C O R R E L A T I O N O F S O U N D A N 3 C O L O R

The H E S T U Publishing Co.

Boston. Mass.
193;
Copyright, 1531
by
Pacl Fester Ch::a
 CORRELATION OF SOUND A&rD GOLOR i.
I n t h e order of t h e Life-puwer's s e l f - e x p r e s s i o n ,
sound, precedes l i g h t . A very a n c i e n t S a n s k r i t book t e l l s of
Shabda-Brahma, t h e sound-divinity, which i a t h e root-potency
of a l l m a n i f e s t a t i o n . I t s a y s , "Through sound t h e world
)I
stands. Pythagoras t a u g h t t h e same t h i n g . So did P l a t o ,
Both were i c s t r u c t e d by Egyptian h i e r o p h e n t s . From them
they l e a r n e d t h a t t h e p h y s i c a l u n i v e r s e i s c a l l e d f o r t h from
chaos by ordered, rhythmic sound. Moses, i n i t i a t e d i n t h e
same Egyptian achools, began Genesis w i t h an account of a
s e r i e s of c r e a t i v e a c t s introduced by t h e words, "And God.
s a i d . " The Hebrews and t h e Greeks a l i k e were i n s t r u c t e d i n
a s e c r e t wisdom which had f o r a c e n t r a l t e n e t t h e i d e a t h a t
t h e laws of musical p r o p o r t i o n a r e expressed i n a l l t h i n g s ,
When S t . John wrote of t h e Logos, or C r e a t i v e Word, ' ' ~ h r o ~ ~ h
him a l l t h i n g s were made, and t h a t which h a t h been made was
l i f e i n him," he s i n p l y published openly what had long been
t r a n s m i t t e d from mouth t o e a r i n e s o t e r i c s c h o o l s .

"That which h a t h been made was l i f e i n him: and t h e

I1
l i f e w a s t h e l i g h t of men, i s t h e c o r r e c t v e r s i o n of t h a t
!l
passage from S t . J o h n ' s Gospel which i s u s u a l l y rendered, I n
him was l i f e . ' ' Read t h c sentence a s though you had never seen
it before. Then you w i l l p e r c e i v e t h a t t h e f i r s t c l a u s e says
e x p l i c i t l y t h a t L i f e i n t h e C r e a t i v e Word was t h e o r i g i n a l
s t a t e of everything. T h i s means t h a t p l a n e t s and people,
houses and h i l l s , t a b l e s and t r e e s , a r e e x p r e s s i o n s of l i f e .
P h y s i c i ~ t stoday say t h e v e r y same thing--only t h e y c a l l
l i f e by a n o t h e r name, "e lectro-magnetic energy. n

"The l i f e was t h e l i g h t of men. II The v i t a l p r i n c i p l e

of t h e C r e a t i v e fiord was, and i s , t h e l i g h t we know--even
t h e p h y s i c a l l i g h t which s h i n e s upon t h i s o a r t h from sun and
moon and s t a r s . I t i s n o t merely t h e p h y s i c a l l i g h t . Never-
t h e l e ~ s ,it i s a r a d i a n t v i b r a t i o n which i n c l u d e s t h a t physi-
c a l l i g h t amon5 i t s manif e s t o t i o n s ,

This i s what Western o c c u l t s c h o o l s have always c c l l e d

L.V.X., which i s L a t i n f o r " l i g h t " . The word i s w r i t t e n w i t h
period€ between i t s l e t t e r s , t o i n d i c a t e a hidden meaning con-
nected w i t h t h e numerals r e p r e s o n t c d by i t s t h r e e c h a r a c t e r s .
I n Roman numeration L i s 50, V i s 5, and X i s 10, so t h a t
L.V.X. s t a n d s f o r 65. This number h a s many profound o c c u l t
meanings, which it i s impossible t o d i s c u s s i n t h e s o pages,

