Professional Documents
Culture Documents
Art 1050
11/20/19
school in Brussels before moving to Iceland. He loves to explore the landscapes that are there.
Not only does he do photography, he is also very well known for his video creations. In this
paper I will only be discussing his photography. He moved to Iceland because of his fascination
with landscapes and nature’s power at work. He went to film school, so he got a lot of experience
with videography and photography, which propelled him to discover more about the
photography end with his professional career. There isn’t as much information on the internet
about Frank Nieuwenhuis’ childhood or early interest in photography, just his current film and
photography projects.
I enjoy looking at Frank Nieuwenhuis’ work because it is obvious to see the thought and
care he puts into telling a story with his photographs. He is able to find lines in everything that he
takes a picture of, and he uses those lines so intentionally to tell the viewer what to look at and
what to feel. I tend to enjoy photographers who are able to capture the world as it is in a unique
way. I don’t typically like a photo that is staged or produced with hundreds of dollars of supplies
because it doesn’t feel as real to me. With Frank’s photography, he looks at the world around
Maybe what stands out to me the most is the realness of his photography. While Frank
Nieuwenhuis does use Adobe Lightroom and Adobe Photoshop to enhance his photos, for the
most part they appear untouched. He takes pictures of nature in a way that you can imagine if
you were to be in that location, it would look a lot like the photograph of it. Frank Nieuwenhuis
shows that you don’t need to do a ton of retouching to have beautiful photographs that can create
This style can especially be seen in his photography of landscapes. From what I saw on
photograph landscapes. This is, after all, one of the primary reasons that he moved to Iceland in
the first place. Frank pays a lot of attention to lines in his photography. The first collection of his
that I saw was called Lines in Landscapes, a series of photos that show how lines can define and
characterize a landscape. Even in his portrait work, I noticed that he pays a lot of attention to
lines. In a later photo in this paper, for The Fittest You collection, Frank positions the camera
and the model so that the photograph is full of diagonal lines that really convey motion, even
though the model is holding a pose. I think that Frank definitely pays a lot of attention to lines
when he is deciding what to photograph and how to photograph it. This can be seen in all of his
Frank Nieuwenhuis uses several techniques in his photography. Because he does a lot of
landscapes, most of his photos look like they have been taken with a maximum aperture, rather
than a limited aperture. This can easily be seen when you look to the edges of the landscape
photos and see that they are still in focus with great detail. In his portrait photography however,
he leans toward the more traditional limited aperture, making the background blur behind the
subject of the photo. Another technique that Frank Nieuwenhuis uses is the Rule of Thirds. This
can especially be seen in the last photograph where the water is on the bottom third line of the
Lines in Landscape:
The Fittest you
Iceburgs of Greenland: