The first ever Shirdi sai temple - THE TEMPLE AT BHIVPURI

Sri Shirdi Sai Baba has become a part of the mainstream of Indian spiritual and temporal life
within a short period of attaining mahasamadhi. We can now see Sai temples not only in the big
cities but also in small towns and villages of India, and more and more temples are being built.In
this page we will learn about the Sai temple built at Bhivpuri 1916, when Sri Shirdi Sai Baba
was still in his physical body.

Bhivpuri Road is a small railway station which comes before Karjat on the train route from
Mumbai to Pune. If one gets out at this station and looks right towards the fields, a temple spire
is clearly visible. This is the Sai temple at Bhivpuri. It is a short walk across the fields to the
temple.

This temple has a very interesting history. The story behind its construction reveals the
astonishing manner in which Baba pulls his devotees to him. It is unbelievable but nevertheless
true that the founder of the temple, the late Sri Keshav Ramachandra Pradhan, was initially an
atheist. Sri Pradhan was working for a Parsee gentleman of Mumbai as a pedhi (a collector of
debts owed to his employer). He lived in Bhivpuri and would commute to Mumbai to work. In
the course of his job he would frequently go to Manmad, Nasik and Kopergaon. Pradhan had a
close friend who was a devotee of Sai Baba. He would often go to Shirdi and return after having
darshan of (seeing) Sri Sai Baba. Once, Pradhan visited his friend when he was about to leave for
Shirdi. He asked Pradhan to accompany him and to have Baba’s darshan. Pradhan, who had no
belief in God or Godmen, initially refused to go with him. Finally, however, he gave in to his
friend’s persuasion and agreed to go, but not to set foot inside the mosque where Baba lived. His
friend accepted the compromise and they set out for Shirdi together.

The friends reached Shirdi and stayed in the wada. As it was time for the noon arati, Pradhan’s
friend went to the mosque but Pradhan stayed in the wada. The bell rang from the mosque for the
arati and Pradhan could hear it from his room. The deep gongs of the bell stirred him as never
before. He was enchanted by the sound and unknowingly started walking to the mosque from
where this heavenly sound was issuing forth.

He reached the mosque and sat in a corner. Looking at Baba, he was immersed in a state of bliss.
After the arati was over the other devotees took udhi from Baba and left the mosque. Pradhan
was still in a state of bliss and was unaware of everything but Baba. Sri Shirdi Sai then called
Pradhan to draw near and asked him for dakshina. Pradhan had Rs 2500 in his pocket. This was
the amount he had collected for his employer from the various debtors. He took out the entire
cash from his pocket and, placing it all in Baba’s hands, returned to his room still in the same
state of bliss. A little later, Pradhan came to realise that he had given the entire amount to Baba
and was surprised that he could do such a thing with his employer’s money. His friend told him
not to worry as Baba would take care to see that Pradhan would not get into any trouble because
of this.

Pradhan started back via Kopergaon from Shirdi in a horse-cart. It was only after he reached
Kopergaon that he realised that he had no money, even for the hire of the cart. He requested the
cart man to take his ring, sell it and return the remaining cash after taking his fare. While this
was going on a well-dressed gentleman, unknown to Pradhan, arrived. After inquiring about the
matter he not only paid the cart man but also bought a ticket to Mumbai for Pradhan and left as
mysteriously as he came.

Pradhan reached Bhivpuri. He did not know how he could face his employer and tell him that he
had used all the money which he had collected. To gain time, he sent word to his employer that
he was sick and would come to work once he had recovered. The employer sent word back
granting leave till Pradhan was well enough to return to work. He also wanted to know why
Pradhan had sent double the money he had collected and what he was to do with the excess?
Pradhan saw Baba’s hand in this and was thrilled to the core of his being by the kindness shown
to him by Baba. He was electrified that Baba had showered his grace on him to such an extent in
the very first darshan. He became a staunch devotee of Baba and would often go to Shirdi to visit
Baba and take his blessings. Pradhan would plead with Baba to come to Bhivpuri whenever he
went to Shirdi.

