Script

LETTER FROM SILENT HEAVEN

01 - The Observation Deck
(James is shown looking at himself in a restroom mirror. After staring at himself
for a short time he takes in a deep breath.)
James: Mary... Could you really be in this town?
(James walks outside of restroom and into the observation deck parking lot.
Mary’s voice is then heard as James walks to the edge of the parking lot that
overlooks Silent hill.)
Mary: In my restless dreams, I see that town. Silent Hill. You promised you’d take
me there again someday, But you never did. Well I’m alone there now... In our
‘special place’... Waiting for you...
James: I got a letter. The name on the envelope said ‘Mary.’ My wife’s name... It’s
ridiculous, couldn’t possibly be true... That’s what I keep telling myself... A dead
person can’t write a letter. Mary died of that damn disease three years ago. So
then why am I looking for her? Our ‘special place’... What could she mean? This
whole town was our special place. Does she mean the park on the lake? We
spent the whole day there. Just the two of us, staring at the water. Could Mary
really be there? Is she really alive... waiting for me?

If you try to go back by the road:

James: This is the road I came in on. There's no point in going back.

If you try to go into the forest without a map:

James: There's a map in the car. It might be a good idea to take it.
   
02 - The Graveyard
(On his journey into town, James walks into graveyard where he sees a girl
examining one of the graves and approaches her.)
James: Excuse me, I...
(The girl steps back from grave and gasps in surprise.)
Girl: I, I’m sorry...I, I... I was just....
James: No, it’s okay. I didn’t mean to scare you. I’m kind of lost.
Girl: Lost?
James: Yeah, I’m looking for Silent Hill. Is this the right way?
(James raises his left arm and points.)
Girl: Um yeah.... It’s hard to see with this fog, but there’s only the one road. You
can’t miss it.
James: Thanks.
Girl: But...
James: Yes...?
Girl: I think you’d better stay away. This uh... this town... there’s something...
"wrong" with it. It’s kind of hard to explain, but...
James: Is it dangerous?
Girl: Maybe... And it’s not just the fog either...It’s....
 James: Okay I got it. I’ll be careful.
Girl: I’m not lying.
James: No, I believe you. It’s just...I guess I really don’t care if it’s dangerous or
not. I’m going to town either way.
Girl: But why?
James: I’m looking for... someone.
Girl: Who, who, who is it?
James: Someone... very important to me. I’d do anything if I could be with her
again.
Girl: Me too. I’m looking for my mama... I mean my mother. It’s been so long
since I’ve seen her. I thought my father and brother were here, but I can’t nd
them either... I’m sorry... It’s not your problem.
James: No, I... I hope you nd them.
Girl: Yeah, you too.
(James begins to walk towards the graveyard exit.)

If you go back and talk to the girl a second time the following dialogues take
place:
(The girl turns around from looking at a grave.)
Girl: Aren’t you looking for someone?
James: That’s right...

Girl: What is it?

James: Oh nothing... It sure is quiet here, huh.
Girl: I guess...

After you pass the gate in the tunnel and try to go back:
James: There's no reason to go back. I'm going to look for Mary...
   
03 - First Encounter with an Enemy
(James walks into an area of the street where there are long streaks of blood
and it looks like a body has been drug across the ground.)
James: Are these marks... blood!?
(Camera zooms to show a strange form farther down the street walking away
from James until it disappears into the fog.)
James: That shadow just now...
(James follows another set of blood streaks he nds further down the street
down into an alleyway and eventually ends up in some type of old, brick edi ce
which looks to be undergoing construction. He hears a radio making strange
noises within the construction site and picks it up to examine it. He eventually
notices that the strange form he saw earlier in the street is in the construction
area with him kneeling next to a dead body. As the gure begins to walk towards
James, he picks up a board with a nail in it and attacks the creature until it lays
bleeding and motionless on the ground. James then examines the creature.)
James: Is it dead? What the hell is it? It’s not human...
(As James exits the construction area he remembers the radio he picked up and
takes it out of his jacket pocket in order to examine it.)
James: Oh yeah. ...This thing broken?
(A very staticy female voices comes on the radio as James looks it over.)
 Voice: Ja......I’m....e. Come to .......s.... ..........ting f........ .......id you k........ Jam......
James: What the ...? I’d better take it anyway. I might need it.

If you try not to follow the monster:

James: That shadow just now bothers me. What was that...?
   
04 - The Unreachable Key
(James sees a key lying on the ground, but has to stick his arm through a metal
bar partition in order to reach it.)
James: There’s a key on the ground on the other side of the bars. If I stretch my
arm out, I just might be able to reach it.
(The player is then given the option of whether or not to pick up the key. If the
player chooses “Yes” James gets down on his hands and knees and begins
reaching out towards the key. He is struggling to reach it when suddenly
someone on the other side of the bars kicks the key out of his reach and then
steps on James’ hand.)
James: Ow!!
Little girl: Ha-ha!
James: Hey wait!
(The little girl runs down the dark hallway on the other side of the metal bars
until she disappears.)
James: Damn it!
   
05 - Another Dead Body
(Once James enters the hallway of the second oor apartments after obtaining
the handgun he hears a loud scream as he approaches the intersection of the
middle north-south and the east-west hallways.)
James: What was that!? Some kind of noise north of here....
(James then nds his way to room 208. There he nds a dead body sitting in
front of a television. There is blood splattered across the corpses face and body,
as well as all over the television and part of the wall.)
James: Oh my God.... Who could’ve...
   
06 - James Meets Eddie
(James eventually makes his way to room 101 of the Woodside apartments.
Once he enters he nds a dead body hanging out of the refrigerator in the
kitchen.)
James: What the...? Who could have done this...
(There is also the sound of someone being sick coming from one of the rooms
within the apartment. When James enters the bathroom of the apartment, he
nds a man throwing up into the bathroom toilet.)
Eddie: It wasn’t me! I didn’t do it!
James: Do what?
Eddie: I didn’t do anything. I, I swear! He was like this when I got here...
James: My uh, my name’s James. James Sunderland.
Eddie: Ummm... Eddie.
James: Eddie, who’s that dead guy in the kitchen?
 Eddie: I didn’t do it. I swear I didn’t kill anybody.
James: You’re not friends with that red, pyramid thing, are you?
Eddie: Red pyramid thing? I don’t know what yer talkin’ about. Honest. But I did
see some weird-lookin’ monsters. They scared the hell outta me, so I ran in
here...
James: Well, I guess this place isn’t too safe either. What happened here anyway?
Eddie: Uh I, I told ya I don’t know. I’m not even from this town. I just, I just...
James: You too, huh. Something just brought you here, right?
Eddie: Umm... yeah. You could say that...
James: Well whatever it is... I think you better get out of here soon.
Eddie: Yeah yer right. What about you?
James: I’ll leave as soon as I’m done here. Eddie... be careful.
Eddie: James, I... I... um... You be careful too.

If you go back to the bathroom to talk to Eddie a second time the following
dialogue takes place:
James: Eddie, are you okay?
Eddie: Yeah, I guess...
   
