Spem in alium

nunquam habui
A motet
for 40 voices

by

Thomas Tallis
(c.1505 – 1585)

Edited by Philip Legge

 Notes
Except for the unplanned visit to London in June 1567 by
the Mantuan gentleman, diplomat and composer Ales-
sandro Striggio senior, who came bringing performance
parts of his 40-voice Missa sopra Ecco sì beato giorno,
it would seem otherwise unlikely Thomas Tallis would
have received inspiration for his own sublime motet in
40 parts, Spem in alium nunquam habui. The rediscovery
of the mass by Davitt Moroney and his researches have
confirmed most of the salient details of this story, in par-
ticular verifying the account of one Thomas Wateridge, a
law student at the Temple:
In Queen Elizabeth’s time yere was a songe sen[t] into England
of 30 parts (whence ye Italians obteyned ye name to be called
Apices of ye world) wch beeinge songe mad[e] a heavenly
Harmony.
Allowing for 30 parts being an error, either deliberate or
unintended, then the mass undoubtedly received a per-
formance in London during Striggio’s fortnight-long stay,
probably in a non-liturgical context; it now seems rather
less likely that he performed his extant 40-part motet
Ecce beatam lucem. Striggio’s diplomatic business, which
primarily involved petitioning the Holy Roman Emperor
on behalf of Duke Cosimo de’ Medici, had in 1566 taken
him from Florence to Vienna via the Gonzaga court at
Mantua, then on to the Wittelsbach court in Munich via
Brno, and by April 1567 to the Valois court in Paris via
Innsbruck and Augsburg, before he seized his initiative
to visit England. The mass (with its Agnus Dei expand-
ing to 60 voices) had been performed at least twice on his
tour, once liturgically before Duke Albrecht V in Mu-
nich, and privately after dinner for King Charles IX at a
château outside Paris; only the departure of the imperial
court from Vienna had prevented a performance before
the Hapsburg emperor Maximilian II. Striggio’s gift of a
six-voice madrigal D’ogni gratia et d’amor, later placed
at the head of his second book of six-voice madrigals, fit-
tingly attests to his meeting with Queen Elizabeth I, and
Wateridge’s account likewise to an English performance
making “a heavenly Harmony”. The anecdote goes on:
The Duke of _______ bearinge a great love to Musicke asked
whether none of our Englishmen could sett as good a songe,
and Tallice beinge very skilfull was felt to try whether he could
undertake ye Matter, wch he did and made one of 40 partes
wch was songe in the longe gallery at Arundell house
Arundel House was the London home of Henry FitzAlan,
the 19th Earl of Arundel, and his son-in-law, Thomas
Howard, 4th Duke of Norfolk, was probably the music-
loving nobleman mentioned. FitzAlan was moreover
considered to be the leader of the English Catholics at the
time, and had held high office under four successive
Tudor monarchs, being Privy Councillor and Lord Stew-
ard of the Realm under Elizabeth, before retiring from
office in 1564 and undertaking a fourteen-month visit
to Italy from 1566 to April 1567, which plausibly might
have resulted in an encounter with Striggio, and an in-
vitation for him to visit London. FitzAlan possessed the
largest musical establishment outside the court, and in
1556 had purchased from Mary Tudor the fabled Non-
such Palace, England’s largest Renaissance building, as
his country residence. The music collection held in the
library there is known to have been extensive, as in 1596
a catalogue was drawn up, which happens to reveal the
existence of a score of Spem in alium. Nonsuch also pos-
sessed an octagonal banqueting hall with four first-floor
balconies, which intriguingly suggests the architectural
features that Tallis incorporated into his composition: it is
conceivable he designed the work to be sung not only in
the round, but perhaps with four of the eight choirs sing-
ing from the balconies.
Of Tallis’ motet, it:
[...] so farre surpassed ye other that the Duke hearinge of yt
songe, took his chayne of Gold from of[f] his necke and putt
yt about Tallice his necke and gave yt him (wche songe was
againe songe at ye Princes coronation). — “By Ellis Swayne at
my Chamber ye 27 Novr 1611”
The Duke of Norfolk was imprisoned in the Tower
from October 1569 until August 1570, and then again in
September 1571, being subsequently executed in June
1572 owing to his participation in the Ridolfi plot, which
would suggest a dating of Tallis’ motet to around the year
1570, and its first performance during the thirteen months
of freedom enjoyed by the Duke. While no manuscripts
of the original Latin motet (such as the copy held at Non-
such in 1596) are currently known to exist, copies of the
version sung at the coronation do. Retexted as an English
contrafactum, the motet was performed, firstly for the
investiture of Henry, Prince of Wales, on 4 June 1610;
and after his decease, the ceremony and the motet were
repeated on 4 November 1616 for his younger brother,
the future King Charles I. The text sung was:
Sing and glorifie heavens high Maiesty
Author of this blessed harmony
Sound devyne praises
With melodious graces
This is the day, holy day, happy day
For ever give it greeting
Love and joy hart & voice meeting:
Lyve Henry [Lyve Charles] Princly and mighty
Harry lyve [Charles lyv long] in thy Creation happy.
The editors of Tudor Church Music in the 1920s did not
have access to the earliest known source, Egerton MS
3512, a large full score dating from the early 17th Cen-
tury and rediscovered in 1947, but instead used a slightly
later manuscript set of parts from the Gresham College
Library (now in the Guildhall Library, G. Mus. 420).
These two manuscripts are the only extant copies known
to originate from the seventeenth century, or earlier. The
Egerton full score was not copied in choirs, but first all
of the sopranos, numbered by the scribe 1, 6, 11, 16, 21,
26, 31, 36; then the altos, numbered 2, 7, 12, 17, 22, 27,
32, 37; and so on for the other voices, suggesting eight
identically-formed choirs of five voices (whereas Strig-
gio had employed five non-identical eight-part choirs).
An unfigured thorough bass appears in the middle of
the full score, after the 20th voice. The five voice types
(described in this edition as soprano, alto, tenor, baritone,
bass) possess similar ranges in each choir and are notated
in the set of G2, C2, C3, C4, and F4 clefs. Performance
at a higher pitch than as written is possible and might
have involved an alternate voicing of each choir as treble,
mean, contratenor, tenor, and bass.
There are several noteworthy additions to the Gresham
MS: on many of the individual pages for each voice part,
the scribe copied out the original Latin words (taken from
the Sarum Breviary); the unfigured thoroughbass follow-
ing the 20th voice is denoted “for ye Organ”; and at the
end of the 33rd voice the scribe wrote “This song was
first made to a lattin ditty by Mr. Tho: Tallis; but who put
in the English ditty I ame altogether ignorant off.” This
statement, amongst other evidence, supports the idea that
the Egerton MS was the original copy of the English con-
trafactum, and the Gresham MS was copied from it some
years later. Orlando Gibbons, John Amner, and Thomas
Warwick have each been put forward as putative authors
of the Egerton MS, however these speculative guesses
originate from long afterwards; a more recent claim for
the composer John Ward has been rejected on the basis of
comparisons with identified holographs. The Egerton MS
bears an inscription on the last folio, “Mr. Thomas Tallis,
Gentleman of King Henry the Eyghts Chapel, King Ed-
ward, Queen Mary & of her Maiesties that now is, Queen
Elizabeth, the maker of this Song of fourty parts.” This is
taken to infer the author of the contrafactum copied the
annotation from a manuscript dating to Tallis’ own life-
time, even though the contrafactum itself must date from
the early part of the reign of James I, or no earlier than
1603; the Gresham MS also copies this text, but omitting
the clause referring to Elizabeth as “her Majesty that now
is”.
For the text underlay Tudor Church Music used another
manuscript (Royal Music MS 4 g. I) bearing the Latin
text, but as this dates from the eighteenth century it
probably does not preserve the word placement of Tallis’
original; the editors themselves noted the underlay “is in
places so perverse that it appears like an attempt on the
part of an unknown editor to fit the Latin words to the
English adaptation.” Hence the editor of this new edition
has dispensed with this text underlay and supplied his
own. Text aside, the music is a direct transcription
Copyright © 2004–08 Philip Legge, for the Choral Public Domain Library: http://www.cpdl.org/
Edition may be freely distributed, duplicated, performed, or recorded.
of the Tudor Church Music version, which as described
above used the Gresham MS as its principal source; the
collation of the two manuscripts indicate the scribe of
the Gresham MS attempted to add some accidentals ac-
cording to the rules of musica ficta. Though the earliest
manuscript has many fewer accidentals than this edition,
it is not inconceivable that the work was indeed sung with
many more than are included here. Although the organ
bass line cannot be shown to have originated with Tallis,
it was possibly conceived in emulation of Striggio, who
did utilise a continuo bass in his mass and motet, and so
may be included or omitted in modern-day performances.
Musically, the motet is a tour de force on many levels,
not least for Tallis’ masterful exploitation of his choirs’
spatial distribution. If the choirs are arranged in circular
fashion sequentially by number, then the music “rotates”
through the opening points of imitation on Spem in
alium nunquam habui (choirs I to IV) and Præter in te,
Deus Israel (choirs V to VIII). After a short interjection
from choirs III and IV (which functions antiphonally as
“decani” to the “cantoris” of choirs VII and VIII) Tallis
completes the circle with the entry of the final bass voice
of Choir VIII; shortly afterwards, at the fourtieth breve
of the work, all forty voices enter in the first of a series
of massive welters of sound, which has been described as
“polyphonic detailism”. The next imitative section which
follows at qui irasceris et propitius eris reverses the
direction of rotation as new voices enter against varied
countersubjects in the parts already established.
Tallis also manages to combine the exchanges between
choirs in four different antiphonal arrangements, by
amalgamating the singers in four groups of two choirs
(as hinted at above), so antiphony can pass back between
both “north” and “south”, but also between “east” and
“west”), but also as two groups of four choirs (ie one
massive 20–voice choir against another) which can be ar-
ranged in two different ways (north and west versus east
and south, or north and east versus south and west).
After the most intricate chordal passage so disposed
between the various choirs, Tallis contrives the entire
choir of 40 voices to enter as one after a pause, “upon
a magical change of harmony”. With the words respice
humilitatem nostram Tallis ends with the most strikingly
unhumble polyphonic passage yet heard, framed by the
strong harmonic rhythms of the ensemble. The view that
this might be Tallis’ opus magnum is intriguingly suggest-
ed by Hugh Keyte’s observation of a possible numerolog-
ical significance in the work’s duration being exactly 69
long notes: in the Latin alphabet, TALLIS adds up to 69.
Philip Legge, Melbourne, November 2004,
revised to February 2008
 Spem in alium nunquam habui
Thomas Tallis
 
