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BRITAIN’S OLDEST MAGAZINE FOR PROFESSIONAL INTERIOR DESIGNERS £3.95 JANUARY 2015

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WELCOME TO THE JANUARY 2015 EDITION OF INTERIOR DESIGN TODAY,
BRITAIN’S OLDEST MAGAZINE FOR PROFESSIONAL INTERIOR DESIGNERS.
WELCOME to the January edition of Interior Design Today. As we head
to press this issue, I am preparing for my annual trip to the Sleep
Event, a maelstrom of hotel magnificence, honouring great hotel
design minds and presenting a smorgasbord of specialists in the
hospitality industry. I’ll let you know in the next issue, what I pick up
from the Business Design Centre, Islington. This issue we have a real
treat for our readers. Our Shortlist is nothing short of sublime, with a
festive treat and seductive scent thrown in for good measure. The
Project Gallery doesn’t drop the ball with an array of projects from
Blacksheep, Dorothee Junkin and Anouska Hempel, all delivering their
own distinct brand of design, whether it is for a Terminal 2 dining experience, a guest stay on
Vero Beach in Miami or a private penthouse so decadent, it’s dangerous. Our full-to-bursting
news sections feature all the shows of the upcoming seasons, including the January edition of
Home London and Spatex, dedicated to the sauna and spa sector of the industry. Are you
commissioning spa suites in your next project? Why not take a trip to the RICOH Arena and see
what they have in store for you. Decorex and 100% Design are under review in this issue too.
Our Designer Profile welcomes Robert Angell to the magazine. Rob is a former colleague of
David Collins and a truly engaging and passionate designer. Have a read through my interview
with Rob on pages 42 – 45. Tim Mutton, head Shepherd of the Blacksheep flock is next on my
interview hit list as we discuss the boom in eateries in the UK and how
he, as a designer, has made it his personal mission to bring the brand
and the burger into unison. The Showroom Showcase this issue is not
one to be missed as I step into the freshly painted, newly launched
Holly Hunt flagship showroom. Product features include a bumper
section on Lighting, a spotlight on Bar + Restaurant Design and a
collection of Kitchen + Bathroom concepts to take you into 2015.
Jade Tilley
I take the hotseat in the Last Word with my own personal review MANAGING EDITOR
of my stay at Blacksheep designed QBic hotel, London. jade.tilley@onecoms.co.uk

January 2015 Interior Design Today 3

13
Products
10 THE SHORTLIST
An editor’s choice of designs sourced
from far and wide

46 SURFACES
We explore the tactile world of
surface design

54 BAR +
RESTAURANT DESIGN
56 LIGHTING
An eight-page spread dedicated to lighting
for a range of features

64 KITCHENS +
BATHROOMS
40 61 Projects
12 PROJECT GALLERY
The project gallery presents outstanding
interiors from a top bill of interior designers

People
35 BIID UPDATE
The institute considers the evolving role
of the interior designer

42 DESIGNER PROFILE
Robert Angell talks about the honour
of designing and teaching, sharing
knowledge, passion and creativity

50 ARE YOU
BEING SERVED?
60 Tim Mutton, Blacksheep, invites us to tuck
into clever eatery design and lap up the
revolution in the F&B industry

69 DESIGN STORIES
62 Christian Grosen, Fritz Hansen, shares
the furniture brand’s story

71 SHOWROOM
SHOWCASE
20 Holly Hunt has landed on Grafton Street,
London in magnificent style

74 MY ICON
Natalia Miyar reveals her icon of modern
times, Oscar De La Renta

81 LAST WORD
Jade Tilley, Editor, mulls over her
QBic Hotel stay

January 2015 Interior Design Today 5

News

interiordesign THE GIFT OF GIVING

TODAY
PELDON ROSE DESIGN OFFICE SPACE THAT REFLECTS CHARITY VALUES
NEWS|BRIEF
JustGiving, the world’s leading platform for charity Peldon Rose wanted to create a space that
ABSOLUTE OFFER giving, have settled into their new campus-style embraced JustGiving’s fantastic team culture,
DESIGN COURSES
base in the Blue Fin Building in the London celebrated their social business and encouraged
Absolute Academy
presents An Introduction borough of Southwark. staff to think about work differently.
to Interior Design. Thriftiness was key. Having reused existing floor
Accredited by City & Having outgrown their old offices in Paddington, tiles as wall treatments, acoustic panels and unique
Guilds, the course is JustGiving sought the help of office interior design furniture pieces, Peldon Rose managed to create a
packed with practical and fit-out company Peldon Rose to find a new space that was extremely frugal yet fun and
tasks and assignments.
space that reflected their company values. The aim inspirational where employees can flourish. A
The course is delivered
online with the support of was to encourage new ways of thinking and working. workspace to thrive in was achieved through
a personal tutor and is JustGiving were after a versatile front of house; a thoughtful space planning and a contemporary
made up of eight easy-to- space for all-hands meetings, product launches and choice of materials.
read modules and backed charity meets that also served as an informal JustGiving’s new office is truly multifunctional, with
up with a visual library of working area during their downtime. Instead of the a natural flow. Semi built structures such as huts,
over 300 photographs. conventional reception, Peldon Rose created an hideouts and the introduction of nature throughout
Students learn the key
open plan ‘marketplace’ to welcome guests into the the environment provides a space with a modern
elements of interior
design, including: colour, heart of their new office. and open feel.
lighting, drawing to scale
and creating scheme
boards. Students can
enrol anytime and have
12 months to complete
the course.

INSIDEOUT
SHOWROOM LAUNCH
Inside Out Contracts
recently launched its new
showroom in Greenwich,
Southeast London. Key
industry figures from the
hotel, restaurant and
leisure industry were
given the opportunity to
preview the company’s
latest furniture pieces,
fabric collections and
lighting designs,
presented in a stunning
new 2,000 sq.ft location.

ALLAN KNIGHT
COLLECTION LAUNCH
American luxury brand
owner Allan Knight has
launched his new
collection in London at
J. Robert Scott. Allan
Knight, launched certain
pieces from the Fall 2014
collection in London
during Focus at Design
Centre Chelsea Harbour.
The Allan Knight line of ARPER SPA, The appointment comes a few
days after the arrival of Andrea
Archetti has gained extensive
experience in the areas of design
furnishings and lighting is
located at the J. Robert APPOINTS Fenaroli as Arper’s new General
Manager, and the formalisation of
and luxury as a manager of
Poltrona Frau, with which he has
Scott showroom. After a
very successful London NEW BRAND Vincenzo Rivizzigno’s new position
as Managing Director.
collaborated since 1988. This long
partnership has seen the
launch in the spring of
2014, Mr. Knight will
DIRECTOR With Roberto Archetti’s manager fill different roles over
involvement in Arper, the the years, in the fields of sales,
continue the momentum,
Arper, the Treviso-based design company adds further value to marketing, and product
by offering a fashion-
company, continues to pursue its the Brand, one of the assets on innovation. Executive Director
forward collection of
objective of strengthening the which it has based its since 1990 with a focus on the
furnishings and custom
management team with the development in recent years, and contract division, he subsequently
lighting for autumn 2014
appointment of Roberto Archetti confirms its strong commitment extended his responsibilities to
and beyond.
as its new Brand Director. towards growth targets. Roberto Global Sales. Since 2006 he has

6 Interior Design Today January 2015

 News

INTRODUCING ROOM 506 D I A R Y

11 – 13 January
Home London
www.home-london.net
OLYMPIA, LONDON
Home is the most exciting
and comprehensive
collection of stylish,
innovative homewares
you'll find all under one
roof.

23 – 27 January
Maison et Objet
www.maison-objet.com
PARIS
Celebrate Maison’s 20th
Anniversary in 2015 at the
Together with the Radisson Blu Royal Hotel also unmistakable. Jaime Hayon is clearly inspired by the Paris show, the key
known as the iconic SAS Royal Hotel, the world- classic Arne Jacobsen palette of subtle colours with a meeting place for
renowned Spanish designer Jaime Hayon, under the few well-placed bright accents. And like Arne professionals in the art of
direction of the fritz Hansen team, has created a total Jacobsen, Jaime Hayon has created a total design for living brings together a
design for Room 506 to match Arne Jacobsen’s the room, including furniture, works of art, 360° offer that is in line
original design, preserved in Room 606. Room 506 bedspreads, lamps etc. Another strong link between with the diverse needs of
celebrates the relaunch of the Drop™ chair, which was Room 506 and 606 is the Drop chair, which has been a global markets.
created 50 years ago for the hotel, along with new sleeping beauty for the past 50 years. Although the
designs by Jaime Hayon. Room 506 is created with Drop chair was originally used both in the cocktail bar 14 – 17 January
great respect for Arne Jacobsen’s original design from and in all the rooms, today it is only found in Rooms Heimtextil
1958. It is different from Room 606, but the kinship is 606 and 506. Photography by Henning Hjorth. www.heimtextil.messefran
kfurt.com
FRANKFURT
Heimtextil is the biggest
ROS WILSON’S LONDON PROJECTS SUCCESS international trade fair for
home and contract textiles
Roselind Wilson Design has won Best Interior Design county or region put through to the rigorous judging and the global benchmark
Apartment, London and the process. Roselind Wilson said, "this is a huge accolade for quality design textiles
National Award for Best Interior Design Apartment UK and we are extremely thrilled. This project was a joy for of innovative functionality.
at the 2014 International Property us with our clients giving us free rein to create a home
Awards, held in October. These awards are for the away from home in Central London for them". As 1 – 3 February
design of a duplex penthouse apartment project in winners of the National Award, Roselind Wilson Design Spatex
Rose Square, The Bromptons, Fulham Road, London, will have their entries re-judged to decide the www.spatex.co.uk
which was completed in April 2014. Both awards International World’s Best award winners, announced RICOH ARENA, COVENTRY
represent a significant achievement for Roselind on Thursday, December 4th, 2014. SPATEX 2015 is the ideal
Wilson Design as The International Property Award hunting ground to source
Winners’ logo is recognised as a symbol new products and
of excellence throughout the industry. innovations, explore new
Entries are subject to a stringent vetting ideas and seek expert
procedure, with only six per category, per advice in the spa, sauna and
wetroom industry.

13 – 17 February
headed Poltrona Frau New Product Ambiente
Innovation and R&D Departments www.ambiente.messefrank
as Executive Director. The furt.com
advanced skills acquired, together FRANKFURT
with a passion for design and Ambiente focuses on the
architecture, allowed him to land international consumer
the position of Brand Director of
goods market with a
Poltrona Frau S.p.A. in 2009. In this
spotlight area for ‘Living’.
role, the manager liaised with
architects and designers Here you will find interior
partnering with the company, design, furnishing and
progressively defining the brand decoration concepts and
identity for both the contract and ideas for the year ahead.
the residential sector.

January 2015 Interior Design Today 7

News

interiordesign LATINO DESIGN LANGUAGE

TODAY
NEWS|BRIEF B3 DESIGNERS CONTINUE CREATIVE COLLABORATION WITH LAS
IGUANAS RESTAURANT GROUP, DESIGNING DERBY SITE INTERIORS
ATRIUM AWARDED
PRESTIGIOUS ACCOLADE
Atrium has been awarded Las Iguanas is a leading name across the UK the feeling of street advertising prominent throughout
the Special Recognition bringing a unique ‘irresistible bolt of Latin American South America. It’s with these existing architectural
Award from the Institution energy’ to the high street. B3 Designers’ brief was to features that B3 Designers allude to ideas of faded
of Lighting Professionals take the Las Iguanas brand, this time within a Grade Latino glamour, in keeping with the Las Iguanas
(ILP). Presented to
II listed building in Derby and re-imagine the brand. Furthermore, reclaimed crates are stacked
companies who have made
a significant contribution character of the space in context of Las Iguanas high above the fixed booths within the bar area and
towards the Institution of brand ethos, fusing a faded grandeur style with a key materials such as Granito cement tiles in B3
Lighting Professionals’ touch of fun and flamboyant Latino flavour. Designers’ bespoke Latino style pattern in washed
aims, the award highlights out green and ochre colours and reclaimed timber
Atrium’s remarkable The 380 sq metre venue was once a bakery. The older boards in pastel tonal colours add to this fun and
support and commitment parts of the Grade II listed building have been flamboyant Latino style. “We always relish the
to the association and to
connected by a double height atrium space which challenge of bringing a vibrant Latin aesthetic into UK
the lighting profession. The
organisation focuses on brings natural light to the central area of the restaurant sites. Working with a Grade II listed
uniting the skills of restaurant. As a result, an internal courtyard has building gave us a great opportunity to play with the
engineering, design and been created in this space dressed with overgrown idea of faded grandeur which is so prevalent in South
technology to deliver exotic planting and oversized, antique, bronze America and, of course, stay true to the fabric of the
quality lighting for the built chandeliers dominating the apex of the central building – these elements give an engaging sense of
environment and achieve atrium. Exposed historic brickwork and giant story to the space." says Mark Bithrey, Design
public benefit.
distressed graphics on some of the walls recreate Director at B3 Designers.
BAXTER FLAGSHIP
SHOWROOM OPENS
Baxter has opened the
doors to their first official
UK flagship showroom in
the heart of Mayfair’s
interior design hub on Hay
Hill. Championing
innovation and
sophisticated style, the
luxury brand opened during
London Design Festival and
is spearheaded by leading
interior designer Anna-
Grace Davidtson and her
expert team at Anna Casa.
The debut collection
features a variety of
beautiful pieces inspired by
design through the
decades; from unique
vintage desks to classic
1950’s style sofas and
armchairs through to
contemporary tables and
lighting.

PING PONG POCKETS

DESIGN AWARD
Ping Pong, Wembley, won
the award for Multiple
Restaurant at the
Restaurant & Bar Design
Awards 2014. The new
look, designed by
SuperFutures, is
reminiscent of the urban
side of 1930s Shanghai
chic has splashes of
paprika red, jade green
and charcoal grey is
guaranteed to whisk
memories away from the
nearby hustle and bustle.
VIP TREATMENT
JOI-Design recently completed the reconstruction
and design of a glamorous new VIP lounge at the O2
World Berlin. With subtle allusions to the clandestine
allure of an exclusive members’ club in the “roaring
twenties”, the design of Diamond Ballroom evokes
the dazzle promised by its name. Four compact
private stadium boxes were merged to create a tony
entertainment hub for as many as 72 guests to
experience live events. The spacious venue looks
directly onto the O2 arena so that visitors can enjoy
concerts or sports matches while entertaining elite
clients and friends in a luxurious environment. Warm
hues of gold, platinum, cognac and ebony create a
handsome, clubby feel.

8 Interior Design Today January 2015

 News

GOODWEAVE FOUNDER WINS NOBEL PRIZE NEW WING AT

The Norwegian Nobel Committee recently awarded Committee chairman Thorbjorn Jagland said: SOMERSET
the 2014 Peace Prize to Kailash Satyarthi and Malala
Yousafzai, two individuals who have staked their lives
“Showing great personal courage, Kailash Satyarthi,
maintaining Gandhi’s tradition, has headed various
HOUSE
on the belief that children, regardless of gender, forms of protests and demonstrations, all peaceful,
Forme UK, are set
geography, faith, caste or social circumstance, focusing on the grave exploitation of children for
to complete the
belong in classrooms. Kailash Satyarthi is the financial gain.”Today, GoodWeave works in the top
refurbishment of the
founder of the GoodWeave international rug consumer capitals of the world and in the key rug-
‘New wing’ of the
certification scheme, which works to end child producing areas across Asia, expanding most Somerset House estate.
labour in the rug industry. From the cocoa fields of recently to Afghanistan. GoodWeave is an
Côte d'Ivoire to the carpet sheds of Uttar Pradesh, international non-profit organisation that aims to Forme UK’s engagement in
there are 168 million children around the world who stop child labour in the rug industry and to replicate the project began in 2008
toil in obscurity. In the announcement from Oslo, its market-based approach in other sectors. with the refurbishment and
modernisation of the 3rd
floor in the South Wing. New
workspaces were created
from loft like rooms and
corridors. When the Inland
Revenue vacated the ground
floor of the East wing and
the entire West wing, Forme
UK and the design team
were briefed to convert the
spaces for new use. As with
the South Wing, improving
circulation within the East
Wing was the first
challenge. A cluttered
layout was quickly turned
into a fluid ensemble of
interconnecting galleries
and commercial spaces. All
the lightweight partitions
RETURN OF THE installed in the 1960s
together with other
FRITZ HANSEN EGG significant structural
interventions were removed
and the original wall
The inspiration for this Egg™ derives from Arne Jacobsen's
features reinstated, so that
use of classic bluish colour tones, prominent both in Arne the interior could return to
Jacobsen's diverse colour scale and in the world-renowned its old glory. A new central
Room 606 at the SAS Royal Hotel in Copenhagen. The hall of the east wings was
indigo blue fabric is part of the Canvas series by Kvadrat created to enhance the
and has been chosen to celebrate and revisit Arne visitor experience of the
Jacobsen's thoughts on artistically coloured furniture. To ground floor. The final phase
highlight the craftsmanship and the 1200 hand-sewn of the renovation is now
stitches that goes into the making of each Egg™, it is underway in the ‘New’ Wing
equipped with a dark brown leather piping. To maintain its on Lancaster Place.
exclusivity, only 999 Egg chairs have been produced.

KVADRAT GOES luxurious contemporary upholstery textiles

TO JAPAN
Kvadrat recently opened its first showroom in
Tokyo, Japan to compliment its expansive
global network. Kvadrat are displaying their
entire collection along with the company’s
other brands; Kvadrat/Raf Simons, Kinnasand
and Kvadrat Soft Cells acoustic panels.
Kvadrat/Raf Simons is a recently launched
premium extension of the Kvadrat collection
under the creative lead of Raf Simons,
Creative Director of Dior Women, offering
and accessories for the home.
Kinnasand originates from Kinna in southern
Sweden. Drawing on over 200 years’ of
experience the company produces subtle yet
clear Nordic textiles and carpets for
contemporary homes. All products are made
from the very best materials and
characterized by individuality and attention-
to-detail.
Kvadrat Soft Cells offer flexible acoustic
solutions. The patented acoustic panels are
durable, sustainable, flexible and simple to
install and allow architects and designers to
create aesthetic environments with perfect
sound conditioning.
Tokyo’s undisputed high fashion district
Minami-Aoyama is the backdrop for the 80 m²
space. The corner building features a glass
façade, which introduces a view into the
Kvadrat universe.
The official opening of Tokyo showroom took
place in October. As part of the celebrations,
international renowned Argentinian-Swiss
Alfredo Häberli presented his new upholstery
collection for Kvadrat.

