Professional Documents
Culture Documents
Agnew, J. A., Mitchell, K., Toal, G., & MyiLibrary. (2003). A companion to political geography
(Vol. Blackwell companions to geography). Malden, Mass: Blackwell Publishers. Retrieved
from http://www.myilibrary.com?id=131259
Anderson, B. (2004). Recorded music and practices of remembering. Social & Cultural
Geography, 5(1), 3–20. https://doi.org/10.1080/1464936042000181281
Andrews, M. (1999). Landscape and western art (Vol. Oxford history of art). Oxford: Oxford
University Press.
Atkinson, D. (2007). Kitsch geographies and the everyday spaces of social memory.
Environment and Planning A, 39(3), 521–540. https://doi.org/10.1068/a3866
Barrell, J. (1980). The dark side of the landscape: the rural poor in English paintings,
1730-1840. Cambridge: Cambridge University Press.
Barrell, J. (1992). Painting and the politics of culture: new essays on British art, 1700-1850.
Oxford: Clarendon Press.
Bermingham, A. (1987). Landscape and ideology: the English rustic tradition, 1740-1860.
London: Thames and Hudson.
Bial, H. (2007). The performance studies reader (2nd ed). London: Routledge.
Boettger, S. (2002). Earthworks: art and the landscape of the sixties. Berkeley: University
of California Press.
Borden, I. (2001). Skateboarding, space and the city: architecture and the body. Oxford
[England]: Berg.
Burk, A. L. (2003). Private griefs, public places. Political Geography, 22(3), 317–333.
https://doi.org/10.1016/S0962-6298(03)00035-0
Butler, J. (1990). Gender trouble: feminism and the subversion of identity (Vol. Thinking
gender). New York: Routledge. Retrieved from
https://www.dawsonera.com/abstract/9780203824979
Butler, J. (2011). Bodies that matter: on the discursive limits of ‘sex’ (Vol. Routledge
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Cant, S. G., & Morris, N. J. (2006). Geographies of art and the environment. Social &
Cultural Geography, 7(6), 857–861. https://doi.org/10.1080/14649360601055797
Connerton, P. (1989). How societies remember (Vol. Themes in the social sciences).
Cambridge [England]: Cambridge University Press.
Cosgrove, D. E., & Daniels, S. (1988). The iconography of landscape: essays on the
symbolic representation, design and use of past environments (Vol. Cambridge studies in
historical geography). Cambridge: Cambridge University Press.
Cosgrove, D. E., & ebrary, Inc. (2008). Geography and vision: seeing, imagining and
representing the world (Vol. International library of human geography). London: I.B. Tauris.
Retrieved from http://site.ebrary.com/lib/uon/Doc?id=10267532
Cracking the Paris Carrières: Corporal Terror and Illicit Encounter Under the City of Light.
(n.d.). Retrieved from http://www.acme-journal.org/vol10/Garrett2011.pdf
Cresswell, T. (2006). ‘You cannot shake that shimmie here’: producing mobility on the
dance floor. Cultural Geographies, 13(1), 55–77.
https://doi.org/10.1191/1474474006eu350oa
Cresswell, T., & MyiLibrary. (2006). On the move: mobility in the modern Western world.
New York: Routledge. Retrieved from http://lib.myilibrary.com/Open.aspx?id=415444
Daniels, S., & Paul Mellon Centre for Studies in British Art. (1999). Humphry Repton:
landscape gardening and the geography of Georgian England. New Haven, Conn: Yale
University Press.
Daniels, S., & Veale, L. (2014). Imagining coastal change: reflections on making a film.
Cultural Geographies, 21(3), 497–504. https://doi.org/10.1177/1474474013503620
Desforges, L., & Maddern, J. (2004). Front doors to freedom, portal to the past: history at
the Ellis Island immigration museum, New York. Social & Cultural Geography, 5(3),
437–457. https://doi.org/10.1080/1464936042000252813
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DeSilvey, C. (2006). Observed Decay: Telling Stories with Mutable Things. Journal of
Material Culture, 11(3), 318–338. https://doi.org/10.1177/1359183506068808
DeSilvey, C. (2010). Memory in motion: soundings from Milltown, Montana. Social &
Cultural Geography, 11(5), 491–510. https://doi.org/10.1080/14649365.2010.488750
DeSilvey, C., Ryan, J. R., & Bond, P. b. S. (2014). 21 stories. Cultural Geographies, 21(4),
657–672. https://doi.org/10.1177/1474474013500358
Deutsche, R., & Graham Foundation for Advanced Studies in the Fine Arts. (1996a).
Evictions: art and spatial politics (Vol. Graham Foundation/MIT Press series in
contemporary architectural discourse). Cambridge, Mass: MIT Press.
