You are on page 1of 9

INTRODUCTION • Transmits: Awareness

Coaching: is a communication facilitation model, Coaching removes or lessens the following:


achieved through deep conversation, questioning, • Barriers to communication & learning
giving feedback and operating as an expert in • Cognitive distortions
process or structure about how we run our brains for • Information & emotion overload (cluttered
more effective performances. mind & heart)
Coaching helps: • Blind spots (Johari Window Model)
• Integrate learning meanings and • Unwillingness to explore or change
experiences • Lack of data & information or experience
• Identify gaps from knowing to motivation to
action Coaching Visualized, Heard, and Felt (VAK)
• Visual: Focus on images and videos
• Auditory: Focus on sounds and words
Coaching is NOT: • Kinesthetic: Focus on feelings and
movement
1. Teaching
• A social process; imparting of knowledge
to an audience or to a set of learners Identify Gaps from Knowing to Motivation to
Action
• Transmits: Knowledge
1. Information Overload
2. Consulting • Information overload is an unhealthy
• Providing professional or expert advice; thing for an individual who aspires to
acting in an advisory capacity on become better, because it precisely
professional matters starts with the mind, and if the mind is
• Transmits: Expert Advice cluttered, the rest of the things follows.
• Blindspot: When an individual has so
3. Training much going on in his mind that he starts
• Helping another to develop skills and missing out what point in his life actually
knowledge relating to specific needs improvement.
competencies • Cluttered Mind: When an individual loses
• Transmits: Skills his focus on what really matters, and his
set of priorities is also disorganized.
4. Counselling
• The provision of professional assistance 2. Unwillingness to Change
and guidance in resolving personal and • With this, an individual knows whether or
psychological problems not he has information overload.
• Transmits: Belongingness However, the only thing that is stopping
him is his denial of the possibilities in life,
5. Mentoring and that mindset of “I’m born this way.”
• Supporting and encouraging people to
manage their own learning in order to 3. External Obstacles
maximize potential, develop skills and • This is one of the things that is deemed
improve performance difficult by many because external
• Transmits: Experience obstacles hinder you to be and to work
better although it is precisely what you
6. Hypnosis aspire to be. These could be your
• Induction of state of consciousness to parents, your friends or the society itself.
access more of new information and
resources
Products of Coaching
1. Direction: Long-term excellent performance
2. Adjustment: Self-correction
3. Renewal: Self-generation

Context as a Complement to:


1. Teaching: Learning how to learn
2. Consulting: Clarifying cultural patterns and differences in industry practices
3. Training: Faster skills acquisition
4. Counselling: Focus on past as source of disorder
5. Mentoring: Bringing generational and communication differences
6. Hypnosis: Increased awareness and deliberate actions

Neuro-linguistic Programming (NLP)


Definition: NLP is a model of how we function and operate give our mind-body-emotion system, how we “run
our brains”, or how we manage our “states”.
1. Neuro
• The voluntary and autonomic nervous systems through which our experiences are processed by
means of our 5 senses.
• The nervous system begins mapping the world out there.

2. Linguistic
• The symbolic mapping that we create of the territory.
• Enables us to encode order and give meaning to our sensory representations using much more
abstract categories (language, math, music, etc.)

3. Programming
• The actual processes or patterns that we use to order and sequence our mapping.
• Generates our strategies for function, and results in our skills, abilities, habits, etc.
1. Theory
• The theory offers an explanation of how something works.
• A model needs a theory, and in NLP, there are eighteen (18) hidden theories categorized into the
following: Input, People, Organizing, and Output.
o 18 NLP Assumptions
o Map / Territory Distinction
o Gestalt Psychology & Therapy
o Constructionism
o Bateson’s Cybernetics
o Korzybski
o Family Systems

2. Variables and Elements


• Variables and elements are pieces and parts that make up the components of the model.
o VAK Representational Systems
o Sub-modalities
o Meta-levels
o Language
o Meta-programs: has different categories: cognitive (thinking), emotional (feeling), conative
(choosing), and semantic.

