Professional Documents
Culture Documents
GILDA MEMBRILLOS
II. A.
No. The Cone does not demonstrate which is the best method of
learning or which should be concentrated more nor does it entail that direct
experiences should be restricted to childhood alone. One can conclude that
many different kinds of instruction should be used in the classroom. Since no
single method is superior to another, instructors must analyze the audience as
well as the content. Some content may fit into one teaching method, while
other content may be better suited to another method. The use of audio-visual
materials in teaching does not depend primarily upon reading to convey their
meaning. It is based upon the principle that all teaching can be greatly
improved by the use of such materials because they can help make the
learning experience memorable we do not mean that sensory materials must
be introduced into every teaching situation. Mathematics is a subject of
abstract concepts and can be learnt better through verbal and visual symbols,
contrived and virtual experiences. It may not be possible to give direct
experiences for pupil in subjects like mathematics and statistics. Verbal and
visual experiences are suitable only for Language learning. Experiences are
meant to be experienced not to be evaluated nor compared among them.
4. Are there some disagreements you would like to make about the
sequence of the bands on Cone? How would you revise this device?
Why?
No. Basically because the sequence of the Cone has always been
misinterpreted as that all teaching and learning must move systematically
from base to pinnacle. But emphatically no. As we have noted, young
children use many simple abstractions-verbal symbols. Before entering
school, they have mastered the meanings of at least 2500 words, or verbal
symbols, each one of which is an abstraction. The fact that something is an
abstraction does not necessarily make it difficult to understand. Actually,
there are wide variations in degree of difficulty. The Cone of Experience
stands for activities that are available, in varying degrees, to learners in all
age groups. Experiences are purely individualized, with the same kind of
experience one’s perception may be differ from others. One can learn better
than other, some pupil can learn better with the direct experiences and others
can learn easily with virtual experience, some through contrived, one
dimensional and two dimensional aids. It is true that the older a person is, the
more abstract his concepts are likely to be. We can explain this
developmental change by a greater physical maturation, greater opportunity
for vivid experiences, and (in certain circumstances) greater motivation for
learning. But an older student does not live exclusively in the world of his
abstract concepts, just as a child does not live only through the impressions
his senses give him. The shuttling process, in fact, continues not only through
the learning of a particular concept, but throughout all life. And this interaction
is an indication of the nature and complexity of concepts themselves.
Instructional materials at all levels of the Cone can help us to extend the web
of relationships that our concepts involve. Even the most advanced student,
therefore, can deepen his understanding of concepts and his enjoyment of life
by participating in experiences all along our Cone. The Cone of Experience
stands for activities that are available, in varying degrees, to learners in all
age groups.
B.
Finally, our experiences about own life help us to mature. When we are in
teenagers, we learn to make friends. When we a university students, we learn
how to build our carrier. Same way, when we get married, we learn how to
take the responsibly of family. Learning is a lifetime process. We must learn
some thing from our life to make our future better and ready to take care of
hardships our lives.
In other words, these experiences are not just plain experiences. These
go beyond to our level of development. We go beyond the concrete by
reaching the level of abstract concepts. Direct experiences are firsthand
experiences that serve as the foundation of learning. Through that we are
about to figure out how it is beneficial to human kind and give as a lesson to
learn from those testimonies on how to stand on ourselves and learn more
when you are in the real scenario. We find this experience leads not just to
direct knowledge of the other, but also knowledge of the self as seen through
the eyes of the other - what we call “reflected knowledge”. Reflected and
direct knowledge, in turn, affect trust through identification, adaptation, and
reduced misunderstandings
Perception and action are a cycle: People act in order to learn about their
surroundings, and they use what they learn to guide their actions. From this
perspective, the critical defining features of perception include the exploratory
actions of the perceiver and the knowledge of the events, animate and
inanimate objects, and surrounding environment gained while engaged in
looking, listening, touching, walking, and other forms of direct observation.
Perception often results in learning information that is directly relevant to the
goals at hand, but sometimes it results in learning that is incidental to one's
immediate goals. The brain is able to adapt rapidly and continually to the
surrounding environment, becoming increasingly sensitive to important and
frequently encountered stimuli. It is often claimed that this adaptive learning is
highly task-specific, that is, we become more sensitive to the critical signals in
the tasks we attend to. Here, we show a new type of perceptual learning,
which occurs without attention, without awareness and without any task
relevance. Subjects were repeatedly presented with a background motion
signal so weak that its direction was not visible; the invisible motion was an
irrelevant background to the central task that engaged the subject's attention.
Despite being below the threshold of visibility and being irrelevant to the
central task, the repetitive exposure improved performance specifically for the
direction of the exposed motion when tested in a subsequent supra threshold
test. These results suggest that a frequently presented feature sensitizes the
visual system merely owing to its frequency, not its relevance or salience.
The perception and creativity are related with the area of knowledge.
Perception, explores the area of observing, and developing what we know
and how we see the world, and creativity is about going deeper in
imagination, being spontaneous and inventing things. Therefore we can say
that one affects the other point of view. Highly creative people are always
open to new perceptions in life. Perception is a fundamental trait of
the creative mind. It enables us to interpret ideas differently to others, offering
insight into fresh perspectives and possibilities. You might have noticed how
we referred to 'the creative mind', as opposed to sight or hearing (or any of
the other senses, for that matter) Perception is a fundamental trait of
the creative mind. It enables us to interpret ideas differently to others, offering
insight into fresh perspectives and possibilities. You might have noticed how
we referred to 'the creative mind', as opposed to sight or hearing (or any of
the other senses, for that matter). Creative teaching is greatly affected by
perceptual experience. It opens new doors, perspectives and horizons of
learning.
Those who prefer verbal learning will be particularly talented from an early
age when it comes to reading and writing. Verbal learners will be able to
express themselves, their problems, and solutions to problems through
words. Oftentimes, also, they will have particularly good memories, as
verbal learning involves taking in a lot of information in short periods of
time and retaining it. Individuals who prefer verbal learning usually also
have a fascination with the arts, music and lyrics, legal documents, old-
world writings, politics, screenplay and novels. These kinds of learners will
also enjoy using language creatively, through fiction and poetry and even
through contemporary art in some cases. Verbal learners often learn
numerous other languages in an effort to increase their knowledge, their
wisdom, and their ability to use words to communicate with a larger
audience during their lifetime.
List down the available visual aids/ materials in your school. Classify
them accordingly.
OHP Charts
Film Projector
Posters/ Flashcards
LCD Projector
3-Dimentional Aids
Software
Specimen
Film stripes
Models
Transparencies
Audiovisual Aids
Tape recorder