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Wang Shu Chin's Taijiquan - Tai Chi C PDF
Wang Shu Chin's Taijiquan - Tai Chi C PDF
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IN TAI CHI CHUAN PRACTICE -
MAINTAIN AN EMPTY, HOLLOW CENTER
WANG SHU - CHIN
Tokyo, 1972
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WANG SHU - CHINS
Tai
Chi
Chuan
The1981)Tai was
Chi Chuan taught by Grandmaster Wang Shu Chin (1904
the first system of Tai Chi Chuan introduced into Japan. His
style was taught to thousands of Japanese and other nationalities beginning in
1958. This fact is quoted by the world-renowned author, Robert W. Smith in his
latest book on the Hsing - I - Chuan. It is a synthetic methodology and utilizes
principles from the Chen, Yang, Wu and other styles. As Wang Shu Chin was
very skilled in the Hsing - I - Chuan and Pa Kua Chang before his training
began in the Tai Chi, some of these internal methods were also incorporated in
his brand of the grand ultimate fist. Wangs Tai Chi has been noted as being
one of the most effective and follows the doctrine of every move has a
purpose . Indeed a practitioner may not even understand the multiple
applications of a technique until it is used without conscious thought.
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Thus a skilled teacher of this system may explain the application of any
given technique in several different ways. One is actually studying the
principles of movement, feeling gravity and applying physics without conscious
analysis of what and how it should be used. The rationale of technique can
sometimes only be explained after one reacts, instinctually to an attack. The
training of this method of Tai Chi is similar to a plant absorbing nutrition from the
ground through its roots, and gaining energy via its leaves from the air and sun.
Knowledge is not taken; it is absorbed only when the student is ready.
THE SOURCE
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Quote I am fond of martial arts since I was small. I started to take
lessons of Pa Kua Chang and Hsing - I- Chuan from a very famous
pugilist master, the world known Old Man Chang Chan - Kuie, Chao - Tung.
Master Changs Pa Kua Chang is transmitted from old master Tung Hai -
Chuan, his Hsing - I- Chuan is learned from two old masters Liu Chi - Lan and
Kuo Yuen - Shen, and these two masters learned from Li Lo - Neng, Fei Yu, and
Tai Lung - Pang. The latter in turn learned from Chi Lung - Feng. Traced to the
source, it is transmitted as early as from Yue Wu - Mu in the Sung dynasty (960
- 1279 AD).
Grandmaster Chen Pan - Ling and Grandmaster Wang Shu - Chin pose in this group
photograph of Tai Chi practitioners in Taiwan. Inset is a enlarged copy of the two
teachers of the internal (nei chia) martial arts.
Inalso1938, I met and practiced Pa Kua Chang with Mr. Hsiao Hai - Po,
learned San Tsai Chuang (three forces staking: heaven, earth. and
man), Hun Yuan Chuang (Constitution stake) and different stages of staking
techniques from Mr. Wang Hsiang - Chai.
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Then I get the
instruction from
Mr. Chen Tsun - Feng,
Pan - Ling, the vice -
principal of Nanking
Central Martial arts
school. For over twenty
years, studying and
practicing with him, I
began to understand the
differences and
similarities of the three
and the profound mystery
of their correlation. With
my experience of over
fifty years, I still feel my
knowledge is not perfect,
I dare not say I am
skilled in all three.
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Itdifferent
should be noted that Wang Shu Chin did change and emphasize
principles and applications. Eight mm footage of Wang Shu -
Chin taken in the early sixties shows a form that more closely resembles the
pattern taught by Chen Pan - Ling. The fact that Wang Shu Chin often
engaged in combat during the 30 years prior to his death, also served to
influence what he thought was important in the Tai Chi form. Therefore though
the shape of the forms is similar, the principles and the inner, unseen
movements of the two systems differ greatly.