January 2015 Interior Design Today 9

Shortlist

Shortlist.
2015 looks set to be a year of fusions, taking memories of incredible architectural, historical and period designs and blending
them with contemporary lines, innovative technologies and forward-thinking finishes to create striking new designs for the
new year. In recognition of this, the Shortlist this edition pinpoints six pieces that fuse, blend, meld and mould the most
exemplary design concepts into exciting concepts.

 HEAVEN SCENT
With delicate floral notes and relishing
citrus undertones, the Helen Green Design
candle is hand poured in England. Carefully
crafted to create the perfect scent,
diffusion and optimum burn performance,
Helen Green Design presents this
fragranced edition to any home in a simple
and refined white jar. Available to purchase
Helen Green Design, 29 Milner Street,
London SW3 2QD, or online for £38.00.
v www.helengreendesign.com

MODEL PROPORTIONS .
Jacques Garcia designed the Katoucha series in homage to the late French
model, writer, and activist. The table’s form is a celebration of the circle,
with proportion trumping ornament. The horizontal texture is a scratchwork
pattern from jewellery. That motif appears on the base, and it reinforces the
idea of a single, monolithic, concentric sculpture barely interrupted by the
glass. The Katoucha is a simple solution for a round centre table. The form,
finish, and minimal ornament mix easily with other designer collections.
The glass top also reduces both the formality and the maintenance. As with
Katoucha herself, there is a great elegance to the form, and the footprint is
small. The lazy susan, as featured, is detachable. The table stands at
29 inches with a diameter of 48 inches.
v www.bakerfurniture.com

 FRINGE BENEFITS
The crowd-pleaser: the Guernica Lounge Chair is one of Laura
Kirar's favourites of the collection. With its undeniable presence and
incredible energy, the Guernica Lounge Chair is not to be ignored.
Like its artful counterpart embodying peace and symbolism, this
chair is more complicated than it may first appear. The engineering is
intricate and requires hand-craftsmanship that takes several weeks
to complete by a single person. The result feels effortless and
primitive. 3,500 holes are carefully placed through the honeycomb
caning, where the artisan uses a custom-made needle to place and
knot the contrasting smooth and textured leather laces of varying
lengths to create the fringe. Available in black or brown leather
fringe, cushions and inside back are custom with COM.
v www.bakerfurniture.com

10 Interior Design Today January 2015

 Shortlist

 FESTIVE FLOURISHES
These baubles, designed by Katharine for Fortnum & Mason and
available in two sizes, are handmade from glass in Germany, and come
complete with a delicate Katharine Pooley logo on the bottom and a
fine silver string to attach each bauble to the tree. These elegant and
timeless baubles make the perfect gift for a loved one, and with their
versatile colour palette of taupe, silver white and gold will complement
both traditional and contemporary Christmas décor schemes.
Prices start from £8 and are available from Fortnum & Mason.
v www.fortnumandmason.com | www.katharinepooley.com

 APPIA AMBIENCE
The Appia Lamp by Hamilton Conte Paris tells a story of beautifully
melded glass, suspended with a delicate yet powerful silk cable to
deliver this stunning light source, dipped in copper tones, oozing a
warm, autumnal glow. Founded in 2009, Hamilton Conte Paris is a
furniture and home accessories brand that draws inspiration from its
diverse cultural backgrounds. Combining pragmatism and passionate
creativity, they craft with originality and warmth. Devoted to artisanal
production and attention to detail, their artistic approach takes
inspiration from a variety of styles and cultures, merging design
movements from the 1950s and 1970s, the Americas and Scandinavia,
all with a touch of Parisian flair. Each piece in the collection tells a
story, within a universe that is distinct to the brand. Prices for the Appia
Lamp start from €392 (Excl. VAT) v www.hamiltonconte.com

 HEART OF DARKNESS
Justin Van Breda London prides itself on being an intimate design atelier,
creating furniture and interiors that are considered, poised and engaging. The
Campaign Chest on Desk, as featured, is a return to colonial times, evoking
style from a bygone era and fusing a modern line into its overall design for a
unique and beautifully crafted concept. Made in mahogany with brushed brass
metal detailing and indigo blue internal drawers. The pieces are made to
order and all detailing, including wood, lacquered colour, metal or other
detailing can be customised. Prices start from £4,500.
v www.j-v-b.com | 020 7349 7089

January 2015 Interior Design Today 11

Project Gallery

12 Interior Design Today January 2015

 Benugo Bar

PROJECT
GALLERY
Interior Design Today presents the Project
Gallery, a collection of spaces, residential and
commercial, that have been transformed into
beautiful interiors by some of the industries
biggest talents. This edition we see runway chic
dining, institutional bar haunts, elegance
personified in a penthouse fashion, savvy sea
container luxury and a stunning guest house of
epic proportions. The designers, including,
Blacksheep, Anouska Hempel and Dorothee
Junkin have all excelled in their ability to
transform spaces through understanding of
brand, client and overall spatial elements.
Whether it’s for a ‘Gorgeous’ dining experience
at T2 Heathrow, a fashion-forward, super luxe
apartment on Park Lane or a beautiful home on
Vero Beach, Miami, where people go to relax
and entertain, each space is unique, individual
and simply wonderful.

January 2015 Interior Design Today 13

Project Gallery

14 Interior Design Today January 2015

 Benugo Bar

THE ORIGINS OF AN INSTITUTION

For the British Film Institute’s new restaurant and lounge, Stephen Street Kitchen,
designed in collaboration with Benugo and built by Softroom, .PSLAB sought to craft a
lighting experience tantamount to the BFI’s legacy. Completed in July 2014, the project
includes elegant, white-and-brass insertions, custom-designed and fabricated by .PSLAB,
evoke the essential origins of cinema: the play of light and space. In concert with the
space’s rugged concrete ceiling, raw hardwood floor, and streamlined furniture, .PSLAB’s
lighting intervention shades and tones the mis en scene of this historic institution.
The fixtures on the columns in the BFI lounge, which feature both in the interior of the
building and on the exterior façade, were produced using a craftsmanship developed by
the .PSLAB design team, which follows a manual, recto/verso bending technique
applied to corrugated brass sheets. The resulting cylinders are given a powder- coated
exterior finish, while the natural brass interiors reflect a burnished glow.
The design of these cylinders is echoed in the large separators placed between the
couch seating booths. Utilising a smaller-scale version of the column pieces, these
table lamps are finished in brass and are outfitted with a custom black base, lending a
touch of noir ambiance to the dining experience.
The corrugated drum finds a third iteration in the meeting room lighting, in which the
cylinders are affixed directly to the ceiling in quadruplets. The combined effect of
.PSLAB’s three pieces in the space is one that compliments and extends the art of light
that the BFI has made its mission to preserve.

www.pslab.net

January 2015 Interior Design Today 15

Project Gallery

16 Interior Design Today January 2015

 Gorgeous Kitchen

THE GORGEOUS
KITCHEN
Blacksheep recently unveiled their latest brand
and design offering, set to delight the food and
beverage industry in the shape of The Gorgeous
Kitchen, a new all-day dining concept launched
as part of the regeneration project at T2,
Heathrow, operated by HMSHost International.
The restaurant, which places emphasis on local
British produce, is a collaboration between four
British chefs – Gee Charman, Sophie Michell, Jo
Pratt and Caroline Mi Li Artiss.
The Gorgeous Kitchen allows guests to escape
to a world of tranquility before they even step
onto the runway. Blacksheep were involved with
developing all aspects of the 360 degree brand
experience from the design of the identity right
through to the interiors of the space and
everything in between. For the brand’s identity
they wanted to create something that would
truly capture the unique collaboration and
chemistry of the four leading chefs. A bespoke
wordmark; crafted out of a variety of different
typefaces represents just that. Purposefully
placed across three levels, it represents the
stages of a journey whilst the punctuation or
beauty mark denotes the pause that the
environment creates for the guest as well as
giving a subtle hint towards the femininity and
beauty of the concept.
This notion of space can also be seen
throughout the restaurant’s interior, evoking
feelings of tranquility, peace and calm, an
escape within an escape. The layout of the
restaurant itself is based on natural
organisation and freedom of form. The
introduction of delicate copper vinaigrettes help
connect the spaces from a central point creating
pockets of natural rest. Antique Murano glass
shades appear to float effortlessly
complimenting the calm atmosphere of the safe
haven whilst giving it a certain ethereal quality.
The solution provides the ultimate sanctuary for
busy travelers to detach themselves from the
hustle and bustle of the typical airport
environment. A voyage designed to delight the
senses and capture the imagination; it draws
the guest into the beautiful quiet luxury that is –
The Gorgeous Kitchen.

blacksheep.uk.com

January 2015 Interior Design Today 17

Project Gallery

The Gorgeous kitchen allows

guests to step into a world of
tranquility, before they step
onto the runway.

18 Interior Design Today January 2015

 Gorgeous Kitchen

January 2015 Interior Design Today 19

Project Gallery

20 Interior Design Today January 2015

 Park Lane Penthouse

PARK LANE
PENTHOUSE
Situated in the Centre of London’s Park Lane,
the new Grosvenor House Apartments, designed
by Anouska Hempel, occupies an important
listed Edwin Lutyens landmark. Covering 16,000
m2, 129 apartments in configurations of 1,2,3 and
4 bedrooms and rooftop penthouses with private
roof terraces complete the new accommodation.
The original internal court, transformed into an
extensive covered atrium accommodating food
and beverage destinations and lounge facilities,
provides the new signature for the development.
Anouska Hempel Design provided Architectural,
Interior and Furniture design services, in
association with Woods Bagot.

www.anouskahempeldesign.com
Images courtesy of Will Pryce.

January 2015 Interior Design Today 21

Project Gallery

Anouska Hempel Design

provided architectural, interior
and furniture design services
for this Park Lane Penthouse,
in association with Woods Bagot

22 Interior Design Today January 2015

 Park Lane Penthouse

January 2015 Interior Design Today 23

Project Gallery

24 Interior Design Today January 2015

 Sea Containers London

SEA WORTHY
Mondrian London at Sea Containers on the South
Bank is set to dazzle the London hotel scene.
Designed by Design Research Studio under the
creative direction of visionary Tom Dixon, the
iconic building boasts 359 guestrooms and
suites, stunning riverside views, two exciting new
bars, an expansive restaurant with private dining
rooms, a maritime inspired 56-seat cinema and
an exciting new spa concept.
Embracing the building’s heritage, Morgans Hotel
Group’s first Mondrian branded hotel outside the
United States showcases a number of nautical
features including a dramatic, handcrafted copper
hull sweeping from the entrance through the
lobby into the heart of Mondrian London – the
restaurant, named Sea Containers.
Taking full advantage of the hotel's unique
location, many of the design-led 359 bedrooms
and suites offer river and city views. With the
golden age of transatlantic ship travel as a
departure point and ocean liner cabins as his
inspiration, Dixon has created fitted and well-
thought-out rooms, incorporating metallic and
brass throughout. In addition, each room
features bespoke furniture from Tom Dixon and
a one-off piece of art adorns the wall.
The hotel also boasts the agua Bathhouse &
Spa at Mondrian London, the bold new spa
playground concept.

www.mondrianlondon.com
www.tomdixon.net

January 2015 Interior Design Today 25

Project Gallery

26 Interior Design Today January 2015

 Vero Beach Guest House

BE OUR GUEST
The Vero Beach Guest House is part of a brand
new oceanfront property with a main house of
some 18,000 sq ft. It is situated in the gardens
behind the main building complex and was
designed based on a slightly more economic
budget. The two storey building comprises of an
open plan kitchen, living and dining area, a
master guest suite with private en-suite and a
guest cloak room on the ground floor. The
ground floor serves as private pied-a-terre for
the owner’s mother during her visits. Two
‘dorm’ style rooms each sleeping six with en-
suite shower rooms are located on the first floor
for the owner’s nieces and nephews. The design
of the ground floor apartment was largely
influenced by the owner’s mother’s colour
palette preferences and features cheerful
splashes of yellow in the living and dining area
and a contemporary interpretation of the
Floridian palm leaf pattern in the master suite
overlooking a palm tree lined courtyard. The
second floor shows bold patterns in black and
white and picks up on the yellow theme of the
ground floor.

architecta-interiors.com
Photography by William Waldron.

January 2015 Interior Design Today 27

Project Gallery

28 Interior Design Today January 2015

 Vero Beach Guest House

January 2015 Interior Design Today 29

Spotlight
HOME FOR AUTUMN/WINTER
OLYMPIAN RESULTS FOR TOP DRAWER AND THE BRAND NEW AUTUMN HOME SHOW AS WELL AS A PROMISING
FUTURE AS THE HOME EVENT, LONDON HEADS INTO THE NEW YEAR WITH AN EXCITING NEW LINE UP OF EXHIBITORS
THE NEW AUTUMN EDITION OF HOME RAN
ALONSGIDE THE LARGEST TOP DRAWER IN MANY
YEARS TO HELP SECURE FOUR PER CENT BUYER
INCREASE AND A 14 PER CENT UPLIFT IN
INTERNATIONAL VISITORS.
The two shows have created the ultimate Autumn
event for design-led homewares and giftware
buyers. Feedback from buyers and exhibitors
welcomed the exciting developments, placing the
show firmly at the forefront for trend leading
retailers and design-led suppliers and buyers.
“We’ve been really pleased with the outcome of
Home; there has been great footfall throughout
show. You can immediately tell that Home offers
only the best and it’s a great place to exhibit for us
as the buyers who visit are also of the highest
quality – so my brand is instantly understood.” Ella
Doran, Owner, Ella Doran said.
Taking place at the newly refurbished Olympia in
London and showcasing over 800 exhibitors over
two halls, organisers consider the event a
resounding success. With new initiatives including
Retail Masterclasses –a re-branded seminar
agenda, and a luxury Indigo VIP Lounge designed
by British designer Ella Doran, all presented within
a newly captivating space with a stunning show
design, incorporating a striking entrance tunnel.
30 Interior Design Today January 2015
IN THE ZONE
Covering four vibrant zones packed with design-led
products (Gift, Fashion, Children’s and Stationery
and Greetings) Top Drawer offered buyers greater
depth of product than ever with many exhibitors
choosing to launch new ranges ahead of the
forthcoming spring/summer season.
An impressive 80 per cent of exhibitors were
exclusive to the London show this autumn, a fact
that was not lost on visitors who were pleased to
discover a satisfying range of products.
A NEW HOME FOR HOMEWARE...
The launch of Home’s autumn edition alongside
Top Drawer successfully added a serious
homewares offer to the Top Drawer mix this
September. Home covered all the bases for buyers
of design led homeware, including kitchen and
dining, interior accessories, furniture and lighting
with exclusive exhibitors including Alessi, LSA and
Parlane. Positive buyer reactions led to the highest
exhibitor re-bookings on record, an indication that
the autumn edition of Home will echo the success
of the January edition, which has more than
doubled in size in just three years. Linda, Iris
Hantverk, commented, “The response from buyers
has been incredible, they are all enthusiastic and
make serious enquiries.”
LONDON 2015
Top Drawer and Home promise further innovation
for spring and will be joined by sister show Craft
as well as a new floor devoted entirely to fashion
accessories and jewellery plus a new talent
section. Launched in 2014, Craft, which already
boasts a 50 per cent increase in makers for 2015,
is not to be missed. Together, the three events
represent the largest ever event of its type in
London, with over 1000 exhibitors spread across
four halls and two floors.
Home is the most exciting and comprehensive
collection of stylish, innovative homewares you'll
find all under one roof. Choose from a huge range
of new design-led products for the kitchen and
dining room, together with soft furnishings, lighting
and accessories at prices to suit all budgets.
Whether it's classic, vintage, modern or
contemporary, you will find it at HOME with a lust-
list of products from Joseph Joseph, Bliss Home,
Haus, Alessi, Grand Illusions, LSA International,
Authentics, Coach House, Ella Doran, Universal
Expert, PAD Home, Makers & Merchants and
hundreds more.
All three shows will take place at Olympia from
11th – 13th January 2015. Register now for your
complimentary ticket
www.home-london.net
 Industry news

IT’S AN ILLUSION
Deirdre Dyson’s 2015 carpet collection is quite a departure from recent
themes. Comprising nine fresh designs, which interplay linear and graphic
forms, the result is both striking and modern. Entitled “Illusion”, the new
collection will be shown for the first time at Maison et Objet Paris on 23-27
January 2015. Deirdre commented on the collection, "My 2015 "Illusion"
collection presented my hand-knotted makers with the most difficult
challenge to date. The geometric designs may look deceptively simple, but
the intricacy of workmanship involved is astounding. I have used colour
grading in many directions and opposing paths. The makers, who work
across the loom from left to right, row by row, have to change colour at
almost every stitch. It requires them to think as if standing on their heads and
reflects the complete labour of love that we dedicate to these exquisite
carpets! The result is a dazzling contrast from light to dark, of shadows and
optical illusions.” www.deirdredyson.com

LET ME ENTERTAIN YOU

The Interiors Group have recently designed and built trendy new UK
headquarters for Entertainment One [LSE:ETO] in Warren Street,
London.
Following years of significant growth, eOne sought to relocate their
UK headquarters in London to accommodate the expansion. The
Interiors Group, working with project manager Knight Frank were
given the brief to create a forward thinking office space to reflect the
company brand.
Oversized Tom Dixon copper mirror ball lights have been placed as
feature lighting in the reception area. Aqua grout has been used
universally throughout the project to pick out the client’s branding,
creating a futuristic look. The Interiors Group specified Bolon flooring
in a Wing design, two colours from the range were used and laid in
varying directions so that the grain picked up the light in a different
way. The wing design was used with the accent blue taken from the
corporate colour. These Wings were set-out to act a form of
wayfinding to guide visitors through the space right from the entrance
of the reception through to the meeting suite.
The breakout area is situated at the heart of the three floors, which
leads onto an external terrace in the centre of the building creating a
relaxed feel with high wooden benches & farmhouse chairs. Pendant
lights hang from the embossed ceiling rafts framing each of the high
benches and creating a focus to the seating areas.
The boardroom is an expansive stylish & modern space with a feature
fabric wrapped bulkhead light with LED lighting surround. The
Interiors Group partnered with Spacecraft and specified all the
furniture together with the client.
020 7495 1885 | www.interiorsgroup.co.uk

January 2015 Interior Design Today 31


SPATEX 2015, IS A MUST-ATTEND SAUNA AND SPA EXHIBITION FOR ANYONE
INVOLVED IN THE DESIGN AND CONSTRUCTION OF WET LEISURE FACILITIES
Gearing up to be the best ever, the 19th SPATEX
will be held at Coventry’s Ricoh Arena Jaguar
Exhibition Hall (1st – 3rd February), boasting the
largest display of water leisure products and
innovations in the UK, SPATEX 2015 is the ideal
hunting ground to source new products and
innovations, explore new ideas and seek free
expert advice.
SHOWCASE
With well over 100 Exhibitors from home and
abroad, displaying everything from wet and dry
safety flooring, new spas, saunas, water play
features, pool enclosures to energy saving
chemical control and heating and ventilation
units, you can be sure to find what you are
looking for, whether it is for commercial or
domestic use. A new product zone further
highlights the innovations that will be making the
headlines in the year ahead. You can be assured
of the fact that, if it comes under the wet leisure
umbrella, you will see it first at SPATEX.
Typical of the exhibitors who return each year to
SPATEX is Waxman Ceramics Ltd from West
Yorkshire. Experts in tiles, with over 30 years
DIVE IN
experience in the industry, Waxman recently
supplied quality tiles for a private outdoor pool
project near Guildford, Surrey, to help create a
stylish new look after its refurbishment.
Waxman Ceramics was able to offer a multitude
of options for the project that was carried out by
Pool Supplies Ltd. The chosen tiles were a
Waxman Ceramics Pool and Spa speciality,
Niebla (PS Series) in the colour of Giava, an
enchanting turquoise shade that is a
quintessential staple for pool design. These tiles
were used within the pools pit and surrounding
walls, with accents on the pools entrance steps,
complementing the grey hues of surrounding
floor tiles.
For sports enthusiasts, Marquis Spas will be
displaying a new swimspa, which combines
resistance and rowing kit attachments for a
complete aquatic workout. The UK’s leading
manufacturer and supplier of wet leisure
equipment, Certikin International will be using
SPATEX as a launch pad for a new budget spa
range called Fantasy. Whilst Golden Coast will be
showcasing a stunning new Tylo steam room
called the Panacea.
Spotlight
FREE EXPERT ADVICE
Do you have a project query that you would like
to discuss? SPATEX is the meeting ground for a
huge variety of Industry experts who are on hand
to offer free, impartial advice.
This year, SPATEX is doubling the education and
training provision by incorporating a second
seminar area and has invited esteemed Industry
associations such as PWTAG (Pool Water
Treatment Advisory Group) to give keynote talks
on issues that are relevant to all in the Industry.
In addition, the Exhibition’s popular ISPE
(Institute of Swimming Pool Engineers)
Workshops will tackle topics such as
construction and new Standards and Guidance
that affect all in the pool and spa business. ALL
seminars are FREE and certificates of
attendance are available to all attendees.
01264 358558 | helen@spatex.co.uk
michele@spatex.co.uk | www.spatex.co.uk
January 2015 Interior Design Today 33
 BIID Update

A GOLDEN YEAR
DEBRA MCQUIN, MARKETING DIRECTOR OF THE BIID, GETS READY TO CELEBRATE AS THE BIID
REACHES ITS 50 YEAR ANNIVERSARY IN 2015, PROMISING TO BE ANOTHER SPECTACULAR YEAR FOR DESIGN

2015 marks the start of what
promises to be a golden year
for the BIID as the Institute
celebrates its 50th
anniversary.
The organisation was founded in 1965 as the Interior
Decorators and Designers Association (IDDA).
Initially a small group representing primarily
residential designers, over the last fifty years our
membership has expanded to represent all sectors
of the interior design profession. In 2001, the IDDA
was amalgamated with the globally recognised
International Interior Design Association UK Chapter
(IIDA), to form the British Interior Design Association
(BIDA) and in 2009, the Secretary of State recognised
the BIDA as the pre-eminent body in the field and
granted it Institute status, forming the British
Institute of Interior Design we know today. Our
membership was expanded further in 2013 when we
merged with the Interior Design Association (IDA).
Through all these changes, however, our mission
has remained the same: To encourage and support
creativity and competence in the field of interior
design by setting national professional standards,
promoting learning and debate and championing
the value of interior design on the national and
international stage.
For our members, belonging to a professional
Institute is a great source of pride. Their BIID
membership demonstrates to their clients and to
their peers that they have met our rigorous entry
standards and regularly keep themselves up-to-date
with Continuing Professional Development. By
having a voice in the halls of Westminster through
the All-Party Parliamentary Design and Innovation
Group (APDIG) and flying the flag for interior design
within the built environment and broader design
communities, we help define and shape the future
of interior design in the UK.
And whilst our 50th anniversary provides us with the
perfect opportunity to reflect on our achievements
over the past half-century, more importantly, it gives
us the perspective to look into the future. This is
exactly what we hope to do at our Annual
Conference, which will once again be held at RIBA
Headquarters in London on Thursday 18th June.
We have provocatively titled the conference ‘Who do
we think we are?’ and will use this self-referential
platform to dissect the forces, internal and external,
that are changing our profession. We will explore
how media representations and the public
perception of interior design shape how designers
relate to clients, colleagues and each other. We will
examine how the internet and social media have
radically changed design and business practices,
creating an “instant expert” culture. We will also
look at whether the rise of the multi-disciplinary
designer is an opportunity or threat to the traditional
interior design profession.
We hope that you will join us on the 18th June to
help celebrate our golden anniversary and toast the
bright future as we look towards the next fifty!
www.biid.org.uk

January 2015 Interior Design Today 35

100% design review
20TH EDITION EXCELLENCE
100% DESIGN CELEBRATES ANOTHER SUCCESSFUL YEAR WITH
ENCHANTING INSTALLATIONS AND ECLECTIC CREATIVITY AT THE 20TH EDITION
100% DESIGN IS DELIGHTED TO ANNOUNCE
THAT OVER 28,000 VISITORS ATTENDED THE
SHOW’S 20TH EDITION OVER FOUR DAYS, AND
THAT THE NUMBER OF EXHIBITORS ALSO ROSE
TO THE TOTAL OF 450 THIS YEAR. SINCE THE
SHOW’S ACQUISITION IN 2011, NEW OWNERS
MEDIA TEN HAVE INCREASED THE TOTAL
FOOTFALL BY 36 PER CENT. THE SHOW
ORGANISERS ALSO LOOK AHEAD TO MOVING TO
THE NEW VENUE OLYMPIA LONDON IN 2015.
Overall the 2014 show was attended by over 19,000
architects and interior designers, representing 70
per cent of the total number of visitors. The show
was most attended by UK visitors (81 per cent),
followed by those from Europe (13 per cent) and the
rest of the world (six per cent).
Led by Show Director William Knight, 100% Design
increased its overall exhibition space by 20 per
cent, showcasing an array of global design brands
and thought-provoking features over 22,000 sq m
within Earls Court. The show also marked its 20th
edition this year before moving to Olympia next
September.
William Knight commented, “100% Design 2014
was a great success for us; overall, we have
received an overwhelming number of positive
responses from visitors, exhibitors and
36 Interior Design Today January 2015
collaborators. I believe the 20th edition truly
demonstrated our commitment to design and
innovation, and that we have produced a top quality
show where visitors could find new ideas and
innovative products, but also connect with others
and engage with our features, which strongly
supported our 2014 show theme.”
International designer Philippe Starck – who
opened 100% Design this year – added,
“there were no features at the first event many
years ago, but now it looks amazing and full of
sparkle.”
100% Design welcomed visitors to its 20th edition
this year with a specially commissioned glass
chandelier, Ice, made by leading designer and
manufacturer of bespoke light fittings Lasvit in
conjunction with architect Daniel Libeskind.
Alongside Emerging Brands and International
Pavilions, four industry hubs showcased Interiors,
Kitchens and Bathrooms, Workplace and Eco,
Design and Build, each with an engaging and
interactive feature at its heart; from Foam
Dome by vPPR architects – a geodesic dome
pavilion made from bubble foam, to iAlter by NBBJ
architects, a kinetic sculpture that flexed in
response to visitors flowing through it.
Key brands that launched new collections at the
show ranged from Vitra and Heal’s
Discovers, to Pinch, Studio Job for NLXL (Pad
Home), Philippe Starck for Ceramica
Sant’Agostino (Capitol Designer Studio), Sir
Terence Conran for Fermob, OROLOG by Jaime
Hayon and Muon Haven.
Talks with 100% Design, curated by Claire Barrett,
also returned this year with a star-studded line-up
including Jaime Hayon, Philippe Starck, Edward
Barber and Jay Osgerby, Nina Tolstrup, Ross
Lovegrove and Daan Roosegaard. To celebrate the
show’s 20th anniversary, a special ‘20’ themed
Pecha Kucha also took place, curated and hosted
by its founder Mark Dytham.
100% DESIGN 2015
2015 sees 100% Design re-launched in a dramatic
new setting. Set within the iconic Grand Hall at
Olympia, the UK's largest design exhibition will
have a brand new layout, providing a unique launch
platform for over 2,000 products. The new
destination in West London is within a stone’s
throw of the newly located Design Museum
from 2016.
www.100percentdesign.co.uk | @designlondon
@talkswithdesign
Image: Glass chandelier, Ice, by Lasvit
in conjunction with Daniel Libeskind
 100% design review

KERAMAG CREATES LUXURY

Keramag Design showcased its new sanitaryware, furniture, ultra-slim
shower trays and cleverly constructed toilet cisterns at 100% Design in
September. Taking centre stage was the distinctive new Xeno² collection of
sanitaryware and furniture, the luxurious Mattis bath, the ultra slim Opale
shower tray, and the contemporary Universal cistern unit. The stand-out new
Xeno² collection has been designed by Robin Platt. Positioned at the mid
luxury segment, Xeno² is informed by the trend ‘soft geometry’ in bathroom
ceramics, embodying contemporary design but expressing it in a softer style
of minimalism. The Mattis bath is the first freestanding bath in the Keramag
Design portfolio and offers luxurious bathing on a grand scale. With organic
lines and a contemporary design, the Mattis bath is created from resin stone
which is a high quality material that’s warm to the touch, while being
resistant to heat, shock and chemicals. Opale is an elegant new range of
ultra-low-profile shower trays available in eight sizes, perfectly designed and
positioned to take advantage of the move towards larger shower trays,
particularly as replacements for traditional bath tubs. Universal is a cleverly
constructed cistern unit that delivers a high level of contemporary design and
aesthetics into the bathroom. 01270 871756 | www.keramagdesign.com

RECLAIM YOUR STYLE

The Reclaimed Flooring Company provides the finest authentic
reclaimed, replica reclaimed and specialised new solid and engineered
wood for a variety of commercial and residential projects. This year at
100% Design, they presented a range of new designs for the year ahead.
An innovative range of patinas incorporates both antique and
contemporary design concepts, blending rich history, new technology
and an unrestricted approach to creativity and craft. The cornerstone
and culture of RFC is to keep wood just like wood, full of raw character,
personality and timeless beauty. New for 2014/15 is the reclaimed
French Wine Barrel Oak. Made from authentic French Wine barrels, this
stunning new feature is the first of its kind and exclusive to the
Reclaimed Flooring Company. This beautiful wood can be produced on
solid or engineered platforms. Prices start from £125 per metre
squared. Further products include the rare, tropical hardwoods with
CoastEcoTimber, derived from underwater logging in Panama. Finally
the Instant Nostalgia application involves a colour layering system that is
applied to wood to create an aesthetic weathered look. 0207 251 0088
info@reclaimedflooringco.com | www.reclaimedflooringco.com

AN EXCELLENT VINTAGE
DAM, a Portuguese brand of furniture and accessories
showcased new products at 100% Design London. With a deep
commitment for detail and quality, between tradition and
modern times, DAM combines materials and traditional
techniques with creative and innovative drawing. Appealing to
emotions, simplicity and quality of life, DAM emphasises the
chairs Dina and Dora, and the stool/side table PIPO (pictured)
as the main creations for this season, being sure of the
importance of these creations as elements that catch the eye of
all of those who love to create happy and cozy inside spaces.
Pipo, Dina and Dora honour the amazing wine region from Porto
– Douro Valley, focusing its forms and shapes on elements that
are originally from the wine essence. The cork, the barrels, the
slopes and grapes, all of those are part of a tradition that’s here
to stay. DAM is about design, craft and furniture. It’s about
products that tell stories about culture and memories. DAM will
be presenting new pieces, conquering smiles with the certainty
that the best is about to come. www.dam.pt

January 2015 Interior Design Today 37

Decorexreview
DINE OUT ON DECOREX
DECOREX BOASTS ANOTHER SUCCESSFUL YEAR AS IT RETURNS TO ITS ROOTS AT SYON PARK,
LONDON, AND DISPLAYS THE CREAM OF THE INTERIORS CROP THROUGHOUT THE EXHIBITION
DECOREX SAW THE INDUSTRY INSPIRED FOR
ANOTHER YEAR AS THE DESIGN COMMUNITY
DESCENDED EN MASSE DURING FOUR DAYS
TO THE HISTORIC LOCATION OF SYON PARK,
WEST LONDON.
Strong visitor attendance of 12,500 people, of
which 13 per cent were international,
demonstrated the continued support from the
industry, as senior players were joined by well-
known names from the fashion world including
Julian Macdonald and Melissa Obadash.
At this important London Design Festival event,
made up of over 400 exhibitors, a third of the
stands were new to the show. Inspiring
collections were introduced by both established
names, William Yeoward, Altfield, Pinch, Crucial
Trading, Villiers, Moissonnier: and new names
such as Korla, Christopher Jenner,
Bagues/Bronzes de France, Veronese, Lance
Woven and Fermoie.
This year’s venue, of over 15,000 square meters,
gave greater scope to create a different vision
for Decorex as well as providing an opportunity
to introduce two new inspirational and much
talked about feature areas. This saw In The
Making harnessing and revealing the
outstanding expertise of five exhibitors –FRONT
38 Interior Design Today January 2015
London, Locker & Riley, Watts of Westminster
and Spina together with a groundbreaking
stand-alone installation by Lapicida. While
Future Heritage showcased the names of
twenty-one makers to collect in contemporary
British craft and design.
In the entrance area, visitors were in for a visual
treat as a spotlight was shone on Hogarth’s A
Rake’s Progress. Design celebrities and
exhibitors created an element of surprise and
drama as they reinterpreted this famous series
in eight different vignettes. True to form, Les
Trois Garcons created a highly elegant and
sophisticated champagne bar. Attendance was
high at the Seminar Theatre as visitors flocked
to listen to insightful and educational talks from
key international speakers from the interior and
design world that included luminaries such as
Sara Cosgrove, Lori Weitzner, Russell Sage,
Nigel Coates and Dan Hopwood.
This year, winners of the prestigious Decorex
Awards included Eley Kishimoto for Best New
Exhibitor, Munna/Ginger & Jagger for Best
International Exhibitor and Outstanding
Contribution awarded to Julian Chichester.
While The Best Stand, as voted for by the
Decorex Exhibitors was won by The Little
Greene Paint Company.
COMMENTS FROM EXHIBITORS INCLUDED:
“It was a fantastic fair and the best we ever had in
London!” Nathalie Lemaire, Volevatch
"Josephine Home exhibited at Decorex for the
first time and we were delighted to be part of
such a vibrant and successful event, in the
beautiful surroundings of Syon Park. The quality
and effort that exhibitors put into their stands
was quite simply superb. The buzz and
excitement was palpable and it was evident that
both exhibitors and visitors enjoyed the event
immensely. We very much look forward to being a
part of Decorex next year.”
Martin Betts, Josephine Home
“Our first Decorex was a pleasure and success!
We signed up for next year before it ended.”
Anne, Lance Wovens
Decorex International 2015 will be taking place
from Sunday 20 – Wednesday 23 September 2015
at Syon Park, West London.
www.decorex.com
 Decorexreview

WEAVY GOOD A TRUE CLASSIC

GoodWeave works to end child labour in the rug industry. At Decorex,
GoodWeave was publicising its UK licensees and retailers, which sell
GoodWeave labelled, child-labour-free rugs. These include Bazaar Velvet,
Capitol Carpets of Chelsea, Jacaranda Carpets, Matthew Wailes, Tania
Johnson and The Rug Company. GoodWeave was also highlighting a new
initiative, Tapish Weaving, which is its inaugural weaving training centre in
Afghanistan, staffed and managed by women and which encourages the
craft of Afghan rug-making. GoodWeave’s certification is the only
independent system that inspects all levels of the rug-making supply chain
– from factory to all sub-contracted production. Behind GoodWeave's label
is a holistic system, which helps to create an environment in which viable
alternatives exist to child labour and other forms of exploitation.
GoodWeave community programmes range from worker awareness and
health schemes to education for children.
0844 2437838 | ContactUK@goodweave.org | www.goodweave.org.uk
The Titan Range is from the impressive new Rustic Teak Collection that
uses traditional teak, cut from A-grade plantation grown teak, featuring
knots and a varied grain pattern. This is part of the design ‘charm’. The
black frames are crafted from powder-coated Aluminium extrusion.
The Titan Range includes: Armchair, dining table and backless bench.
The Monterey Range is Barlow Tyrie’s interpretation of mid-century
modern design, inspired by Monterey Bay on central California’s Pacific
coast. An elegant set of furniture built using quality materials and
refined traditional construction methods. This refined style of a
Textilene® cord chair and teak table with a ceramic table top, go
together to create a truly impressive set of dining furniture. It’s
reassuring to ‘know’ that the designer and craftsman have created a
‘true-classic’ in the making, with style and comfort. The Monterey
Range includes: Armchair and dining table.
01376 557 600 | www.teak.com

INTERNATIONAL
CHARM
Altfield is a leading resource for beautiful textiles, wallcoverings
and leather, distributing a number of high end lines from
around the world. Altfield also produce their own collections of
wallcoverings, fabrics and faux leathers, which blend perfectly
with the brands represented. This year at Decorex, Altfield was
joined by nine of their international brands; Brentano, Brochier,
Glant, Innovations, Moore & Giles, Pollack, Thesign, Weitzner
and Westbury Textiles who flew in from all over the world to
show their distinctive design aesthetics through their autumn
collections. Combining luxury & sophistication with durability
and technology, each brought an individual view which when
mingled together brought out the most innovative looks at the
show. Each brand created a truly unique aesthetic echoing both
reinvention of classic designs and forward thinking colour
palettes and weaves. Highlights of the stand were the
marvellous introduction of Hana from Weitzner with its digital
floral print on cut velvet paisley. Glant stole the show with
Bilbao, a stunning space dyed chenille echoing Chanel in
glorious Technicolor. Thesign was proud to release its first
collection of contemporary wallcoverings to match its already
outstanding fabrics for the modern matching home.
Innovations new Bora wallcovering reinvented the retro chic in
tile format to liven up any home with wood veneer. Finally,
Moore & Giles presented its newest collection of Nubuck, a soft
leather in an array of colours with a stain treatment for those
who love the refined silken finish along with their new magnetic
leather tiles for walling and floors.
02073515893 | showroom@altfield.com | www.altfield.com