07 - Room 109 and Angela
(James eventually makes his way to the adjacent apartment building “Blue Creek
Apartments”. There, he walks into one of the bedrooms of apartment 109 and
nds the girl he talked to earlier in the graveyard lying on the oor holding a
butcher knife and staring at herself in a mirror that takes up the entire area of
one of the walls.)
Girl: Oh... it’s you.
James: Yeah... I’m James
Girl: Angela...
James: Angela... okay. I don’t know what you’re planning... But there’s always
another way.
Angela: Really? But... You’re the same as me. It’s easier just to run. Besides, it’s
what we deserve.
James: No... I’m not like you.
Angela: Are you afraid? I, I’m sorry.
James: It’s okay... Did you nd your mother?
Angela: Not yet... She’s not anywhere.
James: Did she live in this apartment building?
Angela: I don’t know...
James: So all you know is she lived in this town?
Angela: What did you say? How do you know that?
James: Well... I just gured, cause this is where you’re looking for her. How else
would I know?
Angela: Yeah...
James: Am I right?
Angela: I’m so tired...
James: So why did you come to this town anyway?
Angela: ...I, I’m sorry. Did you nd... the person you’re looking for?
James: Not yet.
(James pulls a picture of Mary out of his jacket and stoops down to show it to
 Angela.)
James: Her name’s Mary. She’s my wife...
(Angela looks at the picture and shakes her head indicating that she does not
recognize Mary.)
Angela: I’m sorry.
James: It’s okay. Anyway, she’s dead. I don’t know why I think she’s here.
Angela: ...She’s dead?
James: Don’t worry, I’m not crazy. Least, I don’t think so...
Angela: I’ve gotta nd my mama...
(Angela stands up and begins walking towards the door.)
James: Should I go with you? This town’s dangerous. Now I know what you
meant back there in the cemetery.
Angela: I’ll be okay by myself. Besides, I’d just slow you down.
James: What about that?
(James points to the butcher knife Angela is still holding.)
Angela: Will you hold it for me?
James: Sure. No problem.
Angela: If I kept it.... I’m not sure what I might do.
(James steps towards Angela and reaches his hand out to take the knife from
her. Angela steps back, screams, and points the knife at James.)
Angela: No!! I’m sorry...I’ve been bad... Please don’t...
(Angela sets the knife on a stand before walking out of the room. After watching
her leave, James walks over to the stand and picks up the knife in order to
examine it.)
   
08 - Second Meeting with the Little Girl
(After James makes his way out of the apartments, he walks down an alley and
comes across the same little girl that stepped on his hand earlier. She is sitting
on a wall that separates the apartments from the alleyway and is humming.)
James: It was you, wasn’t it? You’re the one who stepped on my hand.
Little girl: (smiling) I don’t know... Maybe I did...
James: What’s a little girl like you doing here anyway?
Little girl: Huh? Are you blind or something?
James: What’s that letter?
Little girl: None of your business.
(The little girl stands up and begins to walk away.)
Little girl: You didn’t love Mary anyway!
James: Wait! How do you know Mary’s name!
(By the time James nishes his sentence the girl is gone from the wall and
nowhere to be seen.)
   
09 - James at the Entrance to Rosewater Park
(After going through a tunnel, James reaches a large brick sign with the words
“Rosewater Park” on it.)
James: So this is that park... Mary....Are you here?
   
10 - James Meets Maria
(James makes his way further into Rosewater Park until he reaches an area that
looks out onto the water. He sees a woman looking out at the lake and makes
his way towards her.)
James: Mary?
(The woman turns around and smiles at James.)
James: No... you’re not.
Woman: Do I look like your girlfriend?
James: No.... my late wife. I can’t believe it... You could be her twin. Your face,
your voice... Just your hair and clothes are di erent.
Woman: My name... is Maria. I don’t look like a ghost. Do I? See? Feel how warm I
am.
(Maria then takes James’ right hand and places it on her chest. James backs away
and pulls his hand away from Maria.)
James: You’re really not Mary!
Maria: I told you... I’m Maria.
James: Sorry, I was confused.
(James begins to walk away from Maria in the direction he just came from.)
Maria: Where are you going?
James: I’m looking for Mary. Have you seen her?
Maria: Didn’t you say she died?
James: Oh yeah... three years ago. But I got a letter from her. She said she was
waiting in our ‘special place’.
Maria: And that’s here? Anyway, I haven’t seen her. Is this your only ‘special
place’?
(What looks to be an old black and white movie clip of Mary is shown. This
seems to be one of James’ memories.)
James: Well, there’s the hotel, too, I guess. The one on the lake... I wonder if it’s
still there.
Maria: The Lakeview Hotel? Yeah, it’s still there. So, the hotel was your ‘special
place’, huh? I’ll bet it was.
(James begins to walk away and Maria reaches out to grab his arm.)
Maria: Don’t get so mad. I was just joking. Anyway, it’s not that way. It’s this way.
(Maria points in the opposite direction that James just came from. James begins
to walk away from Maria in the direction she just pointed. Maria follows him and
James looks back.)
James: You’re coming with me?
Maria: You were gonna just leave me here?
James: No but...
Maria: With all these monsters around?
James: No, I just...
Maria: I’m all alone here. Everyone else is gone... I look like Mary, don’t I? You
loved her, right? Or maybe you hated her...
James: Don’t be ridiculous.
(James begins to walk away and Maria follows him.)
Maria: So it’s okay?
James: Yeah, ne.
 If you go back after meeting Maria:
Maria: The hotel isn't this way. Is that okay?
   
11 - The Bowling Alley
(James and Maria eventually make their way to Pete’s Bowl-O-Rama” from
Rosewater Park. James begins to open the front door.)
Maria: I’ll wait here. I hate bowling.
James: I didn’t come here to play, you know.
Maria: Hurry back, okay.
(James walks into the bowling alley and opens the only unlocked door into a
storage room. The scene cuts to Eddie and the little girl that James rst saw in
the apartments. Eddie is sitting at a table eating pizza while the little girl is sitting
next to him on the table.)
Little Girl: So what’d you do? Robbery, murder?
Eddie: Nah, nothing like that.
Little Girl: Hah! You’re just a gutless fatso!
Eddie: Whadda you have to say that for?
Little Girl: I thought you said the cops were after you.
Eddie: No, I just ran ‘cause I was scared. I don’t know what the cops are doing.
Laura: But if you did something bad, why don’t you just say you were sorry?
Well... I guess I run away a lots too.
Eddie: It’s no good. They wouldn’t listen. Nobody will ever forgive me.
(The scene cuts back to James in the storeroom, but Eddie’s voice is still heard
talking to Laura.)
Eddie: Did ya nd the lady you’re looking for... What’s her name... Mary?
(James eventually nds his way into the room with Eddie and Laura. There, he
nds Eddie still at the table eating pizza. However, the little girl is gone from the
table and not seen.)
James: Eddie?
Eddie: Oh... umm, yer...
James: James. We met in the apartment building.
Eddie: Yeah, I remember, but...
James: Are you alone here, Eddie?
Eddie: Uh, no...
(A green bowling ball is shown rolling across the oor towards Eddie. Eddie and
James both look at the bowling ball and then follow the direction it came from
with their eyes. The little girl James met earlier in the apartments is shown
walking towards the exit door.)
Little Girl: Bye-bye!
(The little girl then walks out the door.)
James: Wait! Come back! Eddie! Let’s go after her!
Eddie: Huh? Laura? But why...?
James: Laura? Is that her name?
Eddie: That’s what she said.
James: This town is full of monsters! How can you sit there and eat pizza!?
Eddie: She said she was ne by herself... She said a fatso like me would just slow
her down.
James: Forget you...
 The following dialogue takes place if James goes back and talks to Eddie a
second time:
James: Who is that girl anyhow?
Eddie: I don’t know. All I know is her name. I swear.