Deutsche, R., & Graham Foundation for Advanced Studies in the Fine Arts. (1996b).
Evictions: art and spatial politics (Vol. Graham Foundation/MIT Press series in
contemporary architectural discourse). Cambridge, Mass: MIT Press.
Dewsbury, J. D., Harrison, P., Rose, M., & Wylie, J. (2002). Enacting geographies. Geoforum,
33(4), 437–440. https://doi.org/10.1016/S0016-7185(02)00029-5
Dixon, D. P., Hawkins, H., & Straughan, E. R. (2013). Wonder-full geomorphology: Sublime
aesthetics and the place of art. Progress in Physical Geography, 37(2), 227–247.
https://doi.org/10.1177/0309133312457108
Duncan, J. S., Johnson, N. C., & Schein, R. H. (2004). A companion to cultural geography
(Vol. Blackwell companions to geography). Malden, Mass: Blackwell Pub.
Edensor, T. (2005). Waste Matter - The Debris of Industrial Ruins and the Disordering of
the Material World. Journal of Material Culture, 10(3), 311–332.
https://doi.org/10.1177/1359183505057346
Enigbokan, A., & Patchett, M. (2012). Speaking with specters: experimental geographies in
practice. Cultural Geographies, 19(4), 535–546.
https://doi.org/10.1177/1474474011422030
Foster, K., & Lorimer, H. (2007). Cultural geographies in practice: Some reflections on
art-geography as collaboration. Cultural Geographies, 14(3), 425–432.
https://doi.org/10.1177/1474474007078210
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https://doi.org/10.1068/d18010
Geography and the Visual Image: A Hauntological Approach. (n.d.). Retrieved from
http://ftp.humansemantics.pro/Mapping/Geography%20and%20the%20visual%20image.%
20A%20hauntological%20approach.pdf
Graziani, R. (2004). Robert Smithson and the American landscape (Vol. Contemporary
artists and their critics). Cambridge: Cambridge University Press.
Hawkins, H. (2010). ‘The argument of the eye’? The cultural geographies of installation art.
Cultural Geographies, 17(3), 321–340. https://doi.org/10.1177/1474474010368605
Hawkins, H. (2013a). Geography and art. An expanding field: Site, the body and practice.
Progress in Human Geography, 37(1), 52–71. https://doi.org/10.1177/0309132512442865
Hawkins, H. (2013b). Geography and art. An expanding field: Site, the body and practice.
Progress in Human Geography, 37(1), 52–71. https://doi.org/10.1177/0309132512442865
Hawkins, H. (2014). For creative geographies: geography, visual arts and the making of
worlds (Vol. Routledge advances in geography). New York: Routledge. Retrieved from
http://Nottingham.eblib.com/patron/FullRecord.aspx?p=1461198
Heffernan, M. (1995). For Ever England: the Western Front and the Politics of
Remembrance in Britain. Cultural Geographies, 2(3), 293–323.
https://doi.org/10.1177/147447409500200304
Hoelscher, S., & Alderman, D. H. (2004). Memory and place: geographies of a critical
relationship. Social & Cultural Geography, 5(3), 347–355.
https://doi.org/10.1080/1464936042000252769
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Housefield, J. (2007). Sites of time: organic and geologic time in the art of Robert Smithson
and Roxy Paine. Cultural Geographies, 14(4), 537–561.
https://doi.org/10.1177/1474474007082293
Jarausch, K. H., Geyer, M., & ebrary, Inc. (2003). Shattered past: reconstructing German
histories. Princeton, N.J.: Princeton University Press. Retrieved from
http://site.ebrary.com/lib/uon/Doc?id=10359261
Johnson, N. C. (1999). The spectacle of memory: Ireland’s remembrance of the Great War,
1919. Journal of Historical Geography, 25(1), 36–56.
https://doi.org/10.1006/jhge.1998.0106
Johnston, C., & Bajrange, D. (2014). Street Theatre as Democratic Politics in Ahmedabad.
Antipode, 46(2), 455–476. https://doi.org/10.1111/anti.12053
Johnston, C., & Lorimer, H. (2014). Sensing the city. Cultural Geographies, 21(4), 673–680.
https://doi.org/10.1177/1474474013500225
Johnston, C., & Pratt, G. (2010). Nanay (Mother): a testimonial play. Cultural Geographies,
17(1), 123–133. https://doi.org/10.1177/1474474009350003
Kwon, M. (2002). One place after another: site-specific art and locational identity.
Cambridge, Mass: MIT Press.
LaCapra, D. (1998). History and memory after Auschwitz. Ithaca, N.Y.: Cornell University
Press.