January 2015 Interior Design Today 39

Decorexreview
THE PLANETS
Vessel Gallery artists and brand agency is proud
to introduce to the UK and the ROI Semeur
d’étoiles, a French company that creates
sculptural bespoke lighting in fine blown glass
with internal LED lights. The Planets installation
by Semeur d’étoiles is a sculptural installation of
light, so delicate that they look alive. All
handmade and engineered in Europe with the
finest craftsmen. Available for bespoke
commercial and hospitality projects with a
multitude of variations and styles possible.
0207 727 8001
info@vesselgallery.com
www.vesselgallery.com
40 Interior Design Today January 2015
FLORA & FAUNA
Baker & Gray is the creator of a beautifully
embroidered bespoke fine linen and silk fabric
collection. At the heart of Baker & Gray is the
visionary British designer Sarah Baker. Living
and working abroad in Europe, Africa and India,
she is inspired by the flora and fauna seen on
her journeys. These travels combined with a
personal admiration of antique textiles,
European architecture and old English country
houses flourish through the collection. The
fabric collection is created to client's specific
requirements, thus enabling the entire process
to become personal and exclusive. Baker & Gray
strives to provide longevity in its high quality
products giving the owner an element of
reluctance to ever replace it. To complement the
fabric collection there is an extensive selection
of cushions embroidered on linen. Furthermore
Baker & Gray have created a brand of
handmade candles and diffusers, unique
lighting, and occasional pieces of period
furniture.
shop.bakergray.com
WEST SIDE STORY
Elstead Lighting has continued to develop and
expand their portable category each year and
2014 has seen a large introduction of 100 new
models including: 21 table lamps and seven floor
lamps from the Feiss Portables range. This
collection is typical Americana in style and
complements the great Feiss fixture ranges
already in the Elstead 2014 Catalogue. There is a
mixture of contemporary and more traditional
designs, many with interesting finishes and
beautiful shades, capped with a nice finial detail.
There is also a beautiful collection of classical
and art deco table lamps from STIFFEL which are
made in New Jersey USA and more modern
European ceramics for the Lui’s Collection. There
are also 10 large designer mirrors many with
interesting shapes and unusual finishes. Many of
the lamps are large scale, ideal for statement
pieces in large homes, hotels and restaurants.
www.elsteadlighting.com
Designer Profile

DESIGNER PROFILE

ROBERTANGELL
JADE TILLEY SPEAKS TO ROBERT ANGELL ABOUT HIS EARLY DESIGN YEARS WITH
DAVID COLLINS, HIS LOVE OF GREEK MYTHOLOGY AND THE CLIENTS WHO DRIVE HIS PASSION

ROBERT ANGELL HAS HAD A SOMEWHAT

PROLIFIC CAREER TO DATE. HE HAS WORKED
WITH DAVID COLLINS, TRAVELLED THE GLOBE
IN SEARCH OF GREAT DESIGN, SET UP HIS
OWN COMPANY AND LECTURERS ON THE
SUBJECT OF DESIGN, SOMETHING, WHICH HE
IS PASSIONATELY INVOLVED IN.

Born and raised in Dorset, Robert Angell’s passion for

design started at a young age where he was
fascinated by making and creating things. This
passion grew when Robert went to school and began
designing, developing and honing pieces of bespoke
furniture and lights. In 1995, after gaining a BA
honours degree in Interior Design at Nottingham
Trent University, Robert set off for London.
A chance meeting with David Collins, then a relatively
unknown phenomenon, saw the beginning of a long
and incredible design journey. Something evident in
my chat with Robert is his understanding of the client
and his endeavour to make each project the best,
through careful appreciation of the clients wants and
needs – a trait synonymous with David Collins.
Great friends and colleagues, Robert worked closely
alongside David Collins for over 15 years as Creative
Director of David Collins Studio before launching his
own design studio Robert Angell Design International
in 2010.
Here, I set down to talk to Robert about his turn as an
educator, his time with David and what excites him
the most about design.

42 Interior Design Today January 2015


WHAT IS YOUR EARLIEST MEMORY OF
SOMETHING YOU DESIGNED?
I designed a record stand at school in Design and
Technology class. I had a particularly prodigal
record collection so naturally I thought it was the
best thing to do! I thought it was very cool,
cutting-edge even and I still love it to this day. I
think something that is incredibly important to
remember is to design for the time. I designed
something that was relevant and important then –
it was right for the time. Now the design would be
to accommodate an iPad or something like that. I
saw that my records needed a storage solution
and I designed according to that need.
WHICH DESIGN SCHOOL DID YOU TRAIN AT?
I studied at Nottingham Trent University. I was one
of the best for design and I believe it still is. Their
approach is very considered; they have great
teachers who are in the industry. I really believe
you cannot do better than that. To have tutors who
are fully immersed as a design professional
themselves is an invaluable resource. As
professionals they can share their experiences
and knowledge with the students, it goes beyond
the basics of design. I really admire people who
go back and share their knowledge in this way.
I have actually started giving lectures and
seminars myself as a way of opening up my
design repertoire and allowing students to
engage with elements of design and architecture
from a professional standpoint. There are of
course a couple of topics, which are particularly
close to my heart as well, and it is a pleasure to
discuss and share that. I surprised myself in that
I was more natural at giving lectures that I
expected. Of course, I am knowledgeable about
design and the history of design, and I have
passion, which helps, but relaying that
information in an inspiring and informative way, is
quite a different ball game.
I live, eat and breath design, so it is incredibly
rewarding to be able to give some of it back.
Outside of a teaching capacity I love mentoring
Robert Angell
staff at the studio and I think the idea of sharing
knowledge is an important one to carry forward. I
can offer an insight into my approach to the work
and grow with other members of staff as they
develop their own style and understanding. Not
everyone knows everything and we all bring
something unique to the party, whether it is more
historical or airing on the current side, sharing
knowledge is essential to creating great work.
HOW HAVE DESIGN SCHOOLS
EVOLVED SINCE YOU WERE STUDYING?
I believe that Nottingham Trent University is still
the best. There is a high standard of students and
some brilliant teachers. Kingston is still very
good as well. I do feel that design schools now
place too much emphasis on programmes,
SketchUp etc… It needs to be about design,
history, what’s happening now. Design needs to
be given context for students to truly understand
it and flourish in the industry. I think overall
design schools have just changed with the times
January 2015 Interior Design Today 43
Designer Profile
in terms of technology, but we mustn’t forget
where it all started. Certainly one thing I have
noticed in terms of interviewing design graduates
is British talent and how brilliant it is. We have
some of the best design talent in the world and
we should be very proud.
WHAT WAS YOUR FIRST PROFESSIONAL
DESIGN COMMISSION?
There are many moments, which would be
considered a first for my professional foray into
the design world but I guess it comes from my
time with David Collins. David is amazing and
such an inspiration to me. From my time with
him I was immersed into the very exciting world
of interior design. I started to design The Pelican
restaurant, part of the Café Rouge and Dome
restaurant group, in One Canada Square, Canary
Wharf. This was extremely exciting, not only
because it was a first for me, but also Canary
Wharf was very new at the time, the skyrise
buildings were trendy and cool and much talked-
about. I designed the restaurant for Karen Jones
and Roger Myers who then went on to form Café
Rouge so there is a lovely feeling of development,
not only for design, but also for the brand. That is
what good design is. It informs people who then
invest emotionally in something, therefore
generating growth and development.
One thing that is particularly significant about
this project is that it came pretty much as the
44 Interior Design Today January 2015
birth of the restaurant scene. It was the start of a
global shift in the way people eat, where they eat
and what they expect of their restaurants as
providers of food, atmosphere and design. It
changed social behaviours and the way we
consider where to go to dine out.
Going back to my time with David, he always said
that he aimed to shape and influence peoples’
lives and I think this is true. As a designer, you
aim to better someone’s perception, so that they
may take it forward and pass on that evolved
feeling of a space. It is a wonderful feeling to have
that effect on a person; they enter an interior
space designed by you and come away feeling as
though they have experienced something really
special.
WHO ARE YOUR DESIGN INSPIRATIONS?
David Collins for sure. Over the incredible fifteen
years I worked with him, he was a huge influence
and mentor to me and my experience with him
has shaped me into the designer I am today. He is
undoubtedly my inspiration in what I do and how I
go about developing my ideas. Aside from David, I
like the modernists and I am in awe of those
architects who have truly influenced the way we
live now. Mies Van Der Rohe, Philip Johnson and
Tadao Ando. For Furniture and interiors it has to
be JM Frank, Jacques Adnet and Alberto Pinto.
What is incredible is that these people still have
influence – they are still relevant. Barriers have
been broken down and since then design has
been opened up to a world of marvellous
technological advancements. Take for example
something we are working on now, which involves
water-jetting marble to inlay bronze filigree…it is
making the work of the designer even more
exciting.
HAVE YOU EVER DABBLED IN OTHER
FORMS OF DESIGN?
Yes absolutely, I think it important to be able to
design as much as you can for a project,
particularly furniture. We design with a very
holistic approach to bring the space together in
the most harmonious way possible. We will look
at everything from lighting and sconces to
furniture and rugs. It is a wonderful feeling to
stand back after a project and say yes, that
worked, and it worked because every detail was
thought out and designed by you and your team.
Creating something unique is so important to us
at Robert Angell.
WHERE IS THE MAJORITY OF
YOUR WORK BASED?
We are a truly global company, the list of places
we have designed in is endless. it is an honour to
be able to travel to so many beautiful places for
work and being based in London is just the best.
It has the most amazing design environment and
you can go absolutely anywhere, anytime.
 Robert Angell

HAVE YOU EVER WORKED OR LIVED ANYWHERE

ELSE? HOW HAS THIS HELPED TO INFLUENCE
YOUR IDEAS ON DESIGN?
I haven’t lived anywhere else but the UK but
during my travels (with David) I saw some
beautiful places, from Tokyo to Cape Town,
Barbados and New York, the list goes on.
In many ways I think travelling is better than
living somewhere because you experience so
much of the country and you’re never tied to one
particular region. Cultural influences play a huge
part in design and you have to allow your own
personal influences to inform your choices. One
particular example for me is Villa Kerylos near
Beaulieu-sur-mer. I find it to be a truly
stimulating setting. It’s a stunning villa designed
by Emmanuel Pontremoli with incredible eye for
detail. Kerylos means Halcyon or kingfisher,
which, in Greek mythology, was considered a bird
of good omen, and being there is so inspiring.

HOW WOULD YOU DEFINE YOUR DESIGN STYLE?

Timeless luxury. I think, more important that
‘design style’ is the ability to understand what
people want and expect from their interior. They
need to be comfortable in their surroundings no
matter where they are – it has to match the
experience. This thought process brings about a
unique design approach for every project, which
is important. As a practice, we are eclectic in our
style; there is no house rule. Our client briefs
dictate a high-end, bespoke design, tailored to
their individual taste and this is what we present
for them, whether it is industrial luxe, fine dining
or casual and contemporary. Without adhering
too much to a particular ‘trend’, we listen, take
the brief in and work with it.

WHAT HAS BEEN YOUR BIGGEST DESIGN

COMMISSION TO DATE?
Every project is a big commission. We have some
incredible clients with huge visions and this is
what keeps it exciting.
In terms of luxury and brand, working for the
Maybourne Group on the suites at the Berkeley
was just huge. On scale, it would have to be the
827-bedroom hotel in Azerbaijan – a colossal
project with a 200 long façade. To put that in
context, it is as long as One Canada Square is tall!
We always approach our next project as our
biggest yet but you never know what will occur, it
might be physically more compact but require the
most luxury fitting or be very demanding in terms
of architectural elements.

IF YOU HADN’T BECOME AN INTERIOR

DESIGNER WHAT WOULD YOU BE DOING?
I think I was destined to be a designer. From an
early age I was building, deconstructing and
problem solving; it was in my blood.

robertangelldesigninternational.com

January 2015 Interior Design Today 45

Trendreport
CHANGING FACES
CAMILLA SUNDWALL, CMF SPECIALIST AND TREND RESEARCHER AT SEYMOURPOWELL,
EXPECTS EXPRESSION, BALANCE AND HARMONY IN WALLCOVERINGS FOR 2015
WALLS AND INTERIOR SURFACES DEMAND A
BALANCE OF SUBTLETY AND EXPRESSION;
HAVING TO FIT WITH THE LATEST MOVEMENTS
BUT STILL MANAGE TO STAND THE TEST OF
TIME. NEW METHODS OF PRODUCTION AND
CHANGES IN PEOPLES’ BEHAVIOURS LIKEWISE
DRIVE BOTH THE AESTHETICS AND FUNCTIONS
OF THE SURFACES THAT SURROUND US.
MARMOREAL EXPLORATIONS
As a development on marble that has been so
prominent in interiors in the last few years, we see
a surge in the use of marble-like materials and
effects. Crushed stones mixed with resins and
jesmonite, playing with surface pigmenting and
moving away from objects and floors and up onto
the walls. These materials have often been limited
by their weight in expanding their user areas,
something that Terrazzo Project is challenging.
Their TP-Panels™ use aluminium sheets as the
core, creating panels that are 50 per cent lighter
and significantly stronger than conventional
terrazzo slabs, which opens up options for new
uses in interior design. These engineered marbles
also have the convenience of creating homogenous
surfaces, albeit fragmented, something that
natural stones can struggle to achieve due to their
inherent irregularities.
46 Interior Design Today January 2015
METALLIC TONES
Rose gold and soft copper tones are seeping
through to cover larger areas instead of just being
used as accents. These shades add warmth and
complement natural tones in spaces and manage to
reflect the sepia of the past whilst simultaneously
breathing new life into interiors through their
reflective qualities. With or without metallic finish,
the tone will prevail the coming year in more long-
lasting expressions. Other metallic shades are also
experimented with, adding a lightness and sparkle
to the darker shades of aubergine and olive leaf that
we expect to see more of in the future. These
colours and finishes reminisce of the glamour found
in the 60’s and 70’s, offer saturated and comforting
interior expressions.
SOFT STRUCTURES
When lifestyles and work habits change rapidly,
there is a drive and demand for flexible solutions
that don’t compromise on style and quality.
Transformable systems can sometimes give a
feeling of impermanence, or not being truly fit for
purpose, but when thought through and considered
they can provide just the opposite; an environment
that will last for longer as it is adaptable and flexible
to a variety of needs. Textiles allow for just this
adaptability, whilst also adding softness and
Marlene Huissoud, By Insects
www.marlene-huissoud.com
warmth. Parametre, a 3D textile system from
3form, offers light and unusual room partitioning in
a range of colours and geometric shapes. Silent
Gliss have longstanding experience in textile
solutions for room screens, window and ceiling
coverings that can be used in creative ways. Viktor
& Rolf’s Paris flagship store has an interior, which
is completely covered in grey felt (supplied by
filzfelt), giving a snug yet very sleek feel. Although
this interior uses a graphite colour, felt opens up
opportunities to add colours easily to a space,
seamlessly blending furniture with the architecture
of a space.
MAKING METHODS
New methods of production are creating interesting
expressions for interiors. 3D printing has long been
talked about for its revolutionary qualities in
product design, but excitingly now this new
technology is starting to be used at a larger scale.
Bot laboratory has developed a way to print façade
panels out of clear and black ABS using methods
that push the limitations of 3D printing. Looking to
nature, Marlene Huissoud are exploring new
surface appearances in using propolis, or ‘bee
glue’, and silk worm cocoons to create panels and
objects with distinct aesthetics.
www.seymourpowell.com
 Surfaces

ON THE SURFACE
RAK Ceramics has introduced a new range of matt and Lapatto
porcelain floor tiles. New Surface is available in a 60x30 and 60x60cm
contemporary design, in ten on-trend mottled stone-effects – from crisp
off-white and sandy tones, through grey and earth shades, to dramatic
‘Night.’ All designs create a sleek, natural effect, whilst offering
multiple performance benefits. New Surface tiles can be installed
indoors and outdoors, offering the opportunity for seamless
installations. Colour options include ash, bisque, charcoal, cool grey,
copper, earth, mid grey, night, off white and sand; each design is offered
in a matt or semi-polished Lapatto finish. Practical surface benefits
include resistance to water, stains, abrasion and impact, making the
new range suitable for kitchens, bathrooms and high traffic locations.
The tiles are also frost and fire-proof, pre-sealed and provide a highly
affordable solution, for which RAK is renowned. Once installed, a further
application of sealant is recommended to protect the grout joint, after
which the floor is easy tomaintain by sweeping, vacuuming or mopping,
using a pH-neutral cleaning product. 01730 237850
marketing@rakceramics.co.uk | www.rakceramics.co.uk

GO CONCREATE!
Concreate recently presented its latest innovative collection
of floor and wall coverings at 100% Design, London.
Concreate was inspired by the groundbreaking
environmentally friendly concrete surfaces used in the
Beijing Olympic Village and is manufactured with the same
magnesium oxide cement to produce a lightweight decorative
engineered concrete panel. Sustainable, cost-effective and
aesthetically pleasing, Concreate is a versatile alternative to
conventional poured and polished concrete surfaces. The
ready-made floor and wall panels can be installed quickly in
just about any interior space to create instant architectural
features. Stylish yet practical, Concreate flooring is perfect
for a kitchen environment due to its non-slip surface and its
sleek, clean lines, which are simple to maintain and easy to
keep clean. The contemporary flooring and wall panels are
available in four different colours and finishes, including
natural grey, dark grey, mineral white and smoke white oak.
www.concreateflooring.co.uk

TAKE IT TO THE WALL

WallArt is a stylish, eco-friendly decorating solution that
brings new standards to interior design. The embossed
3D wall tiles, made from the fibrous residue of
sugarcane, come in 20 eye catching designs to deliver a
high quality finish and create a long lasting impression.
The multidimensional tiles are made from bagasse, the
fibrous residue of sugarcane stalks, making them some
of the most sustainable wall coverings around. This
natural material is 100 per cent recycled and
compostable and therefore 100 per cent degradable, but
remains strong enough to handle the general knocks that
life will throw at it. With 20 chic designs to choose from,
WallArt suits a range of styles and spaces, from retro
designs like ‘Ellipses’, to the modern design of ‘Cubes’.
Once installed, WallArt tiles can be painted or lit up with
LEDs allowing further customisation to compliment any
colour scheme. www.mywallart.co.uk

January 2015 Interior Design Today 47

Surfaces

ASK THE DESIGNER…

WHAT PALETTE, TEXTURES AND TEXTILES WILL YOU BE USING TO ADORN CLIENTS’ WALLS THIS SEASON?

