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Audi Details PDF
Audi Details PDF
1.1 RESEARCH QUESTION - WHAT IS THE RELEVANCE OF SACRED GEOMETRY IN SPIRITUAL CENTER ?
IS IT ALWAYS IMPORTANT TO USE SACRED GEOMETRY IN RELIGIOUS BUILDINGS. THE PROSCENIUM SHAPE THE OPEN THRUST SHAPE THE ARENA SHAPE THE APRON SHAPE
1.2 HYPOTHESIS - ADVANCE TREATMENT IN WALLS ENHANCES THE SOUND QUALITY & REDUCES
VARIABLE FREQUENCIES.
1.4 SCOPE
AS AN ARCHITECTURE STUDENT THE SCOPE WILL BE LIMITED TO TYPES OF AUDITORIUM, WALL
TREATMENT TO REDUCE VARIABLE FREQUENCIES AND PRODUCE AN AUDIBLE LEVEL SOUND.
1.5 METHODOLOGY
1.5.1 IDENTIFICATION OF AREA AND TOPIC
1.5.2 PRIMARY SOURCES - CASE STUDIES OF BUILDINGS, BASIC GUIDELINES.
1.5.3 SECONDARY SOURCES - LITERATURE STUDY1 & LIT. STUDY2 AND FORMULATION OF GUIDELINES.
1.5.4 DATA COLLECTION
1.5.5 DATA ANALYSIS
1.5.6 CONCLUSION
2.0 BACKGROUND OF THE STUDY
2.1.1. DEFINITION OF AUDITORIUM
AN AUDITORIUM IS A ROOM BUILT TO ENABLE AN AUDIENCE TO HEAR AND WATCH PERFORMANCES.
FOR MOVIE THEATRES, THE NUMBER OF AUDITORIA (OR AUDITORIUMS) IS EXPRESSED AS THE
NUMBER OF SCREENS. AUDITORIA CAN BE FOUND IN ENTERTAINMENT VENUES, COMMUNITY HALLS,
AND THEATERS, AND MAY BE USED FOR REHEARSAL, PRESENTATION, PERFORMING ARTS
PRODUCTIONS, OR AS A LEARNING SPACE.
AUDITORIUM
AN ENCLOSURE, COVERED OR OPEN, WHERE PEOPLE CAN ASSEMBLE FOR WATCHING A
PERFORMANCE GIVEN ON THE STAGE.
AN AUDITORIUM IS A ROOM BUILT TO ENABLE AN AUDIENCE TO HEAR AND WATCH
PERFORMANCES AT SUCH VENUES SUCH AS THEATERS.
ETYMOLOGY
II) THRUST STAGES VI) TORMENTOR: A CURTAIN OR FRAMED STRUCTURE USED DIRECTLY BEHIND
THE PROSCENIUM AT EACH SIDE OF THE STAGE TO SCREEN THE WINGS AND
WITH THE AUDIENCE SITTING ON THREE SIDES. SIDELIGHTS FROM THE AUDIENCE.
THE THRUST STAGE AREA ITSELF IS NOT ALWAYS SQUARE BUT MAY BE OPEN AIR THEATRES
SEMI-CIRCULAR OR HALF A POLYGON WITH ANY NUMBER OF SIDES. SUCH STAGES THESE ARE OUTDOOR THEATRES THAT DO NOT HAVE A ROOF, ALTHOUGH
ARE OFTEN USED TO INCREASE INTIMACY BETWEEN ACTORS AND THE AUDIENCE. SOMETIMES PARTS OF THE STAGE OR AUDIENCE SEATING WILL BE COVERED. III) ORCHESTRA PIT
THESE STAGES MAY MAKE USE OF THE NATURAL LIGHT AS IT CHANGES DURING VII) APRON THE SPACE RESERVED
THE DAY, PARTICULARLY SUNSET.RUTLAND OPEN AIR THEATRE THE PART OF THE STAGE FLOOR FOR THE MUSICIANS
IN FRONT OF THE CURTAIN LINE. USUALLY IN FRONT.
PLATFORM STAGES
THESE USUALLY CONSIST OF A RAISED RECTANGULAR PLATFORM AT ONE END
OF A ROOM. THEY CAN EITHER HAVE A LEVEL OR RAKED SLOPING FLOOR. THE
AUDIENCE SIT IN ROWS FACING THE STAGE. PLATFORM STAGES ARE OFTEN
IX) BALCONY
A GALLERY THAT PROJECTS OVER THE MAIN FLOOR OF A THEATRE.
USES. WHERE THE STAGE IS OPEN AND WITHOUT CURTAINS, THEY ARE X) WING
III) THRUST AND OPEN STAGE SOMETIMES KNOWN AS END STAGES OR OPEN STAGES. THE PLATFORM ADJACENT TO THE STAGE FOR KEEPING PROPS.
