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This content downloaded from 141.161.91.14 on Fri, 04 Dec 2015 06:10:32 UTC
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BetweentheOrganism
Vertov:
and theMachine
MALCOLM TURVEY
1. Filmsand TheirMedium(Baltimore,Md.:JohnsHopkins
GilbertoPerez,TheMaterialGhost:
Press,1998),p. 159.
University
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6 OCTOBER
II
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Between
Vertov: andtheMachine
theOrganism 7
meaninglesslyand purposelessly
interactingin space accordingto physicallaws.
AlfredNorthWhiteheadreferred to thisconceptionas "scientific
materialism"
in
andtheModern
hisclassicworkScience World,and describeditas follows:
materialism]
[Scientific presupposes theultimate factofan irreducible
brutematter, or material,spreadthroughout spacein a fluxofconfigu-
It
rations.In itselfsucha materialis senseless,valueless,purposeless.
just does what it does,followinga fixedroutine imposedby external
relationswhichdo notspringfromthenatureofitsbeing.4
One ofthescientific-philosophical paradigms thatemergedoutofthismaterialist
conception of nature is whatphilosophers historians
and of sciencecommonly
referto as mechanism. According mechanism, chief,and indeedformany
to the
theonly,valid method of explanationis reductive.
scientific It consistsofexplain-
ingthenatureand behavior ofsomething in terms of the nature and behaviorof
itsconstituent all
parts, the if
waydown, necessary, to the elementary particlesof
matter outofwhich itis made.5
Needlessto say,mechanism has generateda greatdeal of hostility overthe
last twohundredyears,in part because it appears to reduce all phenomena,
includinghumanbeingsand otherlivingorganisms, to meaningless, purposeless
interactions betweenparticlesofmatter. Manyhavearguedthat,becauseof this,
mechanism has been responsible forcreatinga profoundexistential and ethical
crisisin modernity. Schillercalledtheexistentialemptiness putativelyopenedup
bymaterialism and mechanismthe "disgodding" of nature,and a century later,
Webercoined the phrase "the disenchantment of the world"to describeit.
According to thehistorianofscienceAnneHarrington, Weber's
assessmentofscienceas a "disenchanting" forcein the modernworld
wouldhardlyhavesurprised[hisaudience].Sincethe 1890s,an inten-
streamofGerman-language
sifying articlesand monographs had been
the
identifying riseof a certainkind ofmechanistic thinking thenat-
in
offailedor crisis-ridden
uralsciencesas a chiefculpritin a variety cul-
turaland politicalexperiments. Sciencehad declaredhumanity's life
and soula senselessproductofmechanism, so peoplenowtreatedone
anotheras meremachines.6
The hostilereactionto mechanism has takenmanyshapesoverthelasttwo
hundredyears,and is muchtoovastand complexto describe.Whatis important
claimthatliving,
hereis thatone formithas takenis theantireductionist organic
4. Alfred
NorthWhitehead, Science (NewYork:FreePress,1967),p. 17.
World
andtheModern
5. Thereis stillmuchdebateaboutreductionism. critique,seeJohnDupre,
Fora contemporary
Foundationsof theDisunityofScience(Cambridge, Mass.: Harvard
TheDisorderof Things:Metaphysical
Press,1993).
University
6. Science:Holismin GermanCulture
Anne Harrington,Reenchanted II toHitler(Princeton,
fromWilhelm
N.J.:Princeton Press,1996),p. xv.
University
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Vertov: theOrganism
Between andtheMachine 9
Ill
Withthisconceptualclarification in mind,itbecomesclearwhyMichelsonis
correctto describethenewSovietsocietydepictedin Man witha MovieCamera as
an "organiccontinuum" ratherthanas a machine.First,and mostimportantly,
Vertov does notrepresent thepartsofthissocietyas interactingpurposelesslyand
blindly,independently of each other, in the manner of the partsof a machine.
Instead,he constantlyshowshoweach partis working towardthepurposeofthe
as ifpossessedofknowledge
whole,as ifintentionally, aboutwhatthatpurposeis.
Almosteverypartof thissociety, to paraphraseKant,is bothcause and effect of
every other part.ThisVertov does bydepicting Sovietcitizensengaged in differ-
ent activitiesin differentplaces at differenttimesin orderto give"everyone
working behinda plowor a machinetheopportunity to see hisbrothersat work
withhimsimultaneously in different partsof the world,"therebyovercoming the
blindnessthatartificially separates them.8 He then links them together,as
Michelsonpointsout,through"strategies ofvisualanalogyand rhyme, rhythmic
8. Vertov,"Kino-Eye"(1926), in Kino-Eye,
pp. 73-74.
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Vertov:
Between
theOrganism
andtheMachine 11
IV
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: Between
Vertov andtheMachine
theOrganism 13
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: Between
Vertov theOrganism
andtheMachine 15
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Vertov:
Between andtheMachine
theOrganism 17
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