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Thecurious.
parallel between Sun Lu Tang and Wang Shu Chin is also
Both individuals were high level experts in the two other
internal arts before turning to the third, Tai Chi Chuan which seemed to round
out their combative capabilities and understanding of the internal methods. This
order of learning the three arts, with Tai Chi as the last system learned, raises
the question of why many of the present instructors in this lineage insist that Tai
Chi must be learned first?
PRINCIPLES
Thebut principles of Wang Shu Chins Tai Chi are somewhat arcane
not magical.
They are based on sound
rationale of human anatomy,
Physics, and application. Chi,
Ching, and Sheng are trained
in equal parts. Every trainee
can find what they are looking
for. To stress any aspect greater
than the other two will lead to
incorrect interpretation and usage. This can lead to possible internal organ
damage and also harmful tendon, ligament misalignment / stretching. The
principles as detailed below are only some of the more important
considerations. This article could not possibly encompass all major issues.
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1. Cross linking
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Once an individual
feels the correct
pathway, his use of gravity,
timing, acceleration, and
mental involvement all add
up to create a pulse of
force. The effect of this
crossing is amplified when
the two opposites are
oscillated quickly. This
however takes some
perception and repeated
action. The slow movement
of the Tai Chi form allows the
formation of feeling ones way
through this cross-linking of
the limbs.
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2. Power comes from training, it does not go into it
Thethe practice of Tai Chi and the other two internals is based on finding
means to naturally derive power. The external arts in their way are
beneficial and many exponents are very skilled at these arts. The internals
however require a trainee to find the precise point at which gravity, and the
principle of a changing circle can be applied to both evade damage via an
attack and then either harm or stop an opponent. To feel the correct time to
change from heavy to light, fast to slow, curved to straight requires both
sensitivity and intent. To attempt the generation of power while training the
internals in this style thwarts the use of tendon, cartilage and fast-twitch muscle
for obtaining short, high acceleration movement. The practitioner can generate
just as much power as the user of muscular force; he however does it with
much less effort. Furthermore as Wang Shu Chins system does not use kime
(in Karate, the contraction of muscles to stop a full power strike). Circular motion
and non-forceful techniques are required to ensure no damage is done to your
body. You simply cannot be sensitive enough to feel where Ching can be
derived if you use powerful, forceful movements. The zero inch and one inch
penetration techniques are accomplished through the use of the leg, hip, back
and shoulder. The hand only transfers this force. It is only a conduit used to
guide the Ching. Therefore any area of the body including the head, shoulder,
hips can strike with equal force.
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he main mass
Tof the body
sinks down, not back or
forward, it simply settles in
place on the rear leg.
The thrust of power is
accomplished via a very
small movement from the
thigh, through the hips,
back, shoulders, elbow,
and finally the hands
move forward. This shape
is passed through in every
movement of the form.
The final shape is like that
of the letter C. If one
practices this form
correctly, then by bringing
the hips up, and curving
the back, he is doing a
natural sit-up a few
hundred times through the
drill. Leaning into the strike
by more than one inch
negates the use of the
powerful thigh muscles
and the action/reaction of
the body weighting -
thrusting into the ground
via the rear leg. Every
action has an opposite
and equal reaction.
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4. Watch the details, the beginning and ending
f you see
Isomeone training
Tai Chi Chuan, who makes
a noise when his front lands,
or has a straight front leg,
or is leaning back they
have lost control of the
center of mass of their
body. They cannot attack or
defend, as their core is not
controlled by them. This
individual will require a short
length of time to center
their body before they can
move in any direction. It
does not really matter if
anyone else witnesses this
lack of control for perhaps
the last 1% of movement,
the performer knows. You
have control or you do not. EXAMPLE OF PROPER CORE TRANSFER IS
SHOWN IN THE TOP (GREEN) MODEL. MASS IS
It is this final settling of TRANSFERRED INSTANTANEOUSLY AND WITH
weight that determines how COMPLETE CONTROL.
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Onelearnhastoto
accept the pain in the
legs, To support your
weight and control the
change of balance
requires strong inner thigh
muscles. Study your
natural method of
walking. Is it controlled?