Parametre: www.3-form.com/studio/parametre/

ALMAS SHAMSHEE DOROTHEE JUNKIN
Maisha Design DJDS
When it comes to wall I see wall coverings in
coverings, I always prefer earthy tones and unusual
textured wallpapers in but subtle textures made
neutral colours. They from natural materials
bring interest and combined with elegant
warmth to a room and silky textiles and metallic
complement the design weaves and prints. I
without being personally feel like it
overpowering. One of my would be good to take a
favourite brands is Brian break from bold patterns
Yates wallpaper and many in contrasting colours and
of their ranges such as work with more tone-in-
Akoya and Sumatra, have tone patterns and a
a grass cloth feel layering of similar hues.
combined with a bit of Collections on my list
shimmer adding a subtle include, Innovations,
opulence to a room, Andes collection, Phillip
providing a perfect Jeffries, Lightning Strikes
backdrop for feature art & Metallic Silk collection
and sculptures. and Harlequin, Anthology
www.maishadesign.com 2, Reed & Anaconda.
www.djds.us
HUGH JAMIESON
At Home
Interior Design
I have recently seen
crushed shells made into
a wall covering for multi
application by Pierre Frey.
There are lots of different
colours and sizes to
choose from and it can be
applied to cover a large
wall – so large scale, or it
can be used in smaller
bites to infill door panels
or perhaps drawer fronts
in a walk in wardrobe
area for example. The
lighting will ensure the
panels shimmer.
www.athome-interiors.com
ROSELIND WILSON
Roselind
Wilson Design
With the digital age well
and truly upon us, we can
exploit the many avenues
of new technology to
provide cutting-edge and
exceptional interiors. As
tech advancements can
appear cold and clinical
at times, we look to
tactile and textured
materials and finishes to
connect. I will be turning
to the many creative paint
surfaces and mineral
finishes to apply to walls
and will opt for limed and
muted hues of whites,
greys and charcoals with
the added warmth of
champagne.
roselindwilsondesign.com
SIMONE SPECIALE
LUCHINAT
S&L Associati s.a.s.
Covering walls with
wallpaper will be a must
for my interiors next year.
Especially sitting rooms
and bedrooms but not
necessarily the entire
room but only a portion of
the wall, alternating
wallpaper and fixed
furniture. I really like the
complete hand crafted
collection of Phillip
Jeffries, especially the
Bohemian Bangles,
Imperial gates and Union
square. All the colour and
texture can help to create
charming atmospheres.
www.essealcubo.com

48 Interior Design Today January 2015

Tim Mutton
ARE YOU BEING SERVED?
JADE TILLEY TALKS TO TIM MUTTON, THE ORIGINAL BLACKSHEEP, ABOUT THE RISE OF THE CLUED
UP EATERY, ITS CHANGING COMMERCIAL LANDSCAPE AND THE CONSUMER DESIRE TO TUCK IN
SINCE WATCHING TIM MUTTON
ENTHUSIASTICALLY BOUNCE AROUND ON
STAGE DURING A TALK AT THE 2014 BIID
CONFERENCE, I HAVE BEEN EAGER TO TALK TO
HIM, TO GET THE INSIDE SCOOP ON HOW HE
RUNS THINGS AT HIS DESIGN PRACTICE AND
WHAT HAS MADE HIM SO IMPASSIONED ABOUT
THE F&B (FOOD AND BEVERAGE) INDUSTRY.
Let’s go back to June, when the BIID conference
was in full swing at the RIBQ HQ. We had
seminars galore, touching on everything from
colour psychology to the history of the humble
front door and the implications of innovative
office design.
It is nearing the end of the afternoon when Tim
Mutton, Founder/Director/Shepherd of
Blacksheep takes to the lectern to deliver his
thoughts on design. Decked out in Bermuda
shorts, high tops and a blazer, Tim was animated
in a way that left the audience eager for more.
50 Interior Design Today January 2015
His knowledge of design, of branding and most
importantly, of the end-user, makes his own
distinct brand of design practice a fascinating
company to work with and indeed for.
After the success of the seminar, I decided to
find out more. As a big fan of eating out myself, I
was curious to know exactly what it is that has
turned the food and beverage industry on its
head. More often than not, I now find myself
blasted with choices, particularly when eating in
the capital; it is sometimes hard to see the food
for the trees. So, why has eating out become
such a phenomena? What are designers doing to
fine tune this experience for end users and what
does the eatery landscape look like in the near
future?
Blacksheep HQ is nestled down Vine Hill; just a
stones throw from Holborn tube stop. It was
there that I had arranged to meet Tim, take a
look around the studio and mull over the
evolution of the eatery industry. Blacksheep’s
The Home Bakery, as designed by Blacksheep
studio space is a fitting tribute to the work they
do – they really practice what they preach. The
entire studio space has a very ‘cool’ vibe about it.
Our interview takes place at a banquet style
table, which has been adorned with a huge
pewter ‘Game Of Thrones-esque’ fruit bowl (I’m
told to help myself to its contents). To one side is
the partitioned off studio of designers, all busy
working on the latest Blacksheep commissions
and closer to me is a fully stocked bar, where
employees can wind down after a day of hard
graft and creativity. It is these elements of the
space that suggest to me that the members of
the Blacksheep team really believe that
‘experience’ trumps all when it comes to
designing and executing spaces.
One thing is clear when we finally sit down to
talk, and that is that Tim’s vision goes far beyond
the basic design, layout and visual vernacular of
a space. He wants to know about the brand,
immerse himself in the ethos of the
 Interview

client/company and seek out the best

strategy for taking it forward. This all
involves a deep understanding of design and
the knowledge to bring out the very best of
a brand.
The Food & Beverage industry is not as
black and white as it sounds. As Tim tells
me, they are currently involved in some
pretty intensive hotel projects that require a
thorough and detailed planning of the F&B
strategy for giants as big as the Ritz-Carlton
(they’re just about to complete in
Kazakhstan on the All day dining destination
and penthouse Sky Bar) and the Shangri-La,
Sri Lanka. It is from these examples that I
learn just how far they go to provide the
perfect result for the ‘brand’. It is about
understanding the absolute, the whole, of a
client’s brief. The brand is where Blacksheep
works tirelessly to ‘add value’, they see
opportunities and potential and they run with
it. And this is where it all begins.
The F&B industry has changed. That much
is clear. The landscape has altered into a
completely new being and it has
revolutionised peoples’ experience of eating
out. What comes with this package of
prosecco, pancetta, porcini mushrooms and
other artisanal treats is the changing of the
service culture and what it brings to the
people who enter as patrons.
Tim explains that the experience of eating
out is now completely driven by people and
so, part of his responsibility as a designer, is
to take on board what kind of experience
people want, what kind of experience the
brand wants to give, and make everything
meet harmoniously in the middle. The
customer’s view of food in the UK has
changed; this comes into line with lifestyle
choices and is certainly affected by
information ‘overload’. With fresh
produce/artisan creations now at the top of
many consumers’ agendas, the physical
landscape has inevitably altered to coincide
with this new age F&B thinking.
We discuss how the UK has become a
market leader in the sector, having taken
inspiration from other leading capitals of the
world. The UK and its major cities now lead
the pack and as a result of this, we have
many brands looking to penetrate the UK
market. Much of this is driven out of the way
brands and their designers have sculpted a
niche in the market, they have presented
themselves as smaller, more personable
and completely accessible. Take food
offerings at train stations for example; it is
no longer just your soggy sandwich grab as
you run to your connecting train. Train
stations have revitalised their offering and
the tastemakers inside are providing guests
with a whole new transport experience,
starting with delicious food in a comfortable
environment. This isn’t just limited to
consumer travel hubs either, people will The Gorgeous Kitchen utilises every element of their
brand to achieve a seamless dining experience

January 2015 Interior Design Today 51

Tim Mutton
now travel for great food and a great experience
and this is something that Blacksheep are
helping their clients to realise.
Tim himself admits that his changing attitude
was borne out of his frustration with fine dining.
He decided to stretch himself, to further
understand the other dynamics of gastronomy
and the design world it inhabits. Taking his cue
from the ‘McDonalds culture’ he saw that much
was changing in the market. At the moment in
particular, people are conscious of living the
healthy lifestyle and a huge part of this dictates
the foods they choose to eat. So, how do you
change the F&B industry to provide customers
with convenience and good, wholesome food?
Communicating with guests is the top of Tim’s
agenda, as well as understanding the food being
served and creating an environment that is
conducive with the offering. If brands want to
attract future investment, they need to change
the nature of the beast and get on board with
these ideas.
Locality and a sense of community are hot on the
consumer wish list when it comes to F&B. Who
doesn’t want a freshly blended smoothie, crafted
by hand using locally grown produce and
presented in a recycled containers, served to you
by a smiling and informed member of a happy
team? You get the idea. You have to humanise the
brand to make it work and this can be achieved
through cleverly considered design.
52 Interior Design Today January 2015
This is not to say that well-known brands that
already have a place in the industry cannot
reinvent themselves to offer consumers a slice of
something new. Take Giraffe, owned by ASDA,
you would never have guessed from its vibrant
interior and feel-good vibe. To add to this, Giraffe
have recognised a place in the market for various
different incarnations of their brand and have the
main restaurants, a ‘laid-back’ burger joint
serving cocktails and patties and even a pit-stop
at Kings Cross – the holy grail of train stations.
Brands like this have recognised where they
need to be in the market and have worked with
their designers to achieve something that goes
far beyond nice seating and fancy taps in the
bathroom. There is also a big emphasis about
loyalty in the current F&B economy, loyalty to
customers goes a long way and brands achieve
this in different ways.
Home Bakery is a small business venture by
local Emirati Hind Al Mulla, originating from her
home kitchen. Blacksheep have given Home
Bakery a stamp of personality, and using
techniques in strategy and branding, have
brought a wider audience to this modest and
authentic F&B offering. How does Home Bakery
maintain it? Social media, social media, social
media; it’s what they’re good at and creates that
all-important connection with their clients. Red’s
True BBQ is another Blacksheep project that
have harnessed the power of social media and
The dining area in QBic goes outside the
boundaries of the usual hotel food offering.
now run a successful, exciting and fun eatery
business hailed ‘The Church of True Barbecue’.
They are social media maniacs and have even
staged a flash mob to drum up the support of
their now loyal customers. The Gorgeous Kitchen
is another dining revolution from Blacksheep, as
is the food offering at QBic London (see my Last
Word review for more).
As we come to the end of our chat (insert sad
face social media emoticon) I realise that what
Tim is inevitably trying to say is that designers
are not confined by traditional rules and
regulations, just as businesses that reach out to
them are not hoping for a repeat of the same
formula. They want change, they want excitement,
they want a clear and considered approach to
their business that reflects in the tastiness of
their food and the ethos of the brand. Designers
should go forth and design for people, be open
and approachable. Go beyond the boundaries of
traditional design concepts and let some of those
crazy ideas in – they might just work.
The food and beverage industry has changed and
it is a marvellous thing. Now where can I get a
handmade patty, in an artisanal bun, topped with
locally produced cheddar with sweet potato fries
and a craft beer on the side? It’s lunchtime and
I’m looking for something exciting.
blacksheep.uk.com
Bar + restaurantdesign

BLUES BAR
INSTALLATION
The Blues Kitchen Shoreditch has recently opened, complete with a
four square, Victorian-inspired, faience tiled bar front. UK specialist
tile company Craven Dunnill Jackfield was responsible for the
project, from design to hand-manufacturing the tiles and then
factory-mounting the tiles onto panels for rapid installation. The bar
front was manufactured in keeping with a historical tradition which
dates to the 1880s. The deeply textured relief tiles are made using
hand carved plaster moulds and decorated using metal oxide glazes,
which craze upon firing to create an authentic aged effect. The lead
time for the project was short – less than four months from the
initial conversations to the installation of the faience bar front, back
bar wall tiles and floor. Having agreed the design, Jackfield created
CAD drawings, before plaster moulds were made for each tile
element. The whole project required meticulous planning and
outstanding ceramic expertise, for which the Jackfield team is widely
recognised. 01952 884124 | info@cravendunnill.co.uk

TOP TAP TECHNOLOGY

Currently undergoing a major refurbishment, the Radisson Blu at Manchester
Airport is one of the biggest hotel investment programmes in the North. As part of
Phase One of the project, the hotel restaurant, Collage, has been completely
transformed, doubling in size and providing panoramic views of the airport. Within
the restaurant’s major modification the Scanomat TopBrewer has been installed
behind the bar area to serve coffee to diner’s in a unique and stylish way. The
TopBrewer by Scanomat is an innovative smartphone/tablet controlled professional
bean-to-cup coffee machine, allowing the barista to serve freshly brewed coffee at
the swipe of an iPad or iPhone. A unique feature of the TopBrewer app is that it
allows the barista to individually customise drinks for the customer so that each
guest can have their own personal favourite, whether that be extra espresso in their
cappuccino or extra milk foam in their flat white. Scanomat UK’s Managing
Director, Simon Bracken, said: “This project allows us to showcase the TopBrewer
in a professional barista service operation. www.scanomat.co.uk

SEEKING SHADE
Paola Lenti has won the GERMAN DESIGN AWARD 2015
in the category Lifestyle, with Bistrò, a parasol in
aluminium and fabric designed and fully engineered by
the R&D department of the Company. The GERMAN
DESIGN AWARD is an international award that
recognises the excellence of designers and companies
that have been able to express in their products
originality, creativity and a synthesis between quality,
functionality and ergonomics. The prize is awarded by a
jury of 29 design experts from different fields and is the
result of a selection among 2.250 project submissions in
different categories; the award will be presented during
the official ceremony that will be held in February 2015.
This prestigious award is evidence of the value of the
Company Paola Lenti, that during these years has been
able to combine tradition and modernity, lightness and
precision, beauty and functionality. www.paolalenti.it/en

54 Interior Design Today January 2015


LUX DESIGN FROM LATHAM
JAMES LATHAM’S LATEST SURFACE SOLUTIONS ARE ALREADY HAVING A BIG IMPACT AMONG ARCHITECTS AND
INTERIOR DESIGNERS, ESPECIALLY IN THE FINE LUXURY RETAILING, SHOP FITTING, HOSPITALITY AND KBB SECTORS
MIRROR GLOSS
Part of the innovative and ‘on-trend’ Kronodesign
range, Mirror Gloss comprises 20 highly durable,
scratch resistant, light and colorfast decors that
include 14 sparkling gloss colours, four wood
grains and two fantasy decors.
Mirror Gloss pushes the boundaries of depth and
definition, colour and reflective gloss and is
produced using first class particleboard and high
quality melamine film, achieving a gloss level of
140 points for decorative use in the furniture
industry and interior design.
The perfect application for Mirror Gloss MFC is
fine luxury retailing and shop fitting, domestic
spaces, home and office furnishings as well as
kitchens, bedrooms and bathrooms.
NATURAL TOUCH
Another product from the Kronodesign range,
Natural Touch is the first ‘embossed-in-register’
melamine board where the grain texture
precisely matches the surface finish. Now, the
authentic look and feel of real timber –the
graining, the subtle variations of shade and
tone –is accessible on almost any project.
Natural Touch is pre-finished, extremely durable,
easy to work with and offers consistency in both
colour and grain. This means that architects,
interior designers, contractors and furniture
makers can now achieve an authentic rustic
realism using melamine.
With Natural Touch, the applications are almost
limitless. It can be used for cladding walls,
building furniture, creating fixtures as well as
making striking punctuations to spaces and
surfaces and the versatility of this product has
made it particularly popular within the shop
fitting and hospitality sectors.
SHINNOKI 2.0
Shinnoki 2.0 is a range of ready to use veneered
panels that are supplied already stained and
lacquered, requiring no further finishing.
With Shinnoki, the veneer is applied to an MDF
base, rendering the panels sturdy and easy to
use. In addition, the panels are produced in both
a single or double-sided finish, with the first
having a veneer faced-reverse.
The veneers are mismatched, but stained and
textured to create a consistent finish that shows
the natural aspects and beauty of the species.
The extensive Shinnoki 2.0 range is supplied in
designs, which are completely in tune with
current design trends and includes matching
Spotlight
realwood and ABS edge banding. The 17 designs
are also supplied in separate 3-ply veneer
sheets, perfect for curved surfaces, doors or
other interior requirements.
Chris Sutton, Managing Director, James Latham
commented, “The Kronodesign range represents
one of Kronospan’s biggest investments in
product research and development and it shows.
This range is fantastic and the market has
certainly responded.
“The uniform quality and consistency of the
Shinnoki 2.0 collection is fantastic and our shop
fitting and interior design customers love it. It
enhances the natural beauty and lively
appearance of real wood, both visually and to the
touch.
“James Latham now offers one of the UK’s
widest ranges of innovative surface solutions.
We have a history and expertise in bringing new
and innovative products to market and these
latest additions fit perfectly within our portfolio.”
0116 257 3415 | marketing@lathams.co.uk
www.lathamtimber.co.uk
Main image: Natural Touch
January 2015 Interior Design Today 55
Lighting
LIGHT YEARS AHEAD
GEORGE SINGER IS A LONDON-BASED BESPOKE CHANDELIER AND LIGHTING DESIGNER WITH
AN INTERNATIONAL CLIENTELE, HERE HE SHARES HIS THOUGHTS ON CHANDELIERS OF THE FUTURE
I RECENTLY TOOK PART IN AN EVENT CALLED
'THE LIGHTING SLAM' WHERE I WAS ASKED TO
TALK ABOUT LIGHT AND COLOUR TO THE YOUNG
LIGHTING ASSOCIATION. THE TALK WENT QUITE
WELL. I WENT THROUGH SLIDES OF TEN OF MY
LATEST PROJECTS AND EVEN MANAGED TO GET
A FEW LAUGHS.
56 Interior Design Today January 2015
At the end of the talk a lady approached me to
congratulate me and to say how beautiful she
thought my work is. Needless to say I was very
flattered, and she proceeded to say that she didn't
know what I was. She told me I don't design
chandeliers at all – what I do is make architectural
jewellery.
I have since been thinking more and more about
architectural jewellery and I'm beginning to think
she was right. I don't make chandeliers at all.
What is a chandelier nowadays? After all,
chandelier is a French word meaning candle-
holder. It's an image of a dusty crystal chandelier in
a French chateau, which instantly comes to mind.
Whatever it is called, my 'architectural jewellery' as
that kind lady put it, is not supposed to compete
with eighteenth century crystal chandeliers. I don't
think classical traditional chandeliers impress any
more. In central London they're everywhere.
They've blended into society and have even become
synonymous with the infamous sketch from Only
Fools and Horses. In a sense, they have lost their
meaning over time, warped by the new offerings
that bombard the industry.
What I'm trying to do as a ‘designer’ is create
something new. Let's start a new slate. It's going to
take two hundred more years of trying, but let's see
if we can push out traditional chandeliers and try
something new for a change.
As a designer who embraces new concepts and
understands the importance of evolving with the
industry, I also want to look further into technology.
As I write this, I’m looking forward to attending a
workshop later today at the Royal College of Art
about creative coding, exploring computer game
coding and ways of generating data in visual forms.
Swirling graphs, swooshing white lines, a swarm of
projected pin pricks like fireflies dancing on the
floor, all animated interactive installations and
pieces of art, which represent movement,
temperature or even heart rate. All using
technology and smart coding software created by
wizards in dark rooms with powerful computers.
Can't a chandelier be something like that? Could
architectural jewellery be like that? I don't see
why not.
So where is chandelier design going in 2015? In my
opinion it's wide open. There's an open desert of
opportunity and I'm just going to keep walking. I
have no idea where I'll end up, or if anyone's going
to be there when I arrive. But I'm hoping for a fun
and unique journey. A new form of contemporary
beauty is well overdue.
www.georgesinger.co.uk
 Lighting

