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LITE-101
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REPORT
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(Poetry)
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By: Cherry Anne P. Lagmay
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1

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X
My third love was a letter sweet,
Song of my Seven Lovers A letter sealed but never sent,
Contrived of futile fantasies,
Translated by: Frank Laubach
Lanao
And all my hours to love ware lent.
XI
I
Ah! Had I dared I would have shared
I crave your pardon, Royal Kin, A name for which I madly cared;
Whose praises cheer my heart so well, For never a thought was bent on aught
If I should wound some friends by Save him who held my mind ensnared.
The story which I mean to tell. XII
II
My lover was my cousin too
Deep loves which I alone have known And so no word was ever said,
I venture to reveal to you. We could not speak the thing we felt
They echo here within my heart. For plainly we could never be wed.
As fond desire will ever do XIII
And so he chose to marry wealth
And took a bride or noble rank,
III While I beheld without a tear
When first I felt the darts of love, To tell the bitter cup I drank.
The words of women worried me, XIV
The whispered scandals which they told My fourth love fills me yet with joy
I closed my ears and turned to flee. As recollections flood my mind,
IV For he was rich enough to give
A thousand longings tore my soul Great wedding gifts of every kind
And left me in perplexity, XV
For how could I reveal my love He did not dare to tell his love
To those who did not care for me? Because, no doubt, he was too shy,
V And my high parents seemed to him
A thousand aching memories, Like mountain peaks against the sky.
I think shall never be forgot, XVI
Still whisper to me in the air Besides his heart was also drawn
Of loves for those who loves me not By some fair maiden we have heard,
VI Who shone like moonlight in his eyes,
Mere fancies all within my mind, And whom his relatives preferred.
They changed their shapes like shifting sands. XVII
Alas, the men for whom I pined The Prophet grant that no sad fate
Had other loves in other lands. May rob him of his maiden’s hand;
VII And though we are so poor we hope
My first love was a hidden sun, To spread his fame throughout the land.
A dawn which never came to day, XVIII
But like a lovely know of hair, My fifth love was a sweet perfume
It fluttered loose and fell away. Which set my eager mind a whirl;
VIII A fragrant flower which faded fast;
My second love was ecstasy, His parents chose another girl.
A glorious glowing hidden fire XIX
Which burned within my secret breast; My sixth love was a strong south wind
No other guessed my deep desire Which gently fanned this breast of mine
IX Till dark clouds gathered in the south
A golden song of perfect tone And soon the sun cease to shine.
Whose notes were lost within my heart; XX
Another knot of lovely hair Did he not swear his love was sure
Which I trembled loose and fell apart. And constant as the ardent sun?
Ah, fickle sun and dreary end
That so brightly had begun.

2
XXI POETRY ANALYSIS
My seventh love is stronger still
A north wind blowing over the seas
And whipping for off unknown waves, I.
While sunbeams dance upon the breeze.
XXII
Will now at last my dreams come true,
And will he choose me for his mate?
Has holy Prophet written it
Across the pages of our fate?
XXIII
If people’s hopes could be fulfilled?
If he who loves would speak the word,
Such crowds would gather to rejoice,
Their shouts like thunder would be heard.
XXIV
Oh, how the sun might beam with smiles,
Oh, how our kin would be glad
Oh, how the world would ring with song,
If I should wed this royal lad!
XXV
Yet round the sun deep colors creep;
And though he loves with splendid fire II. Narrative Poetry
And vows his will is firm as rock,
I tremble lest he too may tire.
XXVI
Metrical Romance is a kind of
Sore doubts about our hostile kin poetry dealing with the emotions
Assail my mind with painful dread or phase of life & the story is told
There is an ancient song which in a simple, straightforward, and
A noble Prophet wisely said: realistic manner. Courtly love
XXVII was a typical theme of metrical
“What comes of feud between two clans romance. It is composed of long
Who will not speak save to condemn, rambling love story. An example
of this poetry is shown below:
Who hurt defiance till the last?
A God who sees will punish them.”
XXVIII
My dream is like a fog at sea
Which tries to reach the land in vain, Imagery poems draw the reader into
For earthquakes and the tidal waves poetic experiences by touching on the
Keep driving it to sea again.
images and senses which the reader
XXIX
So while he waits and hesitates already knows. The use of images in
His chance of winning fame slips by this type of poetry serves to intensify
Ah! Should he dare I firmly swear the impact of the work.
My love for him would never die,
XXX
For if the ship should venture forth,
Then I would weave a happy plot,
And conjure up some potent charm Tone is the manner in which a poet
That evil winds could harm it not. makes his statement; it reflects his
attitude toward his subject. Tone
expresses the poet's attitude toward his
audience. The tone in this poetry is l

