BAHASA INGGRIS

KEONG MAS TMII

OLEH:
KETUT MULIAWAN
1705522025
I PUTU ERIK KUCERA
1705522031
DOSEN:
Tri Anggraini Prajnawrdhi, ST., MT.,MURP., PHd

TEKNIK ARSITEKTUR
UNIVERSITAS UDAYANA
2017/2018
 HISTORY OF KEONG MAS

Sumber : http://galihdegal.blogspot.co.id/2017/01/kritik-arsitektur-gedung-
teater-keong.html

Since each Indonesian province maintains its own unique and distinct cultures, shelters, attire and
dialects, TMII built a model of each of the houses from Indonesian provinces. TMII attempted not only to
reconstruct the homes of the various provinces, but also to create a realistic model of the environment and
shelters of the various people of Indonesia.[3] The venues, which are situated around the main lake in a
similar fashion to the different islands of the Indonesian archipelago, are thematically divided into six areas
in respect to the main islands of Indonesia; Java, Sumatra, Kalimantan (Borneo), Sulawesi, the Lesser Sunda
Islands, Maluku and Papua. Each pavilions featured in typical vernacular Indonesian architecture of each
provinces. Examples of Indonesian traditional vernacular houses are: Joglo and Omah Kudus Javanese
houses of Central Java and Yogyakarta pavilion; Minang Rumah Gadang of West Sumatra pavilion; Malay
houses of Jambi and Riau provinces; Torajan Tongkonan and Bugis house of South Sulawesi pavilion; and
Balinese house compound with intricately carved candi bentar split gate and kori agung gate.
It also displays various traditional costumes, wedding costumes, dance costumes, also ethnography artifacts
such as weapons and daily tools, models of traditional architecture are in display to describes the way of life
of its people. Each provinces pavilions also equipped with small stage, amphitheatre or auditorium for
traditional dance performances, traditional music performances or traditional ceremonies that usually held in
Sundays. Some of these pavilions also equipped with cafeterias featuring traditional Indonesian cuisines and
also souvenir shops offering various handicrafts, T-shirts and souvenirs.
Since 1975 until the 2000s, the original design of TMII consist of a model of the houses from the 27 provinces
of Indonesia, including East Timor. But after the secession of East Timor from Indonesia in 2002, the East
Timor pavilion changed its status to become the Museum of East Timor. Also since Indonesia now consist of
33 provinces, currently the new province pavilions of Bangka Belitung, Banten, West Sulawesi, North Maluku,
Gorontalo, Riau Islands, and West Papua is being built in northeast part of the park.
After the recognition of Indonesian Chinese culture as the integral part of Indonesian culture in 2000, the new
Indonesian Chinese pavilion and a Confucian temple was built within the park.
The existence of Keong Mas Theater was initiated by the late Hj. Tien Soeharto. As a means of
recretion and education, the venue is open to the public since April 20, 1984. Occupying an area of 4.4
hectares of the building is divided into sections such as theater, office, toilet, employee and power house.
For parking area can accommodate 235 sedan / minibus and 24 bus / microbus vehicles. On the front, side
and rear there are parks as a supporter of beauty.
The immense golden conch-shaped Imax Theaters, a playground and a special film show with
advanced technology, was founded on the initiative of Tien Soeharto's mother, and began operation on April
20, 1984. This distinctive theater building is intended as an educational recreational facility to introduce wealth
nature and culture of the nation through gigantic movie screening by using sophisticated cinematographic
technology modem IMAX Projector. Watching the movie in this theater, the audience seemed to take part in
it and also participate as a player. The imax film technology shows its sophistication and ability to create
powerful attraction that making the audience amazed. Some films are available for screening, including
Indonesia Indah I, Indonesia Indah II (Indonesian Children), Indonesia Indah III (Indonesia Manikam Curse
in the Equator), and Indonesia Indah IV (I'm Proud to Be an Indonesian Child) . Everything shows the beauty
of the environment, the richness of nature, and the diversity of Indonesian culture. In subsequent
developments the screening of the film not only showcases the films of Indonesia Indah series alone, but
also interspersed with screenings of imported educational films with entertainment, science and technology
themes , as well as environmental themes. Since 1984 the Imax Keong Emas Theater has twenty movie titles
imported with lease period of between 1 and 2 years. The films include To Fly, Speed, Blue Planet, The
Living Sea, Forces of Nature, T-Rex, The First Emperor of China, Island Adventure, and Mistic India. In 2004,
the theater was able to upgrade the system and simultaneously play the IMAX DMR (Digital Re-Mastering)
movie, a revolutionary technology that enables the transfer of 35 mm format films into IMAX EXPERIENCE
70 mm.