THESE HAVE A CENTRAL PERFORMANCE AREA ENCLOSED BY THE AUDIENCE ON
XI) BOX OFFICE
HIPPODROMES
WHERE TICKETS ARE SOLD.
SEATING IS IN A SQUARE OR POLYGONAL FORMATION. HIPPODROMES ARE SIMILAR TO CIRCUSES AND HAVE A CENTRAL CIRCULAR
XII) CYCLORAMA:
ARENA SURROUNDED BY CONCENTRIC TIERED SEATING. DEEP PITS OR LOW
IT IS THE EXTERIOR OF THE BACKDROP. IT IS BASICALLY A DISTINCTION BETWEEN BACKSTAGE AND MAIN STAGE.
SCREENS OFTEN SEPARATE THE AUDIENCE FROM THE ARENA.
XIII) FIRE CURTAIN
SITE-SPECIFIC THEATRE
A CURTAIN OR ASBESTOS OR OTHER FIRE-PROOF MATERIAL THAT CAN BE LOWERED JUST INSIDE THE
SITE-SPECIFIC THEATRE IS USUALLY PERFORMED IN A NON-TRADITIONAL
PROSCENIUM
THEATRE SPACE SUCH AS A PUB, HOME OR WAREHOUSE, OFTEN REFLECTING
ARCH IN THE CASE OF FIRE.
THE HISTORY, ATMOSPHERE OR EXPERIENCES OF A PARTICULAR LOCATION.
XIV) GREEN ROOM
THE ACTORS ENTER THROUGH AISLES OR VOMITORIES BETWEEN THE SEATING. PROMENADE THEATRE
THE GREEN ROOM IS THE SPACE IN A THEATRE, STUDIO OR SIMILAR VENUE WHICH FUNCTIONS AS A WAITING
SCENERY IS MINIMAL AND CAREFULLY POSITIONED TO ENSURE IT DOES NOT THIS INVOLVES THE AUDIENCE MOVING FROM PLACE TO PLACE FOLLOWING THE
ROOM AND LOUNGE FOR PERFORMERS BEFORE AND AFTER A PERFORMANCES AND DURING THE SHOW WHEN
ACTORS AND PERFORMANCE.
THEY ARE NOT ENGAGED ON THE STAGE.
STUDENT : VINAY KUMAR SCALE : STUDY CENTRE
SESSION : 2018 - 2019 AAYOJAN SCHOOL
B.ARCH : IVTH YEAR SIGN : OF ARCHITECTURE, JAIPUR.
SEM : VIIITH STUDY CENTRE CODE :- 9321A
ABSORBING MATERIAL
NAME OF AUDITORIUM: SHANTANAND AUDITORIUM HARD ACOUSTICAL WALL (TIMBER ACOUSTIC PANEL) HARD ACOUSTICAL WALL (ROUGH PLASTER TO
LOCATION: 114-116, JALAN BERHALA, BRICKFIELDS, KUALA LUMPUR TIMBER ACOUSTIC PANELS ARE INSTALLED NOT ONLY FOR AESTHETIC PURPOSES, BUT ALSO TO ABSORB SOUND SMOOTH CONCRETE BACK
TYPE OF AUDITORIUM: COMMUNITY AUDITORIUM ENERGY. ACOUSTIC PANEL BACK SOLID STRUCTURE, PLASTER OR GYPSUM BOARD MUST BE USE AS BASE.
YEAR OF COMPLETION: 2011
THERE ARE AIR GAP IN BETWEEN EACH PANEL TO
TOTAL VOLUME: 8769M3
ABSORB UNWANTED LOW FREQUENCY THROUGH PANEL
TOTAL SEATS: 618
VIBRATION. THE SOLID BACK OF THE TIMBER ACOUSTIC
DESCRIPTION: THE BUILDING THAT WE HAVE SELECTED IS THE TEMPLE OF FINE ARTS IN KUALA LUMPUR.
IT IS KNOWN TO BE THE MAIN CENTRE FOR LEARNING CLASSICAL INDIAN MUSIC IN MALAYSIA. PANEL IS SMOOTH PLASTER, FOR A STANDARD ACOUSTIC
IT IS LOCATED AT BRICKFIELDS ALSO KNOWN AS LITTLE INDIA OF KUALA LUMPUR. PANEL BACK SOLID STRUCTURE, PLASTER OR GYPSUM
BOARD MUST BE USE AS BASE.
MATERIAL ABSORPTION COEFFICIENT
SOUND ATTENUATION FROM A POINT SOURCE THE SOUND WAVES WILL BE ABSORPTION SURFACE IN AN AUDITORIUM.