(c.1505–1585)
            
Soprano I          
         um
   
Spem in a li um nun quam ha bu i, spem in a li

        
Alto I
    
      
    
 li 

   
Spem in a li um nun quam ha bu i, spem a
     
in
 
  
Tenor I

   
Spem in a li
      
Baritone I 
  
     
Spem in a li um nun

 
Bass I   
 
     
Spem in
Soprano II 

            
Alto II

   
      
Spem in a li um nun quam ha



Tenor II

Baritone II

      

Bass II

       
 
Soprano III       

Alto III        

       

Tenor III

Baritone III

      

Bass III

       
       
Soprano IV 

Alto IV        

       

Tenor IV

Baritone IV
       

Bass IV

       
 
Soprano V       

Alto V        

       

Tenor V

Baritone V

      

Bass V

       
       
Soprano VI 

Alto VI

      

       

Tenor VI

Baritone VI
       

Bass VI

       
 
Soprano VII       

Alto VII        

       

Tenor VII

Baritone VII
       

Bass VII

       
       
Soprano VIII 

Alto VIII

      


      

Tenor VIII

Baritone VIII

      

      
Bass VIII  
2
   
7
              
     
         
nun  quam, nun  quam ha  bu  i, spem in a  li   um nun  quam ha     bu 
                          

um nun  quam   bu  i,    quam   

   
ha
  
spem
   in a

li

um nun ha
 
bu i,

spem in a

     
 um nun  quam     bu  i,      quam 
I

   
ha

in

a li um nun
                  

            um   
     
quam ha bu i, ha

bu

i,

spem in a li nun quam ha

                
 a  li  um nun 

quam ha  bu  i, spem in a   li

 um nun

 quam
 
ha  bu

 i,

           
Spem in a  li  um nun  quam ha    bu     i, nun 
               
     
 bu  i,
     
 ha  bu  i, 

    li  um    i,
         
spem in nun quam ha spem

a bu
      
 a  li  um  quam       quam 
II


 
Spem
 
in

nun
 
ha bu i, nun ha
           
          
 
Spem in a li um nun quam ha bu i,


         
 
      
   
Spem in a li um nun quam

ha

bu
 
i,

   
 
    
Spem in a li

   

    
Spem
  


III

      
Spem in


      

      

      

      

IV

      


      
      


      

      

V

      


      
      


      

      

VI

      


      

      

      

      

VII

      

      

      


      

      

VIII

      

      

 3
   
13

                    
   

i, spem in a  li  um 
nun quam ha  bu   li  um
i, nun spem in a  
quam ha  bu 
                             
  
    li  um,  li  um     

      
li um, spem in a li um, spem in a spem in a nun quam ha bu
   
              

    
    li  um nun  quam   bu  i, in a  li 

I
    
    
ha bu i, spem in a ha spem um nun quam
           

 bu  i,
    nun  quam
   ha    spem in  li 
 
spem in a li um nun quam, bu i, a um

           
 
 spem  li  um,     um
  quam
   i,    um
                 
in a in a li nun ha bu spem in a li
          
quam ha   bu  i, spem in a  li um nun  quam ha  bu  i, spem in a   li   um
                 
           
in a  li um   nun  quam ha  bu  i, ha    bu  i,   li  um
  nun 
    
spem in
  
a
          
 bu  i,
II
 li      bu  i,   
            
spem in a um nun quam ha nun quam ha bu i,
     
            
  um         bu 
     
spem in a li nun quam ha bu i, spem in a li um nun quam ha
   
 
           
            
       
spem in a li um nun quam ha bu i, ha bu i, spem
             

um nun  quam ha  bu  i, spem in a  li  um nun  quam ha   bu  i, spem

in a 
                      
    
        a  li um nun 
   
in a li um

nun quam ha bu i,
      spem in

quam

        
ha bu i,
       
 a  li  um
III 
  bu  i,            
           
nun quam ha spem in a li um spem in a
     
          a  li um nun  quam

Spem in a li um nun quam ha bu i, spem in
   
             
       
     
Spem in a li um nun quam ha bu i, spem in a


             
  

     
       
Spem in a li um nun quam ha bu
   

IV
  nun 
  
   
Spem
 
in a

li um
 
 
   
    
Spem in a li um nun quam ha

      
  
     
Spem in a li


      

      

V

      


      

      

      

      

VI

      


      
      


      

      

VII

      


      
      


      

      

VIII

      

      

4
   
19
              
    
     
i, spem in a  li  um nun  quam ha  bu  i, spem in a  li  um nun  quam ha  bu 
        
             
 li  um nun quam, in a  li um  bu 
  
nun  quam ha

            
spem in a i

i,
 
         
        
 ha  bu
  i,    li um  quam, in a  li  um nun  quam ha  bu 
I
 spem
   

in a nun i
              

nun quam   in a  li  nun  quam, nun quam  bu  i
           
ha bu i, spem um ha
  

           
  
nun  quam   i, a  li  um      quam  bu  i
         
ha bu spem in nun ha

                      
           
nun    i,  li  um nun quam ha  bu  i,  li  um  quam, nun  quam
  
quam ha bu spem in a spem in a nun
               
      
   quam,  quam    bu  i, spem in a  li  um nun quam ha  bu  i

              
nun ha
      
  
 ha  bu  i,  li    nun  quam  bu  i
II

        
spem in a um ha
            
          
in a  li  um,    li um,   um  quam ha  bu  i
      
i, spem in a li um, in a spem in a li nun

             
     li  um          
    
in a nun quam ha bu i, ha bu i
          
   
 li  um nun quam ha  bu  i, spem   li  in a   um nun  quam ha 
                   
      
 bu  i,

nun  quam ha bu  i,  li 
     
    li um    i,
 

ha spem

in a spem in a um nun quam ha bu
            
                 
 li  um nun quam
III
  a  li  um nun  quam
   i,   
        
ha bu i, spem in ha bu nun quam ha
           
 
   bu  
ha  bu i,

nun quam ha          i
   
ha i, bu

              
    li  um
 
nun



quam

ha  bu  i, spem in a   li    um…
  
ha bu
               
      li 
   
Spem in a li um nun quam ha bu i, spem in a
                  
 
     i,    nun  quam   bu
 
       
i, ha bu spem in a li um ha i,
       
     
    
 quam         in a  li um  quam
IV
  
spem

ha bu i, in a li um, spem nun
                

        
 
bu i, spem in a li um nun quam ha bu i, spem in a

          
    
 um        nun  quam
 
bu  i
      
nun quam ha bu i, spem in a li um ha
  
 
   
Præ ter in te, De
      

    
Præ ter in te,
    

V

      
Præ ter in
 

     
Præ


      


      

        
 
VI

     
Præ



      
      


      

      

VII

      


      
      


      

      

VIII

      

      

 5

    
25

  

     
i

      

I

      


       
         
 
 
     
ha bu i

      

II

       

      

      
   
 bu  i
      
   
 bu  i
    
ha
    
  bu  i
III

      


       
           
i

          
 um, in a  li um nun  quam, nun  quam  
 
ha bu i
        
   
 bu  i,   quam ha  
  
     
ha
     
nun quam, nun bu i
        

IV
ha  bu    li  um nun  quam…
     
i, spem in a
   
 
     
li um…

  
                  
 
 
    
us Is     ra    el, De  us Is   ra  el, Is   ra   el,
           
           
   el,    
 
 De us Is

ra præ
  
ter in te, De us Is ra el,
 
            
 te,
 
        us   el,   
V
De
    De

us
 
Is

ra el, in te,
  
Is ra De us Is

ra

       
    De  us 
 
ter in te, De us Is ra el, præ ter in te,
       
Is

        
           
   
Præ ter in te, De us Is ra el,

                 
    el,  De  us   
  
Præ ter in te, De us Is ra præ ter in te, Is ra el,

                 
         ra  el,
       
Præ ter in te, De

us

Is

         
 ter      ter  in  us     
VI
  Is

præ te,

    
in te, De us Is ra el, De ra
            
 
        us Is  ra  el,
     
Præ ter in te, De
   
      

    
    
Præ ter in

te,

De
  
 
  
Præ ter in te,

          
 
   
Præ ter

in

te,
  præ ter in

   

 ter 
VII

  
   
Præ

in

te,
 De
  
    
    
Præ ter in te, De us Is ra el, præ


 
  
  
     
Præ ter in te,

      

      

VIII

      

      

6

     
31

      

      

I

      


      
      


      

      

II

      

      

    
        
 
   
præ ter in te, De us

    
  
 
      
præ ter in te, De

   

III

    
præ ter in te,
     

   

præ ter

in

te,

    
  
   
præ
 
ter

in

te, De

  

   
præ ter in te,
       

   
præ ter in

te,

      
  