COGNITIVE (THINKING) EMOTIONAL (FEELING) CONATIVE (CHOOSING)


Perceivers will want to A person whose attention is Judgers will try to change
change themselves in order on oneself will focus on others to behave like
to fit in. taking care of their wants and themselves.
needs first.
A general-global person Perceivers are comfortable to
focuses on the big picture, or A person whose attention will do what others want to do.
the overview. put other’s wants and needs
before their own. Judgers feels uncomfortable
The overview can eventually unless they know what is
be broken down into specific going to happen.
details.

A detail-specific person
focuses on details.

Details can be built up in


order to get to the bigger
picture.
3. Guiding Principles
• Guiding and operational principles are the laws or principles that makes the model work and how to
use it.
• NLP Guiding Principles and the TOTE Model generally has the same message. It basically follows
this format:
o Failure is not an accident.
o Feedback is the foundation of success.
o Success is a structure.

4. Technologies and Patterns


• Technologies or patterns are the tools that provide immediate application to the model.
• It answers the question, “how can we make the engine slower or faster?”
• There are over 150 NLP Patterns that allows an individual to restructure the way they think and feel
which leads to a change in overall behavior. These patterns help us understand our experiences in
the world and give meaning to each of our actions and emotions.
LISTENING AND SUPPORT
What is listening?
• The art of being present to another
• Attending to a person and paying attention to the key elements in the person’s communicating

Listening actively and effectively involves:


1. Sensory Acuity: To notice and detect the person’s state of mind. We call that calibrating to the person’s
experience and mental-emotional state.

2. Representation System: To detect, recognize and record the sensory representational and Meta-
representational systems that a person uses to make sense of things.

3. Eye-Accessing Cue Awareness and Acuity: To be able to see in experience how a person is processing
information and the states that being accessed.

4. Linguistic awareness (Predicate Awareness): To detect the kind of language patterns a person is using.

There are 4 predominant processing styles:


Representation Coding and Listening

Visual Auditory Kinesthetic Auditory


Memorize by seeing Pay attention to sounds, May talk slowly and in Want to make sense of
pictures and are less tones, volumes and find breathy way. things by using words.
distracted by noise. noises distracting.

Often have trouble Easily repeat back what May respond to physical Talk in more abstract
remembering, and they hear and learn best touch and rewards. terms, generalize,
become bored by, long by listening. theorize, etc.
verbal instructions
Value appearances Like music and enjoy Gesture closer to the Much less use of body,
talking on the phone. body, hand overhear gestures, more in a
computer mode.
Use a higher pitch, talks Think in more linear, Memorize by doing May even have a little
quickly word-byword ordering, something or walking awareness of the
logical. around sensory based systems.

Use gestures are Highly value tone of Tonality will tend to be


are expansive voice and use of specific lower pitch, slower, with
words. hesitations
Linguistic Awareness
Not only do we have 3 basic representational systems, but within each of these domains, we can make many
further distinctions. These are the qualities of the sense of modalities and make up the cinematic features of our
mental movies.

Visual Auditory Kinesthetic


Brightness Pitch Pressure
Focus Location of Sounds Location
Color (Degree) Continuous/ Interrupted Shape
Color/ BnW Tone Texture
Size Tempo Temperature
Distance Volume Movement
Contrast Duration Duraction
Movement Distance Intensity
Direction

Listening for Representations in Speech


Statement “My future looks hazy”
Match Visual: When I look into the future, it doesn’t seem clear.
Translate Auditory: I can’t tune in to my future.
Kinesthetic: I can’t get a feel for what seems to be going to
happen.

Sensory Acuity Skills


This refers to the art and skill of calibrating to a person while accessing a state or experiencing something.