Or do you simply place
one foot in front of the
other. Do you move with
ease through a crowd of
people at rush hour, or
are you constantly off
balance? When you rise
up from sitting in a chair,
is your body upright? Are
PAYING ATTENTION TO DETAIL - THE COILING,
your legs doing the FLEXING AND FEATHERING OF THE FINGERS,
work? Are you leaning HAND, AND WRIST IS PARAMOUNT TO PROPER
CHI KUNG, NEI KUNG TRAINING. THE HANDS AT
forward as you rise up THE TOP OF THE FIGURE ARE CORRECTLY
and are you gripping the FORMED.
table to get up? These
are very small things, but they add up. Total body control or not? Knowing what
is lacking is the first step in correcting and controlling your own body. Awareness
is the key to sensitivity, which is the guide to self-control.
Thedegree
other aspect of watching the small details is the number and
of changes (reversals, opposites) between movements. In
Wang Shu Chins school one movement does not simply mesh into the next
one. It does not simply alter direction via a circle, or a changing arc.
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There is an aid to gaining momentum for the next movement, from the
one previously performed. This is known as finding the loop. A small
circular arc,
sometimes not
visible proceeds
every change in
technique. This
principle once
learned seeps into
every change of
direction,
movement, and
height. It is the small
white dot in the
black portion of the
Yin/Yang. After thirty
years of training, an
advanced trainee
will coil the inner
core first, before a
THE USE OF YIN/YANG OPPOSITE FLEXING, COILING
change of AND WRAPPING IN THE WANG SHU - CHIN STYLE OF
movement. But this TAI CHI CHUAN. EACH MAJOR JOINT OPPOSES THE
NEXT ONE TO CREATE A SPRING-LIKE FORCE. THE
small internal loop ACCUMULATIVE FORCE USES THE RELEASE OF THE
or changing within COILED JOINTS FOR THE RELEASE OF CHING.
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Thebecause
hour reaches an end, and they train for 5/10/15 minutes more
that is where they would rather be. This is the feeling aspect
of Grandmaster Wangs Tai Chi Chuan. Many individuals in the martial arts train
the patterns and basics because they have to. In this style - one trains because
you want to. As one thirty year instructor has stated The training is like a drug -
it becomes addictive.
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here is an another aspect of Grandmaster Wangs Tai Chi Chuan that
Tis determined by the symmetry. There should be a curved, anatomical
flow through the four limbs.
If one sees the shape of
someone maintaining
proper coiling of the end
points (hands and feet),
there is a natural flow of
curvature from one joint,
through the spine, to the
lower limbs. Once this
principle is learned, the
trainee will instantly see
inconsistencies in other
practitioners. Once the
postures are assumed with
attention to symmetry, one
THE CORRECT ALIGNMENT, ROUNDING OUT
should feel the increase of AND SYMMETRY APPLIED IN THE STAKING,
chi flow. The awareness of MEDITATIVE, PRACTICE WHICH IS THE FIRST
LEVEL OF TRAINING IN WANG SHU - CHINS
this principle will eventually ARTS. A TRAINEE PRACTICES STILLNESS TO
be extended into every FULLY UNDERSTAND THE MOVEMENT. THE
INTERNAL ARTS UTILIZE MANY ASPECTS OF
posture throughout the drill. TRAINING AN NON - ACTION TO FEEL THE
Some individuals who have OPPOSITE REACTION.
looked at photos of
themselves, prior to understanding this principle have commented they look
scrunched up, or restricted or not rounded out. The overall result of this
methodology is a total body stretch. The feeling of symmetry will first impact on
the major joints, then extends, eventually to the toes and final finger joints. Every
joint is flexed, coiled, and stretched which enhances both chi flow, correct
alignment and movements of the skeletal / muscular structure. It also greatly
adds to the elasticity of the total body winding/unwinding, which is a large
additive factor in the application of force.
