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Gopala Sundari 3pg
Gopala Sundari 3pg
He was quite learned in Vyakarana, alankara and other Sanskrit kavya aspects.
He was born as a Saiva and he had during his final years embraced Sannyasa in
Tekkola Math near Thrissoor. This Math was founded by Padmapada, Sri
Sankara's disciple.
Bilvamangala thus adopted the way of Sri Ramakrishna, where Krishna and
Mother Lalita are worshipped as one form.
It is an ancient temple going back to 1,000 years . It is not a dhivya desam sung
by AzhwArs but is what is known as an abhimAna sthalam . This sthalam has
nurtured Carnatic Music for a long time. Mutthuswamy Dikshithar has
composed a Krithi on this Sri Vidya Raajagopalan .
It is believed that a "SrI Vidhyaa Chakram" has been placed at the time of
consecration under the Moolavar Peetam. This SrI (Vidhyaa) Chakram is not the
one that is worshipped by SrI VidhyA UpAsakAs , who perform NavAvaraNa
Meru Poojaa. At MannArgudi , the sakthi of the Lord is linked to the MahA
Lakshmi Yantram known also as Sri VidhyA Yantram, named after the wife of
Lord Hayagriva , the Sakala VidhyA Moorthy .
There are two approaches to the worship of this mantra, one taught by
hiraNyagarbha to dakShiNAchArins and the other taught by Bhagavan
Anandabhairava to the vAmAcharins. The Rishi, Chandas, dhyAna, AvaraNa etc
vary in these two systems.
In the case of dakShiNAchAra again, there are two forms of this vidyA, one called
gopAlasundarI or madanagopAlasundarI and the other called shrIvidyA
rAjagopAla or madana gopAla kRShNa. Both these are combinations of shrIvidyA
and rAjagopala mantras. Though these two terms are used inter-changeably, they
are different. This is pointed out clearly in gopAlasundarI kalpa of Rudrayamala.
In the case of gopAla sundarI, the primary mantra is shrIvidyA, and rAjagopAla
mantra is complimentary to the former. The visualization of Lord in this form is
half-male and half-female [somewhat like ardhanArishwara]:
”I meditate on that splendid Brahman in the form of Sri Krishna, who is half red
[aruNa varNa or the color of the rising sun - this is the left half signifying Sri
Lalitambika] and half blue [of the color of a dark cloud - this is the right half
signifying Sri Gopala], decorated on the forehead by a peacock feather, who is
both male and female in form [ardhanArIshwara swarUpa], and who sports in his
hands: flute, pAsha, ankusha, sugarcane bow and arrow of flowers”. Thus, an
identity between Sridevi and Srihari is indicated.
In the case of shrIvidyA rAjagopala or madana gopAla, the Lord sports the
Ayudhas of Sridevi, has a red complexion like her but is male in form. Here is the
perfect materialization of the phrase “pumrUpA krShNavigrahA” – “When in
male form, I am Sri Krishna”. Also, rAjagopAla mantra is primary in this case.
”I meditate on Sri Madana Gopala, who is of the complexion of the rising sun,
and who sports in his eight hands: sugarcane bow, arrow of flowers, sudarshana
chakra, gadA, lotus flower, pAsha, ankusha and golden flute”.
prasUnabANAmkitamikShuchApam
chakrAbjapAshAnkushapanchanaLam |
dharam karairaShTabhirarkavarNam
shrIkrShNarUpam praNamAmi rAmam || [Sri Rama Karnamritam]
Sri Bhagavannama Bodhendra, author of Sri Rama Karnamrutam, thinks so: ‘Sri
Krishna, in his form as Srividya Rajagopala, is sporting bow [of sugarcane] and
arrow [of flowers]. Now, are not these trademarks of Sri Ramachandra? So, this
form of Lord indeed is non-different from my beloved Sri Ramabhadra! Hence, I
offer my namaskramas to Sri Raghunayaka, who appears in the form of Madana
Gopala’.
Technically however, it should be noted that there is a separate form of the Lord
known as shrIvidyA rAma:
”I visualize on a throne of the form of Srichakra, with Garuda forming the Bindu,
seated is Sri Rama, sporting jnAna mudrA in his right hand. He embraces with
his left hand, Bhagavati Sita seated on his left lap, who in turn is sporting a lotus
in her lotus hands. By meditating on this form of Rama and by reciting his
mantra, one can realize the unity between the self and the Brahman”.
From the shrIvidyA perspective, these three mantras, along with mahA
vaikuNTheshwara [mahAgopAla pradhAna] and shrIchakradhara [shrIvidyA
pradhAna], form the vaiShNava angas of parA ShoDashI.
Uses
This is Lord Krishna Mantra, recitation of this Mantra good for maintaining good
relationship with wife or partner.
Gopaala Sundari
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There are innumerable forms of Devi described in Veda, Agama and PuraaNas.
No other deity in the Hindu pantheon has such countless forms. She being the
universal mother with bound less mercy, manifests in a number of forms to
enable one to meditated in any of these that one likes to visualize. Though
the ultimate reality is beyond all forms and conception, its out of immense
compassion that the he manifests with a swaroopa embracing kalyaNa guNas.
There is a special roopa of devi described in tantric texts as a fusion of
goopla and lalita named 'Gopaala Sundari'.
Like wise the most celebrated masculine form of the saguNa brahma is Sri man
naaraayaNa. He is parama purusha the first and fore most among devatas.
naaraayaNaparo yogo naaraayaNapara.m tapaH |
naaraayaNapara.m j^naana.m naaraayaNaparaagatiH ||
kodanDamaikshavamakhaNDamishhuM ca paushhpaM
cakraabjapaashasR^iNikaaJNcanavaMshanaalam |
vibhraaNamashhTavidhabaahubhirarkavarNaM
dhyaayeddhariM madanagopavilaasaveshham ||
dhyaayeth hariM madana gopa vilaasa veshham - I meditate upon hari in the
form of madana gOpAla,
arkavarNaM - who with the color of a rising sun,
vibhraaNam - holds
akhaND aiksha kodanDa - a strong sugar cane bow,
ishhuM ca paushhpaM - an arrow of flowers,
cakra abja paasha sR^iNi kaaJNcana-vaMshanaalam - cakra, shanka, lotus,
wipe, AN^kushA and a golden flute,
AshhTa baahubhiH - in his eight arms.
One the other hand, sri chakra of devi is seen at the lotus feet of gopaala
in dakshina dwaaraka (mannargudi). He is named as sri vidya raaja gopaala
and decorated as madana Gopaala Sundari during Brahmothsavam. There is a
special krithi of diikshitar dedicated to the sri vidya swaroopam of raja
gopala.