producing cheaper product faster when the process drives workers to the unemployment office; should this happen, no one would be able to afford the consumer products being built. In the latter half of the film, the mood changed from something that was focused on industrialization, to the context of human emotion- as portrayed by the love affair of Chaplin and the lady in the movie. Chaplin resolves that humanity thrives by human interaction, not through application of technology. Chaplin and the lady in the movie are like children, free of responsibility, while adults remain mindless and controlled automatons. They were the break between a busy world and the concern for self-attention. They are bonds of deep friendship and togetherness. Justin A. Catalan BSM III
To cap it off, Chaplins scenes and narratives developed from a process of
improvisation. His genius was bringing these scenes together into a cohesive story, but more than that, making his story as touching and joyful as they often played out to be.