(James then exits to the bowling alley parking lot and nds that Maria is gone
from where she was standing when he entered. After he begins to walk outside
Maria comes jogging up to him panting.)
James: Did a little girl run out of here?
Maria: Yeah, she was too fast for me! Aren’t you gonna go after her? The
following dialogue takes place if James tries to leave in a di erent direction than
the one Maria just came walking from:
Maria: Where are you going? This isn’t the way that little girl went.
   
12 - Alleyway behind Heaven’s Night
(James and Maria eventually nd there way to a small alleyway behind the rear
parking lot at Pete’s Bowl-O-Rama. There, Maria points to a small gap between
the intersection of a brick building and a concrete wall.)
Maria: She went through there.
(James looks through the small gap and it is made obvious that there is no way
either he or Maria can t through it.)
James: Is there any other way?
Maria: Yeah, there is.
(Maria points to a metal door they passed leading into the brick building.)
Maria: Right through there.
(James then walks up to the door and tries to open it, but the knob on the door
won’t turn.)
James: It’s no good. It’s locked.
(Maria then pushes James aside and starts pulling keys out of various areas of
her clothing and looks to be using them to unlock the door. It is not made clear
whether Maria is actually using several di erent keys or if she just uses one and
is messing around with James by pretending to use several. When Maria has
nished unlocking the door she steps aside and puts her hand out signaling
James that he can go ahead and open it.)
   
13 - Following Laura
(James and Maria eventually make their way out of Heaven’s Night Club and
begin walking down one of the city streets. Once they have gone far enough
down the street, a clip is shown of Laura walking up the steps to a hospital only
a couple hundred feet from where James and Maria are standing.)
Maria: Over there!
(Maria points towards the hospital just before Laura enters the building.)

The following text is shown if James continues down the street past the hospital
Laura entered:
James: I have to go after Laura. I can’t just leave her all alone. Also...maybe she’ll
be able to tell me something about Mary.
 If you try to leave the hospital after entering it (with Maria):
Maria: Where are you planning to go? But we haven't found Laura yet.

If you try to leave the hospital after entering it (without Maria):

Maria and Laura are still in here. I can't just throw them away.
   
14 - Women’s Locker Room
(James and Maria eventually make their way to the women’s locker room on the
third oor of the hospital. Sitting on a table in the room, James nds a teddy
bear and decides to pick it up and examine it.)
James: Ow!!
(James drops the teddy bear.)
Maria: What’s wrong?
James: I just pricked myself...
Maria: Are you okay?
James: Yeah.
(James pulls a needle out of the bear’s head.)
   
15 - Maria Takes a Break
(James and Maria nd their way to room S3 on the second oor of the hospital.
James examines the room while Maria sits down on an old, dirty bed in the small
room. She looks very tired and is slumped over.)
Maria: James, wait a minute.
(Maria coughs a couple of times.)
Maria: I’m kinda tired....
(Maria produces a prescription bottle from her pocket, takes out a pill, and
swallows it.)
Maria: It’s just a hangover.
James: You should rest.
(Maria lays down on the bed.)
Maria: Mmm. So comfy...
James: I’m going to go look for her... for Laura. I’ll be back as soon as I can.

If you talk to Maria a second time the following dialogue takes place:
Maria: James, I wanna ask you something. What if... what if you can’t nd Mary?
What will you do?
James: I haven’t thought about that.

If you leave and come back to talk to Maria a third time the following dialogue
takes place:
(Maria coughs a few times.)
Maria: I’ll be okay soon. Did you nd Laura?
   
16 - James Finally Finds Laura
(James walks into room C2 on the rst oor of the hospital, where he nds Laura
on the oor between two beds playing with some teddy bears. She is laughing
and smiling, but hasn’t noticed that James has entered the room.)
James: Laura?
Laura: Huh? You know my name?
James: Eddie told me.
Laura: That big, fat blabbermouth.
James: How do you know about Mary?
Laura: What’s the big deal?
James: Why can’t you just tell me?
Laura: You gonna yell at me if I don’t?
James: No... I won’t.
Laura: I was friends with Mary... We met at the hospital. It was last year...
James: You liar!! (apologetically) Laura, I...
Laura: Fine! Don’t believe me!
James: But last year, Mary was already... I’m sorry Laura. Anyway, let’s go.
(Laura grabs her ashlight and begins to walk out with James.)
James: We can talk about this later. This is no place for a kid. There are all sorts
of strange things around here... I can’t believe you haven’t even gotten a scratch
on you.
Laura: Why should I?
(Laura and James walk out into the hospital hallway together. They are walking
through the hallway together when suddenly Laura reaches out and begins to
pull on James’ arm in the opposite direction that they are walking.)
Laura: Wait! Wait! There’s something I gotta get!
James: Later, okay?
(James begins to start walking in the direction they were going again.)
Laura: But it’s really important!
(James turns around to face Laura.)
James: What is it?
Laura: A letter from Mary.
James: Huh?
Laura: I wanna go get it? Is that okay?
James: Yes, yes.
(James and Laura walk down to a room with double doors near the end of the
hallway. Laura takes a key out from her pocket, unlocks it, and opens the door.)
Laura: C’mon hurry up!
(James looks into the dark room.)
James: Is it in there?
Laura: Yeah. In the back.
(James begins to walk slowly into the room while Laura stands outside holding
the door open.)
James: What’re you doing, Laura?
Laura: It’s further back. In the desk.
(James continues walking cautiously into the room until he is standing in the
middle of it. Suddenly the door is slammed shut behind him.)
James: Laura, what are you doing!?
(James runs to the door and begins trying to open it, but the doors won’t move.
Suddenly the mouth of some strange creature is shown.)
Laura: Ha-ha! I tricked you!
James: Open the door, Laura.
Laura: Why should I? I’m a liar, right? Want me to open it? Huh? huh? Do ya?
(James has turned his back to the door and is facing towards the center of the
 room. His hand is pounding on the door.)
Laura: What’s the magic word?
(All of a sudden a strange looking caged monster falls down and is hanging o
the ceiling.)
James: Laura!
Laura: Okay. I guess I won’t open it... I think I’ll just leave you like this...
James: You snotty little brat! Open up!
Laura: Why you, you...
James: Laura?
Laura: You fartface!
   
17 - Maria and the Basement’s Basement
(James goes down to the basement and is about to begin climbing down a
ladder into the basement’s basement when suddenly Maria walks through the
door.)
Maria: James!
James: Mary! Oh Maria it’s you... I thought you were.... Sorry...
(Maria shakes her head.)
James: Anyway, I’m glad you’re alive...
Maria: (angrily) “Anyway”!? What do you mean “Anyway”!? You don’t sound very
happy to see me. I was almost killed back there! Why didn’t you try to save me?
All you care about is that dead wife of yours! I’ve never been so scared in my
whole life! You couldn’t care less about me, could you?
James: No, I just...
Maria: Then stay with me! Don’t ever leave me alone! You’re supposed to take
care of me!
(Maria buries her face in James’ shoulder and he puts his arm around her. Maria
pulls back and begins talking to James again.)
Maria: So what about Laura? Did you nd her?
James: Yeah, but she ran away.
Maria: We’ve got to nd her!
James: You really seem to care about her. Do you know her?
Maria: I never met her before. I just feel sorry for her. She’s all alone... And for
some reason... I feel like it’s up to me to protect her.
   