IV

      
præ ter in te, De
   

    
præ ter in te,

      
  
 
         
præ ter in te,

 
  us   el,
  
præ ter in te, De Is ra

           
     ra  el,
         
præ ter in te, De us Is

           
 
   el,
V
 ter  us    
            
præ in te, De Is ra el,
     
 ra  el,     el,
 

præ ter

in

te,

De
 
us Is ra

         
       

præ ter in te, De us Is ra el,
        
                 
    ter   us  ra  el,
       
De us Is ra el, præ in te, De Is

        
          
  Is  ra  el,  De  us Is  ra  el,
   
præ ter in te,
       
De us præ ter in te,

       
 el,
VI
      ra  el,
        
præ ter in te, De us Is
        
       el,
     
præ ter in te, De us Is ra

 
  

 us 

ra  el,
     
Is
            
 
De  us Is  ra  el, præ  ter in te, De  us  Is ra  el,

                
              
 
    ra  el,      

te,

De
 
us Is
  ter

in te, De us Is ra el,

 
præ
                 
 us  ra  
VII
 ter De     us  
      
Is el,

præ in te, us, præ ter in te, De Is ra el,

   el,
    
ter in te, De us

Is ra

        

    ra  el,
 
præ ter in te, De us Is
           
    
   
      
 
Præ ter in te, De us Is ra el,

           
   
  
Præ ter

in te,

De
  
us Is ra
 
el,
    

VIII
 ter   us Is    el,
  
Præ in te, De ra
     
   
      
Præ ter in te, De us Is ra el,


 7

  
37
       
    
  
  
præ ter in te, in te,

De us Is

        
           
   ra  
  
præ ter in te, De us Is el, præ

           

  
  us Is   ra  el,
I
  
    
præ

ter in

te, De
      
præ
 
     el,
             
præ ter in te, De us Is ra

       

   ter  us  ra el, 
  
præ

in te,
 De Is præ
 
ter in

         
    el,  us
  
præ ter in te, De us Is ra De

            

    
     
præ

ter

in te,

De us Is ra

      

II 
   ra  
            el,

præ ter in te, De us Is
    
  Is  ra el,   
         
præ ter in te, De us Is ra


     
    
        
præ ter in te, De

            
 ra      

Is el, præ ter

in te, De us Is ra

                  
   
 us Is   ra    us   el, 
  
el, præ ter in te, De Is ra
       
præ
            
 De
III
   el,    
         
us Is ra præ ter in

te, præ ter in te, De us
          
 
De  us    el,   us Is  ra el,

  
Is ra præ ter
 
in te, De

       
    
 us   el,    
 
Is ra præ ter in te De us Is ra el, in

                   

     Is  ra el,

De us Is ra el, præ ter in te, De us
       
                   
   ra  el,  De  us   el, 
     
De us Is

præ

ter
 
in

te, Is ra De

       

 us
      
IV
 


Is ra
  
el, præ ter in

te,
 
præ ter in

te,

     
De  us  ra     
        
Is el, præ ter in te, De us Is ra

 
         

 De  us 
Is  ra  el,
   
præ  ter

in te,
  us,
De
   in te,

De 
   
  
  
præ ter in te, præ ter in te, De

            
    
    ra  el,  
  
præ ter in

te,
  De

us Is
 
Is ra

       

    
V

  
    præ ter in

te,
  
De
 
us Is

   
    ra  el, 
     
præ ter in te, De us Is
 
præ

       

    us  
     
præ ter in te, De Is ra

               
 
   ter 
   
præ ter in te, præ in te, De us

            
 
 
  us 
  
  

præ De us Is

ter in
 
te, Is ra el,
   
De
       

VI
   Is  ra  el, 
       
præ ter in te, De us præ
           
 
   ra   
    
præ ter in te, De us Is

         
  
     præ ter
 
in
 
te,

præ

ter
 
in te,

   
     
 
præ ter in te, præ ter in te, De us Is ra

                 

  us       
 
præ ter

in

te, De

 
Is ra el, Is ra el, præ

               

VII 
 De  us
Is  ra  el,      us 
             
præ ter in te,

præ ter in te, De Is
     
   ra  el,  ter  us
       
præ ter in te, De us Is præ in te, De


          
  
        
   
præ ter in te, De us, præ ter in te, De us Is ra el,
            
  
      

præ ter in te, De us Is ra el, præ ter in

               
   
   
 

 

præ ter in

te,
  
Is

ra el,

præ

ter
 
in

te,
 
De us
     
     
VIII
       
       
præ ter in te, De us Is ra el,
   
præ ter in te, De
        

    el,    


præ ter in te,

De

us
 
Is
 
ra

præ

ter in te,
 
De us Is ra


      

Præ  ter in te, De  us Is  ra  el, præ  ter in te, De   us Is  
8

  
 
43
    
       
    
  
ra el, in te, De us Is ra el:
      
      
 
 us Is      el:
         
ter in te, De ra el, Isra
           
 ter

te, De  us   De  us Is  ra  el:
I

 
  
   
in Is ra el, in te,
        
  ra  el:
         
in te, De us Is

 
  

     
          
te, De us Is ra el:
         
 
     ra  el:
  
Is ra el, præ ter in te, De us Is
        
  el,       
  el,
  
  

Is ra el:
  
Is ra
    
   


 præ  ter De  us
  Is    el:
II

 

  
 
in te, ra
      
   
         
el, in te, De us Is ra el:


       

   us

Is

 ra

 

el,
    
Is  ra  el:
  
 
   
  
el, in te, De us Is ra el:
        

   
 ter  
   
  
 in

te,
  
Is ra el:
 
De us
    
    
III
 
          
 
Is ra el, Is ra el:

        

     el,   
   
præ ter in te, De us Is ra De us Is ra el:

         
 us  
        
te, De Is ra el:

   
   
 
in te, De us Is ra el:
           
      
  el,  

 us

     
us Is ra in te, Is ra el:

De
    
 De   ra    
IV

    
  
  
us Is el, Is ra el:

       
   us  
    
præ ter in te, De Is ra el:
  
el,

  
    us        
 
Is
 
ra

el:
               

      
 
us Is ra el, De us Is ra el:
           
      
 el, præ  ter
   us    
          
De Is ra el:
   
in te,
     
  ra  el,
V 
præ  ter  us  
 
  
in te, De Is ra el:
           
 ter   ra  el:
  

in

te,
 De us

Is
 
 
  
    us  
  
el,
 
in te,

De

Is

ra

el:

   
 ra  el,    
  
    
Is in te, De us Is ra el:
         

  ra  el,   el,   
  
Is ra De us Is ra el:
             

VI
 ter   
         
in te, De us Is ra el:
     
el,    us  
 
in te, De Is ra el:


          
           
 De        el:  ra  sce  ris   ti 
 
us Is ra el, Is ra qui i et pro pi
                     
    
              sce  ris 
  
el, Is ra el: qui i ra et pro
       
      
       
ter in te, De us Is ra el:
        
  
  ra  el,

    ra  el,      
VII
 præ ter

in

te, De us
 
Is De us Is

ra el: 
               
Is  ra        
     
el, in te, De us Is ra el, De us Is ra el: qui i

              
    us  

præ ter
 
in
  
te, De Is ra el:
    
qui
       
 
 el:    

te, in te, De us Is ra qui i ra sce
                
 
 us,  ra  el:  ra   ris,
  
   ra  el,     
     
De De us Is Is qui i sce qui
              

 us
VIII
  el,  ra  el:    i     pi   us
         
Is ra Is qui ra sce ris et pro ti
      
el,        pi   
     
Is ra el: qui i ra sce ris et pro ti us e


         
 
  ra   el: qui i  ra  sce  ris et pro  pi  ti  us e  ris,
 9

     
49

      

      

I

      


      
      


      

      

II

      

      

      


      

      

III

      


      

      

      

      

IV

      


      
      


        

 
       
qui

  
    sce  ris
V
    

   
qui i ra et
      
      
    ra  sce  ris,   


qui i ra sce ris, i

qui

i ra sce ris

             

       sce  ris,     
  i  
qui i ra sce ris, ra qui i ra

               

 ra   sce  ris,   

qui i qui i ra sce

                     
   
    ra  sce  ris et pro  pi  ti us    sce  ris
 
qui i
    
e

ris, qui i ra

           

       pro  pi      e      
VI
 qui

i ra sce ris et
  
ti us ris,
  
et
       

    pi  ti  us   ris, 
     
qui i ra sce ris et pro e et pro

    
 us e             
ris,
         
       
 
       
 
 ti  us   i  ra   ris pro  pi   ti  us e  ris,    sce  ris
     
pi e ris, qui sce et qui i ra

      

VII

        
 
   
ra sce

ris,
 

             

      pi  ti  us      
 
i ra sce ris et pro
e ris, et pro pi ti
         
         
pro  pi  ti         

           
ris et us e ris,
     
    
i  ra  sce  ris    ris,

pro  pi  ti  us 
                   
e
  
et
     

VIII
 ris, i  ra  sce  ris, i  ra  sce  ris pro  pi  ti  us 
     
e qui qui et e ris,
          
   ris,
            
ris, qui i ra sce


   
qui i   ra  sce  ris et pro pi   ti  us e  ris,
10

     
55

      

      

I

      


      
      


      

      

II

      


      
      


      

  
     
       



      ti  us
III

 
qui i ra sce ris et pro pi
  
 
         