Once, in 1916, Baba gave his statue to Pradhan and said, “Go to Bhivpuri. Build a temple for me
there. Keep this statue in the temple and worship it. You need not come to Shirdi any more.”
Pradhan returned to Bhivpuri but did not follow Baba’s instructions. When he next came to
Shirdi Baba said, “When I have come to your house, why have you come here? Bhivpuri is your
Shirdi. Go there and do as I told you.”

In a few days Pradhan built a small temple near his house at Bhivpuri and ceremoniously
installed the statue of Baba; regular worship was started. This temple is located in a place which
is green with trees and beautiful to the eye. In the silence of the night the sound of the temple
doors opening would sometimes be heard. Baba’s form would be seen coming out of the temple
and resting under a tree in the front yard. The sound of the temple doors closing would be heard
again at three in the morning. All these leelas were experienced not only by Pradhan and his
family but also by their guests who stayed overnight. Pradhan had no doubt that Bhivpuri was
indeed his Shirdi and he became an even more ardent devotee of Baba. The temple was
developed to include an inner chamber, a big hall in the forecourt, a verandah and guestrooms for
the use of visiting devotees.

Sri V V Gupte, Pradhan’s son-in-law, took an active part in conducting the various affairs of the
temple and helped further develop it. Sri Gupte had first visited Shirdi in 1936 and experienced
bliss at the sight of Baba’s samadhi. He prayed fervently to Baba to make the temple at Bhivpuri
as glorious and awesome as the Samadhi Mandir at Shirdi. Baba answered his prayers and the
Bhivpuri temple became famous with more and more devotees visiting it.

Pradhan passed away in 1939 and responsibility for the temple fell on Gupte’s shoulders. He
started an organization for running the temple called the “Sri Sadguru Sainathuni Seva Sanstha”.
The rush of visitors increased and the existing facilities became insufficient. Funds were
inadequate to do all that was necessary to meet the huge influx of devotees. Finally, Baba’s help
was sought. A devotee called Narayan Purohit started the formal reading of Sai Baba’s life. On
the fourth day Baba came to him in a dream and said, “Where is my dhuni? How can this be
Shirdi without a dhuni? How can my temple be complete without a dhuni?”
As he had the dream twice, Purohit informed Gupte and it was decided forthwith to build a dhuni
as instructed by Baba. Sri Valvalkar, the grandson of Sri Hemadpant (author of Sri Sai
Satcharitra – Baba's life story and leelas), first lit the dhuni on the Ramanavami day of 1949.
Ramanavami and Baba’s samadhi festivals are celebrated here with great fervour and glory.

(Source: Sai Leela magazine, September 1976) -

article contributed by Jagadeesh...thanks sairam

One of my sai friend Yogita has visited this temple few times and

A little about Aarti

Aarti is a ritual performed in front of image, idol of deities or Sage and Saints. The meaning of
Aarti in Sanskrit points towards developing love towards God or Guru in form of Sat Chit
Anand. 'Aa' means towards and 'rati' means virtue. Artis are performed both at Mandir (Temple)

and home.

All the Aarti rituals daily performed in Shirdi Temple started when Sai Baba did His leelas as
embodied form of Sat Chit Ananda.

Aartis are usually performed at five times a day or less than that. Morning sunrise time and
evening sunset time are considered as divine evoking times. So these two times are termed as
best times for evoking love for God. Aarti as a ritual to evoke the divine feeling thus is
performed at these two times. If five Aartis are perfoemed in a day, usually a second one follows
in the morning after the sunrise aarti. Noon aarti is performed in the mid noon time.

How Aarti is done

Vocals : Aarti is a simple fire ritual, where devotees gathers often in large number and sings the
aarti in unison. It evokes great spiritual energy. Moreover when lot's of people gather and sing
the divine lyrics of Aarti all the minds are on one thing, the aarti. Arati lyrics contains the words
and shlokas in praise of the divine. Hence at the subtle and mental level all the participants put
their mind on the divine.