18 - Trick or Treat
(While James and Maria are taking the elevator down to the second oor the
sound of a microphone screeching begins coming from James’ radio. Gradually
the reception of the radio becomes better and an audience is heard cheering
followed by an announcer’s voice.)
Announcer: Hi there everybody, thanks for tuning in. Welcome to another
exciting edition of “Trick or Treat”!
(The audience is heard cheering.)
Announcer: Here you either answer the questions correctly and win a great
prize, or fail to answer correctly and receive the punishment. It all depends on
you. And our lucky, or should I say unlucky, challenger today is James! James
Sunderland! Are you ready to play “Trick or Treat”?
 Okay, here’s your rst question. Merry-Go-Round, haunted house, roller coaster,
ferris wheel and tea cups. Silent Hill is home to a thrilling amusement park that
both children and adults love. The question is: What is the name of this
amusement park?

One, Fantasy Land.

Two, Silent Hill Amusement Park.
Three, Lakeside Amusement Park.

Okay, quickly on to question number two. Silent Hill witnessed a gruesome

murder a few years back. A brother and sister were playing in the road when
they were attacked and chopped into pieces with an axe. Torn esh, smashed
bones, splattered blood, and nally... What a terrible tragedy. What a gruesome
end to such innocent lives. What was the name of the murderer who committed
this vile act?

One, Walter Sullivan

Two, Scott Fairbanks
Three, Eric Gein Now for our third and nal question. South of the lake is a
deserted old neighborhood called South Vale. From there to Paleville, the central
resort area northwest of the lake, there’s only one road you can take. Just one
road, no more. The third and nal question is: What is the name of that road?

One, Bachman Road

Two, Rendell Street
Three, Nathan Avenue

Well, that’s the last of our questions. Have you got it all gured out? When you
know the answers, head to the storeroom on the 3rd oor to collect your prizes!
But be careful. If you’re wrong....
(The announcer laughs.)
Announcer: Well then everybody, thanks for tuning in. See you again sometime.
Bye bye!
(Audience is heard cheering and the radio begins to die out until it is silent
again.)
Maria: What was that?
   
19 - Ring in Refrigerator
(James and Maria make their way to the second oor Day Room. Near the
middle of the room is an old, metal refrigerator lying on its back.)
James: There’s something that looks like a refrigerator.
(The player is then given the option of whether or not to open the refrigerator. If
the player chooses to open it the following dialogue takes place. James struggles
to open the refrigerator grunting and pulling the handle with both of his arms.)
Maria: You can’t open it?
James: Yeah... Maria, gimme a hand here.
Maria: Come on... You’re supposed to be the big man around here... How’s a
little girl like me supposed to help?
(Maria walks over to the refrigerator and both she and James pull on the handle.
 The refrigerator opens after only a couple of pulls. Maria reaches in the
refrigerator and pulls out a small ring.)
Maria: What’s this? Not very cute, is it?
(Maria hands the ring to James.)
Maria: Here James, you take it.
James: Thanks.
   
20 - The Long Hallway
(James and Maria eventually nd there way to another room in the basement.
They are walking down a long hallway when suddenly Pyramid Head appears
behind Maria. They run down the long corridor until James reaches the elevator.
However, the elevator doors quickly begin to close after him and Maria is only
able to t her hand through the small gap in the doors. James begins pulling on
the doors attempting to open them.)
James: Open up!
(James attempts to open the doors by pushing some of the buttons on the panel
within the elevator, but none of them work. Maria screams “James” a couple of
times.)
James: No!!
Maria: James!
(Suddenly a large impact is heard from outside of the elevator where Maria is
standing. Maria’s hand goes limp and falls back from the gap between the
doors.)
James: Maria!
(The elevator doors close.)
   
21 - On the Hospital Steps
(James walks through the hospital entrance onto the front steps.)
James: Maria’s dead. I couldn’t protect her. Once again, I couldn’t do anything to
help. Laura has run o somewhere. Mary... What... What should I do? Are you...
really waiting somewhere for me? Or is this your way of taking... I’m going to nd
Mary..... It’s the only thing I have left to hope for.

   
22 - Cafeteria Conversation with Eddie
(After nding his way to the Silent Hill Historical Society, James ends up jumping
down several holes in order to continue his journey. The second hole he jumps
down leads him into a prison cafeteria where the following dialogue with Eddie
takes place. James looks around the room and he eventually shines his light on
Eddie. Eddie is sitting on the cafeteria oor holding a gun.)
Eddie: Killin’ a person ain’t no big deal. Just put the gun to their head...pow!
(A dead body is shown slumped over a table next to where Eddie is sitting.)
James: You... you killed him?
Eddie: B,but... it wasn’t my fault. He, he made me do it!
James: Calm down, Eddie. Tell me what happened.
Eddie: That guy... he, he had it coming! I didn’t do anything. He just came after
me! Besides he was making fun of me with his eyes! Like that other one...
 James: Just for that you killed him?
Eddie: Whadda ya mean ‘Just for that’!
James: Eddie, you can’t just kill someone cause of the way they looked at you...
Eddie: Oh yeah! Why not? Til now I always let people walk all over me. Just like
that stupid dog. He had it coming too!!
James: Eddie!!
Eddie: He he. I was just jokin’, James. He was dead when I got here. Honest.
Anyway, I gotta run.
James: You’re going out there alone?
Eddie: Yeah.
James: Eddie...
(Eddie then walks out of the cafeteria.)
   
23 - James Finds Maria
(After wandering through the beginning of the labyrinth, James nds Maria
sitting in a room. She looks to be unhurt and is casually sitting with her hands in
her lap. The room is divided by a set of prison bars with Maria being on one side
and James on the other.)
James: You’re alive! Maria...! I thought that thing killed you...! Are you hurt bad?
Maria: Not at all, silly.
James: ...Maria? That thing... it stabbed you. There was blood everywhere.
Maria: Stabbed me? What do you mean?
James: It chased us to the elevator. And then...
Maria: James, what are you talking about?
James: Just before! Don’t you remember?
Maria: James honey... Did something happen to you? After we got separated in
that long hallway? Are you confusing me with someone else? (laughs) You were
always so forgetful... Remember that time in the hotel...
James: Maria...?
Maria: You said you took everything... But you forgot that videotape we made. I
wonder if it’s still there...
James: How do you know about that! Aren’t you Maria?
Maria: I’m not your Mary.
James: So you’re Maria?
Maria: I am... if you want me to be.
(James stands up.)
James: All I want from you is an answer!
(Maria stands up and moves closer to the bars.)
Maria: It doesn’t matter who I am... I’m here for you, James.
(Maria reaches through the bars and puts her hand on James’ face.)
Maria: See? I’m real. Don’t you want to touch me?
James: I don’t know....
Maria: Come and get me. I can’t do anything through these bars.
James: Okay... stay right there. I’ll be there soon.
   
