Professional Documents
Culture Documents
Of Their Own
Loveliness
for (amplified) mandolin quartet
2001
robbie@fas.harvard.edu
Program Note
Sometimes I become fond of a particular material or process that contributes, along with
many others, to the fabric of one of my more complex pieces. Similarly, sometimes a
fragment of pre-existing music strikes me as worth more attention than it would receive
in my often dense layering of quotations and other materials. These special artifacts
sometimes engender satelite pieces; usually shorter, more static works in which whatever
found object is given an environment where it can proliferate. Perhaps these pieces are
like exhibits - carefully made display cabinets for little treasures - but, in place of the
austerity of the displays of natural history museums, their encasements are made of many
mirrors and copies which both magnify and obscure.
This piece takes the plucked harmonics of a mandolin quartet, such as those that
appeared briefly at the end of my 'Fields of Golden Hay', and a quotation from the final
movement of Alfred Schnittke's Piano Quintet. In both sources, the chosen materials
represented a transcendent closure; in 'Fields' the harmonics color the return of the
opening chorale, in Schnittke's piece, the piano ostinato is a vision of eternal paradise for
his recently deceased mother. While harmonics are all pervasive in this quartet, the
ostinato quote is recalled only gradually. By the time it appears in full, it is lost in the light
of its own refractions. The gentle decadence of this bright light recalled for me these
lines of Oscar Wilde:
sul E
sul A sul D sul G sul B sul E
7
7 sul
E sul A sul D sul G sul B sul E
q = 56,
3
3
Pure and sonorous
3 3 3 3
3
3 3
Mandolin I
mf
Mandolin II
m
Mandola
Guitar
4
3 3
3
3 3 3 3
m
3 3
7
3 3 3
6
10
3 3 3
3
13
mf
A
q
3 3 3 3 3
17 = 64
3 3 3 3
f
3
3
3 3
3 3 3 3
f
7
20 3
3
3
mf
3 3
3 3 3 3
m
f
3 3
3
3
3 3
f mf
3
22 3
3
3 3 3 3
mf
f
3
3
3
3
f 3 m
3
3 3 3
3
3
f
3 3
25 3
3
p
3
3
3 3 3
f
m
3 3
3 3 3 3 3
8
3
3 3
28
3
3
f m p sfz
f
3
3
3 3
f non dim. m
3 3
3
3
3
f f m f
B
31 q = 74.5
3
3
3 3 3
m
3
3
3
3
sfz m
3
f
3
f cresc.
3
3 3 3
3 3
3
più f
3 3
3
34
3
3
3
più f
mf più f
ff
3
3 3 3
3 3
più f
sul B
3 3
3 3 3
più f
f
9
36
3
3 3 3
mp
3 3
m
3
3
m mp f
3
3
f più f
mf
38
3 3 3
3
3 3
m f m
3
3
cresc. f m
3
3
3
3
m
3
3
3
3
3 3 3
più f mf f 3
3
41
3
3
3 3 3
poco cresc.
3
3
3
più f
3
3 3
3
3
più
f
3 3 3
3 3
dim. f più f mf cresc.
mf
10
3
44
3
3
3 3
f
ff
m f
3 3
3
3
3
3 sul B
f mf
C
3
q = 90
3
47 3
3 3
ff ff, molto espress.
3
ff sfz m cresc.
3
f
3 3
3
f
cresc.
3 3 3 3 3
50 3 3
3 3
3
3
ff
3
dim. mf m
3 3
sul B
3 3
ff poco f ff
11
53
3 3 3 3 3
3 3
3
ff m f
3
m f ff
f
mf
cresc.
3
56 3 3
3
3 3 3
f
3
mf m
f
59 3 3
3
3 3
mp f m
f
f
sul B m
3
f
ff m
12
62 3
3 3 3 3
3
3
ff
più f
mf
3
sul G
3 3 sul B
f
65 3 3 3
3
f m
pm
3
3
f cresc. f
3
3
ff mf cresc. ff
69
3
mf m f
f
f
13
D
q = 56
73
3
mf poco f m
mp m
poco f
78
3
3
mf
3
3
81
14 Of Their Own Loveliness -
sounding score
q = 56 Andrew Robbie (2001)
3 3 3
3
3 3 3 3
3
mf
m
3 3
4 3
3
3 3 3
m
3 3
7
3 3 3
15
10 3 3
3
3
13
mf
A
q =3 64
17
3
3
3
3 3 3 3 3
f
3
3
3 3
3 3
3 3
f
16
3
20
3
3
mf
3
3 3 3 3 3
m
f
3
3 3
3 3
3
f mf
22
3
3 3 3 3 3 3
mf f
3
3
3 3
m
f 3
3
3 3 3
3
3
f
25
3
3
3
3
3
p
3 3
3 3
f m
3
3
3
3
3 3 3
17
3
28 3
3
3
3
f
3
f m
3
p sfz
3
3 f non dim. m
3 3
3 3
3
f f m f
B
31 q = 74.5
3 3
3 3 3
m
3
3
3 3
sfz m
f 3
3
3
f cresc.
3
3 3 3 3 3
più f
3 3
34
3 3
3 3
mf più f
più f
ff
3
3 3 3 3 3
3
più f
3
3
3
3
più f
f
18
36
3 3 3 3
3
mp
3
m
3 3
m
mp f
3
3
f più f mf
3
38 3
3 3
3 3
m
f
m
3 3
cresc.
m
3
f
3
3 3
m
3
3
3 3
3 3
3
più f mf f
3
41
3
3 3 3 3 3
poco cresc. 3
3
più f
3 3
3 3 3 3
più f 3
3
3 3
3
dim. mf f più f mf cresc.
19
44
3
3 3 3
3
ff f
m
f
3 3 3
3
3
3
f mf
C
q = 90
3 3 3
47
3 3
3 ff ff, molto espress.
ff
sfz m cresc.
3
3
3
f
3
cresc.
f
3
50
3
3
3 3 3
3 3 3
3
ff dim. 3
m
mf 3
3 3
3 3
ff poco f ff
20
3
3
53
3 3
3 3
3
3
ff m f
3
m f ff
f mf 3 cresc.
3 3
56
3 3 3
3
f
3
mf m
f
3
59
3 3
3
3
f mp f m
f m
3
f ff m
21
3 3 3
62 3
3
3 3
più f ff
mf
3
3
3
f
65
3 3 3
3
f m p m 3
3
f
f
cresc.
3
3
ff mf cresc.
ff
69
3
m
mf f
f
poco dim. f poco f
22 D
73 q = 56
3
mf m
poco f
mp m
mf
77
3 3
mf
3
3
81