3
XXVIII
III- ELEMENTS OF POETRY Line 1: My dream is like a fog at sea
Simile
Alliteration- means the repetition for VII
effect of initial vowel or consonants. Line 1: My first love was a hidden sun,
Metaphor
X
III Line 1: My third love was a letter sweet,
Line 2: The words of women worried me Metaphor
XVIII
XVII Line 1: My fifth love was a sweet perfume
Line 2: May rob him of his maiden’s hand Metaphor
XIX
XIX Line 1: My sixth love was a strong south wind
Line 4: And soon the sun had ceased to Metaphor
shine
XX
Line 2: And constant as the ardent sun? Stanzaic form- division of a poem made by
arranging the lines into units separated by a
space, usually of a corresponding number of
Assonance-refers to a partial change in lines and a recurrent pattern of meter and
which the stressed vowel sounds are alike rhyme. A poem with such divisions is
but the consonant sounds are unlike. described as having a stanzaic form

I Quatrain- A stanza or poem consisting of four


I crave your pardon, Royal Kin, lines. Lines 2 and 4 must rhyme while having a
Whose praises cheer my heart so well, similar number of syllables.
If I should wound some friends by
The story which I mean to tell.
II III
Deep loves which I alone have known When\ first\I\felt\ the\ darts\of \love,
I venture to reveal to you. =8-syllables
They echo here within my heart. The\ words\of\ wo\men\ wor\ried\ me,
As fond desire will ever do =8-syllables
IV The\whis\pered \scan\dals \which \they
A thousand longings tore my soul told =8-syllables
And left me in perplexity, I \closed \my \ears\ and\ turned\ to\ flee.
For how could I reveal my love =8-syllables
To those who did not care for me? VI
Mere/ fan/cies /all/ with/in/ my /mind,
=8-syllables
They\ changed\ their\ shapes\ like\
Simile-is a comparison between things that
shift\ing \sands. =8-syllables
have common quality. This figure of speech is A\las,\ the\ men\ for\ whom\ I\ pined
generally identified with the use of as or like =8-syllables
Had\ oth\er\ loves \in\ o\ther\ lands.
Metaphor- is an implied comparison between
things essentially different but having some
common quality. 4
VII
My \first\ love\ was\ a \hid\den\ sun,
=8-syllables
A\ dawn\ which\ nev\er\ came \to \day,
=8-syllables
But\ like \a\ love\ly\ know\ of\ hair,
=8-syllables
It\ flut\tered\ loose\ and\ fell\ a\way.
=8-syllables
X
My\ third\ love\ was\ a\ let\ter \sweet,
=8-syllables
A \let\ter \sealed\ but\ nev\er \sent,
=8-syllables
Con\trived\ of\ fu\tile fan\ta\sies,
=8-syllables
And\ all\ my\ hours\ to love\ ware\ lent.
=8-syllables

Iambic tetrameter is a meter in poetry. It refers


to a line consisting of four iambic feet. The word
"tetrameter" simply means that there are four
feet in the line; iambic tetrameter is a line
comprising four iambs.

.A foot containing an unstressed syllable


followed by a stressed syllable is called an iamb

III
When\ first\I\felt\ the\ darts\of \love,
=Iambic Tetrameter
The\ words\of\ wo\men\ wor\ried\ me,
=Iambic Tetrameter
The\whis\pered \scan\dals \which \they
told =Iambic Tetrameter
I \closed \my \ears\ and\ turned\ to\ flee.
=Iambic Tetrameter
V
A \thou\sand\ ach\ing me\mo\ries,
=Iambic Tetrameter
I \think\ shall\ nev\er be\ for\got,
=Iambic Tetrameter
Still \whis\per \to \me\ in\ the\ air
=Iambic Tetrameter
Of\ loves \for\ those \who\ loves \me\ not
=Iambic Tetrameter

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