NEW GEN
LIGHTING CONTROL
Hamilton has created an enviable portfolio of high quality decorative
electrical wiring accessories, lighting control and multi-room audio
systems. Hamilton’s new generation Mercury® Lighting Control
system is the perfect solution for projects that require variable mood
lighting. Simple dimming to multiple scene-setting programmes can be
set, stored and recalled all at the touch of a screen or a button. Wall-
mounted controllers are available as ‘Capacitive touch’ and ‘Mechanical
push-button’ in styles and finishes that complement the Hamilton
range of decorative wall plates – for that totally co-ordinated look.
Combining quality and style with attention to detail, the Hamilton range
of decorative switch plates & sockets will leave the most discerning
spoilt for choice: 18 unique ‘designer’ collections available in shades of
chrome, steel, brass, nickel and wood finishes; four new shades of
bronze now available; completely clear plates for a ‘discreet’ look; plus
elegant Italian plates in Verdigris and Hammered Britannium. 01747
860088 info@hamilton-litestat.com | www.hamilton-litestat.com

MAKE LIGHT OF MAYFAIR

Achieving ‘kerb appeal’ in Mayfair, London is a tall order but that is
just what the owners of Hedonism Wines wanted to achieve when
they refurbished their store. As part of the scheme, lighting
designer, Speirs + Major, has used Concord’s award-winning Beacon
Muse spotlight to help create a dramatic and eye-catching lighting
design that stands out by day and night. Interior designer, Universal
Design Studio, needed a lighting scheme that would create the
correct ambient conditions and help maintain the temperature in the
store at 16°C on lower ground floor and 17°C on ground floor.
Beacon Muse with its low heat and low UV LED source, as well as
on-board dimming meant it was able to comfortably handle the
precise scene setting requirements. Installed on a three circuit
track, Beacon Muse has an adjustable beam angle system offering a
wide 65˚ flood which can be tightened to a 10˚ spot without the need
for additional lenses or reflectors. This allows the owners to
selectively highlight the wines and bottles on display and easily
change lighting the configuration if the store design is changed.
0870 606 2030 | www.concord-lighting.com

LET IT GLOW!
Integral LED has recently created a retro-fit GU10 LED lamp that
matches the aesthetic qualities of halogen with all the energy saving
benefits of LED. The Integral LED lamp ‘Classic Glow’ simply replaces a
standard 50 watt halogen lamp but only uses a mere 6.8W, yet delivers
380 lumens and will last for 25,000 hours, meaning maintenance costs
will be negligible. Integral LED attributes the Classic Glow effect to an
innovative ‘Fly-eye’ filter that is housed in front of the COB light source.
The unique feature projects the light forward with maximum intensity
whilst protecting on-lookers from excessive glare. Effectively, the ‘Fly-
eye’ softens the stray light emitted from the outer sides of the lens and
produces a strong functional beam that is anti-glare and provides a
‘classic glow’ akin to halogen. There are two product options; traditional
warm light (2700K) colour temperature and contemporary white (4000K)
and the range includes dimmable and non-dimmable versions which
can provide savings of up to 85 per cent on lighting energy costs. It offers
a major reduction in energy and maintenance overhead for commercial
buildings and private residences.
020 8451 8700 | www.integral-led.com

January 2015 Interior Design Today 57

Lighting

CRISP WHITE COLOUR

DEFINITION
Retailers want lighting that makes the colours of clothes and fabrics appear
rich, intense and vivid. Unfortunately, until now, LED spot light sources tended
to make whites look off-white or yellowish. But that’s all set to change –
because with the new Philips CrispWhite technology you can give your
customers the best of both worlds: vivid colours and intense, pure whites.
Philips CrispWhite technology makes whites appear pure and bright while at
the same time making other colours appear warm, saturated and intense.
That’s because it offers two colour temperatures with a single lamp – 4000 K
for whites and 3000 K for colours. The result is an extremely attractive display
that presents a totally new colour experience to shoppers, one that shows all
the store’s merchandise in the best possible light. www.philips.com/crispwhite

PIGMENT PERFECT
The Eli-Glow product range is the very latest “state of the art” substance photo-
luminescent pigments in sustainable eco-lighting technology. This powder
substance can be mixed with resin or sprinkled over most surfaces and sealed in
place with a brush-coat and makes the original application completely luminescent,
forever. Eli-Glow will come to “life” transforming the entire appearance into a
unique and illuminist contemporary piece. Whether it’s applied as part of an interior
design brief or part of the building the applications are endless and safe. The Eli-
glow photo-luminescent pigments are not primary light reflectors, but are actual
sources of ambient light. They absorb radiant U.V. energy from sunlight (or indoor
lighting) and convert it into longer wavelengths in the visible spectrum, emitting it
as light with the sensation of different colours applied. Colours currently available
include aquamarine blue, yellow/green and cobalt blue. The Eli-Glow product
pigments will release light for up to 8 hours in darkness and charge up after only
30 minutes of daylight. aram@elichem.co.uk | www.elichem.co.uk

SPRING AWAKENING
Paul Nulty Lighting Design (PNLD) has completed the interior lighting for
the first solo restaurant of chef Skye Gyngell breathing life into a 19th-
century drawing room at the world famous Somerset House, London. In
collaboration with interior designer Briony Fitzgerald and architect Stuart
Forbes Associates, the practice has helped bring warmth to a space
flooded with natural light and with ceilings that stand over four metres
tall. PNLD’s concept was to enhance, yet soften, the commanding
architecture of clean stone columns and vast ceilings to create an intimate
dining experience. The lighting concept, based on the restaurant’s name
and aligned with Skye Gyngell’s vision for softness, draws spring-like
gentleness throughout the space balancing the cool tones of natural light
with the warmth of the interior design. PNLD wanted to draw guests
through the season’s colours and textures as they walked through the
rooms. As they enter the reception, guests are enveloped by subdued,
natural colours resembling a forest at dusk; Lindsey Aldeman’s
chandelier, in the design of twisted branches and tipped with rounded
luminaires, adds to the natural effect and feel of the space. Through wide
arches, guests can see the atrium and main dining area where the
freshness of a spring day has been created using a tonality that tempers
the coolness of natural light that floods into the two rooms.
The restaurant’s atrium is cool from the natural light above and enhanced
by the muted stone tones of garden designer Jinny Blom’s feature panels
that delicately adorn the walls. The lighting complements a nocturnal
atmosphere with a concealed strip of luminaires around the skylight,
drawing the eye to the outdoors and providing an ethereal background
illumination. www.paulnulty.co.uk

58 Interior Design Today January 2015

Lighting

BELL-AMI
Normann Copenhagen has expanded the popular Bell lamp
range with two new sizes. The expansion of the range opens
up for even more interior design possibilities with the iconic,
bell shaped lamp. Bell is designed by the Danish designers
Andreas Lund and Jacob Rudbeck and is now available in four
sizes in either sand or grey. Bell is a pendant lamp with an
iconic bell-like shape, where special attention has been given
to its simple details. Bell has a rounded, even surface, giving
it a moulded look. Rather than hiding it away, the connection
between the cord and the lamp itself has been accentuated in
a unique and contemporary way. With the Bell, designers
Andreas Lund and Jacob Rudbeck have focused on designing
a lamp where the mounting design is given room to unfold.
The contrast of the materials used creates an industrial feel.
Bell is a directional lamp that changes character and creates
new experiences as you move around it. The white inner
surface reflects the light, which falls in a cone-like shape.
www.normann-copenhagen.com/bell

SPEAK UP!
Speak Up! is the new table lamp from Danish lighting brand EBB
& FLOW. Reminiscent of an old-school stage microphone, it
brings its metal light fitting and fabric wire to the fore inside a tall
domed glass shade. Available in silver and brass metal in two
sizes, it comes in a variety of glass dome shades, from smoky
grey and clear, to olive and golden smoke for a soft look. RRP
prices start at around €330 for the small Speak Up! table lamp,
and €420 for the large Speak Up! table lamps. RRP prices on the
general collection start at around €140 / DKK 1050 for Rowan
pendant lamps, and € 250 / DKK 1875 for Pillar lamps, and €270
/ DKK 2000 for table lamps.
info@ebbandflow.dk

WINNING SHOWROOM
Crestron’s new EMEA showroom, at the Design Centre Chelsea
Harbour, has been honoured in the International Design and
Architecture Awards 2014. The Crestron design showroom won
this prestigious award in the category ‘Best Home Cinema’. The
showroom provides a platform for visitors to experience how
technology and interior design work together seamlessly.
Leading interior designer, Louise Bradley’s interior scheme
creates an inspiring new space that captures the harmony that
can be achieved between interior design and home technology.
Crestron has subtly integrated a luxurious system of automated
lighting, heating, security, home entertainment and more. As well
as the award-winning Home Cinema set-up, the showroom
features two sophisticated living room spaces and a stylish
kitchen area, showcasing everything from luxurious cinema room
technology to fully integrated environmental and AV controls for
the home. A state-of-the-art boardroom demonstrates Crestron’s
latest solutions for the commercial market.
0207 352 0028 | www.crestron.eu/showroom

60 Interior Design Today January 2015

 Snapshot

SNAPSHOT IN DETAIL
Internationally renowned designer Christopher Jenner presents ‘Urbem’. This
eight piece collection draws inspiration from the late 19th century Milanese street
lighting. Christopher Jenner has employed the era’s profound industrial and
technological ambition to devise an emotive collection of contemporary lighting.
Urbem’s handmade triple layered opal with glass shades are a study in convex
and concave form. Impressively sized, measuring 400mm x 600mm, Jenner’s
designs challenge the boundaries of what is achievable in the art of glass
blowing. Each piece features an innovative crafted chain, which integrates the
power source with design, a hand crafted aesthetic married which fulfils modern-
day requirements. Christopher commented: “I am inspired by the innovation of
19th century Europe where craft and technology collided to create many of the
iconic hallmarks of the present day. Our future potential lies in uniting the
achievements of our past with the possibilities of our contemporary age, as
demonstrated through this collection.”
www.christopher-jenner.com | Image courtesy of Michael Franke

January 2015 Interior Design Today 61

Lighting

SOLID SPECTRUM
Terence Woodgate this year launched a new lighting company with
Solid, a debut collection of LED pendants and surface downlights.
Terence is one of the UK’s most respected industrial designers,
specialising in furniture and lighting. Terence has become known
for his stripped-down, elegant approach to design with a
meticulous attention to detail and manufacturing. Terence
Woodgate lighting collections are designed to fully optimise the
formidable benefits of LED technology and exploit the 20 years of
experience in professional lighting product design. The debut
collection, Solid, features LED pendants and surface mounted
downlights in pure geometric forms, made from natural materials
such as solid Carrara and Nero Marquina marble, oak and walnut.
The collection is optimized for Megaman high lumen output LED
lamps with excellent low glare for comfort. The simplicity of
Solid’s organic forms and pared down yet sophisticated aesthetic,
combined with its innovative technology and high performance,
would suit both modern and traditional settings, residential and
contract environments. terencewoodgate.com

FLY AWAY
September saw Tom Dixon dive into the multifaceted
world of clubs. Inspired by the heritage of the traditional
British members club, the design explores the newly
fashionable ways of working, playing and educating
oneself in the more extraordinary environments of the
new club land. Part of the CLUB narrative, Tom Dixon
launches a series of new lighting products. PLANE
chandelier is a new addition to the PLANE collection,
where a confident use of simple geometric shapes
creates a minimal, sculptural aesthetic: a brass-plated
statement chandelier comprising of 18 double-layered
white glass spheres distributed over three tiers. This
space-filling classic chandelier creates a dramatic
feature in any hotel lobby, dining room or restaurant.
Additionally tom Dixon presents BEAT wall light, inspired
by the sculptural simplicity of traditional water vessels
used in India and the COPPER SHADE in bronze, which is
now available in 25cm. www.tomdixon.net/uk

HIGHLIGHTING SUPPORT
AND COMMITMENT
Atrium has been awarded the Special Recognition Award from the
Institution of Lighting Professionals (ILP). Presented to companies who
have made a significant contribution towards the Institution of Lighting
Professionals’ aims, the award highlights Atrium’s remarkable support and
commitment to the association and to the lighting profession. Earlier this
year, Atrium approached the ILP to develop customised training for the
company’s staff to gain awareness of advances within the lighting sector
and also to develop as a team. Atrium worked closely with the organisation
to identify the specific knowledge and skills they wanted to build on. From
this, ILP’s dedicated trainers created a unique training programme to meet
with Atrium’s requirements. The Institution seeks to ensure that its
members attain and develop the professional knowledge, skills and
education to meet necessary competencies. Members of the Institution of
Lighting Professionals work on exterior and interior projects, in public
spaces, workplace, leisure, retail and residential applications delivering
excellence in lighting. Image courtesy of Sanna Fisher-Payne. www.atrium.ltd.uk

62 Interior Design Today January 2015

 Design edit

Design edit.
As part of our lighting feature, we have put together a dazzling collection of lighting concepts from Dallas based designer
Allan Knight. A graduate of architecture from the University of Texas, Allan founded the Allan Knight showroom and brand in
1999, becoming a go-to source for exquisite specialty acrylic, lighting, accessories, and antiques. Here, we have gathered
three of the brand’s cherished pieces, each with their own distinct flair.

 CORAL BEAD
The Coral Sea Chandelier with bead pendants has an
effervescent silver umber gilt finish with blue lagoon beads.
Mirroring elements of nature with a luxurious metallic finish,
this chandelier conjures up memories of beautiful silver
birch branches on cold, frosty mornings, embellished with
glistening beadwork that conveys and fluidity like water.
Similarly, and in regard of its name, the installation takes
note of the sea and the clear blue waters with a colour
palette to match the crystal ocean. The chandelier measures
at 65w x 26d x 30h. v Price on request

HALO .
This stunning Halo Pendant, Round, is finished in urban aged
iron on the exterior, and silver gilt on interior LED lights. Not to
be categorised as a mere angelic representation of lighting, Halo
conveys a strong presence and demands attention with its tough,
urban, iron made façade. The contrast of materials contributes
to a depth of texture and tactility. The overall glow of the Halo,
propels it to heavenly status. Halo measures at 68d x 4h.
v Price on request

PARKER .
A departure from the previous two lighting features, The Parker Floor Lamp is
contemporary, city sleek and grounded. The dark platinum metallic lacquer with a
high polish, gives this lamp a business feel and would be at home in any
penthouse apartment, perhaps overlooking Central Park, NYC or with a sweeping
London landscape view. The silk shade is custom-made for that touch of pure
beauty and elegance. Standard lamp measures 70 inches overall height.
Shade measurements are 29t, 30b, 15s. v Price on request

January 2015 Interior Design Today 63

Spotlight
THE PERFECT TEMPEAU
ABODE RESPONDS TO THE SUBJECT OF WATER SAFETY WITH THE BEAUTIFULLY DESIGNED TEMPEAU VALVE CONCEPT,
A MIX AND MATCH APPROACH TO BATHROOM CONFIGURATION, GIVING YOUR CLIENTS MORE CHOICE AND BETTER SAFETY
AFTER THE RECENT PRESS LAUNCH AT THE BMA
ANNUAL CONFERENCE FOR THE HOT WATER
BURNS LIKE FIRE CAMPAIGN AND NEW
WEBSITE, THERE’S MUCH TALK AGAIN WITHIN
THE INDUSTRY REGARDING THERMOSTATIC
SAFETY, SCALDING PREVENTION AND
PROVIDING CONSUMERS WITH SOLUTIONS THAT
THEY HAD PERHAPS, NEVER PREVIOUSLY
THOUGHT ABOUT.
These solutions don’t mean that you have to give up
your design-led bathroom ideas, in fact just the
opposite. Abode have come up with a unique
thermostatic valve design which co-ordinates
perfectly with 11 of their 13 ranges of creatively
designed bathroom brassware.
As we are all probably aware, Government
legislation introduced in April 2010 modified the
requirement for bath fillers to be thermostatically
controlled. (Scotland introduced this law three
years previously). This means that all new-build
homes across England and Wales now have devices
to limit the temperature of the bathroom water to a
maximum of 48°C. That is more than enough for
domestic use and it also removes the potential for
the most serious scald injuries to happen.
However, this doesn’t apply currently to standard
home refurbishments.
64 Interior Design Today January 2015
RoSPA states that hot bath water severely scalds
over 600 people in the UK each year. Three quarters
of these seriously injured victims are children
under the age of five, many of them bearing the
scars of their accident for the rest of their lives.
Older people were also shown to be at particular
risk of dying as a result of hot tap-water scalds,
with an average of 15 pensioners dying each year
as a result of such accidents.
To give an example of how Abode has responded
to these statistics, the company designed and
launched a thermostatic valve concept called
Tempeau® which is not only an answer to hot
water scalding, but is also designed to be an
installers dream. Tempeau® has already won a
gold award in The Designer magazine Design
Awards plus it was a shortlisted product at the
KBB London Innovation Awards.
The concept of this unique product was born
partially from the legislation changes and partially
from on-going conversations with the public and
installers. Tempeau® is a UK designed product for
UK style deck mounted baths, for UK water
pressure and meeting UK building regulations.
The flexibility of the Tempeau® system allows for
a mix-and-match approach to any bath or
showering configuration. Whilst all the workings
are hidden away under the bath, the only aspect
the customer sees is the minimal, unobtrusive
controls, design co-ordinated to any group of
bathroom tap family styles.
Tempeau® is designed and created to ensure
thermostatic safety is delivered to both bathing and
showering experiences, to allow the user to obtain
the best possible flow performance from the UK’s
notoriously low pressure hot water systems and to
be significantly faster and easier to install than
traditional wall mounted solutions. Tempeau® is
connected to the underside of the bath tap deck
and to be intrinsically simple to understand and
easy to order.
The result is a carefully selected combination of
beautifully designed bathing and showering kits,
which have been put together by the Abode
designers to make life simpler and safer.
01226 283434 | info@abodedesigns.co.uk
www.abode.eu
 Kitchens + bathrooms