9
except i n t h e b r i e f e s t way. Enough t o say h e r e t h a t t h e
number 6 i s e q u i v a l e n t t o t h e s i x - p o i n t e d s t a r , P aymbol
of t h e u n i v s r s s and i t s f o r c e s , w h i l e 5 i s equiva e n t t o t h e
Pentagram, o r f ive-pointed s t a r , , which symbolizes Man,
 SOUND AND COLOR .
2 .
and h i s dominion over n a t u r a l f o r c e s . Hence t h e number 65,
r e a d from d i g i t s t o t e n s , means, "The power of man, expressed
t h r o u g h t h e f o r c e s of t h e universe." , k n , says occult science
i s t h e temple, or abode, of t h e r u l i n g power of t h e u n i v e r s e ,
end i n Hebrew t h e word Y I K L, Haikal, "temple , i s a l s o num-
tI

bered 65. Furthermore t h e word f o r "Lord" i n t h e same language

is A D N I , Adonai, and t h i s i e a l s o 65. L.V.XA t h e r e f o r e
h i n t s t h a t t h e v i t a l r a d i a n t energy of t h e C r e a t i v e Word i s in-
c a r n a t e i n man ("the Word was f l e s h n ) , and s u g ~ e s t at h e idea
t h a t human p e r s o n a l i t y i~ t h e temple of t h e r u l f n g pchrer of t h e
u n i v e r s e . The c r e a t i v e and c o n t r o l l i n g power i s c e n t e r e d ih
YOU, s a y s t h i s o c c u l t t e a c h i n g . Your d e s t i n y i~ t o e x e r c i s e
t h i s power, t o be i t s channel, i n s t r u m e n t , and v e h i c l e .

Bearing t h i s i n mind, it w i l l be w e l l f o r you t o t r y

your b e s t t o undsrstand t h a t t h i s p a r t i c u l a r p o r t i o n of t h e
s e c r e t wisdom c h i c h now comes into your hands through t h e medi-
um of t h i s t e x t h a s not come t o you by chance. You have r e -
ceived it i n order t o prepare you t o become a more p e r f e c t ve-
h i c l e f o r t h e c r e a t i v e and t r a n s f o r m i n g energy of t h e One Life.
This knowledge i s a t r u s t . Use it c a r e f u l l y and w i s e l y .

Though manifested i n many p l a c e s , i n an i n f i n i t e v a r i e t y

of appearances, l i f e and l i g h t a r e one. The r o o t of t h i s Liv-
-
i n g Light i s t h e mode of v i b r a t i o n termed sound. Even s k e p t i -
c a l p h y s i c i s t s have been obliged by t h e evidence gained in
t h e i r l l a b o r a t o r i e s t o come v e r y c l o s e t o complete acceptance of
t h i s d o c t r i n e . Their experiments have shown them t h a t a l l
p h y s i c a l t h i n g s a r e e x p r e s s i o n s of a s i n g l e energy. They
knaw t h a t every e:lergy-expression i s a mode of v i b r a t i o n , and
t h e y f i n d sound a t t h e beginning of t h e v i b r a t o r y a o a l e .

Year6 ago, i n an e d d r e s s before t h e B r i t i s h A s s o c i a t i o n

f o r t h e Advancement of Science, S i r W i l l i a m Crookes described
a s c a l e of v i b r a t i o n s , beginning w i t h two p e r second. By r e -
p e a t e d l y doubling thc. number of p u l s a t i o n s per second, h i s
t a b l e gave a s e r i e s of o c t a v e s . A t t h e l 5 t h octhve, t h e v i -
b r a t i o n s ceased t o Se a u d i b l e t o human e a r s . Then come s e v e r a l
o c t a v e s whose a c t i v i t i e s have n o t been d e t e c t e d a s y e t by exo-
t e r i o s c i e n c e , although o c c u l t s c i e n c e knows something about
them. The 20th t o 3 5 t h o o t a v e s a r e t h o s e o f e l e c t r i c i t y . Dr.
F. F. Strong has i d e n t i f i e d t h e 35th t o 4 5 t h o c t a v e s a s t h o s e
of t h e nerve c u r r e n t s of t h e human body. The 46th, 47th, and
48th octaves a r e h e a t v i b r a t i o n s . They a r e followed by ~ e v e r a l
o c t a v e s of l i g h t . Beyond l i g h t i s a n o t h e r unknown s e r i e s .
Then come t h e X-rays, and t h e s e may be followed by any number
of o c t r v e s , a € y e t u n c l a s s i f i e d .
 SOUND AND COLQR 3.

From considering t h i s s c a l e , it becomes e v i d e n t t h a t

when t h e Life-power awakens i t s mysterious a c t i v i t y a t t h e be-
g i ~ i n gof a c y c l e of m a n i f e s t a t i o n , t h o s e v i b r a t i o n s which we
recognize a s sound come i n t o . e x i s t e n c e before t h e more r a p i d
p u l s a t i o n s of e l e c t r i c i t y and l i g h t . Thus modern s c i e n c e con-
f i r m s t h e a n c i e n t o c c u l t t e a c h i n g t h a t sound i s t h e r o o t sf
p h y s i c a l e x i s t e n c e . "It i s out of Sound t h a t e v e r y form comes,
n
and it i s i n Sound t h a t every form l i v e s .

