Professional Documents
Culture Documents
Mai Vuong
ENC1102a
Professor Malenfant
31/1/2019
The “Fish” is a poem authored by Elizabeth Bishop in the 20th century. Its title allows the
audience to have an idea that a poem is a about a fish. True to the title, Bishop’s poem is a narrative
monologue where she tries to discuss a fish encountered in an expedition to the fullest. More
specifically. Her description gives the impression of an old fish, caught several times and currently
lacks the strength to fight back. Eventually, the narrator releases the fish after catching it. This
paper analyses “The Fish” line by line and attempts to deconstruct the author’s writing style in the
poem.
The poem begins when the narrator has caught the fish and is facing indecision. In
particular, the speaker pulls the fish “half out of water” (3), showcasing that hesitation to throw
him into the boat. It is worth noting that the fish becomes personified. It is also noted that the fish
has not been struggling against the hook; this prompts the narrator to develop an interest in this
strange behavior. On close analysis, the fish is seen to be “battered and venerable”; yet, he seems
“homely”, a contrasting characteristic that is underscored by the author. The author also described
the fish’s exterior and compares it to the home wallpaper – “Brown / was like wall-paper”.
Suddenly, its skin also turns out to be like “full-blown roses.” This trend continues within the
whole poem as what is considered simple gradually becomes intricate under scrutiny.
The speaker continues inspecting the fish and gets rather intrigued by its features. Her mind
is going through a series of considerations when she notices that the fish is “speckled” (16).
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However, she misses the fact that the fish is covered in barnacles and other elements that showcase
its living conditions. In the next line, the narrator realizes that the analysis was inappropriate and
insists that the fish is “infested” (18). This shows a rapid change of heart from considering the fish
as beautiful to ugly. This realization provokes a sense pf pity mixed with disgust. She considers
the struggle of the fish in breathing (23) to analyzing the threat of the gills (24). The recognition
of a negative side to the fish frightens the narrator. However, the poet decides to use simile to
better characterize the fish as relatively inferior. For instance, she states that the flesh is “packed
in like feathers” (27) and “the pink swim bladder like a big -peony” (31, 32). She further confirms
her superiority by staring into its eyes, which she discovers are shallower (37). The speaker further
describes the fish’s age and looks. In the long run, she re -affirms her authority when the fish fails
Then narrator considers herself as superior to the fish. Nevertheless, the fish has not yet
acknowledged her supremacy. The narrator then considers the fish as a trophy, “admiring” her
features including the mechanism of its jaw (46). Suddenly, the narrator sees the past encounters
of the fish; five hooks remain attached to its lips a symbol of its triumph over others (55). Faced
by this sudden reciprocation of power, the author stares at the fish with helplessness. “Everything
was Rainbow ...” (75) symbolizes the victory of the fish when the owner lets it go (76).
Overall, the fish is a very interesting poem of nuance. It contains irregular line beaks, use
of contrasts, imagery and symbolism. Although the audience is only given visual descriptions,
there still exists much room for interpretation without much from the poet. Furthermore, one must
look into the internal meaning of the poem to comprehend what it means.
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Works Cited
February 2019.