Professional Documents
Culture Documents
HOMEWORK NO.2
ADAPTIVE REUSE
MIAGAO CRITIQUE
MORENO, ABYGAIL B.
ASPECN1 | ARC 161
ARCH’T. AURORA B. PANOPIO, UAP
Adaptive Reuse Examples in the Philippines
National Museum of
Fine Arts
On July 16, 1926, the building was formally inaugurated. During the World War II, the
building was heavily damaged, though built to be earthquake resistant.After the war, it
was rebuilt albeit less ornate and less detailed. During the Martial Law era, the
Legislative Building was closed down. Today, the building holds the country's National
Art Gallery, natural sciences and other support divisions.
1919 Grand Café
BINONDO, MANILA
Similar in fashion to the British Colonial Era buildings in then-British India, the
building also housed the British Consulate from 1946 to the 1960s. Eventually, HSBC
abandoned the building and the old structure was forgotten in history books until it
was reopened in 2018 as 1919 Grand Café. From the building’s original Corinthian
columns and intricate window grills to the British royal coat of arms in the
restaurant logo, a nod to history is present in every corner of the café.
References:
https://news.abs-cbn.com/ancx/culture/spotlight/11/09/18/putting-the-purpose-in-
repurposehttps://en.wikipedia.org/wiki/National_Museum_of_Fine_Arts_(Manila)
The Miagao church is known for being one of the UNESCO World
Heritage Baroques churches in the Philippines, located in Iloilo makes it a
more the magnificent Miag-ao Church. No other church in the Philippines
will rival the beauty and majesty of the Miag-ao Church, also known as
Church of Santo Tomas de Villanueva a precious piece of Filipino heritage
that has withstood the test of time and nature.
But why does it mistakes for the authenticity of the materials used in
the façade of the church? As what I’ve read in the article that our prof gave,
written by Adrian Tumang he is an architect and he also specializes in
environmental planning, he manages the Visionarch's marketing
communication and editor of BluPrint, a design magazine under Mega
Publishing Group, he’s writing makes a point that if you really studied the
plastering that they used in the Church it makes the naked coralline
limestone for unauthentic material.
In the article, stones is not tropical friendly in stone churches, the hot
and humid climate accelerates the deterioration of stone. But if it is an
authentic coralline stone it will not deteriorate or even decay and free from
algae. The use of palitada or plaster is now making it deteriorate and they
investigate the inner walls of the church that it the algae thrive.
It’s kind of ironic because the church is well known for having that
glow golden sheen, having a false information makes it uninteresting but I
hope UNESCO world heritage should correct and confirm and further study
the materials of the said church.