THE ONE THAT YOU WANT

ONE, the new designer range from Matki with subtle colour choices lets you decide how best to
harmonise Matki ONE with your surroundings and lifestyle. ONE can be discreetly integrated with
the bathroom design or be outrageously bold using a choice of white, soft black or architectural
bronze wall frames. ONE has revolutionised the way shower doors fit in with their environment and
can add co-ordination to the colour themes chosen within a bathroom space. Understated and
tasteful handle and door details can be beautifully colour co-ordinated with bathroom accessories
and furniture, be it in chrome, brass, copper, lively blue, red, green, subtle white or distinctively
black. Prices for the collection start at just £822 for Pivot Recess including VAT.www.matki.co.uk

COASTLINE COLLECTION
Shower enclosure specialist, Lakes Bathrooms, has launched two new 10mm
designs as part of its Coastline Collection. The most popular designs in its Walk-in
range, the Cannes and Nice, are now available in original 8mm and heavier
thickness 10mm glass. As with the whole of the Coastline Collection, the look is
confident, sleek, minimalist and contemporary. The profiles are silicon-free to
support the clean lines and Lakes Bathrooms’ stay clean coating, AllClear®, is
applied as standard to both sides of the glass. The two metre high screens are
designed to fit with low profile tray mounting or in a wet room environment and
work in alcove, corner or straight wall-mounted situations. Retail prices for the
10mm Walk-in styles start from £349 plus VAT.
01684 853870 | info@lakesbathrooms.co.uk | www.lakesbathrooms.co.uk

EXTRA-ORDINARY
CONCEPTS
RAK Ceramics has introduced a stunning new
freestanding bath collection to its RAKextra range.
The cost effective collection includes four striking
contemporary designs and two traditional models,
with rolled tops and chrome claw feet. All designs
are made in the UK from Lucite easyflow 5mm
acrylic, for high quality and increased depth, and
are offered alongside a comprehensive range of
freestanding chrome taps.
The four contemporary designs include slipper-
style Seville; Merida and Toledo, which gently slope
at each end, and straight-edged San Sebastian.
Traditional styled London is a slipper design,
whilst Vitoria slopes at both ends. All designs
include fitted click-clack wastes and are triple
reinforced, including a base spray, full spray and
full encapsulating spray, whilst baseboards have a
gelcoat finish.
Other RAKextra bath options include built-in
Reserva, Metropolitan, Evolution, Orient and DKM,
which are also made from 5mm acrylic. The range
also includes complementary shower enclosures,
screens and trays, mirror cabinets and bathroom
mirrors and smart storage.
01730 237850 | marketing@rakceramics.co.uk
www.rakceramics.co.uk

January 2015 Interior Design Today 65

Kitchens + bathrooms

BEAUTIFUL SINK
FROM SHAWS
Egerton is a popular Shaws of Darwen
‘British’ made handcrafted double bowl
fireclay sink, featuring a unique and
distinctive patterned front, the offset dividing
wall is branded with the well-known Shaws
logo to complete the finished ‘look’. This
beautiful sink is from Shaws’ Original
Collection and comes without overflows but
includes 3½” waste outlets for basket
strainers or waste disposers. Shaws sinks are
produced with a durable glaze in both white
and biscuit finishes designed for years of
usage. Due to its weight, Shaws recommend
this sink is installed professionally with
bespoke cabinetry.
01254 775111 | www.shawsofdarwen.com

IMPROVE DON’T MOVE

Granite Transformations proves that the ‘improve not move’
boom continues, with record numbers of householders opting
to upgrade where they live. Granite Transformations client
Susan Williams in Kent, has upgraded three bathrooms and a
downstairs cloakroom in her family home, to increase the
value of the property. Granite Transformations took care of the
total makeovers, installing its own luxurious, non-porous
agglomerate finishes and Trend authentic Italian glass mosaic.
The redesign included the master bedroom en-suite, where a
wetroom was created. Dark glass mosaic field tiles and white
platinum accent pieces adorn the walk-in shower, with Nero
Corallo agglomerate flooring extending from the shower
across the bathroom. The main family bathroom has been
upscaled with Trend Liberty Bronzite designer mosaic cladding
on both the bath panel and surround, for a sumptuous,
shimmering decorative treatment. The downstairs cloakroom
utilises Trend’s Liberty Onyx mosaic, with highlights of silver
and steel applied up to waist height. Granite Transformations’
White Star flooring and matching matt wall cladding and
countertop complete the hard surface finishes.
0800 044 5393 | www.granitetransformations.co.uk

66 Interior Design Today January 2015

Kitchens + bathrooms

TAP INTO DESIGN

Francis Pegler, from Pegler Yorkshire, has an enviable range of
brassware for both kitchens and bathrooms. Its range has
been classified into three distinct categories, Designer,
Modern and Traditional for both bathroom and kitchen. Each
category boasts a plethora of products suited to all tastes and
budgets. The Designer Bathroom range includes the popular
and contemporary styles of Strata, Pulsar and Panacea, all of
which were chosen for their striking looks and modern design.
These collections are transferred into the Designer Kitchen
range and offer avant garde, high-end style to a contemporary
hub of the home. The Modern Bathroom range boasts styles
such as Ebro, Haze and a new addition to the Francis Pegler
portfolio, the Adorn. This category reflects modern day family
requirements and its designs will endure the passing of trends.
The Modern Kitchen tap range adds a perfect touch of form
and function with precise, adjustable flow control in a fresh
design. 0844 243 4400 | brochures@pegleryorkshire.co.uk
www.pegleryorkshire.co.uk

VICTORIOUS VERLA
Abode designers are constantly charged with the challenge to come up with exciting and
visually stunning designs and Verla is just one of the new creations, inspired by the Angel
of the North sculpture. Verla is an innovative new take on kitchen mixer tap styling with a
unique ‘V’ shaped body design. Verla’s smooth curved radii comes together perfectly from
the architecturally tall spout design, to the easy-to-operate paddle style handles. Pure
design, distinctly stylish and certainly a tap to stand out from the crowd. Verla comes in
chrome and brushed nickel finishes with a minimum 0.5 bar pressure required. All Abode
taps come with a non-splash aerator, are guaranteed for five years from date of purchase,
designed in accordance with European Water Regulations and are manufactured to WRAS
or other applicable European standards.
01226 283434 | www.abode.eu

CHEYNE TERRACE
CHANGE UP
Glasstrends has been recently commissioned to design, manufacture and install
frameless glass in all shower areas of the 25 luxury apartments, at award winning
residential development designed by Sir Robert McAlpine, Cheyne Terrace. This
residential scheme just off King’s Road, Chelsea has been designed to meet the demands
of even the most discerning clientele. Using floor to ceiling frameless glass, with cleverly
concealed fixings and completely clear low iron glass, each shower area seamlessly
blends in with the rest of the bathroom creating an elegant and harmonic setting. The
completed look is clean, stylish and sophisticated, giving a feeling of space and calm. An
independently owned boutique company of 15 years, Glasstrends use their practical yet
imaginative design and unique methods of manufacture and installation to help interior
designers bring their ideas to life. Designed for any space, made to any size, with a whole
range of options, colours, finishes and even textures – for bathrooms, wet rooms,
poolside, wine rooms and more – the opportunities really are virtually limitless.
020 7223 4017 | www.glasstrends.co.uk

68 Interior Design Today January 2015

 Design stories

FURNITURE OF
THE FUTURE
CHRISTIAN GROSEN, HEAD OF DESIGN AT
FRITZ HANSEN, TALKS TO JADE TILLEY
ABOUT THE COMPANY’S ENIGMATIC
FOUNDER, FRITZ HANSEN, AS A QUALITY-
DRIVEN CABINETMAKER, HOW THEIR
HERITAGE IS DEFINING THEIR CONTINUED
STYLE INTO 2015 AND HOW THEY INTEND
TO STAY RELEVANT.
JT: WHERE AND HOW DID FRITZ HANSEN BEGIN?
CG: The company was founded in 1872 in Copenhagen,
Denmark. The founder, Fritz Hansen was a cabinetmaker
with a deep passion for quality.

JT: WHAT DOES FRITZ HANSEN REPRESENT IN 2014?

CG: Premium quality and lasting designs founded
in a Danish design tradition.

JT: YOU HAVE A DEEP-ROOTED BRAND

HERITAGE, HOW DO YOU CONTINUE TO
INNOVATE IN YOUR FIELD?
CG: By continuously ensuring that we are relevant
to our audience while staying true to our design
DNA, which we have very clearly defined.

JT: FURNITURE DESIGN AS A CRAFT TAKES INTO

CONSIDERATION PEOPLES’ WELLBEING, HOW DO
YOU ENSURE THIS IS AT THE FOREFRONT OF YOUR
DESIGNS?
CG: By making sure they understand that wellbeing
is visual and mental as well as physical.

JT: WHAT HAS BEEN FRITZ HANSEN’S BIGGEST

ACHIEVEMENT TO DATE?
CG: I think it's difficult to mention one achievement. When you look
at our heritage I think the biggest achievement is that the brand
has managed to continuously create legendary design products
for more than 140 years.

JT: WHAT IS THE BIGGEST CHALLENGE FOR FRITZ HANSEN IN

THIS SECTOR OF THE INDUSTRY?
CG: It's always a big challenge to come up with new interesting and
relevant furniture designs that people fall in love with. But we have
managed for many years now so I'm sure we will manage in the
future because we have a lot of respect for the challenge.

JT: WHAT DOES FRITZ HANSEN ASPIRE TO LOOK LIKE IN THE

NEXT 20 YEARS?
CG: Fritz Hansen aspire to be the most relevant high-end
furniture design brand.

JT: WHAT IS THE BEST DESIGN ADVICE YOU CAN GIVE TO DESIGNERS
WHO ARE THINKING OF SPECIFYING FRITZ HANSEN’S DESIGNS?
CG: Spend time trying to understand the brand and our
values before designing.

www.fritzhansen.com

January 2015 Interior Design Today 69

 Showroom showcase

SHOWROOM
SHOWCASE
INTERIOR DESIGN TODAY IS TAKING A LOOK THROUGH THE DOORS OF SOME OF THE UK’S
BEST SHOWROOMS, OFFERING AN INSIGHT INTO THE COLLECTIONS CURATED AND
CREATED BY THE DESIGNERS WHOSE NAMES ADORN THE DOORS. by Jade Tilley

Friday afternoon in central London, just
off Green Park tube station in the heart of
Mayfair, sits a new showroom, on Grafton
Street to be exact. The gentle thrum of
traffic, people and cars is about to turn
up a notch as weekend London really
comes into play. It is a great time to visit
a showroom as people are leaving the
constraints of their working week to
indulge in some interiors therapy.
This showroom has been garnering some buzz
for a while and here at Interior Design Today we
were very excited to be one of the first to visit the
space. Just over 300 sq ft of luxury and
innovation, all presented in one beautiful
environment. As I opened the doors on the Holly
Hunt showroom, the first European outing for the
designer, I was filled with a sense of excitement
and wonder.
The previous evening had seen over 200 people
toast the showroom in its grand unveiling and
Friday 14th November was it’s first official day as
a fully fledged UK showroom. The canapés had
been scoffed, the wine drunk and the photos
taken, all that was left now was for the patrons to
arrive and by Friday afternoon they were doing
just that.
The Holly Hunt showroom, is a wonder to
experience and surprises you at every turn. I had
the opportunity to peruse some of the designs

January 2015 Interior Design Today 71

Showroom showcase
whilst Tristan Forrest, Showroom Manager,
finished up a chat with the President of the
company, who was just leaving town after the
grand unveiling the evening before. I didn’t stray
too far, not wanting to ruin the surprises that
would be revealed to me but in the entrance I
was delighted to find a complex and interesting
narrative of old world meets new. There is
colour, there is innovative use of material and
there is also a feeling of a working space that
anyone can come in, take a seat and use the
showroom for ones own work.
Tristan greets me at the front of the showroom
and we sit at a table to discuss a little of the
business of Holly Hunt. I was intrigued to know
‘why now?’ in terms of Holly’s London debut and
how it has all come together. Tristan himself is
no stranger to successful UK showrooms, having
been the manager at B&B Italia, and this space
presents him with a whole new perspective on
the industry and a challenge to make visitors
stop and take notice of this incredible space.
An acquisition by Knoll Inc brought about a re-
assessment of the business on Holly Hunt
Enterprises Inc’s part. Has this changed the
brand and it’s ethos, particularly the way it
72 Interior Design Today January 2015
approaches the UK market? I don’t think so. As a
business model it has perhaps enabled the move
in a certain way but the heart of Holly Hunt is still
very much the same, it just turns out that London
is ready for it now. As we are joined by a few
more people to discuss the showroom, we move
round to a larger, banquet style table to fit
everyone in. The showroom has a fluidity that
feels very natural when moving into different
rooms sets. There is a clever juxtaposition that
enables the space to create contrast and interest
whilst still maintaining a unity between furniture
pieces, artwork and accessories. For instance,
the table we sit down at is below a light
installation that looks like an interesting pulley
and lever system. It has an industrial edge but
the pulleys are a muted gold with sleek black
cords running over them with perfectly formed
glass pendants hung at the ends. This lighting is
the work of Alison Berger, who crops up
throughout the showroom with beautiful sconces
and more pendants to entice you in.
Taking a step back and looking at the space as a
whole, it is clear that a great deal of work has
gone into transforming it. Originally a yacht
showroom, the space was completely gutted and
redesigned. It is architecturally on point as well
as housing stunning interior features. The ceiling
is divided by dropped beams that form a grid
pattern, incorporating air vents, lighting and
contributing to the overall acoustics of the room.
One thing that is quite special is the amount of
window space, an unexpected delight on a
London street like this. Windows flow around the
corner of the building, offering up that gorgeous
subdued early evening light that allows the
showroom to really sparkle.
Onto the details; the content of the space is
incredible. Without sounding too hokey, there is
something for everyone and this surprised me in
the beginning. As I talk to Tristan and he takes
me through the collections, it all makes more
sense. Holly, as a designer is savvy and has
clearly had fun with the artists she has worked
with. You are constantly confronted with expected
and unexpected, all in one room set. Take, for
instance, the entrance of the showroom, which
finds a beautiful modula seating space in a soft
Persian grey, accented by a very architectural
sectioned marble coffee table. It is art, form and
function all in one space. The walls display
artwork that caught my eye as soon as I walked

in. Canvases suspended in perspex cases look
like the very fabric of the canvas has been
unpicked and stood on end to create 3D mazes.
On closer inspection it reveals itself as
something different. Greens and oranges
punctuate the walls with this ‘maze’ art,
courtesy of Korean artist Nam Tchun Mo.
As we move on there are efforts of a more
classic design, mixed in with new innovations.
There is also a strong nod to a more industrial
design vibe, coming through in the use of
formed steel. Alison Berger is again
responsible for the Surveyor’s Floor Lamp. At
the back of the space, but no less out of site
are some exquisite steel chairs that have the
deep velvet cushioning of a gentleman’s
smoking room and the architectural
significance of a steel frame. They are
beautiful, so considered in their form and so
comfortable you forget what you’re sitting on.
They flex and bend just enough that you feel as
though you’re suspended mid air.
Victor Skrebneski, a Chicago-based
photographer and artist features in the
showroom with a room divider in his signature
crisp black and white patterns that stands
behind a more classic chaise longue and
sumptuous woven throw. On paper it may
sound wrong, but it works, trust me. In the
same room sits pieces of rope furniture that
have a certain colonial quality. I had to touch
them to experience the texture as well as the
Showroom showcase
look. Tristan advises me that an Italian
gentleman had been into the showroom and
ordered two of these roped drawers piece by
Christian Astuguevieille. It is so clever that
Holly and her team have put together a
showroom that not only looks divine but with
items that people are desperate to own, even if
they didn’t know it to begin with.
As we move around the showroom, it becomes
clear that innovation and technology are an
important part of the Holly Hunt ethos. A
snapshot of her fabric range sits elegantly
along one wall. I am assured that this is just a
mere snippet of what is on offer but I get to see
the most beautiful fabrics, some of which have
been designed for outdoor use and have the
softest texture. It turns out they’re acrylic
based. Again, it is all about the surprises in
this showroom.
As my visit comes to an end, I am invited to
return, have a coffee, bring some work in with
me and use the showroom as a space to be
inspired and to meet people. I sense I may be
too distracted to get anything done but I’ll
certainly be giving it a go in the near future.
HOLLY HUNT LONDON
20 Grafton Street
London
W1S 4DZ
www.hollyhunt.com
Images courtesy of Ed Reeves.
January 2015 Interior Design Today 73
My Icon

MY ICON
NATALIA MIYAR, HELEN GREEN DESIGN,
REVEALS HER DESIGN ICON

Helen Green Design is one of Britain’s leading interior design

practices. Led by Natalia Miyar, the company comprises a
twenty strong-team of designers and architects with a wealth of
experience in design and architecture, furniture and product
development. The company was founded by the late Helen
Green in 2002, with a commitment to delivering exceptional
design services for clients, a goal which remains at the heart of
the business today. Natalia Miyar has been practicing interior
design and architecture for over fifteen years, she has
established a reputation for creating elegant, luxurious
interiors for high net worth private clients and prestigious
developments. Natalia finds her creative inspiration from her
global travels and always seeks the narrative in buildings,
architecture and works of art. International influence is a part
of Natalia’s style and approach, reflecting many of her clients’
globetrotting interests and lifestyles. In 2011 Natalia took the
helm at Helen Green Design and today oversees all aspects of
the studio. A member of the BIID Natalia takes an active
interest in nurturing fresh talent in the design industry.

WHO IS YOUR DESIGN ICON?

Oscar De La Renta.

WHAT IS HE MOST FAMOUS FOR?

Building a hugely successful fashion brand.

HOW WAS OSCAR’S WORK RECEIVED DURING HIS LIFETIME?

Oscar De La Renta was respected and admired for creating beautiful things but
also for the business he built and the elegant manner in which he worked.

WHY HAVE YOU CHOSEN OSCAR DE LA RENTA AS YOUR ‘ICON’?

