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IB Literature A English

Developing a plan for an individual oral:

Global Issue: Morals/Virtues

Text/Passage 1: Excerpt from: The old Text/Passage 2: Extract from: The Ghost
woman’s story Soldiers
“We has scarcely disembarked when some “In a way I wanted to stop myself. It was
blacks of a hostile faction turned up to carry cruel, I knew that, but right and wrong were
off my pirate’s booty, of which were the somewhere else. This was the spirit world. I
most precious part except for the gold and heard myself laugh. And then presently I
diamonds. I then witnessed a fight such as came unattached from the natural world. I
you would never see the like of in European felt the hinges go. Eyes closed, I seemed to
climates. Northern races are not sufficiently rise up out of my own body and float
warm-blooded; their lust for women does through the dark down to Jorgenson's
not reach the mania that is so common in position. I was invisible; I had no shape, no
Africa. It seems that Europeans have milk in substance; I weighed less than nothing. I
their veins, but it’s fire and vitriol that runs just drifted. It was imagination, of course,
in the veins of those who live on Mount but for a long while I hovered there over
Atlas and round about. They fought like the
Bobby Jorgenson's bunker. As if through
lions, tigers, and serpents of their country to
dark glass I could see him lying flat in his
decide who should have us. A Moor seized
circle of sandbags, silent and scared,
my mother by the right arm, and my
captain’s lieutenant held her by the left; a listening. Rubbing his eyes. Telling himself
Moroccan soldier took her by one leg, while it was all a trick of the dark. Muscles tight,
one of our pirates clung to the other. Almost ears tight—I could see it. Now, at this
all of our women were immediately instant, he'd glance up at the sky, hoping for
disputed in the same fashion by four a moon or a few stars. (198) But no moon,
soldiers apiece. My captain kept me hidden no stars. He'd start talking to himself. He'd
behind him, and with his scimitar slew try to bring the night into focus, willing
everyone who confronted him. In the end I coherence, but the effort would only cause
saw my mother and all our Italian ladies distortions. Out beyond the wire, the
torn limb from limb, slashed, and massacred paddies would seem to swirl and sway; the
by the monsters that fought for them. All trees would take human form; clumps of
were killed, both captors and captives, my grass would glide through the night like
companions, the soldiers, sailors, blacks, sappers. Funhouse country: trick mirrors
whites, and mulattoes, and finally my pirate and curvatures and pop-up monsters. "Take
chief; and I myself lay dying on a heap of it easy," he'd murmur, "easy, easy, easy,"
corpses. Scenes such as these took place all but it wouldn't get any easier. I could
over that country, as I know full well---and actually see it. I was down there with him,
it is three hundred leagues across. Yet they
inside him. I was part of the night. I was the
will not miss one of the five daily prayers
land itself—everything, everywhere—the
prescribed by Mahomet” (52-53)
fireflies and paddies, the moon, the
midnight rustlings, the cool phosphorescent
shimmer of evil—I was atrocity—I was
jungle fire, jungle drums—I was the blind
stare in the eyes of all those poor, dead,
dumbfuck ex-pals of mine—all the pale
young corpses, Lee Strunk and Kiowa and
Curt Lemon—I was the beast on their lips—
I was Nam—the horror, the war” (198-199)

Author’s attitude toward the global issue Author’s attitude toward the global issue
(remember to include how the issue is (remember to include how the issue is
portrayed in the passage itself AND how portrayed in the passage itself AND how
this passage relates to the work as a whole): this passage relates to the work as a whole):

The author’s attitude towards the global The author crafts his work as a whole using
issue of virtue shifts is positive because the shifts of point of view. For example, he utilizes
third person and first person generously, and
woman who is experiencing this moral includes differing perspectives from different
change is portrayed as wise by Voltaire. Her characters. By using all three methods, he
ability to develop her own beliefs regarding contributes to the complex ideas and stories
controversial issues such as gender which he is sharing with his readers. Using first
person demonstrates a deeper, more personal
inequality and religion is depicted as and true connection with his stories, which adds
admirable by Voltaire as both the to the realistic qualities of his fiction, and the
impressionable Cunegonde and Candide ability to make his readers feel emotion. Using
gain respect for her. Her ability to spread third person allows for generalizations to be
made, and a sense of detachment throughout his
her newfound teachings is a reflection of story to be conveyed.
Voltaire’s own beliefs, as he too similarly
believes in ideas such as hypocrisy within
religion.

Key strategies used in the passage to Key strategies used in the passage to
develop the author’s point about the global develop the author’s point about the global
issue: issue:

● Symbolism- Voltaire utilized the old Tim O’Brien develops the global issue of death
woman as a mode or host to reflect throughout his story, and romanticizes it. The
his own beliefs onto his other author utilized tactile imagery which created an
ignorant characters, which are image of tranquility in his readers’ minds
Candide and Cunegonde. despite describing a scene of death in his story.
While death is usually viewed as a disturbing
● Caricature- The old woman and gruesome subject, Tim O’Brien instead
becoming ugly is a reflection of the worked to portray the scene as beautiful and
hardships she endured. serene. The author described sunlight to
illuminate on Curt Lemon’s face, which allowed
● Foil/comparison- The old woman
him to shine moments before his death.
and Cunegonde experienced a
similar life yet have differing Lemon’s death was narrated in an angelic
outlooks. fashion in order to show the author’s differing
perspective of death, being one disassociated
● Religion/value shift- “Yet they will with fear. This placid scene portrayed with
not miss one of the five daily prayers imagery and diction develops the author’s view
prescribed by the Mahomet” (53). of war and death, being that beauty must be
The old woman in this way conveys found in horrific situations to allow individuals
her shifting ideology on religion, to cope and endure hardship.
and acknowledges the hypocrisy of
those who follow religion.

● Ridicule/mockery- The old woman


in this way conveys her shifting
ideology on religion, and
acknowledges the hypocrisy of those
who follow religion yet create such
harm.

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