Eyes Breathing Face Voice


Focus Rate Skin color Tone, Volume,
Pupil Dilation Location Skin or Muscle Tone Quality, Pitch
Lower lip size
What is supporting? imagine his words reflect a
Relating in such a way that we create a relational perception or map of the world.
and physical context for communicating and • We can purposefully break pace
dialoguing that provides a sense of safety, validity, in order to engage the other
care, and respect. person.
o Matching verbal
predicates
Pacing
o Matching repetitive
1. Physiological Pacing phrases
• Matching the physiological outputs of the o Matching the exact words
client so the person feels that we are (metaphors, vocabulary,
together, like each other, and dancing in etc.)
harmony in energy levels, movements,
and voice qualities.
• Matching: The process of adjusting 3. Meta or Conceptual Pacing
aspects of our external behavior to • Identifying and mirroring back to the
approximate those in the other’s person’s person concepts, ideas, beliefs, values,
behavior metaprograms, meta-states, etc. that
o Matching heads and shoulder reflect his or her internal world. Meta-
angle. level pacing is a higher level of pacing.
o Matching facial expressions. Such rapport leads to a person feeling
o Matching gestures. understood.
o Matching breathing. • Building Rapport: Conceptually pace by
o Matching vocal or qualities of temporarily assuming his or her words
speech. are correct and then imagine how they
can be correct.

Indicators of Voice Qualities to


2. Verbal Pacing
Rapport Pace
• Saying the words that fit and match the Color change in face Tone, Volume,
person’s internal world. Following you Speed, Timbre,
• Empathy Comfortable with you Rhythm, Emphasis
• The ability of entering into Kinesthetic cue
another’s reality.
• This makes for true
understanding because it takes
the other at his word and tries to
INDUCING STATES Terms and Definitions
1. STATE ELICITING: Refers to the art of Primary State
identifying, detecting, and providing the • Thoughts and feelings about an external
required stimulus so that another person stimulus
elicits a state of mind and emotion • Acts as filter of the interpretations about
reality.
2. STATE ANCHORING: Refers to the art of
being able to establish a trigger or link to a State Awareness
state, to do so consciously and to be able to • Because all states habituate, the drop out of
replicate it at will. conscious awareness. State Awareness is
about noticing the quality of the stats.
3. STATE INDUCTION: Refers to the
systematic ability to provide an induction by State Accessing/ Inducing
means of a story, an anchor, a menu list • Memory: Remembering a state.
and a wide range of options so that can • Imagination Creating a state.
invite other into more resourceful states. • Modelling: Observing a state.

State Altering
What is a State? • Changing the states
• A dynamic mind-body state of experience or
being that operates as an experiential State Intensity and Amplification
energy field. We experience life in specific • How much do you experience the state?
mental and emotional states. • What processes do you rely on for
• A way of being at the moment; the way we amplifying your states?
feel
• Act as a kind of filter on our interpretations State Interrupts
of our experiences • Stopping any and every mind-body-emotion
Emotions Feelings Mood state by jarring, interfering, sabotaging,
Physical Mental A feeling or a preventing, etc.
states that associations person's
arise as a and reactions to specific state State Dependency
response to emotions. of mind at • Also called as “emotional expectational
external any particular sets” or “conceptual expectational sets"
stimuli. time determining what we see and hear.
Intense but Lowkey and Less specific
temporary. sustainable. and less State Contrasts
intense. • Comparing one state with another to gain
insightful understanding about “the
difference that makes a difference.”

State Utilization
• Detecting then using the resourceful ways
of thinking-feeling, perceiving,
communicating, etc.

State Strategy
• The pieces of information, neurology
responses and the like that comprise the
sequential composition of a state.
Four Central Expressions of State (BEST)
• Behavior
• Emotions
• Speech
• Thoughts

Anchoring B.E.S.T.
1. INTENSITY
• Capture the state at the peak of its
intensity and anchor when the person
goes in the desired state.
2. PURITY
• How focused is the person’s attention?
3. UNIQUENESS
• How unique is the new stimulus of
anchor? How much pressure, for what
length of time?
• Avoid setting a touch anchor in an area
that’s regularly touched.
4. TIMING
• In replicating an anchor, you fire it off by
returning to the precise location with the
same stimulus and apply the same
pressure the same amount of time.

Practice: State Accessing and Anchoring


Pattern
Step 1: Identify an event wherein a resourceful event
would be most useful. (Ex. Being nervous during
presentation)
Step 2: Identify a resourceful event. (Ex. Confidence,
enthusiasm, etc.)
Step 3: Access the state by remembering when you
last experienced that resourceful event.
Step 4: Amplify that resourceful state. And anchor.
Step 5: Revisit the event in Step 1 and fire the
anchor. Observe changes in the four central
expressions of state.

You might also like