Rotation of fire lamps : Along with the singing the most important part of
Aarti is rotating aarti diyas (lamps lit with wicks (oil or ghee)) (sometimes camphor is also used)
in clockwise motion in front of the idol or picture of the deity which is believed to be throbbing
with sacred energy and felt by many. One person rotates the lamp while all the others sing with
devotion in their heart and mind in unison.

The ritual helps the devotee to invoke the spiritual and sacred feelings in them and ward off the
evil influences one might have got in the course of daily routine life. For those deep in love with
God or the sacred the Aarti brings about divine mystic ecstasy in them. Just as an alcoholic is
drawn towards the wine or any other alcoholic drink, the devotee is drawn towards this divinely
pleasing ritual of the sacred. Sai Baba's devotees shouts in the ecstasy "Sat Chit Anand Sadguru
Sainath Maharaj Ki Jai" (Victory unto the Guru Sai Baba, the truth, the concsiouness and the
divine joy).

For those who have still not developed intense love for God, the simple fire ritual of Aarti helps
in exorcising the bad effects of an 'evil-eye' (dristi dosha), and regular practice of performing
Aartis thus results in developing the love towards the God, the Divine, the sacred, the divine
ecstasy. Aum Sadguru Sairam. The lamp fire charged with spiritual energy is taken to all the
devotees who pass their hands over it and put the palms on their forehead. A gesture of receiving
the sacred energy in thier minds.

acoustics in aarti :Along with the singing and rotating the lamp is the acoustic that goes with the
aarti. Usually small bells are played. The sound of the bell makes an effect at deeper level of
minds. In temple along with the bells, more musical instruments like drums, tabla, blowing of
Sankh are played, adding to the sacred and divine environment.

Aroma : Another important part of the Aarti is Aroma. aromatic flowers are offered to the
sacred. aromatic incense is burnt, dhoop ( a powder of loban or aromatic powder made from
herbs and tree barks, prescribed in Hindu tradition, is sprinkled on red hot burning charcoal. This
fills the place with aromatic smoke) is done before the aarti. Dhoop is also prescribed in many
religion for creating sacred environment and warding off evil energies.
Food and cleanliness : Food is offered before the aartis to the divine and after the aarti ritual is
over is passed onto all present at the moment. Devotees eat a bit from that as consecrated food
(prasad). In the morning aarti the Idol or the picture is given a bath with aromatic water. Before
all the aarti begins the place is cleaned thoroughly.

History of Aartis in Shirdi

Below is the link from this blog to download all Sai Baba Aarti mp3 files
Sai Baba aarti mp3 downloads Shirdi Temple - Aartis and chants and songs sung and
played in Sai Baba Samadhi Temple Shirdi.

The Arati Sai Baba book by Sri Sainathuni Sarath Babuji in pdf format can downloaded
here. It contains good
English Transliteration of the Original Marathi arati songs
with an English Translation, Introduction and commentary.

Shree sadchit anand sadguru sainaath maharaaj ki jai

श्री सद् चित आनंद सदगुरु साइनाथ महाराज की जय

Since there are many aartis only videos have been posted below. Below the the videos are
the link given for the lyrics and meaning of each aarti for which another blog has been
made.

List of videos of Aarti of Sai Baba performed in Sai Baba Mandir (Samadhi Temple), the
sacred tomb Shrine of Sai Baba in Shirdi.

शिर्डी साई बाबा की आरशियााँ मराठी मैं शिन्दी अनुवाद के साथ

Kakad Morning Wake up Arati

meaning of kakad a cloth is dipped in ghee this cloth is then wrapped around a stick and lighted
with fire to perform the aarthi.

काकड़ का अथथ। एक कपड़े को घी में दु बौत़े है । इस घी में दु बैती हुए कपड़े को लकडी पर
लप़ेट क़े आरती की ज्योत जलाई जाती है ।

Time duration of the above video is 38 minutes 32 seconds.

The morning Kakad Aarti begins at 4.15 a.m. in Saibaba Mandir (Samadhi Temple) the sacred
tomb shrine of Sai Baba in Shirdi.