Symphony-Street-Souvenir

for chamber ensemble and tape

Joanna Bailie
 Performance notes

instrument list accidentals

k
flute
bass clarinet/clarinet in Bb (written at sounding pitch in the score)
piano an eighth-tone sharp

violin
viola
cello a quarter-tone sharp

L
double bass (written an octave above sounding pitch)
tape (synchronized with the ensemble with a click track given to three eighth-tones sharp
each instrumentalist or one click track given to a conductor)

l five eighth-tones sharp

three quarter-tones sharp

glissandi
B a quarter-tone flat

K
glissandi start at the beginning of and finish
at the end of the notes joined by the line.
an eighth-tone flat
X X
.
& other signs and abbreviations

p.o. normal bowing position

p.s.p. poco sul ponticello

normal bow
s.p. sul ponticello
heavier bow presssure, producing m.s.p. molto sul ponticello
a sound between a normal bow and
a distorted "scraping sound" pont bow on the bridge

i
 0:03
i Symphony Joanna Bailie
4 q=60 tune to the piano!
1
4 a little mechanical, but never aggressive

2 bars of click

flute &

clarinet in Bb &

&
> > > > > > > >
f
> > > b > > > >
?
piano

b
r r r
4 3:2
1/2 ped.
3:2 3:2

1
4
violin 1 &

> > > > >

B b
3:2

> > > >>> > > > >

viola
r 3:2r 3:2r
f etc.

? r 3:2 r 3:2 r
b
3:2

> > > > > > > > >>> > > > >
violoncello

f etc.

Double Bass
?
joanna bailie 2009/2014/2016 1
 6

fl. &

cl. &

&
r
? > > > > > > > . > b > . > b >w . .
pno mf 3:2

. b. bw . .
r > > > > >
3:2 1/2 ped.
6

vln 1. &

r
B . b.
3:2

bw
> > > >>>> > > > >
vla.

? r > > > > . > .

3:2

b. bw
> > > > > > >. > > > > r
vlc.

3:2
mf etc.

? > > > > . > .

D.B.
r
3:2
mf etc.

2
 12 1:03

fl. &

cl. &

&
pno
r 3:2 r
?
3:2

b b w
3:2

3:2

b b w
> >>>> > > > > > > > >
12

vln 1. &

vla. B

? > > > > > > > > > b > > b > > > w
vlc.
r r
3:2 3:2 3:2 3:2

? > > > > > > > > > b > > b > > > w
D.B.
r r
3:2 3:2 3:2 3:2

3
 18 more delicate, restrained

fl. &

cl. &

b > b > ... > ... b > b > >

& . b b b ... b > >
b
>

r r
mp 3:2
pno

?
1/2 ped.

18
b > b > . > . b > b > > . > > >
vln 1. & . r r
mp etc. 3:2

> > . > . > b > b > . > > >

vla. B . r r
mp etc. 3:2

? b >O O O b >O O O .. >O O O .. b >O O O >O O

O b >O .. O O b >O O O b b >O O >O
. r b
vlc.
r
mp etc. 3:2

D.B.
?

4
 24

fl. &

cl. &

> . m > m > > > .

m m ...
b > . .
n n b ... b ...
b > >
& n ..
m m
pno 3:2

?
p

1/2 ped.

> > > > . b > . . b > >

> .
24

vln 1. &
3:2

m > m > > m > . n > . . > >

p etc.

> .

vla. B
3:2
p etc.

vlc.
? O O O n n >O .. O O
>
m m O O m m >O O >O O O O m m >O .. O n n >O .. O .. >O O >O O
3:2
p etc.

D.B.
?

5
 30 2:03 a bit more romantic

fl. &

cl. &

. .
. .
& . .
pno 3:2
r
?
mf

ped.

. .
30

vln 1. & r
3:2
mf

b O O b O .. b O O O O O ..
vla. B r
3:2

. .
mf

vlc.
? r
3:2
mf

D.B.
?

6
 36

fl. &

cl. &

. . b b w
. . b b w
& . . b b w
pno

?
mp p

. . b b w
36

vln 1. &
mp p

O O O O O O .. O O O O O O O .. O O b b O O O O b b O O Ow
vla. B
mp p

. . b b w
vlc.
?
mp p

D.B.
?

