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FRETS

LEARN

TONEWOOD INTELLIGENCE
A GU I DE TO T HE SOU N DS OF TH E MOST PO PU LA R
WOODS US ED I N ACOUST IC GU ITA R M AK IN G
B Y J I M M Y L E S L I E

T HE TO NE WO O DS USE D in the and more articulate, with a faster • Figured mahogany6DPHDVPDKRJDQ\


creation of an acoustic guitar are critical UHVSRQVHWKDQ6LWND ´)LJXUHGPDKRJDQ\µUHIHUVWRWKH
to how it sounds, as the instrument’s • European spruce 7KHVDPHSURSHUWLHV wood’s appearance and isn’t an indicator
top, back and sides have the greatest as Adirondack, controlled via density RIWRQH/LNHEHDUFODZVSUXFHDQGJUDLQ
RYHUDOOHŲHFWRQWRQH7KHWRSLVWKH ³LHWKHWKLFNQHVVRIWKHFXW$OO ZLGWKLW·VSXUHO\DFRVPHWLFWKLQJ
soundboard that pumps air into a European spruce belongs to the species
resonance chamber formed by the back picea abiesZKHWKHULW·V,WDOLDQ6ZLVV BAC K A ND S I D ES
DQGVLGHV´:LWKWRSVGHQVLW\DQG &DUSDWKLDQRU1RUZHJLDQ • Brazilian Rosewood Good old-growth
ZHLJKWDUHSDUWLFXODUO\VLJQLÀFDQWZKLOH • Moon spruce 7KHVDPHVSHFLHVDV Brazilian rosewood is dense and hard
the weight-to-strength ratio, as well as European spruce, moon spruce is OLNHVODWH,WVRXQGVOLNHJODVV³¬YHU\
the shape, are important regarding the harvested at night according to the DUWLFXODWHDQGFOHDU,W·VDOVRHűFLHQWDQG
UHÁHFWLYHEDFNDQGVLGHVµH[SODLQV6DQWD F\FOHVRIWKHPRRQ,W·VJHQHUDOO\RQHRI SRZHUIXOZLWKDZHVRPHGHÀQLWLRQ
Cruz Guitar Company founder Richard the clearest, most articulate and quickest • Mahogany On the spectrum of bright
+RRYHU:HYLVLWHG+RRYHUDWKLVVKRS UHVSRQGLQJZRRGV to dark, mahogany is toward the center,
where he was down to play a game: I • Cedar:DUPHULQWRQHEXWIDVWHULQ DORQJZLWKNRD,WPDLQWDLQVVRPH
named popular tonewoods from the list response than all other tonewoods, cedar warmth, so it’s pleasant but has more
of available options, and he provided the LVDQH[FHOOHQWFKRLFHIRUWKHÀQJHUVW\OLVW FODULW\WKDQWKHZDUPHVWZRRGV
IROORZLQJGHVFULSWLRQV who plays in open tunings because it • Koa ([WUHPHO\YDULDEOHLQGHQVLW\LW·VD
responds to a light attack quickly and YHU\YHUVDWLOHWRQHZRRG
TOPS ZLWKJRRGYROXPH,WPDNHVXSIRUWKH • Maple %ULJKWZKLFKLVZK\\RXÀQGLW
• Sitka spruce A warm tone, forgiving loss of energy that comes from playing LQMD]]JXLWDUV
DQGXQLYHUVDO6LWNDVSUXFHLVWKHPRVW without a pick on strings that are tuned • Blackwood Bright, dense and hard like
popular choice in acoustic guitars for GRZQDQGWKHUHIRUHKDYHOHVVWHQVLRQ %UD]LOLDQURVHZRRG
JRRGUHDVRQ,WÀWVPRVWSHRSOHPRVWRI • Redwood Redwood and cedar are • Cocobolo Bright, clear and articulate
WKHWLPH interchangeable if the right pieces of OLNH%UD]LOLDQURVHZRRG
• Adirondack spruce Brighter, clearer, ZRRGDUHFKRVHQ8QOLNHFHGDUUHGZRRG • Walnut:KLOHLWOHDQVWRZDUGWKH
RŲHUVPRUH warmer end of the spectrum, walnut has
headroom and to be selected and cut to achieve those
K ER R I L ES L I E

doesn’t lose its qualities because, like koa, its density


integrity when YDULHVJUHDWO\
overdriven, making • Sycamore7KRXJKLWYDULHVDOORYHUWKH
LWPRUHYHUVDWLOH place, it’s very much like mahogany
• Mahogany If cut ZKHQFKRVHQULJKW
to the proper • Indian rosewood Moving much more
density, it can be toward the warmer end of the sonic
clearer and more spectrum, with a darker tone, Indian
articulate than rosewood is also quite variable, so it
VSUXFH,IGRQH must be chosen and cut to achieve the
wrong, it is just GHVLUHGVRXQG
kind of funky and
Richard Hoover discusses the properties of tonewoods
GHDG In our next issue, we’ll wrap up our series by
at the Santa Cruz Guitar Company
• Koa 6DPHDV learning how these woods can be manipulated
PDKRJDQ\ to achieve a desired balance of bass and treble

86 FEBRUARY 2019 G U I T A R P L A Y E R . C O M

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