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ierotopy and Iconography Sacred Spaces, Indrik, Moscow 2009, 607-621.
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Byzantine Art, The Pennsylvania State University Press, University Park and
London 1987, 82-84.
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chatology in Jewish and ChristianApocalypticism, Brill, Leiden 1 New York 1 Koln
1996, 131-134),
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tion to the Literature of Early Monasticism, Oxford University Press, Oxford 1
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Djami and its Place in the Deve/opment Palaeologan Art, : Studies in the Art
the Kariyje Djami and its Intellectual Background, Princeton University Press,
Princeton, New Jersey 1975, 109-110; : David . Winfield, Middle and
Later Byzantine Wall Painting Methods. Comparative Study, Dumbarton Oaks
Papers, VoJ. 22, (1968), 133; Pau] . Underwood, h Kariye Djami (Volume 1),
Bo1lingen Foundation, New York 1966, 172-179.
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tionBooks, London, 1997,162.
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226 Henry Maguie, Paradise Withdrawn, : Byzantine Garden Culture (edited
Antony Littlewood, Henry Maguire, and Joachim Wolschke-Bulmahn), Dumbarton
Oaks Research Lirary and ColJection, Washington, D.C. 2002, 29-35.
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Boris Brodsky, The art treasres from Moscow ss,
Izobrazitelnoye Iskusstvo Pulishers, Moscow 1991.
, ,
, 1987.
, . cyg
I< (. zg .) g
XVI ,
22-23 ( 1997), 47-68.
Otto Demus, Byzantine Mosaic Decoration; Aspects
Monmental Art in Byzantim, Boston, Massachusetts 1964.
Otto Demus, h Style the Kariye Djami and its Place
in the Development Palaeologan Art, : Studies in the Art
the Kariyje Djami and its Intellectual Backgrond, Princeton
University Press, Princeton, New Jersey 1975, 107-160.
, , ,
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1999, 23-38 .
. , z,
, 1974.
. , , ,
h ., , 1990.
219
, cpegref
, , 1992.
, Apeouaffll, ,
2009.
.. ,
m, : epycamtkt
, , 1994, 15-25.
Henry Maguire, Earth and ; The Terrestrial World
in Early Byzantine Art, The Pennsylvania State University
Press, University Park and London 1987.
Henry Maguire, Paradise Withdrawn, : Byzantine Gar-
den Clture (edited Antony Littlewood, Henry Magire, and
Joachim Wolschke-Blmahn), Dumbarton Oaks Research
Lirary and Collection, Washington, D.C. 2002, 23-35.
Henry Maguire, The Icons Their Bodies; Saints and
their Images in Byzantim, Princeton University Press, Pri-
nceton, New Jersey 1996.
, f-
goramce , , 2008.
: g- Apeouarum,
1, 1 ( 1996), 76-86.
,
g g , ,
f, 21 (
1990), 41-59.
Vladimir Mako, h Art harmony, Orion Art, Beograd
2007.
, : ~ g
r
r , , .4,
( 2010),
131-156.
220
, lr; , ohu
geo, 1995.
. . , :Jicuonucu
; 1 XIII- XVI . ,
, 2004.
Robert Osterhout, The Holy Space: Architecture and the
Liturgy, : Haven Earth: Art and the Church in Byzantium,
The Pennsylvania State University Press, University Park,
Pennsylvania 1998, 81-120.
Misel Pasturo, Plava: Istorija jedne , Sluzbeni gla-
snik, Beograd 2011.
, .l ,
, 2002.
, . cyg , - .
r-r l ,,
XLIII ( 2011 ), 65-83.
, I<
r, 2005.
, I<.; rg
l r , ,
, 2006.
. , g; I< ,
, 1-4, ( 1998), 1-49.
Paul . Underwood, The Kariye Djami (Volume 1), Bo-
llingen Foundation, New York 1966.
, , , 1990.
William Harmless, S. ., Desert Christians; An Introdu-
ction to the Literature ofEarly Monasticism, Oxford University
Press, Oxford 1 New York 2004.
Adela Yarbro Collins, Cosmology and Eschatology in
Jewish and Christian Apocalypticism, Brill, Leiden 1 New
York 1 Koln 1996.
221
Branislav Cvetkovic, Some Hierotopical Aspects the
N ew erusalem Programmes in the Fijteenth-Century Serbia, :
New Jerusalems; Hierotopy and Iconography Sacred Spaces,
Indrik, Moscow 2009, 607-632.
Roin Cormack, Painting the Soul: Icons, Death Masks,
and Shrouds, Reaktion Books, London, 1997.
Gilles Quispel, The Secret Book Revelation; The Last
Book the i, Mcgraw-Hill Book Company, New York,
San Francisco, St. Louis 1979.
David . Winfield, Middle and Later Byzantine Wall
Painting Methods. Comparative Study, Dumbarton Oaks
Papers, Vol. 22, (1968), 61-139.
Warren Woodfin, Liturgical Textiles, : Byzantium: Faith
and Power (1261-1557), Metropolitan Museum of Art, New
York 2004, 295-323.
222