ARCHITECTUR OF KEONG MAS

Architecturally, the acoustic aspect is very instrumental in this theater design. Various means and
sound absorbing (acoustic) panels are strategically placed at specific locations around the theater, resulting
in a clear and perfect sound reflection. The sound is designed in such a way as to support the presentation
of IMAX theater prime. The stylist is equipped with a wide frequency division, high degree of sound and the
same level of voice spread. With special effects on the bass, structuring with 6,200 watts of electrical power
produces continuous music.

Sumber :
https://www.aroengbinang.com/2018/02/theater-
imax-keong-emas-tmii.html

Theater Building Imax Gold conch with a regular seating capacity of 811 people and VIP as many as 36
people, 21.5 x 29.3 m screen and equipped with modern cinematographi film projector IMAX 70 mm film
format. This system can give the image quality and influence to the audience so as if the audience itself is in
every scene the movie is watching.

MIMESIS
Design of Gedung Keong Mas TMII theater using mimesis theory or imitation of spiral snail shell
shape without thinking about natural snail function. The structure of this building is curved, thin, stiff and
strong as well as the structure of the original mas shell mas itself.
Mimesis originally came from ancient Greece, when they wanted to characterize the natural
foundations of painting and sculpture, poetry and music, dance and theater that in modern times is called art.
Some of those who lived at that time called it mimemata (origin: mimema) which eventually resulted in a work
called mimesis. Some ancient Greek words are often associated with mimesis, such as mimema (imitation),
eikon (image) and homoioma (equating) which presents a wider understanding of mimesis. The most
fundamental difference of the mimesis theory lies between the mimena and the real thing. For example a
house is a real thing whereas paintings or sculptures that resemble a house is a mimena, something like a
home but not a house.
At this time the mimesis is known and appreciated as one of the oldest theories of art, it can be seen
from the borrowing of forms, as well as the movements of nature that are inspired in the work of modern
humans, whether in the form of ancient buildings (eg Sphinx in Egypt) and works of art dances that follow
the motion of nature, even martial arts that adapt the movement of the animals.
Rudolf Arnhein, argues that playing with imitation (in art) is a pleasant aspect of life, a condition
acceptable to the public. In its extension, it establishes the concept of borrowing in imitation (imitation) in art
as when it has to borrow a sense of tension, turmoil, and sense of senenag after winning the battle, regardless
of its harmful and painful consequences.
The concept of mimesis through imitation also shows the existence of 'borrowing' and 'derivation' or
taking (in part) from its origin, not entirely. Because if this is done, it can be categorized as an attempt to
copy. Something considered 'inferior' by the majority of modern pure aesthetic movements, as ugly as
'eclectic' and 'derivatives', which is also seen as an attempt to escape the ability to perform true imitations.
Mimesis is one of the alternatives in design that re-enacts the initial appearance by making
changes so that there is a work that is dual. A stealth, a work that can be said to be a representation of the
original form, but at the same time can also be said as a genuinely new original work. Changes that can be
done in the form of replacement of functions, resizing, transfer of positions and various architectural
modification techniques that gave birth to an original work that still has a close relationship that is inseparable
with the initial appearance.

Miniature Park Indonesian Keong Mas

Miniature Park is Indonesia's answer to every visitor's prayer to see the magnificent archipelago in
just one day. An extensive park to get a glimpse of the diverseness of the Indonesian archipelago, it
represents Indonesia's 27 provinces and their outstanding characteristics, reflected most strikingly in the
exact regional architecture of the province. An extensive theme park set in over 100 hectares on the outskirts
of Jakarta; the All Indonesian islands are realistically reproduced in miniature in a central lake and around
the lakes, there are pavilions. Each pavilions is representative of each province firm the traditional
architectural style in miniature to a wonderful display of cultural items and exhibits. The park's centerpiece is
a beautiful artificial lake. The complex was the brainchild of Madam Tien Soeharto, the late Indonesian first
lady.

It also has its own orchid garden in which hundreds of Indonesian orchid varieties are grown. There is also a
bird park with a walk-in aviary, a fauna museum and recreational grounds with a swimming pool and
restaurants. The special interest here at Taman Mini is the Museum Indonesia. A richly decorated building in
Balinese architecture, it houses contemporary arts, crafts and traditional costumes from the different regions
of the country.