I think Oscar de la Renta is an inspiration. He was passionate, warm and I respect
his brand synthesis enormously. He created a completely resolved brand. He was
also interested in all aspects of design, from gardens to interiors, and that’s why he
is my style icon.

WHICH PROJECTS FROM YOUR OWN PORTFOLIO

DEMONSTRATE A NOD TO OSCAR’S WORK?
I feel our work at Helen Green Design echoes the ethos behind the
Oscar De La Renta brand. We create luxurious spaces, which are
comfortable to live in just as he created beautiful silhouettes, which
are easy to wear. I love the way he worked with fabric and colour.
I feel we are similar in our use of quality materials, our ability to
create timeless, classic elegance and the fact we always add
something unique and luxurious to each project.

IF YOU COULD BE REMEMBERED FOR ONE ELEMENT

OF YOUR DESIGN, WHAT DO YOU HOPE IT WOULD BE?
The ability to create timeless interiors, to be able to look
back in 10 years’ time at the work we are doing today and
still find it current.

74 Interior Design Today January 2015

 Product gallery

MONSOON SEASON
The arrival of the monsoon rains bring new life and energy, a vibrant life
source, a fresh burst of inspiration, a deluge of exciting ideas and a
cloudburst of fresh colours and bold prints. With this inspirational concept
in mind, JAB Anstoetz presents the Monsoon collection. Comprised of
three entrancing themes, embrace tropical brights and palm prints with
Jungle, echo Hamptons beach-chic with nautical stripes and alluring
sheers, or relax in delicate whimsy with Vintage. Wallpapers in the
Monsoon collection are made of embossed vinyl on paper and are fire
retardant. Patterns include grass and palm leaf designs, tiled-looks, palm
leaf designs, bold basket designs and ombré stripes. Prices start at £23.00
per metre. Featured is the Chivasso Monsoon, curtains and upholstery in
Jungle Like and Jungle Chic, priced at £78.50pm. jab-uk.co.uk

EMMETT OOZES ENGLISHNESS

Mimi Emmett is a British illustrator and print designer. Having grown up on the North
Norfolk coast, where her father owns an interior and lifestyle store, Mimi has been
influenced in her passion for print and design since a young age. Her love of coastal
living, country homes, the British countryside and raw hand-drawn design, are obvious
through the sophisticated use of colour and line in her work, which has resulted in a
strong visual identity for Mimi emerging as an illustrator and print designer. Mimi
Emmett is about to launch her first fabric collection, made up of fourteen different
prints based on the idea of the perfect English garden, full of life and colour. The
colours and raw-hand design have wide appeal that works for both traditional and
modern interiors. The fabric designs are all printed in the UK, onto an oatmeal linen
union fabric, which is stunning yet hardwearing and practical, costing £59 per metre.
Suitable for curtain making, upholstery, cushions etc.
mimi.emmett@googlemail.com | www.mimiemmett.co.uk

A GOOD
NIGHTS SLEEP
Recent research shows that bedroom design is
about to embrace the wave of new automated
technology. Detectors keeping a quiet night time
vigil over health and wellbeing that are attuned to
the person sleeping in the bed are just one of these
concepts to be introduced to the bedroom. For those
who must sleep in complete darkness there is the
dim-out or black-out blind and expert advice is
readily available. Also envisaged is a choice of
modern alarm methods that ensures a gentle and
fresh introduction to the new day. Tablet controlled
blinds and curtains, as well as zoned lighting in the
bedroom are all welcome changes. Regardless of
the design style, clients today expect a greater
degree of comfort and control in the bedroom.
Interior designers can now accept briefs based on
many new expectations utilising some of the ideas
that are now available, including technological
advancements. Deanswood Interiors have been
making curtains and manufacturing blinds for many
years and they are proud of their history, keeping
abreast of new innovative design changes. Whether
a traditional, contemporary or ultra-modern
bedroom Deanswood do have the experience and
knowhow to accommodate and assist the designer –
that their our way.
01634 814444 | www.deanswood.co.uk

January 2015 Interior Design Today 75

Product gallery

IT’S PRETTY BUT NO SISSI

Sissi is a precious i 4 Mariani armchair which recaptures the tartan linear
geometries, establishing itself as a stylish and contemporary piece of
furniture in a rediscovered actuality. Design by Luca Scacchetti, Sissi is a
light and pretty armchair and comes in two versions, either with arm pads,
or a tub style armchair, and in a choice of fabric or in leather. Light in
design and of smaller dimensions, it is perfect for any area of the home,
but also for business common spaces, or in the hotel accommodation
sector. The thin and long metallic legs increase the physical and visual
lightness of the design. www.i4mariani.it

NEW ELEGANT WORLD

Since 1999, Allan Knight has consistently sought to create a serene and
sophisticated world of elegance, which gently pushes the envelope of
style, arriving at a level that may be perceived as modern day classic. With
sleek lines that may harken to earlier time periods, the Allan Knight look
transcends mere furnishings to become artful installations that highlight
any collection. The brand goal is to use only the best materials and to
always provide an outstanding level of product and service, one that is
unsurpassed in the design industry. Manifesting a return to the era of
master and apprentice, the goal within the design studios of Allan Knight
is to produce the best furniture and lighting in the world. Allan Knight is
an American luxury brand produced in Dallas Texas and is available
exclusively to the design trade. Bespoke, custom and turnkey projects on
request. Allan Knight is represented through J. Robert Scott, Chelsea
Harbour Design Centre, London. www.allan-knight.com

A SENSE OF IDENTITY
Personalised™ Professional is a service that works with interior designers to
create a personal identity, which captures the key life elements of their
client, and combines them to create an individual embellishment, which is
used across different interior spaces from homes to yachts and private jets.
Uniquely personal, this design is created by experts who work hand in hand
with the client or their representative to produce a multi layered image that
is used as a whole or in part. Once completed, the design is used across a
wide range of items and situations. From larger applications such as panels
and fixed items to tableware, soft furnishings, leather goods and stationary.
Personalised™ enhances the design of a new baby’s first room, a personal
space like a study or dressing room or is layered across a whole interior.
amber&green design studio are behind this innovation. They supply the
design service alone or provide a team of skilled craftspeople working with
glass, stone, ceramics, leather, precious metals and paper, who will be able
to reproduce the identity on a range of surfaces, that satisfies even the most
demanding of commissions.
020 7234 9122 | personalised@amberandgreen.co.uk
www.personalisedbyamberandgreen.co.uk

76 Interior Design Today January 2015


A TACTILE EXPERIENCE
BUCKS NEW UNIVERSITY OPENS ITS DOORS TO A FUTURE CAREER IN PRINTED
AND KNITTED TEXTILES, AND INTERIOR SURFACE DESIGN FOR PROSPECTIVE STUDENTS
Textiles and Surface Design at Bucks is a multi
award-winning course widely recognised by
industry for producing innovative and highly
skilled designers.
The course has evolved over 21 years and now
the University has over 1,000 textiles and surface
design graduates who have swelled the ranks of
the diverse alumni and industry network.
Many of the graduates hold key positions in the
fashion textiles and surface design industries,
both in the UK and internationally. Graduates
have gone on to work with companies and
brands such as Burberry, Missoni, Donna
Karen, Abercrombie and Fitch, Mark Fast,
Christopher Kane, Anthropologie, Zinc Studio
London, Karen Nicol, Hallmark Cards, Cath
Kidston, Heals, Marson Fabrics, Next, Marks
and Spencer, Phase Eight and John Lewis.
Graduates have also set up their own design
businesses and have exhibited at 100% Design
TENT, Origin, Indigo, Paris, ICFF New York and
at London Fashion Week. Many tutors are also
active in the sector running their own practices.
The course covers designing textiles for fashion
and the interior with specialisations in the
following three areas:
Knitted Textiles Design: Exploration of
traditional and contemporary knitting
techniques to inspire design for fashion,
product and the interior.
Printed Textiles Design: Exploration of drawing,
painting, traditional and digital fabric printing
techniques for fashion and the interior.
Surface Design: Traditional and digital 2D and
3D textiles techniques using contemporary
materials such as wood, leather, glass, metals
and plastics.
Zoe Miller is a former student who has
developed her own business and has come back
to Bucks New Uni to teach on the course as a
Fashion/Knit Tutor. Zoe comments, “I studied at
Bucks in the late 90’s and had a fantastic
experience on the textile course. I came straight
from a foundation in fashion and textiles and
already knew I would specialise in knit. Fiona
Ross, the pathway leader really encouraged us
all to take our own approach and experiment
and push our understanding of the discipline
and how it might be applied. I arrived with a
passion for knitwear and by my third year I was
applying my work to concepts for architectural
spaces and product.
Spotlight
I continued my studies at the RCA and worked
on many live projects and was fortunate to win
various bursaries and awards, which helped to
fund my study and introduce me to a range of
companies.
Since my MA I have worked as a designer for a
range of companies on a project basis including
Philips and WGSN. My work has also been
applied to costume and set design as well a
numerous commissions for bespoke works for
interior spaces.
In 2005 I took part in the NESTA Creative
Pioneer Programme, which was set up to help
young creatives develop businesses. My studio
has been based at Cockpit Arts in London for
the last 10 years. I have developed a
commercial range of accessories, which are
produced and sold throughout the UK in
boutiques and galleries.
It has been a real privilege to return to Bucks as
the pathway leader for Knit and I hope to
develop and evolve the course to produce
innovative designers.
0800 0565 660 | advice@bucks.ac.uk
January 2015 Interior Design Today 77
Product gallery

HOMEBOOST GETS UPGRADED

Always an easy fit pump unit, Salamander’s market leading mains booster pump
is now even easier to install. HomeBoost is designed to be connected to 22 mm
pipe work requiring standard nut and olive compression fittings. However, if the
installation is on to 15mm pipe, HomeBoost comes supplied with two reducing
sets, which will connect the pump to the smaller bore pipe. The inlet washer
and outlet strainer have always been included but now the fittings pack in the
box includes two ¾” tap connectors with the reducing sets. In other words,
everything needed for a straightforward installation at no extra cost, though the
fitting of full bore isolating valves for easy removal and servicing is
recommended as best plumbing practice. With fewer connections and lower
costs for additional fittings, Salamander has added even more value to its
intelligent mains pump by supplying the kit for non-standard installations, which
is sometimes difficult to get hold of, so saving customers time and any
inconvenience. Salamander’s product design team has come up with improved
electronics to get a further reduction in HomeBoost’s decibel ratings.
Harnessing new sensorless motor technology to achieve several improved
performance capabilities includes the reduction of electrical noise.
0191 516 2002 | www.Home-Boost.co.uk

TURN OF THE HANDLE

Silver Kite has expanded its exclusive Arbor range of cupboard knobs and
cabinet handles. Individually made by them, and combining the beauty of natural
wood with the hard wearing qualities of brass components, these fittings can be
used in both contemporary and traditional design schemes. There are 169
combinations of woods and finishes to choose from, but they can also make
these fittings to any specification to suit a particular requirement. They can even
paint the wooden part to help conceal the fitting in a minimalist scheme, or to
add a splash of colour and make a feature of the product. Where retrofitting to
existing doors is involved the pull handles can be made with the bolt centres at a
specified dimension, making the replacement of existing handles a quick and
easy task. The range also includes door, window and electrical accessories, so
the Arbor concept can be used throughout a whole project.
01494 774779 | enquiries@silverkite.co.uk | www.silverkite.co.uk

FRESHEN UP
Laundry days will be a breeze with Brabantia’s foldable
Rectangular and Oval Laundry Bags in six trendy new colours –
pastel mint, warm red, pastel pink, cool grey, royal blue and
the always-chic black. Great looking and super handy, when
closed the sturdy textile bag has a quick-drop opening allowing
your clients to throw dirty laundry into the bag and out of sight.
When laundry day arrives, the large over-the-shoulder handles
give you a handy way to collect, organise and transport
washing. All done? Fold them away or keep them in sight as
the new colour ways bring an on-trend touch helping to
freshen up any room. 01275 819119 | www.brabantia.com

78 Interior Design Today January 2015

Product gallery

CRAFT IN LEATHER
Anthony Vrahimis Ltd. is a London based leather design and production
manufacturer and is recognised as one of the UK’s foremost leather
product makers and design consultants. With over 25 years’ experience in
the leather industry, Anthony fuses his creative talent and technical
expertise with a team of highly experienced designers and craftspeople
recognised for their incredible attention to detail. Anthony's core passion
lies with architecture and interiors and highlights includes Mulberry's
flagship outlets globally. He is currently completing a three year project for
a private client in the Middle East and has recently completed a project for
the Firmdale hotel group's new central London hotel launch. Anthony
offers product development services and specialises in managing and
implementing design concepts through to final production stage. Anthony
also has a core focus on educational and research development and has
been attached to the Royal College of Art and the London College of
Fashion. He continues to provide facilities for courses in machine cutting
and handbag design, in addition to overseeing and tutoring graduates from
a wide range of educational facilities accredited by the University
of London. 0207 686 0001 | mail@anthonyvr.com | www.anthonyvr.com

URBAN QUARTZ
COMPAC, inspired by America’s New York loft culture,
have been able to create a fusion between architecture,
design and functionality to offer the New York Collection.
A totally new quartz worksurface that has its own unique
urban style combined with a minimalistic open approach
to modern living. Silky, soft and sensuous to the touch,
the New York Collection will excite and stimulate the
senses and offers the discerning client an opportunity to
create a contemporary kitchen that reflects the style and
thrill of loft living in the ‘Big Apple’. The New York
Collection features three urban concept colours, White
Zement, Ice Zement and Grey Zement. Each colour has an
innovative perfect glacé matt finish, unique to COMPAC,
which highlights the colour, depth and definition of grain
and offers less reflection than other quartz worksurfaces.
It’s easy to clean and maintain too. The New York
Collection from COMPAC –the beginning of a great story.
customerserviceuk@compac.es | www.compac.es

AN APPETITE
FOR DETAIL
John Sankey presents a collection of beautiful upholstered
pieces designed for comfort and flexibility. Clients include
prestigious designers and contract specifiers who furnish
residential properties, boutique hotels, restaurants and
theatres. From frames through to sewing and upholstery, each
piece is made to order in the factory in Derbyshire. John Sankey
are holders of the prestigious Manufacturing Guild Mark in
recognition of their commitment to quality and longevity. In
addition, they have a Lifetime Guarantee on frames and springs
endorsed by FIRA. John sankey’s craftspeople are highly skilled
and used to working in a wide variety of fabrics. Using the
current range, designers can make use of the fantastic
customisation tool by visiting
www.johnsankey.c.uk/Configurator.
01159462121 | www.johnsankey.co.uk

80 Interior Design Today January 2015

 Last Word

thelastword

QUIRKY TOWERS
JADE TILLEY, EDITOR OF INTERIOR DESIGN TODAY, REVIEWS HER STAY AT QUIRKY QBIC, LONDON;
ITS NIFTY DESIGN CONCEPT AND IMPECCABLE CONTINENTAL BREAKFAST (INCLUDING GREAT CHEESE!)

QBIC HAS LONG BEEN ON MY LIST OF ‘MUST-
VISIT’ HOTEL DESTINATIONS IN LONDON. IT IS
DIFFERENT AND MAKES NO QUALMS ABOUT
STATING AS MUCH. ITS STRIPPED BACK, PAIRED
DOWN, NO FUSS STYLE IS AN HONEST AND
INTRIGUING OFFERING IN A CITY THAT BURSTS
WITH HOTELS AND B&BS, AND CAN OFTEN
CONFUSE THE OVER-INFORMED TRAVELLER.
I knew better. Having worked with Blacksheep
previously, I knew that its own distinct brand of
design and ‘lifestyle’ was a tried and tested
method in success. The fact that they had
partnered up with QBic to deliver this concept was
a sign that this hotel brand was going places and I
wanted to find out more.
The evolution of the hotel experience is immediate.
Upon arrival at QBic all the usual fuss of ‘check-in’
is eradicated in favour of a simple ‘here’s your key
card, enjoy your stay’.
Every inch of the hotel is crafted out of upcycled
materials. The lifts for example, feature quirky
clipboards with notices about local weather and
little nuggets of information that we, the guests,
might find useful and amusing. QBic doesn’t take
itself too seriously.
We arrive in the room to find a perfectly appointed
space. We are in the ‘Fun Room’ and it certainly
aims to make you smile. The whole pod concept
behind these rooms is incredibly clever and just
innovative enough to be interesting without
distracting from the overall usability of the space.
The bed, with its huge London-inspired graphic on
the headboard, features these nifty little tech
panels that essentially means that if you don’t
want to move, you don’t have to. Awesome wifi had
us connected in seconds and you can get plugged
in, charged up and chilled out in no time.
Furniture in the space was minimal but this didn’t
affect comfort. A contraption in the corner
contained a mirror, a seat and a bagged up
hairdryer for your convenience. My personal
highlight of the ‘furniture’ in the room were these
old, vintage wooden buttons, positioned on the wall
with dainty yellow wire hangers, so that when
clothes are hung up, almost presented itself as its
own art on the walls.
The bathroom is impressive by itself with great
shower space, top tech showering facilities and a
cute, if somewhat small basin space. I would have
appreciated a little more room for my overnight
washbag, but other than that, these rooms make
for a happy London camper.
The next day we got to venture into the ‘dining
room’. Going back to Blacksheep’s understanding
of brand and customer, it is clear to see here that
the diner has been thought of first and foremost.
The décor continues its fun, friendly and usable
theme. The kitchen area is made up of a gorgeous
central island decked in deliciousness. I could
have sat and whiled away hours in that space,
reading a book, catching up on the news, feasting
from the BEST continental I’ve had in a long time.
The Lincolnshire poacher cheddar gets an
honourable mention here!
The ease which this London hotel experience
makes you feel is refreshing; QBic and Blacksheep
are a force to be reckoned with when it comes to
quirk and client satisfaction.

January 2015 Interior Design Today 81

Buyers Guide

BATHROOMS FURNITUREPLASTERWORK & MOULDING

BESPOKE FURNISHINGS HOME BARS

CURTAIN MAKERS SECONDARY WINDOWS

Bespoke designs
manufactured in-house

Deanswood Interiors
01634 814444
keithporter@deanswood.co.uk
www.deanswood.co.uk

FRAMELESS GLASS Adding fine quality mouldings is the

easiest way to introduce a stylish new
room design. Our unique range of
traditional and contemporary features are
simple to fit, beautiful to look at and
perfect in design. Fitted in top hotels and
developments worldwide, these
mouldings add a stunning effect to
any room.
0208 660 2854 | info@davuka.co.uk
www.davuka.co.uk

WOOD FLOORING WOOD FLOORING

0116 257 3415

www.lathamtimber.co.uk

82 Interior Design Today January 2015