24 - Angela’s Father
(James makes his way through the labyrinth below the Historical Society. He
begins walking down a hallway which has newspapers scattered all over the
 oor and stuck to the walls when he suddenly hears Angela yelling.)
Angela: No daddy! Please! Don’t!
(James walks into the room he heard Angela yelling from. In the room he nds
Angela sitting on the oor and a strange looking monster standing near her.
James shoots the monster until it lays motionless on the ground and then walks
over to Angela.)
James: Are you okay?
(Angela moans and then stands up and begins repeatedly kicking the monster.
The monster growls. After this she picks up a television that is sitting in the room
and drops it on the monster.)
James: Angela! Relax!
Angela: Don’t order me around!
James: I’m not trying to order you.
Angela: So what do you want then? Oh I see, you’re trying to be nice to me, right?
I know what you’re up to. It’s always the same. You’re only after one thing.
James: No, that’s not true at all.
Angela: You don’t have to lie. Go ahead and say it. Or you could just force me.
Beat me up like he always did.
(Angela begins to kneel on the ground.)
Angela: You only care about yourself anyway.
(Angela is crying and begins having dry heaves.)
Angela: You disgusting pig.
James: Angela...
(James puts his hand on Angela’s shoulder.)
Angela: Don’t touch me!! You make me sick!
(Angela stands up and gains her composure once again.)
Angela: You said your wife Mary was dead, right?
James: Yes, she was ill...
Angela: Liar! I know about you.... You didn’t want her around anymore. You
probably found someone else.
(Angela walks out into the hallway shutting the door behind her as she leaves.)
James: That’s ridiculous... I never...
   
25 - James’ Grisly Discovery
(James nds his way through the labyrinth and eventually into the other side of
the room that he spoke to Maria in earlier. When James walks in Maria is laying
on the bed.)
James: Maria?
(James begins to walk closer to the bed. There is some blood shown on the bed
near Maria’s arm.)
James: Maria...? Maria, no... What happened to you? Why... why...
(The camera pans up Maria’s body from her feet and shows a large blood stain
on the bed as it progresses up. Eventually Maria’s face is shown. The left side of
her face has been smashed in and is quite bloody. James sits down next to
Maria’s body, rests his elbows on the bed, and puts his hands over his face.)
James: Mary...
(James leaves the room.) If you try to enter the room again once James has
exited it the following text is shown:
James: There’s nothing else for me in this room...
 After this scene, if you try to go back through the labyrinth and climb the ladder,
you will see the following text:
James: Even if I turn back now, where would I go to...? There's no road back and
nowhere to run away to.
   
26 - Final Meeting with Eddie
(James continues his journey through the labyrinth and comes to a small room
that looks to be some type of freezer. Eddie is standing at one end of the room
holding a gun and there are several dead bodies lying on the ground around
him.)
James: Eddie! What are you doing?
Eddie: What does it look like? He always busted my balls. “You fat disgusting
piece of shit! You make me sick! Fat-ass, yer nothin’ but a waste of skin. You’re so
ugly, even you’re mama don’t love you!” Well maybe he was right. Maybe I am
nothing but a fat, disgusting
piece of shit. But ya know what? It doesn’t matter if your smart, dumb, ugly,
pretty...it’s all the same once yer dead. And a corpse can’t laugh. From now on, if
anyone makes fun of me... I’ll kill em. Just like that.
(Eddie puts the gun to his head demonstrating the last statement he made.
Eddie then turns around and begins to walk out of the room.)
James: Eddie, have you gone nuts?
(Eddie slowly turns around.)
Eddie: I knew it. You too. You’re just like ‘em, James.
James: Hey I didn’t mean anything.
Eddie: Don’t bother. I understand. You’ve been laughin’ at me all along, haven’t
you? Ever since we rst met. I’ll kill you, James.
(Eddie raises his gun up, points it at James, and shoots. James dodges the bullet.
James and Eddie then ght until Eddie ees into the next room. After James
follows Eddie into the next room the following dialogue takes place. James walks
into some type of meat locker that has animal carcasses hanging throughout the
room. Eddie begins speaking but James is unable to see exactly where he is in
the room.)
Eddie: Do you know what it does to you, James? When you’re hated, picked on,
spit on, just cause of the way you look. After you’ve been laughed at your whole
friggin’ life. That’s why I ran away after I killed the dog. Ran away like a scared
little girl. Yeah, I killed that dog. It was fun. It tried to chew its own guts out!
Finally died all curled up in a ball. Then “He” came after me, I shot him too. Right
in the leg. He cried more than the dog!
(James hears a loud bang and quickly turns around to see what’s behind him.
When he turns around nothing is there.)
Eddie: He’s gonna have a hard time playing football on what’s left of that knee.
James: You think it’s okay to kill people! You need help, Eddie!
Eddie: Don’t get all holy on me, James. This town called you, too. You and me are
the same. We’re not like other people. Don’t you know that?!
(Eddie nally walks out of his hiding place behind James.)
Eddie: Let’s party!
(Eddie and James then ght until Eddie falls to the ground.)
James: Eddie?
 (James walks over to Eddie’s body and looks over it.)
James: Eddie! I... I killed a... a human being... A human being... Mary... Did you
really die three years ago...?
   
27 - The Dock
(James makes his way out of the Historical Society, across Toluca Lake by
rowboat, and docks by the Lakeside Hotel. James gets out of the boat and looks
up at the hotel.)
James: This place hasn’t changed at all in three years...

   
28 - Laura and the Letter
(James nds his way to the “Restaurant Lake Shore” in the hotel. When James
begins to leave the room, a loud sound is heard from the piano. James looks
over and Laura is hiding behind the piano hitting random keys.)
Laura: Did I scare you?
James: Yeah, you did.
(Laura jumps out from behind the piano, walks past James and sits down on a
chair near him.)
Laura: You’re here to nd Mary, aren’t you, James? Well... have you?
James: No... is that why you’re here, too?
Laura: She’s here, isn’t she? If you know where she is, tell me! I’m tired of
walking.
James: I wish I knew...
Laura: But she said it in her letter...
James: What letter!?
(Laura stands up, reaches in her pocket, and pulls out a letter. She extends her
arm out towards James.)
Laura: ...Wanna read it?
(James walks over and takes the letter from Laura.)
Laura: But don’t tell Rachel, okay?
James: Who’s Rachel?
Laura: She was our nurse. I took it from her locker.
(James reads the letter and the following text appears on the screen.)
My dearest Laura, I’m leaving this letter with Rachel to give to you after I’m gone.
I’m far away now. In a quiet beautiful place. Please forgive me for not saying
goodbye before I left. Be well, Laura. Don’t be too hard on the sisters. And Laura,
about James... I know you hate him because you think he isn’t nice to me, but
please give him a chance. It’s true he may be a little surly sometimes, and he
doesn’t laugh much. But underneath he’s really a sweet person. Laura... I love
you like my very own daughter. If things had worked out di erently, I was
hoping to adopt you. Happy 8th birthday, Laura. Your friend forever, Mary
(When James nishes reading the letter, Laura is drawing pictures on a fogged
up window leading out onto the restaurants porch.)
James: Laura... How old are you?
Laura: Um, I turned eight last week.
James: So Mary couldn’t have died... three years ago... Could she really be here?
 Is this the “quiet, beautiful place” she was talking about?
Laura: Me and Mary talked a lot about Silent Hill. She even showed me all her
pictures. She really wanted to come back. That’s why I’m here. Maybe you’ll get it
if you see the other letter... The one Mary... huh?
(Laura reaches in her pockets and can’t nd the other letter.)
Laura: I must have dropped it!
James: Laura...
Laura: I gotta nd it!
(Laura runs past James and out of the room.)
James: Laura!
   