Cultural performances, events, and even local delicacies from the provinces are prepared regularly,
especially during weekends and holidays, to showcase Indonesia's rich cultural heritage. The park is open
seven days a week, giving guests ample time to explore and enjoy the sights. And if a day tour is not enough,
visitors can spend the night at the 'Desa Wisata' or 'Wisata Remaja' serviced accommodations.

STRUCTURAL BUILDING STRUCTURES

Imax The Golden Conch Theater implements a Shell-shaped roof that forms a rigid, guiding three-
dimensional structure that has a curved surface. The shell surface can have any shape. The most common
form is the surface that comes from a curve that is rotated against one force (eg, ball, ellipse, cone and
parabola). According to the TeaterImax Keong Emas Theater, the builder uses a pile of prestressed
prestresses and is connected by a ring, so it is perfect for picking up an earthquake
While the dome building using shell structure system which is the largest dominant in Indonesia
with diameter 46 m and thickness of 20 cm for the bottom and 15 cm for the top.According to the data
obtained Pelita,the opening of the shell structure is supported by three-dimensional concrete arcs. The
loading loads are carried out with full loading and symmetry load-bearing tests with a load of 1.275 times
larger than the plan load or with a 300-ton load. In addition, the canopy system utilizes tigadimensional
concrete press construction with tensile steel ribs as well as special glass fillings.
Basically the shell is drawn from several shapes like cockatoo, coconut shell, crab shell, snail shell,
and so on (CurtSiegel) .Shell is a rigid and thin three-dimensional structural shape that has a curved surface.
Shell should be erected from reusable material such as reinforced concrete, wood, metal, brick, stone, or
plastic. A good way to study the behavior of the burdened shell surface is by looking at it as an analogy of
the membrane, the element of the surface in such a way that only the tensile force arises thereon.
Membranyang carrying the load perpendicular to its surface will deform in a three-dimensional manner with
a tensile force on the surface of the membrane. Most importantly, there are two sets of internal forces on the
surface of the membrane that have a mutually perpendicular direction. It is also important that there is a
tangential tension on the membrane surface which also serves to carry the load. In the shell, the forces in
the meredional field are caused by full load.
In the shell, the pressure given by the circular forces does not result in a bending moment in the
meredional direction. Thus the shell can bear enough variation with the field stresses. The variation of the
existing load pattern, however, must be a slow transition (a subtle change from the full load conditions of
partial conditions for the lentent moments not to arise)
In the curve, such a load can cause a large flexure, while the bending resilience is rapidly removed
by aksimelingkar. The shell is a unique structure. The shell can work inflexibly for many different types of
load although the shape is not really funicula.
Shell Structural Requirements A shell structure must have three conditions, namely as follows:
Must have single or doublecurved curved shapes must be thin to the surface or stretch must be made of
hard, strong, ductile and resistant material to tug and pressure.
Surface Classification To predict the treatment of the membrane structure as well as the possibility
of its construction, not only should we know, but also the natural physiology of the surface and other treatment
characteristics. Curves are the fundamental properties of the surface. A surface can be defined by many
different curves, therefore some special curvature should be identified: the main arch, Gaussian arch, and
middle arch. This curve gives the surface characteristics as a single or double arch system, in which the
double arch surface is further divided into synclastic and anticlastic surfaces

INTERIOR KEONG MAS TMII

Theater Imax Gold Keong TMII Jakarta is one of the earliest attractions I visited in Taman Mini Indonesia
Indah. After more than ten years of never having a chance to visit this place, maybe even more than fifteen,
finally some time ago we came back there. This time to watch another documentary about the beauty of the
country in this beautiful country.

Although the title of the movie I watched is exactly the same as what I saw tens of years ago, namely
Indonesia Indah, but seeing it again is still very impressive. Indeed there are four series of Indonesia Beautiful
but as I recall only two that I ever watched. Nothing has changed in the lobby of the TMII Imax Keynk Gold
Theater building, the official name of this place. Counters and queue places are still the same. Similarly the
waiting room does not seem to change.

Yet there is a somewhat old and gloomy impression, or perhaps the owner of an aging eye. Not many visitors
will be watching on that day, so the roomy lounge is quite relieved. No need to fight for seats, and no need
to stand while waiting for the theater door to
open.

