Professional Documents
Culture Documents
From: https://www.japanvisitor.com/japanese-festivals
Hina Doll
Reference: Osaki, Tomohiro (2013, February) “Hina Dolls and Their Accessories “
From: https://www.japantimes.co.jp/culture/2013/02/07/arts/openings-outside-tokyo/hina-dolls-and-their-
accessories/#.XMQA-jAzbIU
Daruma Dolls
The Daruma is modeled after Bodhidharma, a monk accredited with the founding of Zen
Buddhism, who seems to have lived between the 5th and 6th centuries CE. His origins
are shrouded in mystery, and most of the accounts documenting his life are mixed with
legends, making the tracking of Bodhidharma’s pilgrimage from the “Western Regions”
(possibly central Asia) a very hard task.
On top of self-mutilation, Bodhidharma also suffered the loss of his arms and legs
(according to some legends they fell off his body) as a consequence of his immobility for
nine years. Art and folklore depicting Bodhidharma show him almost exclusively
displaying these characteristics, which is why the Daruma dolls, in all its aspects,
symbolize Bodhidharma’s position and features.
In addition, everything about the Daruma’s design has deep roots and meaning, down to
the most minute details, making this doll much more than a simple household item.
Reference: Maurizi, Lucio (2018, july) “Japanese Daruma dolls – The true story behind the cute souvenir “
From: https://livejapan.com/en/article-a0002401/
Kokeshi Doll
Kokeshi are Japanese dolls from the Tohoku region in Northern Japan. These handmade
wooden dolls have a colorful history and controversial reputation.
They were traditionally made as guardians of children but later became popular
amongst Japanophiles and collectors. Kokeshi are thought to date back to the early 19th-
century and they were produced by kijishi, woodworkers at the Shinichi Shuraku, near
the Togatta Onsen in Zao.
According to other sources, it is said that they were originally sold to visitors in the
Tohoku region during the Edo Period (1600-1868). The origin of the name ‘kokeshi’ is
unclear; some historians suggest that the name is a combination of names given to the
dolls by their manufacturers.
The traditional kokeshi is painted in black, red, and yellow and covered with wax. They
are simple in shape with round heads and cylindrical limbless bodies and are made by
the model of Naruko style or Tsuchiyu style.
Reference: Georgievska, Marija (2017, January) “Kokeshi : the Japanese handmade wooden dolls with colorful history
and controversial reputation “
From: https://www.thevintagenews.com/2017/01/19/kokeshi-the-japanese-handmade-wooden-dolls-with-a-colorful-
history-and-controversial-reputation/
Koi Nobori
"Koinobori", carp windsocks, carp streamers or carp banners, decorate the landscape of Japan
from April through early May, in honor of Children's Day (originally Boys' festival) on May 5.
In Japanese culture, the carp symbolizes courage and strength because of its ability to swim up a
waterfall. The Boys' Festival was an event, expressing hope that each boy in the family will grow
up healthy and strong like wild carps. During this festival, people set up a warrior doll or a yoroi
armor set in the house, and Koinobori, huge carp-shaped windsocks, outside the house.
Originally, the banners were used by
samurai warriors on the battlefield.
Whenever the ancient warriors were on
the battlefield, they wore full yoroi armor
and flew banners.
The banners were painted in various
colors and shapes. Some of them had carp
pictures on them. They became "carp
banners" at the beginning of the modern
age.
Since the carp's courage and strength is a
trait desired in boys, families traditionally
have flown koinobori from their homes to
honor their sons.
A typical koinobori set consists of, from the top of the pole down, a pair of arrow-spoked wheels
(yaguruma) with a ball-shaped spinning vane, top streamer (fukinagashi) that looks like a
windsock, a black koinobori and a red koinobori. If more children are in the household, an
additional blue, green and then purple or orange koinobori are added.
These carp sets are flown above the roofs of houses, with the biggest black koinobori for the
father, next biggest red for the mother, and ranging down to the smallest carp for the youngest
child.
Reference: Yokota , Takashi (2011, November) “Koinobori, History and customs in japan“
From: http://www.koinobori-japan.jp/koinobori.html