Billie "Lady Day" Holiday was born in Baltimore in 1915.

  She endured a hard childhood -- her

musician father left the family early, and her mother wasn't able to keep her consistently which resulted
in Billie often being put in care or relatives who abused her.  She was raped at age 11 and grew up in
poverty.   She sums it up best in the first line of her famous autobiography Lady Sings the Blues, "Mom
and Pop were just a couple of kids when they got married.   He was eighteen, she was sixteen, and I was
three."

In 1929, she moved to New York, where she worked as a maid and then as a teenage prostitute. 
According to legend, in 1930 (at the age of 15), to keep her mother from being evicted, she sang Body
and Soul and reduced the audience to tears.  She began singing in bars and restaurants.  Four years later,
she made her first record with Benny Goodman.  In 1935, she got her big breakthrough when she
recorded four sides, which featured What a Little Moonlight Can Do, andMiss Brown to You.  She
landed her own recording contract, and while the songs given to her were run-of-the-mill (versus the
ones saved for the top white singers), she made the songs classics because of her singing ability.  Her
voice-quality wasn't outstanding and her vocal range was limited, but she had an uncanny ability to
breathe life into a song, using things like pauses and slurs -- which made the song become a story or
an experience, rather than just a group of notes sang with a voice.  She poured her heart and soul into
every song and her ability to interpret a song and make you feel it was unheard of. While it is more
commonplace today, Billie Holiday pioneered the style, and this is how she took ordinary 2nd-rate
songs and made them extraordinary.  Her accompanist, Mal Waldron, summed it up best by saying,
"She had a way with words."

In 1936, she recorded with pianist Teddy Wilson, where she first worked with Lester Young.   These
two were made for each other.  When he played his phrases with hers, he breathed as she breathed. 
They perfectly complimented each other stylistically.   He nicknamed her "Lady Day" and she
nicknamed him "Prez."   They sounded like 2 voices from the same person.

Her recording career is divided into 3 periods.  The first is the aforementioned period in the 1930s,
recorded with Columbia, marked by her time with Wilson, Goodman, and Young.  Her music was made
for jukeboxes, but she turned them into jazz classics.  Her popularity never matched her artistic success,
but she was widely played on Armed Forces Radio during World War II.   From this period came the
anti-racism song Strange Fruit, in which she paints a terrifying picture of lynched black bodies hanging
from trees.  The lyrics of the song were adapted from a poem by Louis Allen.

The next period is her Decca (record company) years in the Fourties, marked by recordings with string
orchestra accompaniment.    While the records from this period are impressive, they're not as "jazzy." 
This period featured Loverman as well as her self-written classics Don't Explain, and God Bless the
Child.  In late 1947, she was arrested on drug charges and spent 18 months in a federal reformatory.

Unlike her singing, in life, her instincts were far from perfect.  She fell in love with men who stole
money from her, abused her, and introduced her to heroin.  When she got out of prison, she went back to
heroin.   By the Fifties, the third period, her voice was going  her voice was more croaky, and she
sometimes missed notes, but her ability to interpret songs was enhanced.   Some consider this work,
with Verve records, to be some of her finest.   Personally, it makes me cringe when she misses notes (to
each their own -- I like her Columbia work the best, because her voice is at its strongest).  Her classic
recording of Lady in Satin was described by Ron David as though it "sounded like her voice had died
and come back to haunt us from the grave."  It isn't known if misery, drugs, or drink (or all three) killed
her, but in an unbearable macabre touch, she was arrested on narcotics charges while on her death bed in
1959.