29 - Room 312
(James eventually makes his way into room 312 where he plays the video that he
and Mary forgot in the hotel 3 years ago. Once the video begins to play, Mary is
shown standing next to one of the windows in room 312.)
Mary: Are you taping again? C’mon...
(Mary sits down in a chair next to the window and looks out.)
Mary: I don’t know why, but I just love it here. It’s so peaceful. You know what I
heard? This whole area used to be a sacred place. I think I can see why. It’s too
bad we have to leave... Please promise you’ll take me again, James.
(Mary begins coughing. The video starts to become gritty and it looks as though
the footage of Mary has been copied over some other footage. Eventually a
shaky picture of Mary is shown, lying in bed. James walks up to the bed and
looks over her. He leans over and seems to be talking to her, although there is
no audio. Suddenly James reaches for the pillow behind Mary’s head. The video
footage then becomes very scrambled showing bits and pieces of the footage in
room 312 as well as some other very grainy footage of James at Mary’s bedside.
The grainy footage seems to show James smothering Mary, although it is so
unclear it is hard to tell. Eventually the video footage ends and there is only
static shown on the television. James is then shown sitting in a seat in front of
the television with his head down. James says Mary’s name (although, it is not
captioned). He stays in this position for quite a while until Laura walks into the
room. She walks between James and the television and then stands there and
begins talking to James.)
Laura: So there you are, James. Did you get the letter? Did you nd Mary? If not,
let’s get going already.
(Laura pushes James’ shoulders.)
Laura: Okay?
(James looks up.)
James: Mary’s gone. She’s dead.
Laura: Liar! That’s a lie!
James: No, that’s not true...
Laura: She... she died ‘cause she was sick?
James: No. I killed her.
(Laura waits a while before responding.)
Laura: You killer! Why’d you do it?! I hate you!! I want her back! Give her back to
me!
(Laura pushes James’ shoulder.)
Laura: I knew it! You didn’t care about her! I hate you, James!
 (Laura hits James’ shoulder several times.)
Laura: I hate you! I hate you! I hate you! She was always waiting for you... why...
why...
(James shakes his head back and forth while looking down.)
James: I’m sorry...
(James stands up.)
James: The Mary you know isn’t here.
(Laura walks out of the room.)
James: Laura, I’m sorry.
(James slumps back down in the chair. Suddenly, Mary’s voice can be heard over
the radio, although it is quite staticy.)
Mary: James. Where are you? I’m waiting. I’m waiting for you. Please come to me.
(James stands up.)
Mary: Do you hate me? Is that why you won’t come?
James: That voice...
Mary: Please hurry. Are you lost? I’m near. I’m waiting nearby, James. Please. I
want to see you, James. Can’t you hear me? James... Please, James... James...
James... James...
(The radio nally dies out.)
   
30 - Recording (optional)
(If James makes his way to the Reading Room in the alternate hotel there is a set
of headphones on a desk by the window. If he decides to listen to them the
following dialogue is heard.)
James: Mary’s going to die...? You... you must be joking...
(Suddenly the camera zooms out the window and to show a bed oating in the
air. This serves as the backdrop to the entire recorded conversation.)
Doctor: I’m very sorry.
James: But you’re a doctor. It’s your job to heal people! How can you just let her
die!
Doctor: Please calm down. As her doctor, I promise I’ll do what I can. But...
there’s still no e ective treatment for her condition.
James: How long does she have?
Doctor: I’m afraid I’m not sure. 3 years at most.... Perhaps 6 months... It’s
impossible to say with certainty.
   
31 - Final Meeting with Angela
(James makes his way through a door to a room where there should be a metal
staircase, but when he walks in there is a wooden, carpeted staircase and the
whole room is on re. Angela is standing on the staircase looking at a strange
picture on the wall. James walks up the staircase to talk to Angela. Angela turns
around and faces James.)
Angela: Mama! Mama, I was looking for you.
(Angela walks towards James, while James backs away from her.)
Angela: Now you’re the only one left. Maybe then.... Maybe then I can rest.
(James continues to back away from Angela.)
Angela: Mama, why are you running away?
(Angela puts her hands on James’ face, then on his shoulders, and then back on
 his face. She examines his face closely and then backs away.)
Angela: You’re not Mama. It’s you... I, I’m sorry...
James: Angela, no....
Angela: Thank you for saving me... But I wish you hadn’t. Even Mama said it... I
deserved what happened...
James: No Angela, that’s wrong!
Angela: No. Don’t pity me. I’m not worth it....
(The tone of Angela’s voice suddenly changes.)
Angela: Or maybe you think you can save me? Will you love me? Take care of
me? Heal all my pain?
(James doesn’t respond.)
Angela: That’s what I thought. James. Give me back that knife.
(Angela reaches her hand out towards James.)
James: No... I, I won’t.
Angela: Saving it for yourself?
(Angela begins to walk up the ery staircase.)
James: Me? No... I’d never kill myself.... It’s hot as hell in here.
Angela: You see it too? For me, it’s always like this.
   
32 - Final Fight with the Pyramid Heads
(James walks into the middle of a strange room and then hears Maria’s voice
calling out to him.)
Maria: James!
(When he looks up he sees Maria and two Pyramid Heads on top of a platform.
Maria is being held upside down in some type of metal contraption and there is
a Pyramid Head on either side of her.)
James: Stop! Leave her alone! Leave us both the hell alone!
(One of the Pyramid Heads rams a spear through Maria’s back, presumably
killing her. After seeing this, James drops to his knees.)
James: I was weak. That’s why I needed you.... Needed someone to punish me
for my sins.... But that’s all over now.... I know the truth.... Now it’s time to end
this.
(James then ghts both the Pyramid Heads.)

If you try to go back through the doors during the ght:

I can't turn back now. This is no time to run away.
   
33 - Hallway Conversation (optional)
(James makes his way to a long hallway where he hears a conversation that he
and Mary must have had while Mary was still alive. A player can exit the hallway
before the conversation is over.)
James: Mary.
Mary: What do you want, James?
James: I, uh I brought you some owers...
Mary: Flowers? I don’t want any damn owers. Just go home already.
James: Mary, what are you saying?
Mary: Look! I’m disgusting! I don’t deserve owers. Between the disease and the
drugs, I look like a monster. Well what are you looking at? Get the hell out of
 here. Leave me alone already! I’m no use to anyone. I’ll be dead soon anyway.
Maybe today, maybe tomorrow.... It’s be easier if they’d just kill me. But I guess
the hospital is making a nice pro t o me, they want to keep me alive.... Are you
still here? I told you to go! Are you deaf?! Don’t come back!
(Mary pauses for a moment.)
Mary: James.... Wait.... Please don’t go.... Stay with me. Don’t leave me alone. I
didn’t mean what I said. Please James.... Tell me I’ll be okay. Tell me I’m not going
to die. Help me...