    
        
  
qui i ra sce ris, qui i ra sce

           
     
        
qui i ra sce ris et pro
 
  
   
qui i ra sce ris et
            
    pi 
 
       qui  
i ra sce ris

et pro
       
   sce ris  pi   ti  us   ris,
IV


 
qui

i ra
 
et pro e
        
    
   pro  pi  ti  us,
 
   
qui i ra sce ris et qui
  
          
        sce  ris pro  pi  ti  us e 
   
qui i ra et
           
           
  sce  ris   pi  ti  us e  ris, pro  pi  ti  us e  ris,

qui i ra et pro et
          


            
   qui i  ra  sce ris pro  pi       ris, 
                  
i ra sce ris, et ti us e
         

 pro  pi
V
       ris,      us     
         
ti us e et pro pi ti e ris, et pro pi ti us e ris,
              

 pi     pi     
   
  
et

pro
 
ti us,

et pro ti us e ris,


    
   sce  ris  pi  ti us 
    
       
et pro e ris,
    
 ris et pro  pi  ti us e  
   
ris,
          
   
pro  pi   ti  us 
   
  
et
  
e ris,

    

VI
pro  pi  ti  us
 e     
  
ris,
     
  
  us     
      
pi ti e ris,


           
       
 pi  ti  us 
     
et pro e ris,


      

VII

      


           
 us    
     
e ris,


      

      

VIII

      

      

 11

   
61
   

  mni 
   
et o
 
     
 mni  a
   
et o
   

I  
 
mni  a
      
et o

  
      
et o mni



        
  
   
et o mni
    
  
   
et o mni
    

II
  
     
et o mni
   
 
      
et o mni a,


   
         

    ris,
   
et pro pi ti us e
               
 
    ti  us
   ris,
         
et pro pi ti us, pro pi e
         

III
 ris,  ra    sce  ris   pi  ti  us  ris,
             
e qui i et pro e
             

pro  pi  ti  e  ris,   
 
ris, et
 
us et pro pi ti

us
 
e
 ris,
 

       
pi  ti  us    ris,      
  
               
e et pro pi ti us e ris,
      
               
pro  pi  ti  us e  ris, i  ra         pi  ti  us  ris,
  
qui sce ris et pro e
     
                       
 ti  us,  ris, pro  pi   ti  us
   e 
 pro  pi   ti  us

 e et ris,
         
et
      


IV

       pi  ti  us
 e  

    
      
et pro pi ti us e ris, et pro ris,
       
       us    
  
i ra sce ris et pro pi ti e ris, e ris, e ris,


           
  
 ris,        
     
qui i ra sce ris et pro pi ti us e ris,


      

      

V

      

      

      


      

      

VI

      

      

      


      

      

VII

      

      


      

      

      

VIII

      

      

12
   
67
                  
            
a pec  ca  ta ho  mi  num, et o  mni a pec  ca  ta ho  mi num, et o  mni  a

pec
                       
   
    num,     pec  ca  ta  mi num, pec  ca  ta ho  mi num,
  
pec ca ta ho mi et o mni a ho
              
     
   ho  mi num,     ta   mi  num, 
I

 
pec ca ta et o mni a pec ca ho pec
               
  a     pec  ca
  
           
a et o mni pec ca ta ho mi num, ta ho


        
  a        mni  
      
et o mni pec ca ta, ho mi num, et o a pec
          
 
a pec  ca  ta ho  mi  num, et o   mni  a pec  ca  ta ho   
mi num,

              
        
          
    
a pec ca ta ho mi num, et o mni a pec ca ta ho mi num,
                   
 a      mni  a    mi num,  
II

 

pec ca ta ho mi num, et o pec ca ta ho pec
           
  
o  mni  a pec  ca  ta ho  mi  num,   
         
et pec ca ta ho


            
  a        num,  
  
et o mni pec ca

ta

ho
  
mi pec ca
      
 mni  a     
 
et o pec ca ta ho mi num, et
       
      
 mni  a
   ca  ta    num,
  
et pec ho mi
      
o
      

  
o  mni  a, o   mni  a
III
 pec  ca  ta  
  
et et
     
ho mi
  
 a      num, 
     
et o mni pec ca ta ho mi pec

           
   a   ta   mi num,
        
et o mni pec ca ho et
       
  
 mni  a  ca      
 
et o pec ta ho mi num, pec ca ta ho

       
      
     
 mni  a pec  ca  ta ho  mi num, pec  ca  ta
         
et o
         
    


 mni  a pec  ca  ta ho  mi num,
  ca   ta
IV
 
  
et o
  
pec
          
  
 mni  a o  mni  a    mi num,
     
et o et pec ca ta ho

             
 mni  a pec  ca  ta   mi  
  
 
et o ho num, et o
       

  
 a   
 
et o mni pec ca ta ho
     
      
    
 a pec  ca  ta  mi num,  ca  
           
et
 
o
 
mni ho pec
         

V
  o  mni a pec  ca      mi num,  
        
et o mni a, et ta ho
        
 a  ca  ta    
          
et o mni pec ho mi num, pec ca

          
     ca  ho  mi num,  mni  a 
    
et o mni a pec ta et o pec
              

 mni a    mi  num,
 
et o pec ca ta ho et
               
        
   pec ca    num,  mni  a  ca 
  
et o mni a
 
ta ho mi
 
et o pec
  
   
     ca    
VI

 
  
et o mni a pec ta ho mi
              

 a    mi num,  ca   
         
et o mni pec ca ta ho pec ta ho mi num,


   
         
  
 
et o mni a pec ca ta ho mi
       
   
    mni  a   
  
et o mni a, et o pec ca ta
               
 
 mni
  a pec  ca  ta  mi num, 
  
et o
    
ho
   
et o

         
  mni  a
  pec  ca  ta      mi num,
VII

   
et o ho mi num, pec ca ta ho
             
      pec  ca 
      
et o mni a pec ca ta ho mi num, ta,

             
        num, 
      
et o mni a pec ca ta ho mi pec
               
  mni  a   ho  mi num, pec  ca  ta
 
et o pec ca ta
                
   
  mni a pec  ca     pec  ca  ta ho 
  
et o
   
ta ho mi num,
    
     
     a  ca  ta ho  mi num,
VIII

  

et o mni pec
            

   ca    
  
et o mni a pec ta ho mi num, pec


      
 
et o    mni  a pec  ca  ta
 13
 
 
73
          
          
 ca   mi  num tri  bu la
 ti  o    
   
ta ho in ne,
                 

pec  ca  ta ho  mi num tri  bu la
    o ne,
  
       
in
 ti
  
      
 ca  ta ho  mi num, ho  mi num  bu  la  ti o  ne, 
I

 
      
in tri
         
    
           
 
mi num, ho mi num

in

tri la bu ti o ne,

      
 ca  ta 
ho 


  

mi num
    
in tri 

bu  la  ti  o
 
  ne,
  
          
 ca  ho  mi num,   tri  bu la  ti  o  ne,
  
pec ta ho mi num, in
       
   

 
 ca   ho  mi  num tri  bu  la  ti
     
  
        
pec ta in o ne,
        
 ca  ta
 
 mi num,   tri  bu la  ti  o  
II

    
ho ho mi num in ne,
                     
 mi num,       tri  bu  la  ti  o  
         
pec ca ta ho mi num in ne,

 
         
       mi   bu  la   o  ne,
  
ta

ho num
   
in tri ti
              
o  mni  a     tri  bu  la  ti  o  ne
  
pec ca ta ho mi num in
               
  
pec  ca    in tri  bu  la  ti  o  ne
          
ta ho mi num
         
 num,  mi  num tri  bu  la  ti o  ne
III
     
 

ho in
              
       
     mi num   la  ti  o   
           
ca ta ho in tri bu ne

         
 
o  mni  a pec  ca  ta ho  mi  num  bu  la
     ti  o  ne
 
     
in

tri
    
 mi  num,    bu  la   
    
ho mi num in tri ti o ne
    

           
ho  mi num,  mi num tri  bu  la  ti o  ne
  
     
ho
   
in

       
      

 ho  mi num,  ca  ta  mi num in tri  bu la
     ti o  ne
IV

    
pec ho
            

     
pec ca  ta

ho  mi num

in tri  bu  la  ti o  ne
  
  
     
    
 mni  a pec  ca    mi  num tri  bu  la  ti  o 
    

ta ho in ne
          
       
 mi  num, ho  mi   bu  la  ti  o    
  
num in tri ne, in tri bu
  


   
 
 

      
   
ta  mi  num,  mi num tri  bu la  ti  o  ne, 

                
ho ho in in tri
           
 pec  ca  ta  mi  tri  bu la  ti   o   ne,  
V

              

in tri bu
   
ho num in
         

 ta ho  mi num, ho  mi  num  bula  ti  o ne,    
          
in tri in tri bu la

              

 ca   ta  mi  num tri  bu la  ti  o  ne di  mit   bu 

   
     
ho in tis, in tri
                  

o  mni a pec  ca  ta  mi  num tri  bu  la  ti  o  ne  mit tis,  bu la 
  
ho in di in tri
                
   
        
ho  mi num, pec  ca  ta  num    
tri  bu la

in tri  bu la    
 

ti  
           
ta ho mi in
      
o ne,
   
 num,  mi  tri  bu  la  ti o  ne    mit tis,  bu  la 
VI
      


ho num in di in tri
                   
 ca        ti        
            
pec ta ho mi num in tri bu la o ne, in tri bu la ti

        
  ca  ta    
 ti  o  ne      
     
num, pec ho mi num in tri bu la di mit tis, in tri bu
                  
  
   
ho  mi  num, ho  mi  num

in tri  bu  la  ti  o ne di  mit tis, di  mit    tis,
                        
   
 mni  a    mi num  tri  bu  la  ti  o    di  mit  
         
pec ca ta ho in ne tis,
               

    
 ca  ta  mi num tri  bu  la
   ti  o  ne  mit 
     mit   tis,
VII

 
pec
 
ho

in di tis, di
 
                   
 ca      tri  bu la  ti  o  ne  mit  tis, in tri  bu  la  ti  o 
  
    
    
pec ta ho mi num, ho mi num in di ne

        
 ca    tri  bu  la  ti  o  ne 
  
         
ta ho mi num in
         
 
             
   
ho mi num, ho mi num in tri bu la ti o ne di mit tis,
                  
            
 mi  num,      mi num
in tri  bu la  ti  o   mit  tis,    mit  tis,

ho di di
         
ne
           
VIII           

  
pec  ca  ta   tri  bu la  ti  o    mit tis,  mit 
                
ho mi num in ne di di tis,
                   
 
ca  ta ho  mi num,  mi num  bu  la  ti  o  ne   mit  tis, di  mit 

ho in tri di tis,

              
   
ho   mi   num in tri  bu  la  ti  o   ne di  mit    tis,
14

 
 
