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Mughal Painting

Article · July 2017

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Sanobar Haider
MBP Govt PG College, Lucknow
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MUGHAL PAINTING The result of this merging resulted


By Dr. Sanobar Haider*
in paintings of unprecedented
Mughal painting marks a unique a vitality, brilliant coloration, and
blending of Persian and Indian impossibly precise detail, is
ideas. Mughal painting was something dramatically more than
essentially a court art, developed the sum of its parts.
under the patronage of the ruling
Mughal emperors and began to
decline when the rulers lost
interest. The subjects treated were
generally secular, revolving around
themes like battles, court scenes,
receptions, legendary stories,
hunting scenes, wildlife, portraits,
and the likes . Imperial Mughal (Illustration 1)

Mughal Painting owes its


painting represents one of the
existence virtually to the patronage
most celebrated art forms of
of the “Great Mughals” who ruled
India. It arose with remarkable
India for a few hundred years. The
rapidity in the mid-sixteenth
paintings cover a period of about a
century as a blending of three
hundred and fifty years,
distinct traditions:
approximately from 1580-1730
A.D. Witnessing its greatest
1) Court painting of Safavid Iran,
perfection in about 1620 A.D. The
2) Indigenous Indian devotional
individual paintings can be
manuscript illumination, and;
classified as belonging to the
3) Indo-Persian or Sultanate
“school” of one or other
painting, which is itself is a hybrid
emperors.
of provincial Persian and local
Indian styles.
2

Mughal painting forms a bestow a soul upon his work


dramatic episode in the history of and is thus forced to thank god,
India. It’s aims and standpoint are the giver of life, and will thus
secular and realistic: it is interested increase his wisdom.”
in passing events and most
typically in the exact delineation It was under Jahangir that Mughal
ofindividual character in the painting attained its greatest
portraiture of men and animals. It perfection. Jahangir constantly
is dramatic rather than static, refers to the court painters in his
aristocratic more than surreal and memories and mentions the
academic rather than vocational. valuable presents and the honours
which he bestowed upon them.
The credit for the During his reign, Abul Hasan, the
development of Mughal painting son of the Iranian painter Aqa
goes to Akbar and Jahangir. The Reza grew up in his household and
former possessed a library of became so valued as a court artist
24000 Manuscripts, many of that he was called "Nadiru'l
which were illustrated, and his Zaman" - Wonder of the Age.This
biographer, Abul Fazl, records reflects painting's high status at
him as saying- Jahangir's court. Jahangir wrote:

‘There are many that "My liking for painting and my practice
hate painting, but such men I in judging it have arrived at such a point
dislike. It appears to me as if a that when any work is brought before
painter had quite peculiar me, either of deceased artists or those of
means of recognizing God, for the present day, without the names being
a painter, in sketching anything told me, I say on the spur of the moment
that has life, and in devising the that it is the work of such and such
limbs one after another must man."
come to feel that he cannot
3

(Illustration 3)

Another painter Basawan


(Illustration 2) was equally talented. Abul Fazl
In the year 1567 Akbar
claims that he excelled in
ordered the preparation of a
‘preparing backgrounds, drawing
lavishly illustrated manuscript of
of features, distribution of colours,
the Persian translation of the
portrait painting and in several
“Hamzanama”, the celebrated
other branches.
Arab epic about a legendary
Hamza. Sayyid Ali and Abdus
Painting had become a very
Samad were appointed to lead a
important aspect of Mughal
group of roughly and hundred
culture during the previous reign
painters. The projects took 15
of Akbar. In his tenure's official
years to complete, and most of the
history, the Akbarnama ,
Indian pointers who founded the
contained vivid, dynamic pictures,
Mughal school were trained during
but it was Jahangir who really
that period.One of the leading
loved this art. He had paintings
painters at Akbar’s court was a
made of rare birds from Goa and
potter’s son Daswanth. He used to
spring flowers in Kashmir. History
paint figures on walls, and Akbar,
records that when James I's
impressed by his talent, sent him
ambassador, Sir Thomas Roe,
to Abdus Samad around 1575.
visited the Mughal court in 1616
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he disparaged Jahangir's painters


in comparison to the miniature he
had with him by the English artist
Isaac Oliver. Within three weeks
Jahangir showed him copies by his
artists, challenging him to identify
the original. Roe admitted that it
was indeed very difficult.
Mughal Court paint-
ings provide an insight into the
life and times of rulers of the
period. These paintings also reflect
(Illustration 4)
the contemporary social and
political condition of the people.
Bibliography:
Social customs and courtly 1. Birds and Animals: In Mughal Miniature
Paintings- Zaheda Khanan D.K. Print World
traditions are vivdly depicted in Ltd; First edition (1 December 2009).

2. Interpreting Mughal Painting Essays On Art,


these paintings. Presence of the Society, And Culture by- Som Prakash Verma
(Oxford University Press)
foreign ambassadors goes a long 3. Aspects of Mughal Painting Vol. 1- S.P.Verma ,
Abhinav Publications.
way in establishing that the
4. Mughal Painting: An Interplay Of Indigenous
And Foreign Traditions - Ashok Kumar
Mughal rulers had active trade Srivastava (Munshiram Manoharlal Publishers
Pvt Ltd)
connections with foreign
countries. Thus it can be Illustrations:
concluded that these paintings are 1. Akbar visits the tomb of Khwajah Moin ud-Din
Chishti at Ajmer- Basawan.
2. Bichitr's painting titled 'Jehangir preferring a Sufi
great story tellers and are very Sheikh to Kings' that now hangs in Washington
DC.
informative, providing us with 3. A portrait of King Jahangir by Abul Hassan in
1617.
4. Noah's Ark, from the Akbarnama, attributed to
deep insights into the life and Miskin.

times of the Mughals. * Assistant Professor (History) , Maharaja Bijli


Pasi Government P.G.College , Ashiyana,
Lucknow.

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