If you try to go back to the hallway:

I can't turn back now. This is no time to run away.
   
34 - “Leave” Ending
(After climbing a long set of metal stairs, James nds his way into a strange room
with no ceiling and a metal oor. There is a bed sitting near the middle of the
room. A woman who looks like Mary is looking out the window. James walks up
to the woman at the window.)
James: Mary!
(The woman turns around and she and James look at each other for a short
time.)
Maria: When will you ever stop making that mistake! Mary’s dead. You killed her.
James: Maria...? It’s you... But I don’t need you anymore.
Maria: What? You must be joking! But I can be yours... I’ll be here for you forever.
(Maria walks towards James.)
Maria: And I’ll never yell at you or make you feel bad. That’s what you wanted.
I’m di erent than Mary... How can you throw me away?
James: I understand now. It’s time to end this nightmare.
Maria: No! I won’t let you! You deserve to die too, James.
(Maria then transforms into the nal boss and she and James ght. After James
has caused enough damage to her, she falls to the ground, but is still alive.
Maria will repeat James’ name over and over again until she is nally killed by
one last blow.)

(After Maria is killed the scene switches. James is sitting next to Mary’s bed in
what is probably their home.)
James: Mary..
(Mary coughs a couple of times.)
Mary: James...
James: Forgive me...
Mary: I told you that I wanted to die, James. I wanted the pain to end.
James: That’s why I did it, honey. I just couldn’t watch you su er. No! That’s not
true... You also said that you didn’t want to die. The truth is I hated you. I wanted
you out of the way. I wanted my life back....
Mary: James... if that were true, then why do you look so sad?
James: Mary...
Mary: James... Please... please do something for me.
(Mary reaches at her side and grabs a letter and then hands it to James.)
Mary: Go on with your life.
(The scene switches to a foggy grave yard and Mary begins to read her letter to
 James. To see what the letter says skip down to the “D. The Letter” portion of
this document. After the letter has been read James and Laura are seen walking
through the graveyard together. After this, the scene fades to black and the
credits roll.)
   
35 - “In Water” Ending
(After climbing a long set of metal stairs, James nds his way into a strange room
with no ceiling and a metal oor. There is a bed sitting near the middle of the
room. A woman who looks like Mary is looking out the window. James walks up
to the woman at the window.)
James: Mary...?
(The woman turns around and she and James look at each other for a short
time.)
Maria: Wrong again. Mary’s dead. You killed her.
(Maria walks closer to James.)
James: Maria. Maria... I’m done with you.
Maria: What do you mean? But I can be yours... I’ll be here for you forever. And
I’ll never yell at you or make you feel bad.
(Maria puts her hand up towards James’ face, but he pulls away.)
Maria: That’s what you wanted.
James: Now I understand. The problem is... you’re not Mary.
Maria: No James. I won’t let you! I’ll never let you have your Mary back!
(Maria then transforms into the nal boss and she and James ght. After James
has caused enough damage to her, she falls to the ground, but is still alive.
Maria will repeat James’ name over and over again until she is nally killed by
one last blow.) (After Maria is killed the scene switches. James is sitting next to
Mary’s bed in what is probably their home.)
James: Mary...
Mary: James...
(Mary begins coughing.)
James: Forgive me....
Maria: I told you I wanted to die, James. I wanted the pain to end.
James: That’s why I did it honey. I just couldn’t watch you su er.
(Mary begins coughing again.)
James: No, that’s not the whole truth. You also said that you didn’t want to die.
The truth is... part of me hated you. For taking away my life...
Mary: You killed me and you’re su ering for it. It’s enough, James.
(Mary reaches at her side and grabs a letter and then hands it to James. After
James takes the letter Mary begins coughing again.)
James: Mary...
Mary: James...
(James reaches out and takes Mary’s hand and puts it against his face. Mary is
coughing and seems to be gasping for breath when nally her hand goes limp
and James drops it from his face.) (James stares at Mary for a moment and then
picks her up o of the bed and carries her out of the room. The screen goes
black and a car door can be heard closing.)
James: Now I understand. The real reason I came to this town.
(The sound of a car starting is then heard.)
James: I wonder what was I afraid of? Without you, Mary, I’ve got nothing....
 (A car is heard racing along a road for a short time.)
James: Now we can be together....
(Mary’s letter is then read against a background of what looks to be an
underwater scene. To see what the letter says skip down to the “D. The Letter”
portion of this document. At the end of the letter the background fades to black
and then the credits roll.)
   
36 - “Maria” Ending
(After climbing a long set of metal stairs, James nds his way into a strange room
with no ceiling and a metal oor. There is a bed sitting near the middle of the
room and a woman who looks like Mary is sitting on the bed looking out a
window in the room. James walks up to the woman on the bed.)
Mary: James, I’ve been waiting.
James: Mary... I’m sorry it took so long.
Mary: Didn’t you want to see me?
James: Yes, I wanted to see you. Even an illusion of you.... That’s why I came
here.
Mary: That’s not true, is it? You killed me...
James: I couldn’t watch you su er.
Mary: Don’t make excuses, James. I know I was a burden on you. You must have
hated me. That’s why you got rid of me.
James: It’s true... I may have had some of those feelings. It was a long three
years... I was... tired.
Mary: And that’s why you needed this “Maria” person?
(Mary gets o the bed and stands up next to James.)
Mary: James, do you really think I could ever forgive you for what you did?
(Mary then transforms into the nal boss and she and James ght. After James
has caused enough damage to her, she falls to the ground, but is still alive. Mary
will repeat James’ name over and over again until she is nally killed by one last
blow.) (After Mary is killed the scene switches. James is standing in the part of
Rosewater Park where he rst met Maria, looking out at the water.)
Maria: You killed Mary again?
James: That wasn’t Mary. Mary’s gone.
(Maria walks up next to James.)
James: That was just something I... Maria? Maria.
Maria: What, James?
James: I want you... I want you with me...
Maria: Are you sure?
James: C’mon. Let’s get out of here.
(James begins to walk away, but Maria grabs his arm and he turns around.)
Maria: What about Mary?
James: It’s okay, I have you.
(Maria then reaches in her pocket, pulls out a letter, and hands it to James. The
scene switches to a background of the observation deck where James started
the game and Mary’s letter is read. To see what the letter says skip down to the
“D. The Letter” portion of this document.) (After the letter is done being read by
Mary, Maria and James are shown walking up the steps and through the parking
lot towards James’ car. Once Maria and James get about halfway from the steps
to the car Maria begins coughing.)
 James: You’d better do something about that cough...
(The scene then fades to black and the credits roll.)
   