79
               
  
  la  ti      
 
in tri bu o ne di mit tis,

            
  la  ti   o     
     

           
in tri bu ne di mit tis,

        

I
 bu  la  ti o  ne  di  mit    
      
in tri

tis,

di mit tis,
    
        
  
in tri bu la ti o ne di mit tis,

           
 
  bu  la  ti   ne di  mit  
       
in tri o tis,

            
 bu  la  ti  o   ne  mit   
    
in tri

di tis,
         
              
tri  bu la  ti  o  ne  di  mit  tis, tri  bu  la  ti  o 
           
in
 
in ne

          
 tri  bu la  ti  o   di  mit  
   tis,  di  mit  tis,
II

   
 
      
in ne
   
         
 bu la       bu  la  ti   o ne   mit  tis,
   
in tri ti o ne di mit tis, in tri di
 

      
     o  ne di  mit 
    
in tri bu la ti tis,

   
 
    
di mit

   

di  mit  
      
 
   mit 
III

    
di
  
 
      
di mit

  
   mit 
    
di

  
 
    
di mit
     
di  mit 
          

IV
di  mit
  
       

 
      
di mit


           

 ti  o    
  
la ne di mit

tis,

             
bu  la  ti  o  ne    tis,
   
di mit

        
 la  ti  o  di  mit   tis,
V

  
           
ne
       
 
ti  o  ne di  mit  di  mit  
     
tis, tis,


     
 la  ti  o  ne

di  mit

  tis,
   
       
  
ti  o  di  mit      tis,
  
ne

           

 ti  o  di  mit     tis,
 
         
ne

   

 ti  o  di  mit  
VI

  
    
ne tis,
           
 di  mit    tis, di  mit 
                 
o ne tis,

 
 la      di  mit  tis,
     
ti o ne


      

      

VII

      

      

      


      

      

VIII

      

      

 15
     
  
85
    
   
      
  
di mit tis, di mit tis.
        
 mit
    tis,   mit 
  
di di
 
tis.
     
       

I
di  mit   di  mit  di  mit 
       
tis, tis, tis.
       
       
     
di mit tis,

di mit tis.

       
   
       tis. 
        
di mit tis, di mit
      
   
     
   
di mit tis, di mit tis, di mit tis.

       
     
        tis.
    
di mit tis, di mit
          
      mit  
II
  
      
di mit tis, di tis.
    
 mit      
           
di tis, di mit tis.

 
       

     mit  tis,  
   
di mit tis, di di mit

tis.
              
 
tis, di mit  tis, di  mit  tis. Do  
mi ne De  us, Do  
mi ne
        
           
    mi ne De  us,
 
di  mit   mi  ne
  mit
  

       
tis,

Do
   
Do

tis,
  
di tis.
      
 tis, di  mit   tis,  mit  tis.  mine   mine
III

  
   
di Do De us, Do
                
 
    Do  mi ne De   us, Do  mi ne De
   
      
tis, di mit tis.

        
 tis,       us,  
    
di mit tis. Do mi ne De Do mi ne
                 
di 
     
tis, mit tis. Do mi ne De  us, Do  
mi ne

                      
   
  tis,   tis.  mi  ne   mi  ne
          
tis, di mit di mit Do De us, Do
         
 tis,         
IV

  
di mit tis. Do mi ne De us, Do mi ne
                  
        mi  ne
 
tis, di mit tis. Do mi ne De us, Do


       
      
     mi  ne   mi  ne
   
di mit tis.
 
Do De us, Do

         
 
 mit     mi  ne  us,
        
di tis. Do De
     
       
     
 mit  tis, di  mit tis. Do  mi ne  
   
di De us,
 
              
     tis. Do  mi ne De  us,
V
  
  
di mit
        
    mi  ne De  us,
       
di mit tis. Do

      
    
      
di mit tis, di mit tis.
       

     
  
di mit tis. Do mi ne De us,
        
   
 mit     ne 
     
di tis, Do mi De us,
          

VI
di  mit   mi  ne 
        
tis. Do De us,
      
  tis,  
   

di mit
  di

mit tis.

  
   
  
di

mit

tis.

         
    mi ne De  us,
 
di mit tis. Do
            
          
  tis,  mit  tis. Do  mi ne De   us,
 

di mit
 
  
di

          

 
  mit  tis,   mit   mi ne De  us,
VII

  
di di tis. Do
           
      
     
di mit tis,
 
di mit

tis.


       
  tis,  
       
di mit di mit tis.
           
      
  
di mit tis,

di mit tis. Do mi ne De us,

            
 
di mit
   tis,     
   
di mit tis. Do mi ne De us,
           
 di  mit
      mi  ne 
VIII


 
tis. Do De us,
           
      
       tis.   
    
di mit tis, di mit Do mi ne De us,


   
di  mit   tis.
16



91

                 
      

Do mi ne De us, Cre a tor cæ li et ter ræ,
                  
  
       ræ,
  ræ,

   
Do mi ne De us, Cre a tor cæ li et ter
    
et ter

             
        ræ,
I
    
Do mi ne De us, Cre a tor cæ li et ter
             
      
      
Do mi ne De us, Cre a tor cæ li et ter ræ,



 
           
     
     
 mi  ne De   a  tor  li et ter  ræ,

Do us, Cre

cæ
      
                   


Do  mi ne De    a  tor  li et 

 
us, Cre cæ
     
ter ræ,
           

II 
  mi  ne De    cæ  li et ter  ræ,

 
Do

us,

Cre a

tor
     
      
     cæ  li 
      
Do mi ne De us, Cre a tor et ter ræ,


         
  
  a  tor
   
De us, Cre
   
 
   


Cre  a   tor


           
De us,
 
 De  us,
III
Cre  a 
        
tor
   
 Cre  a  tor
      
us,

     
De  us, Cre  a  tor
     
       
De  us,  
   
Cre a tor

       
De  us,  a 
       
Cre tor
  
 De  us,
IV
 
     
Cre a tor
     
De  us,  a 
       
Cre tor

   
 De  us,         
Cre  a



tor


  
   
Cre a tor cæ
       
  
   
Cre

a tor cæ
      

V
   
    
Cre a tor cæ
     
  
      
Cre a tor cæ



           
  
 a  tor 
    
Cre cæ
      
   
 a  tor cæ  li
       
Cre
    

VI
 a  tor cæ  li
       
Cre
  
  
      
Cre a tor cæ


             
        
      
 
Do mi ne De us, Cre a tor cæ li et ter ræ,
     
          
    a   tor  

    
Do mi ne
De
  
us, Cre

cæ li et
    
ter ræ,
       
  mi  ne  De  us, Cre  a  tor  
VII

        
Do cæ li et ter ræ,
        
     
Do  mi ne De
       
us,

Cre  a  tor
  
cæ 

li

et ter  ræ,

     
       ræ,
     
Do mi ne De us, Cre a tor cæ li et ter
     
       
      li  ræ,
 
Do mi ne De us, Cre a tor cæ
  
et ter
           
   
 mi  ne     li et  ræ,
 
Do
   
De

us,

Cre

a

tor

cæ
 
ter

    

VIII
    a  tor  li 
             
Do mi ne De us, Cre cæ et ter ræ,
         
   Cre  a  cæ  li  
  
Do mi ne De us, tor et ter ræ,


    
           
Do  mi  ne De  us, Cre  a  tor cæ  li et ter  ræ,
 17

   
  
97
     

 a  tor 
  
Cre cæ

             
     
Cre  a  tor, Cre  a  tor  li et ter  cæ 
      
cæ ræ,

            

I
  cæ  li  
        
Cre a tor et ter
 
ræ, cæ
       
  cæ  li ter  ræ, 
           
Cre a tor et cæ

     
Cre  a  tor cæ  li  ræ,
   
et ter
  
             
Cre  a  tor cæ  li,  cæ 
  
et ter ræ,

          
      
Cre  a  tor, Cre  a  tor cæ  li et ter  ræ, cæ 

                         

II
Cre  a   ter  ræ, cæ 
          
tor cæ li et
      
Cre  a  tor  li et ter  ræ, cæ 
  
cæ


      
     
Cre  a  tor cæ  li  ræ,
     
     
et ter

       
 ter  ræ,  ter  ræ,
   
cæ li et cæ li et

           
 
 li  

  
cæ et ter ræ, et ter ræ,

              


 li et ter   ræ,  ræ,
III
     
cæ et ter
          

 li ter  ræ, 
  

cæ et et

ter ræ,

           
  li ter  ræ, 
  
cæ
  
et
   et ter ræ,

      
 li et ter  ræ, cæ  li et  ræ,
  
cæ ter
            
 li ter  ræ, 
       
cæ et

et ter ræ,

     