Sumber :
https://www.aroengbinang.com/2018/02/theater-
imax-keong-emas-tmii.html
Ceramic painting on the right wall illustrates the figure of Candra Kirana, princess of Jenggala Kingdom
who in the story transformed into Golden Snail, next to it is mbok Rondo Dadapan. The story of Princess
Galuh Candra Kirana from Jenggala who became fiance Raden Inu Kertapati from Kahuripan was forced to
flee from the kingdom because he did not want to be proposed by the King of the Kingdom of Antah, and
he was disguised as Dewi Sekartaji. In the runaway Batara Narada transformed it into a Golden Snail,
which was later discovered by Mbok Rondo Dadapan and preserved by him in a water jar.

From that day every time Mbok Rondo came home from the fields and rivers, he found his house neat and
clean, and there was also good and warm food on the table. After repeatedly the same thing happened,
finally mbok Rondo one day pretending to leave, but soon returned to take a peek at what was happening
inside his house. Shortly waiting for him to gasp when from inside the jar came a beautiful princess who
immediately worked deftly cleaning the house and then cooking. Once done, the princess disappears back
into the jar where the Golden Snail is stored.
 Sumber : https://www.aroengbinang.com/2018/02/theater-
imax-keong-emas-tmii.html

An enormous ceramic painting attached to the left wall of the TMII Imax Gold Keong Imagine which depicts
Raden Inu Kertapati from the Kingdom of Kahuripan with his two faithful guards. Meanwhile, the next day
Mbok Rondo again pretend to leave. When the beautiful princess appeared, Mbok Rondo Dadapan rushed
into the house. He took the house of golden conch from the jar and slammed it to pieces, resulting in the
princess not being able to re-transform into a golden shell, and he was adopted by Rondo Mbok. The news
of a beautiful princess in the village of Dadapan finally reached the ears of Raden Inu Kertapati who was
wandering to find traces of her idol's daughter by posing as Raden Panji Asmorobangun. Finally, both were
reunited and they returned to the kingdom by bringing Mbok Rondo who took care of the Golden Snail.

An enormous ceramic painting attached to the left wall of the TMII Imax Gold Keong Imagine which depicts
Raden Inu Kertapati from the Kingdom of Kahuripan with his two faithful guards. Meanwhile, the next day
Mbok Rondo again pretend to leave. When the beautiful princess appeared, Mbok Rondo Dadapan rushed
into the house. He took the house of golden conch from the jar and slammed it to pieces, resulting in the
princess not being able to re-transform into a golden shell, and he was adopted by Rondo Mbok. The news
of a beautiful princess in the village of Dadapan finally reached the ears of Raden Inu Kertapati who was
wandering to find traces of her idol's daughter by posing as Raden Panji Asmorobangun. Finally, both were
reunited and they returned to the kingdom by bringing Mbok Rondo who took care of the Golden Snail.

The Golden Imax Battery theater lounge which although not cooled but comfortable due to high ceilings
and good air circulation. While waiting, visitors can see the information panel located on the right side of the
room. Visible steps behind the high cylindrical glass which is the path to the balcony that is reserved for VIP
audience. In addition to playing movies with Indonesian themes, Theater Imax Keong Emas also rented a
variety of imported educational films with entertainment, science and technology themes, and
environmental themes. In each period a different movie title is played. The local films are Seri Indonesia
Indah, Indonesia Indah I, Indonesia Indah II (Indonesian Children), Indonesia Indah III (Indonesia Manikarn
Shadows at Equator), and Indonesia Indah IV (I'm Proud to Be an Indonesian Child).

Sumber : https://www.aroengbinang.com/2018/02/theater-
imax-keong-emas-tmii.html

The room inside the Imax Keong Emas Theater building still looks elegant and in good shape, though it's
getting old age. The carpets are dirty and need cleaning. The Imax Keong Gold Theater room is able to
accommodate 920 people in economy class, and 36 people for VIP / Balcony class. While Vehicle Parking
Area can accommodate 235 sedan / minibus and 24 bus / mikrobus vehicles.

Families bringing young children to the TMII Imax Gold Keong Theater must get ready to pay additional
costs to buy souvenirs at the T-shirt Store, t-shirts, key chains, bags, and more, or buy toys at the toy store
when out of space theater. A number of restrictions inside the theater room stuck to the walls, such as
smoking, photographing / filming, carrying food & drink, and throwing garbage on the floor. It is also strictly
forbidden to eat chewing gum inside the theater room. That’s all about Keong Mas TMII, thankyou.