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Now, what I personally believe (and how I have personally been teaching
pronunciation for the last decade) is that voice pitch is essentially the only physical
instrument we manipulate to produce the wanted intonation, music or whatever you
want to call it. The purpose of using different patterns of pitch height (pitch height
is an aspect of stress) and pitch movement (pitch movement is the basis for
tone and intonation) is to convey specific meanings, ideas, messages, mood,
feelings and emotions.
What is Tone?
It is used to refer to the melody of 1 main syllable commonly found at the end of a
phrase or sentence. It can also be the ONLY syllable/word. For example:
To avoid confusing the person we're having a conversation with, we break down the
sentence into several chunks (or thought groups if applicable) using our voice so that
the hearer can easily process it. So it would be safe to say that intonation is the
manner in which we choose to use our voice to express a complete thought. That is
known as an "intonation unit". For example:
Pitch Height
There are roughly 4 to 6 different pitch levels but we're going to keep it simple and
deal with only 4: Low Pitch, Neutral Pitch, High Pitch and Extra High Pitch. As
this seems to be an intense situation where the couple appears to be having an
argument, it is natural that the voice pitch reaches the "high" and "extra high"
level. As you can also see, pitch height is one form of sentence stress. Word stress
and sentence stress both create the rhythm of the sentence while pitch height (also
referred to as added stress) adds an emotional dimension to it. So basically, it would
be safe to say that sentence stress is a common area between rhythm and voice
pitch. Take a look at the following picture illustrating the pitch height of the sentence.
Pitch Movement
Pitch movement is slightly more complicated than Pitch height as it plays a more
subtle role in the delivery of the sentence. It is truly the key factor in "humanizing" or
naturalizing the English speech. With pitch movement, we do the following:
There are many other functions we can list, however, for the sake of simplicity, we
will stick to these 5 major functions.
Now look at the picture below and observe the pitch movement patterns. Note that
this is only MY interpretation, so it should be only viewed as a rough guide. (I
apologize for the ugly scribbling but it will do for now).
1. The sharp rise and fall type under the auxiliaries [didn't] (Imagine road bumps)
2. The low-rise type under the verbs [argue] and [fight]
3. The low-mid rise type under the two [him]s
4. The low-rise stretching from approximately the last syllable of [certainly] to the first
syllable of [stereo]
5. The scoop fall type followed by a low-rise in [go talk]
6. The Falling type under [stereo] and the last [him].
Try this: Let's break down the sentence into different versions.
Now you read each one of these 4 sentences and pay attention to the music. Notice
how both the pitch height and movement change as we expand the sentence. That
is a very important aspect of intonation.