IV
  
      
cæ li et ter ræ, et ter ræ,
         
  
       
cæ li et ter ræ, et ter ræ,

           
    
       
cæ

li et ter ræ,

et ter ræ,

           
 ræ,  
 tor cæ  li 
 
li et ter et ter ræ, Cre a et ter ræ,

                        

ter  ræ,  Cre  a
   tor, Cre  a  tor cæ  li 
   
li et et ter ræ, et ter ræ,

                    

V 
   ræ, Cre  a  tor, Cre  a  tor cæ  li 
  

              
li et ter et ter ræ,
        
  Cre  a  tor, Cre  a  tor cæ  li 
    
li et ter ræ, et ter ræ, et ter ræ,

         
Cre  a  tor, Cre  a  tor
 
   
 

                  
     
  li  ræ, Cre  a  Cre  a  tor cæ  li 

li et ter ræ, cæ et ter tor, et ter ræ,

       


             

et ter  Cre  a  tor, Cre  a  tor  



 
ræ, et ter ræ, cæ li et ter ræ,
      
                  


Cre  a  tor,
  Cre  a  tor   cæ  li 
VI
et ter  ræ,
            
et ter ræ,
     
cæ li et ter ræ,
   
    tor, Cre  a   
       
li et ter ræ, et ter ræ, Cre a tor cæ li et ter ræ,

      
    
           
Cre a tor, Cre a tor,
  
Cre  a   tor,  
   
Cre a tor

       
  
Cre  a  tor,     tor
        
Cre a

   

VII

 Cre  a  tor
        
Cre a tor,
     
  Cre  a  tor
        
Cre a tor,


 
Cre  a  tor
               

  tor, Cre  a  tor
    
Cre a

           

Cre  a  Cre  a  tor
   
tor,
          


Cre  a  tor,  
VIII

 
   
  
Cre a tor
    
   
     
Cre a tor,
  
Cre a tor


 
Cre  a 
18
   
103
   
                     
    li et ter   ræ,   

li et ter ræ, Cre a tor cæ et ter ræ, re
                          
   
Cre  a  cæ  li et ter  ræ, et ter    
li et ter  ræ, cæ  li,
 
                 
tor ræ, et ter ræ, re
       
 li et ter  ræ, cæ  li et
  ter  ræ, 
I
Cre  a
   Cre  a    
                  
tor tor cæ li et ter ræ, re
        

li et ter  ræ, Cre  a 
    li et  Cre  a  tor cæ  li 

re
 
tor cæ ter ræ, et ter ræ,

            
     
Cre  a  tor cæ  li  ræ, a   tor cæ   
      li et 
       
et ter Cre ter ræ, re
           

 Cre  a   tor  li   

li et ter ræ, cæ et ter ræ, et ter ræ, re
                        
   
li et ter  ræ, Cre  a  tor cæ  li  ræ, 

re 

    
et ter et ter ræ,

     
cæ li
                    
        
 li et ter  ræ,
II 
Cre  a   tor  li   a  tor  li et  ræ,
              
cæ

et

ter
 
ræ, Cre
    
cæ
  
ter
   
re
   
 Cre  a  cæ  li  ræ,    li ter  ræ,
 
        
li et ter ræ, tor et ter Cre a tor cæ et re

                

Cre  a  tor  cæ  li ter  ræ,   cæ  li  
   
re
          
et Cre a tor et ter ræ,
          
   li et ter  ræ, a   tor  li  
 
Cre a tor cæ Cre cæ ter et ræ, re
                      
    
a  cæ  li et ter  ræ, Cre  a  tor cæ  li
 ter   
                 
Cre tor et ræ, re
          
 
III
a    li et ter  ræ, Cre  a  cæ  li et 
      
re
     
Cre tor cæ tor ter ræ,
        
   li     
     
Cre a tor cæ et ter ræ, cæ li et ter ræ, re

   
 
           
re

                  
Cre  a   tor cæ  li ter  Cre  a  tor cæ  li   
   
et ræ, et ter ræ, re
                 
       
Cre  a  cæ   Cre  a  tor cæ  li et ter  ræ, 
  
re

tor li et ter ræ,
              

IV
Cre  a  tor cæ  li
           ter  ræ,
et
    
re



   li  
     
Cre a tor cæ et ter ræ, re

   

     
re
  


    
re
  


    
re
   

V

         
re


     
re


  

 
    
re
   

    
re
   

     
re
  

VI

     
re
  

     
re

   

    
re

         

 li et ter  ræ, 
  
cæ re
        
  
cæ  li ter  ræ, 
  
    et

re
       
 cæ  li et ter  ræ, 
VII

  
re
           
  li  
  

cæ et

ter

ræ, re

       
  li  ræ, 
       
cæ et ter re
      
cæ  li  ræ, 
   
et ter re
            
cæ  li ter  ræ, 
   
re
  
et
        
 

cæ  li
  ræ,
VIII

  
re
 
et ter
      
cæ  li et ter  ræ, 
   
re


          

tor cæ  li et ter  ræ, re 
 19
 
   
109
   

 
   
spi ce
     
 
    
spi ce
   

I
 
     
spi ce
   
 
   

spi ce
 
      
   spi  ce,
     

 
    
spi ce

 

 spi  ce
 

      

II
 
      
spi ce
 
  ce
      
spi


 
 spi  ce
             
 
 spi  ce     
  
hu mi li ta
          
 spi  ce  mi  li 
   
hu
       
  spi  ce
III

        
hu

 
    
spi ce,

 
     
      
     
spi ce,
      
  
   
spi ce hu
     
 
  
spi ce
        


IV
    
    
spi ce hu mi li
      
  ce 
     
spi hu

        
  
    
spi ce,
               

 spi  ce hu  mi  li  ta       tem no  stram,
                      
          mi  li  ta  tem 
  
spi ce hu mi li ta tem, hu no stram,
             

V 
  ce      tem         
       
spi hu mi li ta no stram,
  
              
     
spi ce hu mi li ta tem no stram,


  

    
     
spi ce,
        
          
 spi  ce hu  mi  li  ta      tem no     stram,
           
      
 
     
     
 
hu  mi  li  ta   

spi ce



hu mi li ta tem tem no
 
no
       
stram,

      

VI
           
   
spi ce hu mi li ta tem no
         
       
     
spi ce hu mi li ta tem no stram,


   
 
 
   
spi ce,
   

 
   
spi ce,
     
 
   
spi ce,
     
  
VII

     
spi ce,
  

 
    
spi ce,

      
    
 ce,
        
spi
        
  
   
spi ce,
         
   spi  ce,

VIII 
        
  spi 

   
ce,
    

 
    
spi ce,

     
 spi  ce,
20

 
 
115
             

          
 
hu mi li ta tem no

     
          
      mi  li  ta  tem no  stram,

  
hu mi li ta
 
tem,
 hu
     
   


         tem
I
no 
  

hu mi

li

ta
  
  
     
      
hu mi li ta tem no


            
         
  li  ta  tem, hu  mi  li  ta      
 
hu mi
    
tem no

           
   


 mi  li   ta     no  stram,    

hu
   
tem no
   stram, no

             
   li  ta          tem       
II


   
hu mi no
 
         
  li  ta       
  
hu mi tem no stram, no stram,
      

        

hu  mi  li  ta      no  stram,    
               
tem

no

 
          stram,
 
 
tem no stram, no

    
      
 ta      tem 
 
tem, hu mi li ta no stram,
    
               
  mi  li  ta
III
    li   ta  no  stram,
      
tem no stram, hu mi tem


      

 
   
            
   hu  mi      
 
mi li ta tem, li ta tem no stram,
          




 mi   li        
 
          
hu ta

no

tem stram,

 
 ta
IV 
      tem    
    
no stram,
      
       
      
mi li ta tem no stram,


      


      

      

V

      


      
      


       

     
stram,

   

VI
  
     
stram,



      

      

      

      

VII

      

      

      


      

      

VIII

      

      

 21



121

              
        li    tem

stram, re spi ce, re spi ce hu mi ta
          
  

        tem
 
re spi

ce

hu mi li ta
                       
  stram,          li  ta  tem   mi 
I

      
re spi ce hu mi no stram, hu
        
 
    mi  li  ta  tem   
       
stram, re spi ce hu no stram,


      
     hu  mi  li  ta   
    
re spi ce tem, hu
     
    mi   

stram, re spi ce hu li ta

               
 
  stram,

re  

spi 

ce
        
hu  mi  li  ta  tem
           
 stram,
II
      ta      spi  
       
re spi ce hu mi li tem no stram, re ce
        
     li          
 
re spi ce hu mi ta tem
 
no

stram, re spi

          
 stram,            
  

re

spi

ce hu mi li ta tem no

  
   
  
re spi ce hu
       
 
       

 
re

spi ce,
 
re spi

ce
   
hu mi
          
  

III 
            ta           stram,

 
re
 
spi ce hu mi li tem
  no

  
      li  ta   
    
re spi ce hu mi tem no stram, no stram,

           
          
      
re spi ce hu mi li ta tem no stram, hu mi

  
   
re spi ce
   
  
     
  
re spi ce
                 
     mi  li  ta   tem no      ce,   
IV
  

  
re spi ce hu stram, re spi re spi
           
        ta    
   
re spi ce, re spi ce hu mi li tem no stram,

              
      spi       
   
  

re ce hu mi li ta tem no stram,
  
re
    
        
       
re spi ce hu mi li
         
 
   spi  ce   li   

   ce,

     
re hu mi ta

             
re spi
       
       hu  mi  li  ta  tem,     ta 
V

 
 
re spi ce hu mi li tem
          
    
        ta     
 
re spi ce, re spi ce hu mi

li

tem,

hu mi li ta


      
 
          li  ta  
  
re spi ce hu mi
                     
         li  ta       

re spi ce hu mi tem no stram, hu mi li ta tem
                   
     
      mi  li  ta    li  ta  
   
re spi

ce

re
 
spi ce hu tem, hu mi tem no stram,

            

         li  ta    
VI

       
re spi ce, re spi ce hu mi tem no
          
         stram,
        
re spi ce hu mi li ta tem no stram, no

       
     mi    hu  mi  li 
         
re spi ce, hu li ta tem,
             
     ce     
 
re spi ce, re spi hu mi li ta tem

           
    mi  li  ta  tem no 
      
re spi ce hu
             
      