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6. Force gathering recoil training
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Tanden (not Tan Tien) is the Japanese term for the practice and
repetition of one isolated technique for a fixed number of counts.
Therefore this practice is similar in context to the kihon of Karate. For example
the double palm push is one of the techniques trained for example 50-100
times with left foot forward, then the opposite leg is placed forward for 50-100
repetitions. This training method was usually not taught in Japan in the seventies.
In Taiwan it was trained at the end of every session. Each art (Tai Chi , Hsing - I,
Pa Kua) has its own series of Tanden (force gathering) training. The concepts
and principles that a student learns from this methodology are very important for
proper application of ching. The trainee finds a very narrow gap in timing,
weighting, rounding out and sinking weight onto the rear leg, that causes a
pulse-like throwing of force in any chosen direction. The striking element is not
important as an elbow, shoulder, head can be substituted as required. What is
important is sinking the weight onto the rear leg as the striking surface is moved
forward. As the rear leg pushes against the ground, force is exerted upwards.
This pushes the waist and torso forward. The force is directed through the curved
upper body, and into the trapezoid muscles, which wrap forward towards the
shoulders. The shoulders now flex forward which drives the elbows forward. The
elbows wrap inward as the wrist coils in an opposite direction. The wrist is
popped from a position where the fingers point to the imaginary opponents
chest. The palm butt is pushed forward as the wrist flexes. The fingertips are out
of harms way and point upward. There is very little force applied throughout this
practice. Some of the advanced trainees practice the concept of the ching
release on mechanical devices. This gives a real sense of positive feedback as
to the development of ching. Trainees should experiment, as their teachers did.
There are important considerations beyond the scope of this short article that
are important in the sense of both power development and balancing the
recoil of force into the practitioner. Some trainees that have more than enough
ching have actually had to train the force gathering while standing on
compressed foam padding.
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Youused.canTheharm yourself internally and externally if extension of power is
importance of training with a light intention and no mental
or physical willing of power is so that the proper feeling can be developed.
One disciple of Wang Shu - Chin stated that Tanden training should be viewed
in the context that one has when depositing money in the bank. Daily training
was the same as the original amount of money plus the daily addition of the
interest. Money or power would be there when you needed it. The concept of
moving as the wave of the ocean flows towards the shoreline is also important.
The linking of the major joints as ching flows \through the body is an
accumulative effect, ending with a light snap as the ching travels to the
fingertips. The flexing of tendons and coiling of joints creates a spring
mechanism from head to foot. It is the release of this spring that is multiplied
by the use of gravity, and creates a very short penetrating strike with almost any
part of the body.
IN CONCLUSION
Many people have pondered why this style is so effective. Wang Shu
Chin seems to have had a quest for finding the best instructors of
each internal art and to establish a close relationship with them. He also spent
a lot of time finding what his teachers could not give him. There is much of
Grandmaster Wangs history that is a mystery even to his closest followers. The
obvious discrepancies in what he supposedly was to each individual is peculiar.
Being close to a Grandmaster and learning a multitude of forms / techniques is
not a guarantee that an individual can use or teach this knowledge.
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Themethods
Wu-Tang Tai Chi of Wang Shu Chin is comprised of several
of meditative staking (post-standing), Chang Chao Tungs
Fa Ching training, various methods of push hands, weapons, and the one 99
step form. It is very deep in requiring analysis and repeated training. There are
several levels of both principles and techniques. It is common that high level
teachers and practitioners collapse the shape of their positions. Therefore,
observers see little. Students, however, must not allow uncorrected mistakes or
a lack of determination of mind to enter the practice session. Simply repeating
what you have performed the day before is not enough. A good set of
carpenters tools is of little use unless they are used, skills developed and are
well maintained.
2000-M.E.Rottmann
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Write to:
The International Wang Shu-Chin Memorial Association
P.O. Box 48118, Midlake P.O.
Calgary, Alberta, CANADA T2X 3C0
Or Email: postmaster@wangshuchin.com
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