7/12/2019 bulletin | Bulletin électronique

38
b editions
the White House
newsletter n ° 38 -
2016
Preface
THE BLANCHE CHAMBER always proposes residences in situ based on the relation of the work with the place. diffused in bundles of different colors when it encounte
From 2014 to 2016, according to this mode, four projects explore in addition the sometimes turbid methodology, their material and what happens in their collab
relationship of the individual to his environment.
Also in 2015, Canadian-Mexican Michelle Teran continue
In the fall of 2014, Nancy Samara Guzmán Fernández and Rodrigo Frías Becerra enter the bureaucratic environment (previous residence 2006). Animated this tim
world of government employees who scatter every day on the 31 floors of the Marie-Guyart tower. diversity , she explores downtown Quebec City. Five orga
Mexican artists, weaving through the screens forming work booths, touching on the way some green their doors. It documents in video their activities, their miss
plants supposed to animate the set decor under artificial lighting. These plants, Not Wild, But Still Life , around the issues that this "sociologist of art" wants to raise
that can be seen in the windows, give a user-friendly impression of the building, but in fact everything is
ordered to keep the workers in a primarily functional environment. In the spring of 2016, Thai artist Jedsada Tangtrakulwong
wanders through the cold of the environment, he is fascinat
In 2015, Transcultures' Vice Versa exchange program woven a network of residences between the Web, swaddling the trees to protect them. His installation Adju
Québec and Mons. In this context, Alice Jarry (Montréal) and Vincent Evrard (Liège) have created a creative to survive. Everything becomes a matter of adjustm
diffraction-inspired installation that explores and "highlights" this phenomenon using glass, mechanisms
and electronic devices. According to the co-creators, Lighthouses is at the same time plastic, Jacqueline Bouchard
metaphorical and poetic, because the work reflects this process by which the light is deflected or

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