VII 
          ce,   spi  ce      

 
re spi
 
re
 
hu mi li ta

tem,

hu
  
            
  
re spi ce hu mi li ta tem

no

              
     ce,      

re spi
  re

spi

ce
    
hu

mi li ta tem,

       
           mi  li  ta 

re spi ce hu mi li ta tem no stram, hu
               
        mi  li  ta 
      
re spi ce hu mi li ta tem, hu
       
      ce    ta  
VIII


     
re spi ce, re spi hu mi li
      
        
 
re spi ce hu mi li ta tem, hu


   
        
re   spi  ce hu  mi  li  ta   tem, hu 
22
 
127

                        
 
no    stram, hu  mi  li  ta   tem no  stram,  stram,
no re 
      
 
             
 
     hu  mi  li  ta tem no 
   
re  spi  ce  mi  li ta  tem,
 
no
 stram,
 
no stram,
     
  
hu
        
 li  ta
 
    tem  stram,  stram,  no  stram,  spi  ce
I
  no no no stram,
 re
       
           
    
    
re  spi  ce     no stram,  stram,   spi  ce
    
hu mi li ta tem

no
  
no stram, re
  

           
mi  li  ta  tem     spi  ce   
      
no stram, no stram, re hu mi li
                    
  
 tem, hu   li  ta  tem,  mi   li  ta   tem    li  ta  tem
    
mi hu no stram, hu mi
   
 
          
 

    

 
   spi  ce   no stram, hu mi  li  ta  tem 
         
no stram, re no stram, no
        
           

 
hu  mi  li  ta  tem  stram, no  stram, re  spi  ce   mi  li  ta  tem 
II
    
        
no hu no
                 

ce hu  mi  li  ta  tem   no   spi  ce hu    
         
no stram, stram, re mi li ta tem

               
 
   stram, re  spi  ce  mi    tem no stram,    mi 
        
hu li ta re spi ce hu
                      
  
mi  li  ta  tem no    spi  ce   stram, no  stram,   no stram,
   
stram, re no re spi ce
                
 
li  ta
    tem no  no  stram,
    no  stram,  mi li  ta    
 no
     
stram, hu tem
              
 no  stram, no     spi  ce no  stram, no  stram,   li  ta 
III

     
stram, no stram, re hu mi
         
               
       ce            
   
re spi ce, re spi hu mi li ta tem no stram, re spi

      

 li  ta   tem   no  stram, re           
  
      
no stram, spi ce hu mi li ta
                 
   
      tem no  stram,  mi  li  ta  tem   mi  li  ta 

hu mi li ta hu no stram, hu
                          
hu  mi
  
 li          no  stram, re  spi ce    ta 
           
ta tem no stram, hu mi li tem
        

  
 ce         hu mi li  ta  no 
IV


stram,
  
hu mi li ta tem no stram, no tem
      
                 
no  stram,    stram, re  spi ce, re  spi ce hu mi li  ta  tem 
        
no stram, no stram, no no

                
spi  ce   li   tem    spi  ce hu  mi  li  ta  tem
     
hu mi ta no stram, re

                    

ta    tem no  stram, re  spi  ce hu  mi  li  ta  tem no  stram,  mi  li  ta
hu 
            
             
    stram, no  stram, no stram, hu  mi  li  ta  tem,

   spi  ce 
            
tem no
    
re
         
   no stram,   mi  li  ta  tem  stram,  hu mi  li  ta  tem 
V
    
  
no stram, hu no no
                              

    ce   li  ta  tem       spi   hu mi  li  ta  
   
tem no stram, re spi hu mi no stram, re ce tem no

         
  
          spi  ce hu  mi  li  ta 
     
tem no stram, no stram, re
                 
no  stram,      hu  mi  li  ta  tem,
     
no stram, no stram, no stram, no stram, no stram,
            
     
no stram,    

 re  spi  ce hu

 mi   ta 

    
hu mi li ta tem no stram,
 
li

        
            
  stram,
VI
 spi  ce       tem,      li  ta  
        
re hu mi li ta hu mi tem no
            
       
re  spi  ce  mi       tem   re  spi ce    
        
hu li ta no stram, hu mi li

               

 ta     spi  ce   mi   ta  tem no  stram, re  spi  
    
        
    
tem no stram, re hu li ce
         
no stram,  mi  li  ta   tem  re  spi    
    
hu no stram, ce hu
    
 
            
     no     re  spi  ce 
     
 mi li  ta  tem,

   
stram,
 
stram, no stram, hu hu
                
     

VII 
 mi  li  ta  tem    stram,   re  spi  ce hu  mi  li  ta  tem  
              
no stram, no no
            

    ce,   spi  ce,      spi ce     tem    
 
stram, re spi re re hu mi li ta no

               

 mi            ce,  
    
hu li ta tem no stram, re spi re spi

                      
   
 tem no  stram, re  spi  ce, re  spi  ce  mi li  ta 
hu  tem,
          
                
 
 tem   stram,     spi  ce hu  mi  li  ta  no  stram, no 

            
no stram, no re tem
                  
 tem

   stram,   ce no stram, no stram,  mi  li  ta  tem no  stram,
VIII
   
     
no re spi hu
                  
          ce  mi 
  
mi li ta tem no stram, no stram, no stram, no stram, no stram, re spi hu

          
        
mi  li  ta    tem, hu  mi    li  ta  tem no   stram, re  spi   ce
 23
      
133

               
    

 spi  ce hu  mi  li  ta  tem no    stram, no    stram. 
    
            
 stram, re     spi ce  mi  li     
    
  
hu
 
ta tem no stram. 
           


I
 mi  li  ta   tem      stram, 
 
     
hu no stram, no no stram.
       
       
     

   hu  mi   li  ta  tem

no  stram, re 

spi  ce

hu 

mi  
 
 li  ta   tem no  stram. 
        

 ta    tem,  
re  spi  ce

hu  mi 

li  ta
 
 tem no   stram.
    

           
no  stram,  mi  li  ta  tem, hu  mi   ta  tem   stram, 
   
 
hu li no stram, no no stram.

             

      
hu  mi  li  ta 
  stram, 
  
tem
    stram,       
  
no no stram, no stram.
              

   stram,    
II
hu  mi  li  ta  tem,  mi  li ta     no stram.
        
hu tem
                 

no  stram,  spi ce  mi      no 
             
re hu li ta tem no stram, stram.

      

 li  ta   tem   stram,        ta  tem no    
   re  
spi ce hu mi li stram.
  
no
      
no  stram,  mi  li        

hu ta tem no stram.
          
      
            
 stram,  spi  ce  hu  mi   ta    stram,  


     
re li tem no stram, no no stram.
                
 tem,
  
 mi  li  ta   tem no  stram,
III
    ce      
   
hu
  
re spi hu mi li ta tem no stram.
        
 ce  hu  mi  li  ta  tem    
  

no stram, no stram.
     
             
    
no stram.
   
tem
         
tem, hu  mi  li  ta   tem, hu  mi  li  ta  tem no  stram, no   stram. 
                   
 hu  mi  li  ta  

   stram.
   
no
     
no stram, tem no stram,
         
no stram,
    
 stram,
 
     tem no 
IV
no  stram,  mi  li  ta  tem 
  hu no stram,
 
hu mi li ta
 
stram.
 
            
 stram,           
                
no stram, no stram, hu mi li ta tem no stram.

     
       spi  ce       
   
no stram, re hu mi li ta tem no stram.

            
   tem no    stram, no  stram, no    stram. 
                 

re  spi  ce

hu  mi
  li  ta  tem
 no    stram. 
              
     
  stram, re  spi  ce    mi   li  ta    
V

 
   
hu

tem

no stram, no stram.

         

    ta         
 

stram, hu mi li tem no stram, no stram.
       
   
 tem,   li             
  
hu mi ta tem no stram, no stram.
         
hu  mi  li  ta  tem no  stram, no      stram. 
          
        
  ce   li     

 
tem, re spi no stram.
      
hu mi ta tem
        
 stram,
VI
    li  ta         
re spi ce hu mi tem no stram.
            
         tem  
  
ta tem no stram, hu mi li ta no stram.
 
             

     li           stram.    

hu mi ta tem no stram, no stram, no

               

mi  li  ta  tem no  stram, hu  mi  li  ta  tem no  stram, no  stram, no   stram. 
                
         
 li  ta    li      
  
mi tem, hu mi ta tem
  no stram.
      
no stram,

                
 stram,
VII   
   li  ta    li      

no stram, hu mi tem, hu mi ta tem no stram.
           
      

   ta tem      
     

stram, hu mi li no stram, no stram.
         
     
       
 
ce hu mi li ta tem no stram, no stram.

              
        
hu  mi  li  ta  tem 
no stram, no     
stram, no  stram, no    stram.
 