7
 42

fl. &

cl. &

b r b
3:2

b ... b b b b
& . b
b b
mp p pp ppp

b . b bb
pno 3:2
p
?
pp ppp
b
mp 3:2

r b r
ped. ped.

b b
.
42

& b
3:2

r

vln 1.

p pp ppp p pp 3:2
mp ppp
b
b . b
B
3:2

vla.
b r
pp ppp
mp p mp p pp 3:2

ppp

? b . b
3:2

vlc. r
mp pp ppp 3:2
p mp p pp ppp

b
? b b
D.B. r
3:2
p mp p pp 3:2

mp

8
 48 3:03

fl. &

cl. &

you can arpeggiate a little!

b
& b b
mp p

pno

? b
b


ped.
48

vln 1. & b b
mp
p

b
vla. B
mp
p

vlc.
? b
mp p

? b
D.B.

mp
p

9
 54
almost imperceptible

fl. &

cl. &

b b .. b b wwww
& b .. bw

? .
pno pp ppp pp

w

ped.

54
b. w
vln 1. &
pp ppp

. bw
vla. B
pp ppp

b. bw
vlc.
? w .
pp ppp pp

.
D.B.
?
pp

10
 61

fl. & . k
ppp

cl. &

&
pno

61

vln 1. &

vla. B

vlc.
?

D.B.
?

11
 4:20
ii Street
4 q=60
1
4

click starts

flute &

clarinet in B-flat

clarinet in Bb &

?
piano

4
1
4

non vibrato

&

violin 1

. B ,
o f

non vibrato

B r
viola
3:2 m
o f o f
,
? B . n
non vibrato

violoncello
B r B
3:2
o f o f

,
? B . b m
non vibrato

contrabass
r m
o
3:2
o f
12 f
 6

fl. &

cl. &

b . . m n .
b n b . b . r r 5:4 pr
b
3:2

. m . r r b
r
b
pp
r r r . p
5:4 5:4 5:4 5:4 mp 5:4 3:2
pp ppp 5:4 ppp mp
p pp ppp p p
mf p

?
pno pp p

ped.
ped. ped.

B .
6

&
b r r
vln 1.
3:2
o mf o

B r r .

vla.
3:2
o mf o

vlc.
? b
o

? r

cb. n . m r B r
o r o
3:2 mf
o
mf

13
 11

fl. &

cl. &

b m . .
. n . ppp mp 5:4
pp
r b b
5:4 5:4

. r m m
5:4
m .

p
r
ppp mf

.
b m . r b n pp b b

pno
3:2
mp pp
5:4
mp
5:4
ppp
5:4
p p p
3:2
p
pp ppp
rp pp p
mp

?
p

3:2
mp

ped. ped. ped. ped.

11

vln 1. &

vla. B

vlc.
?

cb.
?

14
 16 5:20

tune to the piano

fl. &

. b >
cl. & r
pp

b
mp

b b n .
pp
r
pp mf mp
p . pp .
. b . m m m .. b b
3:2
p

b
mp

m
mf

.
mf

r r
r r
mp
r b . ppp mf
mp pp mp 3:2 pp

?
pno mf mp p

5:4 mp 5:4 ppp

ped.
ped. ped.

m > w
p.o.
*
16

vln 1. & r
5:4
p

vla. B

vlc.
?

cb.
?
* Imitate the dynamic envelope of the bell sounds, with a sharp precise attack (even when pp)
Blend with the piano and the tape.
15
 21

fl. &

cl. &

. b
b .. n . b bpp
n
ppp

mp ppp

r
r r n [ . m
3:2 mp p 5:4 pp p
r
pp p 5:4 ppp

?
pno 5:4

ped. ped.

21

vln 1. &

b > ..
p.o.

vla. B
pp

vlc.
?

cb.
?

16
 26 m > . b >
fl. & r r r
5:4 5:4
pp pp

>
cl. & . b .
5:4
r
mp

.p b r
m . b . [ m b .. .. [ m
mf 5:4

n ..
pp

mp mf

b
r pp ppp . r r
r 5:4
b b
pp mf mf

m
5:4 pp 5:4

?
pno

m w
pp 5:4 ppp mp 3:2

5:4
r r
5:4

p ppp
&
mp m [ m p
p
5:4
ped.

26 5:4
r .
& . b b .. r
>
vln 1.

5:4

>o
p

o o o
pp

b > ..
vla. B & r B
5:4 3:2
ppp pp

? >
vlc. m m w
5:4
p

cb.
?

17
 31 6:20

fl. &

& r r
> w
5:4 3:2

cl.

> pp
mp

m b
ppp

[ b
p b p r
.
3:2

pno mp ppp pp

5:4 mp
r
pp

&
5:4

. r r 3:2
ppp
5:4

ped. ped.

