The novel "The Joy Luck Club" by Amy Tan follows the stories of four Chinese immigrant mothers and their daughters in San Francisco. Each section focuses on a different mother-daughter pair, exploring their cultural differences and struggles to understand each other across generations. Themes of cultural identity, autonomy, and the importance of maternal relationships are examined through the four interwoven storylines.
The novel "The Joy Luck Club" by Amy Tan follows the stories of four Chinese immigrant mothers and their daughters in San Francisco. Each section focuses on a different mother-daughter pair, exploring their cultural differences and struggles to understand each other across generations. Themes of cultural identity, autonomy, and the importance of maternal relationships are examined through the four interwoven storylines.
The novel "The Joy Luck Club" by Amy Tan follows the stories of four Chinese immigrant mothers and their daughters in San Francisco. Each section focuses on a different mother-daughter pair, exploring their cultural differences and struggles to understand each other across generations. Themes of cultural identity, autonomy, and the importance of maternal relationships are examined through the four interwoven storylines.
The book that I have read is “The Joy Luck Club” by Amy Tan.
This unique piece of
art was published in 1989 by G. P. Putnam’s Son in United States. The genre of “The Joy Luck Club” is fiction. The writer targets the general audience and the novel has 288 pages. I have read the novel in a pdf form though I have done some research that the price of this novel is RM70. The novel is divided four sections, each beginning with a monograph portraying a stage in the life cycle. The four stories in each section explore the connection between the mothers and the daughters at the same stage. The first series of stories focuses on Suyuan Woo, who comes to America in 1947 who have lost her family, including twin daughters, during war. She does not know her daughters were rescued. After remarried, she settles in San Francisco, has a daughter, Jing-mei (June), and starts a Joy Luck Club similar to one in China with three other women. The four got along well and later became close friends. As she grows up, Jing-mei and her mother struggle to appreciate one another. They never get to resolve their differences completely, and unfortunately Suyuan dies suddenly. At the next meeting of the Joy Luck Club, her mother’s friends tell Jing-mei that Suyuan’s twin daughters have been found. They give her a check so she can plan on visiting them. As the novel finishes, she meets her sisters in Shanghai. Next set of stories focuses on An-mei, who lives with her grandmother given her mother has been repudiated. When An-mei is nine, her grandmother dies; and An-mei leaves with her mother to live in the home of an affluent man and his other wives. An-mei learns how her mother was forced into a disgraceful second marriage and why she has zero control over her own life. Her mother’s following suicide provides An-mei a better life. As an adult An-mei comes to San Francisco. She and her husband have seven children, including Rose. Rose marries Ted, a dermatologist, who has an affair and divorces her. Rose is overawed but recovers. The third series of stories focuses on Lindo. She marries Tyan-yu, but he never sleeps with her. Unable to tell her bossy mother-in- law the truth, she plans a clever plan and is released from her marriage honourably. She comes to San Francisco and marries Tin Jong. They have three children—Winston, Vincent, and Waverly. Waverly is a child chess prodigy. She and her mother go through their differences throughout her childhood and into adulthood. Their differences peak over Waverly’s fiancé, Rich Schields, and the two women settle. The fourth series of stories focuses on Ying-ying. Born into a wealthy family, she is a strong-willed child who nearly drowns when she is four. She grows into a arrogant young woman and marries a unpolished man who abandons her after she becomes pregnant. Ten years later she marries Clifford St. Clair, an American exporter, even though she doesn’t darling him. They come to San Francisco and have one daughter, Lena. Their second child is stillborn, and Ying-ying is depressed for months afterward. Her depression affects Lena. As an adult Lena marries Harold Livotny, who takes advantage of her. Ying-ying feels responsible for raising so powerless a daughter. She wants to encourage Lena to speak up for herself. The theme for “The Joy Luck Club” is that as they matured, the daughters begin to realise that their individualities are imperfect and become absorbed in their Chinese tradition. Waverly speaks wishfully about blending in too well in China and becomes livid when Lindo notes that she will be known rapidly as a tourist. One of Jing-mei’s greatest worries about her trip to China is not that others will identify her as American, but that she herself will fail to recognize any Chinese elements within herself. Among the four mothers, Lindo expresses the most anxiety over her cultural identity. Having been spotted as a tourist during her recent trip to China, she wonders how America has changed her. She has always believed in her ability to shift between her true self and her public self, but she begins to wonder whether her “true” self is not, in fact, her American one. Even while being a young girl in China, Lindo showed that she did not totally agree with Chinese custom. She tormented over how to save herself from a dejected marriage without discrediting her parents’ promise to her husband’s family. While her worry for her parents shows that Lindo did not wish to openly rebel against her tradition, Lindo made a secret promise to herself to remain true to her own desires. This promise shows the value she places on autonomy and personal happiness—two qualities that Lindo associates with American culture. Jing-mei’s experience in China at the end of the book certainly seems to support the possibility of a richly mixed identity rather than an identity of warring opposites. She comes to see that China itself contains American aspects, just as the part of America she grew up in—San Francisco’s Chinatown—contained Chinese elements The language level is intermediate in some paragraphs and advanced in few paragraphs. The wording that are used is Chinese language. The figurative language used in the novel are personification; “Light wind began blowing past my ears. It whispered secrets only I could hear.”, “I could hear cicadas crying in the yard.”, and “The wind roared with laughter.”. the next one is imagery; “Then I heard screaming sounds, slamming, pushing, and shouts and then whack! Whack! Whack!”. Next figurative language is simile, “Yet my colouring looked too pale, like something that was ponce darker and faded in the sun.”, “See how this doorway is, like a neck has been strangled.”, and “…my mother was lying like a statue on the bed”. The last figurative language is metaphor; “Impatient gathering of gurgling pigeons”, “My mother lost her name and became a dragon instead of tiger.”. The three main issues that were present in the book were relationship between mother and daughter for example in chapter four, the mother is always angry at her daughter though it is for her own daughter’s sake. On top of that, An-Mei’s mother was forced to get married which means she was force to do something that she does not want to do and struggling with her life. thus, cultural conflicts are being presented in the novel as well. I would highly recommend this novel toward others because we can get to know the cultural differences that occur in different country. Moreover, we get to witness the significance of a mother’s love towards her daughter. Last but not least, we can learn about the struggle migrant from another country to another country. Book Cover: Front page
The Home for Unwanted Girls: The heart-wrenching, gripping story of a mother-daughter bond that could not be broken by Joanna Goodman | Conversation Starters