Landing: Eight Collaborative Projects between Artists and Geographers - Research - Royal
Holloway, University of London. (n.d.). Retrieved from
http://pure.rhul.ac.uk/portal/en/publications/landing-eight-collaborative-projects-between-a
rtists-and-geographers(0992dd8d-b7a8-4eb6-bc47-9a087f917f6a).html
Latham, A. (2003). Research, performance, and doing human geography: some reflections
on the diary-photograph, diary-interview method. Environment and Planning A, 35(11),
1993–2017. https://doi.org/10.1068/a3587
Latham, A., & Conradson, D. (2003). The possibilities of performance. Environment and
Planning A, 35(11), 1901–1906. https://doi.org/10.1068/a3646
Laurier, E., & Philo, C. (2006a). Cold shoulders and napkins handed: gestures of
responsibility. Transactions of the Institute of British Geographers, 31(2), 193–207.
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https://doi.org/10.1111/j.1475-5661.2006.00205.x
Laurier, E., & Philo, C. (2006b). Possible geographies: a passing encounter in a caf�. Area,
38(4), 353–363. https://doi.org/10.1111/j.1475-4762.2006.00712.x
Laurier, E., & Philo, C. (2007). ‘A parcel of muddling muckworms’: revisiting Habermas and
the English coffee-houses. Social & Cultural Geography, 8(2), 259–281.
https://doi.org/10.1080/14649360701360212
Longhurst, R. (2001). Bodies: exploring fluid boundaries (Vol. Critical geographies). London:
Routledge.
Lorimer, H. (2003a). Telling small stories: spaces of knowledge and the practice of
geography. Transactions of the Institute of British Geographers, 28(2), 197–217.
https://doi.org/10.1111/1475-5661.00087
Lorimer, H. (2003b). The geographical field course as active archive. Cultural Geographies,
10(3), 278–308. https://doi.org/10.1191/1474474003eu276oa
Lorimer, H. (2006). Herding memories of humans and animals. Environment and Planning
D: Society and Space, 24(4), 497–518. https://doi.org/10.1068/d381t
Mackenzie, A. F. D. (2006). ‘Against the tide’: placing visual art in the Highlands and
Islands, Scotland. Social & Cultural Geography, 7(6), 965–985.
https://doi.org/10.1080/14649360601055888
Macpherson, H., & Bleasdale, M. (2012). Journeys in ink: re-presenting the spaces of
inclusive arts practice. Cultural Geographies, 19(4), 523–534.
https://doi.org/10.1177/1474474012442820
Matless, D., & Revill, G. (1995). A Solo Ecology: the Erratic Art of Andy Goldsworthy.
Cultural Geographies, 2(4), 423–448. https://doi.org/10.1177/147447409500200404
Merriman, P., & Webster, C. (2009). Travel projects: landscape, art, movement. Cultural
Geographies, 16(4), 525–535. https://doi.org/10.1177/1474474009340120
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Middleton, J. (2010). Sense and the city: exploring the embodied geographies of urban
walking. Social & Cultural Geography, 11(6), 575–596.
https://doi.org/10.1080/14649365.2010.497913
Miles, M. (1997a). Art, space and the city: public art and urban futures. London: Routledge.
Miles, M. (1997b). Art, space and the city: public art and urban futures. London: Routledge.
Mitchell, W. J. T. (2002). Landscape and power (2nd ed). Chicago: University of Chicago
Press.
Mogel, L., & Bhagat, A. (2007). An atlas of radical cartography. Los Angeles: Journal of
Aesthetics & Protest Press.
Morris, N. J., & Cant, S. G. (2006). Engaging with place: artists, site-specificity and the
Hebden Bridge Sculpture Trail. Social & Cultural Geography, 7(6), 863–888.
https://doi.org/10.1080/14649360601055805
Muzaini, H. (2015). On the matter of forgetting and ‘memory returns’. Transactions of the
Institute of British Geographers, 40(1), 102–112. https://doi.org/10.1111/tran.12060
Nash, C. (2000). Progress reports, Performativity in practice: some recent work in cultural
geography. Progress in Human Geography, 24(4), 653–664.
https://doi.org/10.1191/030913200701540654
Neate, H. (2012). Provinciality and the art world: the Midland Group 1961–1977. Social &
Cultural Geography, 13(3), 275–294. https://doi.org/10.1080/14649365.2012.678377
Nelson, L. (1999). Bodies (and Spaces) do Matter: The limits of performativity. Gender,
Place & Culture, 6(4), 331–353. https://doi.org/10.1080/09663699924926
Nora, P. (1989). Between Memory and History: Les Lieux de Mémoire. Representations,
(26), 7–24. https://doi.org/10.2307/2928520
Paul Strand and the Atlanticist Cold War. (n.d.). Retrieved from
http://www.frasermacdonald.com/wp-content/uploads/2012/06/MacDonald-F-Hist-Photog-2
004.pdf
Peet, R., & Thrift, N. J. (2001). New models in geography: the political-economy perspective
. London: Routledge.