               
             
 stram,   mi  li ta    li ta  tem no  stram.
 
no  stram,
     
stram, no no stram, hu tem hu mi

 

      
          
 


 spi  ce  mi  li  ta      stram,  mi   ta  tem 
VIII
 
    hu   
re tem no hu li no stram.
            

       mi  li        
 
tem,


li ta hu ta tem no stram, no stram, no stram.
       
   
hu  mi  li   ta  tem no  stram, no  stram.
Bibliography and sources
Egerton MS 3512, British Library, ca 1603–10, Text: Sing and glorify;
incorrectly described by Thomas Tudway, 1718, as “ye original score
of Mr. Tallis’s 40 parts Anthem.”
Gresham MS, Guildhall Library G. Mus. 420, ca 1625, Text: Sing and
glorify
Royal Music MS. 4 g. I, British Library, ca 1800, Text: Spem in alium
Thomas Wateridge, Commonplace Book. Manuscript Department,
Cambridge University Library, MS.Dd.5.14, fol. 73v.
Rev. H. Fleetwood Sheppard, “Tallis and His Song of Forty Parts.”
Letter to The Musical Times 19, nº 420 (February 1878): 97–98.
A.H. Mann, Preface to Thomas Tallis, Motet for 40 Voices. London:
Weekes, 1888.
Tudor Church Music VI, editorial committee P.C. Buck, A. Ramsboth-
am, E.H. Fellowes, S. Townsend Warner. London: Oxford University
Press for the Carnegie United Kingdom Trust, 1928: xxxiii, 299–318.
Bertram Schofield, “The Manuscripts of Tallis’s Forty-Part Motet.”
Musical Quarterly 37, nº 2 (April 1951): 176–83.
Philip Brett, Preface to Thomas Tallis, Spem in alium nunquam habui:
A Motet in Forty Parts. Oxford: Oxford University Press, 1966. Re-
vised from the plates of the publication in Tudor Church Music 6 (see
above).
Pamela J. Willetts, “Musical Connections of Thomas Myriell.” Music
& Letters 49, nº 1 (January 1968): 36–42.
Iain Fenlon and Hugh Keyte, “Memorialls of Great Skill: A Tale of
Five Cities.” Early Music 8, nº 3 (July 1980): 329–34.
Elizabeth Roche, “Tallis’s 40-Part Motet.” Letter to The Musical Times
122, nº 1656 (February 1981): 85.
Denis Stevens, “A songe of fortie partes, Made by Mr. Tallys.” Early
Music 10, nº 2 (April 1982): 177–81.
John Milsom, “English Polyphonic Style in Transition: A Study of the
Sacred Music of Thomas Tallis.” DPhil thesis, University of Oxford,
1983: i, 190.
Ian Payne, “The Handwriting of John Ward.” Music & Letters 65, nº 2
(April 1984): 176–88.
Hugh Keyte, Sleeve notes for Thomas Tallis, “Spem in alium”, Tallis
Latin Church Music I. Compact Disc EMI CDC 7 49555-2, 1989:
9–12
Paul van Nevel, Sleeve notes for Thomas Tallis, “Spem in alium”,
Utopia Triumphans, translated by Griffin Anderson. Compact Disc
Sony SK 66 261, 1995: 17–18
Davitt Moroney, “Alessandro Striggio’s Mass in Forty and Sixty
Parts.” Journal of the American Musicological Society 60, nº 1 (2007):
1–70.
Commentary
As Brett’s 1966 edition of Spem in alium for Oxford University Press
differed from the Tudor Church Music version of 1928 by having
access to the previously unavailable Egerton MS, he removed various
instances of ficta (accidentals) appearing in the Gresham MS that
were not present in the earlier Egerton MS 3512, which he sum-
marised as affecting the following notes: bar 35 · choir VIII soprano
voice · symbol 4; 36·VIIIs·1; 98·Va·5; 105·IIa·3; 129·IVt·1. This is not
however the end of the story, as the following accidentals, also occur-
ring in Gresham but not in Egerton, were left to stand: 8·It·4; 12·Ia·2;
16·IIIt·3; 20·IVa·2; 22·IVt·2; 26·Vt·3; 33·Va·2; 37·IIIa·4; 49·VIIIa·5;
49·VIIIt·7; 61·IVa·2; 61·IIIt·3; 64·IVa·6 & 8; 77·VIIa·5; 80·VIa·4;
83·IIs·4; 85·IIa·5; 86·Ia·3; 98·IVs·6; 99·VIIt·3; 104·Is·4; 104·IIIt·3;
108·IVs·5. Moreover, Brett removed some instances of ficta that
were the provenance of the Tudor Church Music editorial committee,
besides adding his own in places.
Emendations to both Gresham and Egerton MSs are as follows:
58·IVt·2 is originally d', corrected to c'; 134·VIIIs·2 is originally a',
corrected to g'. Three definite errata have been found in Philip Brett’s
edition: 106·Ia·5 = minim; 124·Vbass·1, semibreve rest missing after
this note; lastly, it is clear that at 75·IIa·7, the printed d', also present in
the earlier Tudor Church Music edition, should have been corrected to
c'. This error was only noticed by the editor as late as February 2008.
The two manuscripts have more substantial differences concerning
the bass and tenor parts of choirs VI and VII. In the Gresham MS, the
tenor parts of choirs VI and VII have been entirely swapped begin-
ning at bar 122 and continuing to the end, with respect to Egerton. The
situation regarding the bass parts of the same two choirs is rather more
complicated, as the parts are not interchanged for their entire duration.
At the foot of the first folio of the Egerton MS, a note explains that
parts 30 and 35 (the numbering given to these two bass parts) have
been somewhat confused: “The figuring of the 35 must be for the 30,
but its was mistaking the figures” (sic). The first phrases of each part,
from bar 28 to bar 33, are swapped; the next short phrase in the bass
of choir VII from bar 37 to 39 is however not transferred to choir VI.
The next two sections, from bar 40 to bar 56, and from bar 69 to bar
77, are swapped entirely. At bar 78 the first note in choir VI is in the
other score doubled to a semibreve and transferred to choir VII, the
remainder of the line continuing in choir VI after one minim’s rest.
The short two bar entry at bars 86 and 87 are swapped, and thereafter
in the 20-bar section involving pairs of choirs answering one another
the parts are not exchanged, as choirs VI and VII are not grouped with
one another in this passage. After this, the new sections beginning at
bars 108 and 122 are once again swapped between the basses of choirs
VI and VII in their entirety.
Aside from this there are a variety of other minor differences: in this
summary, the following abbreviations hold: br = breve, sb = semi-
breve, m = minim, cr = crotchet; q = quaver; full stop = dotted note;
pitches are indicated using C, c, c', c" notation standard, middle c'
denoted as given.
Choir I: 21·Is·3 f#; 24·Ibass·4 br, not sb: tied sb required at start of bar
25; 83·It·6 ficta # above c'; 106·Ia·5&6 cr g' cr c', not m g'; 122·Ibar·2
ficta # above f; 125·Is m-rest sb cr cr, not m-rest m m m; 128·Ia·3
explicit, not cautionary flat
Choir II: 12·IIbass·3 tied to 13·1; 22·IIs·2&3 cr g' cr g', not m g';
24·IIs·7 no tie to 25·1; 25·IIs·1 = cr. f''; 25·IIs·2 = q c''; 45·IIbar·3 ficta
# above f; 86·IIt·5 tied to 87·1 = cr a, not cr rest; 126·IIt·4 explicit, not
cautionary flat; 130·IIa·4 no cautionary flat; 130·IIa·7 ficta # above f';
136·IIa·4 ficta # above f'
Choir III: 37·IIIbar·4 e, not a; 104·IIIt·3 ficta # above c'; 126·IIIt·5
explicit, not cautionary flat; 136·IIIbass·1 tied to 137·1
Choir IV: 19·IVa·4 m tied to 20·1, not 2 cr; 25·IVt·4 explicit, not
cautionary flat; 116·IVa·6 not tied to 117·1; 129·IVs·3 explicit, not
cautionary flat; 129·IVbar·1 s, not dotted s.
Choir V: 26·Vt·3 cautionary, not explicit flat; 27·Vt·3 no accidental,
q b; 81·Vbar·3 m f, not cr cr; 86·Vt·3&4 cr. f' q e', not m f'; 122·Vt·7
ficta # above f'; 123·Vs·3 ficta # above f''; 123·Va·3 ficta # above f';
128·Vs·6 explicit, not cautionary flat; 136·Vbar·5 ficta # above f
Choir VI: 29·VIs·5 g', not a'; 29·VIt·4 tied to 30·1; 34·VIa·4 ficta
# above g'; 44·VIa·8 ficta # above f'; 45·VIs·2 cr tied to m, not m.;
70·VIs·3 tied to 71·1; 72·VIs·2&3 = cr cr, not cr. q; 78·VIs·2 m,
not cr cr; 78·VIa·5&6 cr. q, not cr cr; 78·VIbass·1 m g, not m rest;
80·VIbass·9 not tied to 81·1; 128·VIt·3 explicit, not cautionary flat;
128·VIbar·2 b flat sign required; 132·VIbar·6 not tied to 133·1
Choir VII: 40·VIIa·1 explicit, not cautionary flat; 77·VIIa·5 f', no #;
78·VIIbass = bar rest; 87·VIIbass·3 A, not G; 123·VIIs·3 ficta # above
f''; 123·VIIt·4 m g, not cr g cr rest; 126·VIIs·5 explicit, not cautionary
flat; 129·VIIt·5 = cr rest, not cr d'; 129·VIIbar·6 d', not d
Choir VIII: 39·VIIIbar·2 explicit, not cautionary flat; 40·VIIIa·2 b, not
g; 49·VIIIa·5 ficta # above f'; 49·VIIIt·7 ficta # above c'; 78·VIIIbass·1
B, not G; 129·VIIIa·4 explicit, not cautionary flat
Finally, 138·all parts·1: each part has a fermata on the final note.