SPHERICAL, AND THE INTENSITY OF SOUND WILL BE APPROXIMATE THE INVERSE THE ACOUSTIC PANEL FUNCTION AS CONTROLLING ECHOES, AND SOUND FOCI FROM THE REAR WALL AND
SQUARE LAW. AFTER WE COLLECTED THE DATA OF SOUND INTENSITY LEVEL BALCONY FACES. THE REVERBERATION TIME IN THE ROOM IS RELATED DIRECTLY TO THE VOLUME OF THE
USING SOUND LEVEL METER FROM 9 PERFORMERS DURING THEIR REHEARSAL, ROOM AND, INVERSELY, TO THE TOTAL SOUND ABSORPTION OF THE AUDITORIUM.
MATERIAL ABSORPTION COEFFICIENT
SOUND SYSTEM AUDITORIUM WE PLOTTED OUT THE SOUND DISTRIBUTION THROUGHOUT THE SEATING AREA
AND FOUND OUT THAT ENERGY LOSS OF SOUND PROPAGATION IN SHANTANAND
ACOUSTIC ROUGH
AUDITORIUM IS LOW BECAUSE OF ITS WIDE SHALLOW PLAN. THE DISTANCE AREA OF WALL MATERIALS PLASTER TO
FROM THE STAGE TO THE END IS ONLY 14.9 METRES LONG BECAUSE OF ITS 0.18 0.42 0.59
SMOOTH
CONCAVE ARRANGEMENT OF SEATING RELATIVELY CLOSE TO THE STAGE. 23
CONCRETE BACK
FIGURE 3.2.1.1 THE WIDE SHALLOW CONCAVE PLAN OF THE SHANTANAND
GROUND FLOOR PLAN
AUDITORIUM SPREAD SOUND EVENLY. <FIGURE 3.2.1.2 SOUND DISTRIBUTION IN FIBERGLASS ACOUSTIC PANEL
THE SEATING AREA TAKEN FROM THE SOUND SOURCE FROM THE STAGE.
ACOUSTIC ROUGH
PLASTER TO
0.15 0.75 0.80
SMOOTH
CONCRETE BACK
SOUND REFLECTIONS SOUND SHADOW DUE TO BALCONY
STUDENT : VINAY KUMAR SCALE : STUDY CENTRE
SESSION : 2018 - 2019 AAYOJAN SCHOOL
B.ARCH : IVTH YEAR SIGN : OF ARCHITECTURE, JAIPUR.
SEM : VIIITH STUDY CENTRE CODE :- 9321A
LOCATION PLAN MAIN ENTRANCE INSIDE PANORAMIC VIEW FROM THE BACKSIDE MATERIAL ABSORPTION COEFFICIENT
PLASTER
AUDITORIUM SIDE VIEW STAGE SITTING VIEW REAR VIEW
SHAPE AND MASSING ARRANGEMENT OF SEATS
THE SHAPE IS HORSESHOE-TYPE THE SEATING OF
HALL WITH A COMBINATION OF AUDITORIUM IS IN A
BOTH CURVED AND FLAT WALLS. FAN-SHAPED MATERIAL ABSORPTION COEFFICIENT
REVERBERATION TIME
CONFIGURATION TO
OF THE HALL BUT GRADUALLY ALLOW GREATER SEATING PLASTER 0.18 0.42 0.59
CURVE INTO A CONCAVE SHAPE AS AREA THAT IS CLOSER TO
WALL PANEL
IT LEADS TO THE REAR. THE STAGE. THE WALLS OF THE AUDITORIUM FEATURE A
SOLID TIMBER
CONCAVE SHAPE- A FORM THAT IS
LEVELING OF SEAT AND STAGE ADVANTAGEOUS WHEN USED IN THE
CORRECT LEVELLING OF THE AUDITORIUM SEATS ENSURES THAT SOUND WAVES REACH CONTEXT OF OUR BUILDING. CONCAVE
ALL THE OCCUPANTS OF THE AUDITORIUM WITHOUT OBSTRUCTION. SURFACES HAVE THE TENDENCY TO REFLECT
AND CONCENTRATE SOUND WAVES TO THE
LAYOUT OF BOUNDARY SURFACE
CENTRE OF ITS PROJECTION. MATERIAL ABSORPTION COEFFICIENT
THE AUDITORIUM IMPLEMENTS A COMBINATION OF CONCAVE SHAPED AND STEPPED
CEILING SYSTEMS THAT REFLECT THE SOUND BACK DOWN TO THE AUDIENCE. THE
SOLID TIMBER 0.14 0.06 0.08
CONCAVE SHAPE ALSO HELPS CONCENTRATE THE SOUND INTENSITY AND INCREASE
THE VOLUME OF THE SOUND. LAYOUT OF BOUNDARY SURFACE
SOUND PROPAGATION
SOUND TRAVELING FORWARD TOWARDS THE AUDIENCE IS KNOWN AS DIRECT SOUND. ACOUSTIC TIMBER
BOARD
TWO CEILING SURFACES, THE UPPER CEILING SURFACE THAT IS HEAVILY INSULATED
AND THE LOWER CEILING SURFACE CONSISTING OF ACOUSTIC PANELS. SOUND
SOUND PROPOGATION