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https://doi.org/10.1191/1474474005eu342xx
Pile, S. (2010). Emotions and affect in recent human geography. Transactions of the
Institute of British Geographers, 35(1), 5–20.
https://doi.org/10.1111/j.1475-5661.2009.00368.x
Pinder, D. (1996). Subverting cartography: the situationists and maps of the city.
Environment and Planning A, 28(3), 405–427. https://doi.org/10.1068/a280405
Pinder, D. (2001). Ghostly Footsteps: Voices, Memories and Walks in the City. Cultural
Geographies, 8(1), 1–19. https://doi.org/10.1177/096746080100800101
Pinder, D. (2005c). Visions of the city: utopianism, power and politics in twentieth-century
urbanism. Edinburgh: Edinburgh University Press.
Pinder, D. (2005d). Visions of the city: utopianism, power and politics in twentieth-century
urbanism. Edinburgh: Edinburgh University Press.
Pinder, D. (2011). Errant paths: the poetics and politics of walking. Environment and
Planning D: Society and Space, 29(4), 672–692. https://doi.org/10.1068/d10808
Pratt, G., & Johnston, C. (2007). Turning theatre into law, and other spaces of politics.
Cultural Geographies, 14(1), 92–113. https://doi.org/10.1177/1474474007072821
PRATT, G., & JOHNSTON, C. (2013). STAGING TESTIMONY IN. Geographical Review, 103(2),
288–303. https://doi.org/10.1111/gere.12019
Rogers, A. (2012). Geographies of the Performing Arts: Landscapes, Places and Cities.
Geography Compass, 6(2), 60–75. https://doi.org/10.1111/j.1749-8198.2011.00471.x
Rose, G. (1997). Engendering the Slum: Photography in East London in the 1930s. Gender,
Place & Culture, 4(3), 277–300. https://doi.org/10.1080/09663699725350
Rosenthal, M., Payne, C., Wilcox, S., Paul Mellon Centre for Studies in British Art, & Yale
Center for British Art. (1997). Prospects for the nation: recent essays in British landscape,
1750-1880 (Vol. Studies in British art). New Haven, Conn: Yale University Press.
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Rycroft, S. (2012). Art and micro-cosmos: kinetic art and mid-20th-century cosmology.
Cultural Geographies, 19(4), 447–467. https://doi.org/10.1177/1474474012447538
Sjoholm, J. (2014). The art studio as archive: tracing the geography of artistic potentiality,
progress and production. Cultural Geographies, 21(3), 505–514.
https://doi.org/10.1177/1474474012473060
Sturken, M. (1997). Tangled memories: the Vietnam War, the AIDS epidemic, and the
politics of remembering. Berkeley: University of California Press.
Thrift, N. (2003). Performance and .... Environment and Planning A, 35(11), 2019–2024.
https://doi.org/10.1068/a3543a
Thrift, N., & Dewsbury, J.-D. (2000). Dead geographies—and how to make them live.
Environment and Planning D: Society and Space, 18(4), 411–432.
https://doi.org/10.1068/d1804ed
Till, K. E. (1999). Staging the past: landscape designs, cultural identity and
Erinnerungspolitik at Berlin’s Neue Wache. Cultural Geographies, 6(3), 251–283.
https://doi.org/10.1177/096746089900600302
Till, K. E., & ebrary, Inc. (2005). The new Berlin: memory, politics, place. Minneapolis:
University of Minnesota Press. Retrieved from
http://site.ebrary.com/lib/uon/Doc?id=10151215
Tolia-Kelly, D. P. (2012). The geographies of cultural geography II: Visual culture. Progress
in Human Geography, 36(1), 135–142. https://doi.org/10.1177/0309132510393318
Tolia‐Kelly, D., & Morris, A. (2004). Disruptive Aesthetics? Third Text, 18(2), 153–167.
https://doi.org/10.1080/0952882032000199678
Tyner, J. A., & MyiLibrary. (2012). Genocide and the geographical imagination: life and
death in Germany, China, and Cambodia. Lanham: Rowman & Littlefield Publishers.
Retrieved from http://www.myilibrary.com?id=367677
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Woodyer, T. (2012). Ludic geographies: not merely child’s play. Geography Compass, 6(6),
313–326. https://doi.org/10.1111/j.1749-8198.2012.00477.x
Wylie, J. (2005). A single day’s walking: narrating self and landscape on the South West
Coast Path. Transactions of the Institute of British Geographers, 30(2), 234–247.
https://doi.org/10.1111/j.1475-5661.2005.00163.x
Wylie, J. (2007). The spectral geographies of W.G. Sebald. Cultural Geographies, 14(2),
171–188. https://doi.org/10.1177/1474474007075353
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