SOUND AND corn

A s we hear it, sound i s an atmospheric v i b r a t i o n .
Color, as we perceive it i n n a t u r e , i s almost wholly con-
f i n e d t o r e f l e c t e d l i g h t , t o some degree modified by atmos-
p h e r i c d i v i s i o n . Color i s sensed through t h e a c t i v i t y of a
s u b t l e r medium t h a n a i r , u s u a l l y termed "ether."

What i s known a s t h e standard p i t c h of t h e sound named

"Middle C" i n t h e musical s c a l e i s t h e e f f e c t produced upon
t h e e a r and sound-center i n t h e b r a i n by 256 v i b r a t i o n s of
t h e atmosphere per second. This i s a l i t t l e slower, or " f l a t t e r n ,
t h a n t h e musical p i t c h now i n g e n e r a l u s e , b u t t h e t l i g h t v a r i a -
t i o n does n o t i n t e r f e r e with p r a c t i c a l work.

NOW, i f you double t h e number 256 o f t e n enough, you

c a r r y t h e note "C" up through t h e musical s c a l e t o t h e l i m i t a
of h e a r i n g . A f t e r t h a t , r e p e a t e d doubling of t h e number of
v i b r a t i o n s per second w i l l s t i l l g i v e you a s e r i e s of ' C f s , n
octave a f t e r o c t a v e , through t h e unknown p l a n e of v i b r a t i o n s
between sound and e l e c t r i c i t y . Continue t h e p r o c e s s of
doubling t h e r a t e of v i b r a t i o n , and you g e t another s e r i e s
of "C I s , 11 up through t h e e l e c t r i c a l o c t a v e s , t h e n i n t o t h e
octaves corresponding t o t h e human nerve c u r r e n t s , t h e n i n t o
t h e octaves corresponding t o h e a t and l i g h t .

I t i s i n t h e light-wave octaves t h a t we work w i t h color.

Here t h e medium, i n s t e a d of a i r , i s e t h e r . The shape and
d i r e c t i o n of t h e light-waves, moreover, i s d i f f e r e n t from t h a t
of sound-waves. I t i s i n t h e NUMBER of waves per seoond t h a t
t h e c o r r e l a t i o n c o n s i s t s . The p o i n t t o remember i s t h a t i f
you double 256 o f t e n enough, you w i l l f i n a l l y oome t o t h e exaot
number of v i b r a t i o n s p e r second, working through l i g h t - r ~ a v e e ,
which g i v e t h e human eye t h e s e n s a t i o n "red."

I n t h e same way, every semi-tone of t h e musical s c a l e i s

represented by a g i v e n number of v i b r a t i o n s p e r second, which,
when r e p e a t e d l y doubled, becomes t h e number of v i b r a t i o n s per
 SOUND AND COLOR 4.

ueoond which g i v e s a corresponding c o l o r - s e n s a t i o n , Thus we

a r e a b l e t o c o n s t r u c t s c i e n t i f i c a l l y a chromatic s c a l e of
o o l o r s corresponding t o t h e chromatic s c a l e of 6ounds. When
we do s o , we f i n d t h a t w e have an e x a c t c o l o r correspondenoe
t o t h e twelve semi-tones of t h e musical s c a l e .

T h i s t e a c h i n g was received from e s o t e r i c s o u r c e s t o which

we a l e o t r a c e t h e i n v e n t i o n of t h e T a r o t . Even by bs i t . h a s
long Seen held i n r e s e r v e . But t h e independent investigation^
of Edward Maryon, who worked out t h e c o r r e l a t i o n s from sound
t o c o l o r w i t h t h e h e l p of such eminent s c i e n t i s t s a6 Crookes,
Becquerel and o t h e r s , made imperative a p a r t i a l d e c l a r a t i o n of
t h i s kn ledge a s long ago a s 1920. S i n c e t h e n t h e work of
9
William r a e t a s has a l s o been made p u b l i c , and ha^ been edapted
t o a v a r i e t y of o o m e r c i a l u s e s by t h e Taylor System of Color&
Harmony L

I n s h o r t , t h e e s s e n t i a l s of t h e t e a c h i n g B O long kept
s e c r e t i n o c c u l t f r a t e r n i t i e s a r e now p u b l i c p r o p e r t y . For
t h i s r e a s o n t h e I n n e r School deems it a d v i s a b l e a t t h i s time
t o g i v e f o r t h even more s p e c i f i c t e a c h i n g . T h i s i s done so
t h a t prepared minds may use c o l o r and sound i n oonnection w i t h
Tarot f o r mental c o l o r - h e a l i n g , f o r t h e development of a well-
rounded human consciousness, and f o r t h e l i b e r a t i o n of t h e pro-
founder powers of subconsciousness i n works of t h a t t r u e ldagia
of Light which from time immemorial h a s been c a l l e d "theurgy,"
o r "working a s God works ,"

COLOR SCALES AM> DIAGRAMS.

