Through

the Looking Glass

Jack Murphy Frank Wildhorn

  4
from Wonderland

  4   
 = 102

Soprano

 4   
Alto   4 

 4  
Tenor   4           

     44    
Through the look ing glass we go

Bass

 4  
  4           
 4
  4            
          
      
Piano

  4     
  4     

    
 
4

S.

  
    

 
A.

            
T.     

    
risk ing ev 'ry thing for what might be,


            
B.


                 

   
       

Pno.

      
  
  
     
 
7

S.


A.      

   
T.  

     
  
    you
 used 
  to know         e   to  see
B.

 
                       
all the things when your heart was young nough

 
         

Pno.

      
    

    
 
10

S.

  
A.          


           
past your im per fec tion


T.

     
through your own re -flec tion

   i dat
 ing.
   in  tim 
B.


                         
It's so



    

Pno.

  
    
   

2
         
       
   
  
13

S.

   
        
Through the look ing glass we go,

A.
        

     
                 
No more hes i tat ing. Through the look ing glass we go,

T.

  
 
No more hes i tat ing. Through the look ing glass we go,

             
No
  
B.

     
                     
more hes - i tat ing. Through the look ing glass we go,

   

Pno.     

     
            

         

         
                           

15

S.

   
      
where the world is in re verse and the end ing al ways starts a new be gin ning.

          
        

A.

                  
          
where the world is in re verse and the end ing al ways starts a new be gin ning.

T.


      
       
  
where the world is in re verse, and the end ing al ways starts a new be gin ning.

      
   be  gin
  a  new
B.

                      
           
where the world is in re verse, and the end ing al ways starts ning.

     
   
Pno.  

         

                

3
   
       
             
      
     
18

S.

 
   
Through the mir ror e ven though things might go from bad to worse,

A.
                  

             
          
Through the mir ror e ven though things might go from bad to worse,

T.


    
 
Through the mir ror e ven though things might go from bad to worse,

       ven
          to 
B.

             
               
Through the mir ror e though things might go from bad worse,


Pno.     

        

       

       
           
           
20
3
S.

 
         
    
close your eyes, let go, and learn to be lieve so we can pass through the look ing

          
3
A.

 
   
                     
close your eyes, let go, and learn to be lieve so we can pass through the look ing

T.

      
3

  
close your eyes, let go, and learn to be lieve so we can pass through the look ing

                  ing

3
B.

                     
         
close your eyes, let go,and learn to bel lieve so we can pass through the look

   
  
  
3

Pno.
 
        

          
 

4
      
    
23

S.

 
                       
glass

A.

                   
    
glass. Here we come, so clear the deck. Bombs a way and then look

T.


    
   
glass. Here we come, so clear the deck. Bombs a way and then look

B.


                        
glass.

  
   
           
      
Pno.


    
    

          
     
26

S.

 
         
Bombs a way, look out be low

A.

      
   
   
out be low.

T.

    
 
out be low.

I    a   vouc

B.

         
                 
am such ner

  
        
  
Pno.

      
 
       

5
     
 
29

S.


     

  
    
A.

T.    

    
 
Fear will make you brav er,

     from   
 down    
 foe.
B.

       
                  
wreck. Don't know up or friend from


    
Pno.         

 
     
   

     
   
32

S.

         
      
 
three, and...


A.

            
    
All of you, and me then... Get set: three, and...


T.

      
 
brave e nough to save her. two, three, and...

B.
    

                   

 
          
One, two, three, and...

 

     

Pno.

    
        
 

6
   
     
  
         
  
    
     
35

S.

 
   
Through the look ing glass we go, where the front is al ways back

A.
                  

         
              
Through the look ing glass we go, where the front is al ways back,

T.


    
 
Through the look ing glass we go, where the front is al ways back

       we       is   ways 

 back
B.

              
               
Through the look ing glass go, where the front al



Pno.     

        

       

        
              
37

S.

     
       
and what's left is right and some times wrong is right er.

A.
       
          
          
and what's left is right
and some times wrong is right er.

T.

   
  
and what's left is right and some times wrong is right er.

         
     is 
B.

          
           
and what's left is right
and some times wrong right er.

  
Pno.  

     
     
       

7
   
       
             
      
     
39

S.

 
   
Through the mir ror e ven though night is day and white is black,

A.
                  

             
          
Through the mir ror e ven though night is day and white is black,

T.


    
 
Through the mir ror e ven though night is day and white is black

       ven
          is 
B.

             
                 
Through the mir ror e though night isday and white black


Pno.     

        

       

      
                  
41

S.

      
            
         
as my cra zy life be gins to ap proach crit i cal mass...

A.

                  
        
as my cra zy life be gins to ap proach crit i cal mass... Through the look ing

T.


      
        
as my cra zy life be gins to ap proach crit i cal mass... Through the look ing

B.
            
                      
             
as my cra zy life be gins to ap proach crit i cal mass... Through the look ing

    
   
Pno.      

        
        
    

8
   
                  
44

S.

 
          
Strange but true, some thing's chang ing deep in side me,

A.


       
glass. break ing through,

T.

  
   
glass.



B.


                     
glass.

     
  
 
 
Pno.

   
          
 

  
                  

47

S.

   
          
All at once, I know where it is I'm go ing to,

A.

   
 
wak ing what's a sleep in side me.


T.

  
 

B.

  
                               

  
   
  

       
Pno.

    
       
     

9
  
         
  
50

S.

   
     
and what to do.

A.
    
      
        
Through the look ing glass we go,

T.

  
  
Through the look ing glass we go,

B.
         
       
               
Through the look ing glass we go,

 
     
     
Pno.

        
 
       
    

   
 
53

  
S.


               
     
A.

             
      
   
towards the op po site of me, where clock tow er's ho urs

T.


   
 
towards the op po site of me, where clock tow er's ho urs

B.
                
             
          
towards the op po site of me, where clock tow er's ho urs

 

   
Pno.  

         
 


10
        
           
55

S.

               
    
Through the look ing glass we go,

      

A.

       
              
all run coun ter clock wise. Through the look ing glass we go,

T.


  
all run cooun ter clock wise. Through the look ing glass we go,

              
  
B.

                

     
all run coun ter clock wise. Through the look ing glass we go,

  
  
Pno.   

   
      
   


          
                    
        
57

S.

 
               
through the night mares in our way. Through the mir ror we all go...

          
A.

                
             
through the night mares in our way. Through the mir ror we all go...


T.

    
 
though the mares in our way. Through the mir ror we all go...

B.
                   
                  
           
through the night mares in our way. Through the mir ror we all go...

    
Pno.    

     

     

11
    
           
61

S.

   
   
Through the look ing glass!

A.
    
      
      
Through the look ing glass!

T.

 
   
Through the look ing glass!

B.
       
    
 
Through the look ing glass!

    
Pno.  

     


12