DOI 1015929 / jcnki10042172201702008

2




J6005 H059 A 10042172 2017 02007607

2 Urbana
p. 12 Beethoven
sketchbooks p. 14
programmatic p. 10
articulation p. 19
member s accounts
p. 20 striking point
p. 29 striking ratio
p. 30 mid century

p. 32






19




romantic virtuoso
1 p. 1
University of IllinoisChampaign p. 1 Not surprisinglyin nineteenth

20170211
2016 2016KL041
1986 310002

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century arts and letters the piano emerged as a

veritable cultural symbolfor exampleas an object 1815
associated with romantic subjectivity and Victorian sen-
timentality as a conveyor of a special emotional lan-
guage that transcended the mere play of words as a 5 ff
symbol of Biedermeier respectability and domesticity in p 38 not to mention
post Napoleonic Germany and Austria and as a sturdy the una corda at measures 5 ff
article of furniture in middle class drawing rooms ff




5 ff
ff ff fol-
lowing 5

5








19

Leon Plantinga
19
obert Winter

William Kinderman

Walter Frisch


1815
p 2
Here the piano is used to accompany a waltzthe then
risqu dance that wasof coursethe rage of Vienna email
during the Congress of 1815



Le Congrs ne marche
pasil danse
77



19

19

Nineteenth Century Piano Music

19 19

19 Joseph Kerman
19
1990 Schirmer Books 1

Larry Todd 1990
11
19

2004
outledge

14

60



2

20 facts
3
interpretation
50
60
1

Eva Badura Skoda

78
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20












19
2

UCLA



19

19



19



19





19

19 2001
19

79
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4

Leo Treitler














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David Beard
and Kenneth Gloag Musicology The Key Concepts London and
New York outledge2009 pp 13537


2008

1990 1 99 114

19

paradoxes

paradoxes


2015 16
2

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2003 3 16 2013 4 10

3 J
2003 3 42
1 M 4 J

2008 127 2011 2 3

A eview on Nineteenth Century Piano Music

and Problems in Music Academic Books Translation

QU Feng

Abstract The recently-issued Chinese translation of Nineteenth Century Piano Music Second Ed is deeply
flawed in matters ranging from terminology to idiomatic expression to simply grasping the authorsintentions Unfor-
tunatelythe problems throughout this translation do not present a special case but are shared by numerous other
Chinese translations This review not only critiques Nineteenth Century Piano Music from the perspectives of both ac-
ademic research and the art of translation but examines in light of the latest scholarship the larger issues raised by
Chinese translations of Western music academic books
Key words Nineteenth Century Piano Musicacademic translation worksmusic academic books

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