31 > >
vln 1. & r
pp p

>
vla. B r
mp

>
vlc.
?
mp

cb.
?
18
 36
>
fl. & r
6:4
pp

cl. &

.
b p . w
pno mp
pp

b ... r . b m .. ww
mf

& r
3:2
5:4
3:2
r 5:4
5:4 5:4 mf
p mp

36 > . > b > > . w

vln 1. & r r
5:4 3:2 5:4
p pp mp p

>
vla. B
6:4
r
.
pp

vlc.
? > .
5:4
pp

cb.
?
19
 .
41

fl. &

>
b
6:4

& .
>
cl.

p mp

b

pno

&
ppp mp ppp
ped.

mf

41 > .
vln 1. & r
6:4
mp

b > > .
vla. B .
6:4
p
mp

? b >
vlc. r
6:4
p

cb.
?
20
 >
46 7:20

fl. &
r
b >
3:2
mp

&
3:2
r
cl.

pp >
mp

bw

pno

&
mp
ped.

b > m > m >

46

vln 1. & r r
mp 3:2 mp

>o
mp

o r
B
3:2

>
vla.
mp
pp
>
vlc.
?
p

cb.
?

21
 51

fl. &

r
r
ord.

& m .
>
cl.

p
> pp

. b
pno

&
r
5:4 5:4
p
ped.

m >
51

& .
r
vln 1.

pp 5:4

>
vla. B
5:4
pp

vlc.
?

cb.
?

22
 56

fl. &

cl. &

& r . . .
pno

r
5:4 p

ped.

b > . . >w
> m >
56

vln 1. & r
5:4 pp ppp
pp

b > b >w
vla. B & r B
pp ppp

> . m > > m >w

? .
vlc. r
5:4 pp p
pp

cb.
?
23
 61 8:20
b > . w
fl. & r
pp

>
cl. & b. w
r
mp

pno

&

>
61

& . w
r
vln 1.

mp

b > . w
vla. B r
mp

b > . w
vlc.
? r
mp

cb.
?

24
 67

fl. &

cl. &

(tape continues
for 40 seconds)

pno

&

67

vln 1. &w w

w
vla. B

w w .
vlc.
?

cb.
?

25
 9:47

q=60
iii Souvenir
click starts
1
r
& . .
10
fl.

pp mp

?
bass clarinet

10
cl.

&
10

?
Tacet

pno
10

*B .
p.o.

& r
10
vln 1.

pp mp

B
10
vla.

vlc.
? 10

cb.
? 10

* aim to blend in with and "colour" the accompanying sinetone
26
 16 10:47

fl. & .

cl.
?

&
?
pno

16 n
vln 1. & . r
pp

.
p.o.

vla. B r
pp mp

p.o.

vlc.
? B
3:2
pp mp

cb.
?

27

22

fl. &
pp mp

B
cl.
?
3:2
pp mp

&
?
pno

22
vln 1. &
mp

.
vla. B r r
pp mp

vlc.
B
r . ?

cb.
?
28

28

& .
11:47

fl.
r
p mp

cl.
?

&
?
pno

B
28

vln 1. & r .
p mp

vla. B
p mp

vlc.
?

cb.
?

29
 34

& .
r
.
r

r
fl.

pp mp

.
cl.
? r
pp p

&
?
pno

n
34

.
p.s.p.

vln 1. & r
pp

. r
r
vla. B K
pp

m
vlc.
? r
pp mp

cb.
?

30
 r
40
r .
fl. & m
pp p

n r
?
half-breath/

r
half-tone
cl.

pp p

&
?
pno

r
40

vln 1. &
mp

vla. B
p

? K
3:2

r
vlc.

pp mp

? r
p.o.

cb.

pp p
31
 half-breath/
46

r
12:47 half-tone

fl. &
pp p

half-breath/

?
half-tone

cl.
. m r
3:2
pp

&
?
pno

46

p.s.p.

& r

vln 1.

pp p

B . r r
vla.
r
pp p

? .
p.s.p.

r
vlc.

3:2
pp

? .
r
cb.

32
 52

&
fl.
B

.
cl.
?
p

&
?
pno

52

&
.
vln 1.

B .
p.s.p.

vla. B
pp p

vlc.
?
p

? . B
p.s.p.

cb.

pp p
33
 58

fl. &

cl.
?

&
?
pno

58

r
s.p.

&
.
vln 1.

pp p

r . rp.s.p.

B m
vla.

pp p

? r
vlc.

?
cb.
. n
pp
r
p

34
 64

13:47

fl. &

cl.
?

&
?
pno

64

& r
m
vln 1.

B
s.p.

vla.
.
pp p

vlc.
?

cb.
?

35
 70

fl. &

cl.
?

&
?
pno

70

vln 1. &

B
vla.
. m
o

vlc.
?

cb.
?

36