37 - “Rebirth” Ending
(After climbing a long set of metal stairs, James nds his way into a strange room
with no ceiling and a metal oor. There is a bed sitting near the middle of the
room. A woman who looks like Mary is looking out the window. James walks up
to the woman at the window.)
Maria: James.
James: Maria. I’m nished with you.
Maria: What!? But I’m what you wanted! Mary’s dead. Don’t you understand?
She’s not coming back! But I can be yours... I’ll be here for you forever. I’ll never
hurt you like she did! So why don’t you want me!
James: Because your not Mary. Without Mary, I just can’t go on.
Maria: James. C’mon James. You must be joking.
(Maria then transforms into the nal boss and she and James ght. After James
has caused enough damage to her, she falls to the ground, but is still alive.
Maria will repeat James’ name over and over again until she is nally killed by
one last blow.) (After Maria has been killed the scene changes to James rowing
the boat he used earlier.)
James: Mary. You look so peaceful. Forgive me for waking you. But without you, I
just can’t go on. I can’t live without you, Mary. This town, Silent Hill.... The Old
Gods haven’t left this place.... And they still grant power to those who venerate
them.... Power to defy even death....
(The camera shows James reaching a small island. There is a dock at the island
and also what looks to be a small house.)
James: Ah... Mary.
(James continues to row the boat until he disappears behind the island. The
screen then fades to black and the credits roll.)
   
38 - “Dog” Ending
James opens the door and the room is shown. It is a brightly lit and very colorful
room. There are several computerized devices throughout the room and at the
back end of the room there is what looks to be a control panel. There is a dog at
the control panel with a headset on pulling various levers back and forth. Also at
the control panel, there is a monitor with pictures of James and Maria shown on
it. After looking over the room, James says “So it was you all along” in Japanese
and then drops to his knees. After this the dog comes over to James and starts
licking his face, then the credits roll (which are the best part in my opinion).
   

BORN FROM A WISH

01 - Heaven's Night
(Maria is sitting in a small room in the "Heaven's Night" Club. She is holding a
revolver in her hand.)
Maria: When I woke up, I was all alone. Everyone's gone... Is it because of those
monsters? What do I do now? Do I ght and live? Or do those monsters get me? I
don't have any reason to go on living, but...
 (She gets out of her chair and walks across the room.)
Maria: But I'm scared to die. I'm so afraid of pain. Should I...run away? I want to
nd somebody. I don't like being alone... But...but is there anyone left alive?

If you try to leave the club without a weapon:

Maria: Isn't there a weapon besides this gun? I'm a little nervous with just this.

   
02 - Maria meets Ernest
(Maria opens the door slightly. Someone on the other side slams it shut again.)
Maria: Ah... Is somebody...there?
(She knocks on the door.)
Maria: Open up.
(She knocks again.)
Maria: Hello?
(She knocks again.)
Ernest: Stop it. You're disturbing me.
Maria: Whew, thank god. I nally found somebody. Can you open the door?
Ernest: No.
Maria: But why?
Ernest: Is it really necessary for me to answer all your tedious questions?
Maria: Yes.
Ernest: Oh, I didn't know that. I want to be alone. Other people just irritate me.
Maria: I just want to see another human face. Do you know what's happening in
this town? There's no one here...just monsters.
Ernest: Yes, I know. But so what? It has nothing to do with me. No one here
means there's no one to disturb me.
Maria: You want to be alone in this insane asylum?
Ernest: Yes, exactly. But how can you say that it is this town that is insane?
Perhaps it is we who are insane. Both of us...hopelessly insane. Are you
satis ed? Would you leave me alone?
Maria: My name is...Maria. What's your name?
(There's no answer. Maria knocks again.)
Ernest: Ernest.
Maria: Hemingway?
Ernest: Baldwin.
Maria: Ernest... I'll be back.

(The following dialouge takes place is you try to go through the door once more.)
Maria: Ernest, are you there?
(No one answers.)
Maria: No I guess not...
   
03 - Ernest's request
(Maria knocks on the bedroom door.)
Maria: Do you know a little girl named Amy?
Ernest: Why do you ask me that?
Maria: This letter, "TO MY DEAREST DADDY"... It's from a girl named Amy
Baldwin. You're "DADDY"?
 Ernest: Yes. Where did you nd that?
Maria: Up in the attic.
Ernest: Oh... What a fool... Now...when it's too late, I nally understand why. Why
she was there... Why she was holding that empty envelope when she...when she
fell...
Maria: Ernest, Amy...She isn't...? I'm sorry. I'm sorry I reminded you.
Ernest: No need to apologize. You didn't remind me. I've never forgotten...
Maria. Some things we forget and some things we can never forget...... It's
funny...I'm not sure which one is sadder. It's been 10 years, but I still......
Maria: Ernest...I'm sorry. I didn't know...
Ernest: No, it's ne. Maria, that letter...
Maria: I'll leave it here.
(Maria puts the card under the door and Ernest takes it.)
Ernest: Thanks. Maria....? So you must be...... That's why. That's why you could
see me.
Maria: Huh?
Ernest: So perhaps that means that I can hope for a miracle as well?
Maria: What do you mean?
Ernest: In the apartment next door, there is a bottle containing a white liquid. I
don't know exactly where it is, but I know it's in there somewhere. I must have it.
Maria: You...want me to get it for you?
Ernest: Please...
Maria: Why don't you just get it yourself?
Ernest: If I could, believe me I would. But I......
Maria: ......White?
Ernest: I'll open the stairway door.
Maria: Ernest, do you really believe it will work?
Ernest: I don't know...
Maria: Well, that's okay. I don't mind ghtin' for an impossible cause. Anyway it
beats just giving up and doing nothing.
(Maria starts walking away.)
Ernest: Maria...thank you.

(The following dialouge takes place if you try to go through the door once more.)
Maria: You think miracles really can happen?
Ernest: This is Silent Hill.
Maria: Yeah, maybe that's the problem.
Ernest: Oh Maria. You think too much. I'm from here. This is my town.
   
04 - The truth about Ernest
(Maria returns to the bedroom door with the white liquid.)
Ernest: Thank you Maria. That's the only item I couldn't get myself. By the time I
found out about it, I could no longer leave this house. So long...
Maria: Yes, but will...
Ernest: Maria, the Gods are here. You know it too. You were born in this town.
Maria: I'm not sure 'God' is the right word.
Ernest: Do you believe in Fate?
Maria: Not really.
Ernest: That's ne then.
 Maria: Ernest, can I open this?
Ernest: This is a dead end. There's nothing beyond here.
Maria: I know. So... What if I had said I believed in Fate?
Ernest: That James, he's a bad man.
Maria: James...? Y, yes......I know.
Ernest: He's looking for the you that isn't you.
Maria: Because he's kind. Do you...know something?
Ernest: Yes..... Maria, you're...
Maria: Anyway that's just what you think. You don't really know anything. That's
ne.
Ernest: OK.
(Maria opens the door and enters the room. It is completley empty. Amy's
present is on the table. It's been unwrapped. Maria looks around the room for a
while and then leaves.)
   
05 - Maria meets James
(Maria is walking down a narrow road. She stops and holds her gun to her head.
After a while she throws the gun over a wall and continues walking.)
Maria: James......
(The screen goes black.)
James: Mary? No... you're not.
Maria: Do I look like your girlfriend? My name... is Maria.

   
Misc
If you try to enter Brookhaven Hospital:
Maria: There's nothing for me to do here.

If you try to leave the Blue Creek Apartments through another exit (where James ghts with Pyramid Head for
the rst time):
Maria: This should take me to the alley that runs to the park. But rst I'd better take care of my promise to
Ernest.
 
by Desta (Silent Hill 2 Script Guide) & Niai Mitch (Born From A Wish Game Script)