A t t h e end of t h e t e x t you w i l l f i n d black-and-white

o u t l i n e s of t h e v a r i o u s s c a l e s and diagrams which w i l l h e l p you
b e t t e r t o understand t h e c o r r e l a t i o n s between sound and c o l o r
and t h e T a r o t . They a r e planned t o be copied from t h e t e x t .
The equipment r e q u i r e d for t h i s i s a s f o l l o w s ;

1. Three s h e e t s of b r i s t o l - b o a r d , size 9 by 12 inches, p r e f e r -

ably black.

2. A r u l e r , a p e n a i l , and a p a i r of compasses.

3. h r e n t y - f i v e s h e e t s of Milton B r a d l e y ' s "Trutonen t i n t e d

paper. These t i n t e d s h e e t s a r e enclosed i n a pocket a t
t h e end of t h i ~book.

DIAGRAM No, 1 i s t h e c o l o r wheel corresponding t o ' t h e

twelve major trumps which r e p r e s e n t t h e twelve e i g n s of t h e
 SOUND A m comli
zodiac. It begins w i t h r e d , i n t h e space corresponding t o t h e
Emperor and A r i e s , and c o n t i n u e s through t h e twelve c o l o r semi-
t o n e s t o v i o l e t - r e d , which occupies t h e same space correrpond-
i n g t o Key 18 and P i s c e s . T h i s r e q u i r e s a l l t h e t i n t s i n t h e
package of paper w i t h t h e e x c e p t i o n of l i g h t yellow.

To make i t , draw on a p i e c e of b f i s t o l - b o a r d , p r e f e r a b l y
b l a c k , s i z e 9 by 12 incheu, a c i r c l e t h e same s i z e a s t h a t i n
t h e diagram, and d i v i d e it i n t b twelve e q u a l p a r t s .

Now, begin w i t h t h e r e d paper, and c u t o u t a wedge-shaped

p i e c e t h e same r i z e h s t h e d i v i s i o n marked 4 on t h e wheelr
P a s t e it w i t h l i b r a r y p a s t e i n t h e corfbsponding s e c t i o n of t h e
wheel you have drawn. Continue with t h e twelve t i n t s named i n
t h e diagram. Be s u r e t h a t i n t h e f i f t h spaoe, corresponding
t o S t r e n g t h and t h e s i g n Leo, you p u t t h e deeper tint of y e l l o u .

Complete t h e diagram by w r i t i n g t h e number o f t h e T a r o t

Key and t h e symbol of t h e z o d i a c a l s i g n corresponding t o each
space. . Use w h i t e ink f o r t h i s .

DIAGRAM No. 2 i s t h e musioal s o a l e of c o l o r c The oirou-

l a r n o t e s a r e t o be c u t o u t of t h e t i n t e d paper K i t h a punch.
Rule t h e l i n e s on black b r i s t o l - b o a r d w i t h w h i t e ink. If you
r e a d music, you w i l l n o t need t o w r i t e i n t h e names of t h e n o t e s .
otherwise be sure t o do so.

DIAGRAM No. 3 shows t h e t e n nemes corresponding t o t h e num-

b e r s from 1 t o 10, K i t h t h e i r musical and color-correspondences.
The s p e l l i n g s of t h e s e names ( i n E n g l i s h l e t t e r s corresponding
t o t h e Hebrew c h a r a c t e r s ) , and t h e i r p r o n u n c i a t i o n , a r e a s follows:

1. A 9 I H , pronounced Ay-hay-yeh.
2. I H, pronounced Yah.
3. A L H I M, pronounced ~ ~ - ~ i l - o h - h d - e e (when
rn intoned. )
4. A L, pronounced ~ $ - ~ (when
i l intoned).
5.
00-oor .
A L H i M G B V R , intoned a s ~y-yil-oh-he'-eem Gi-boo-

/
6. A L H V D 0 Th, intonsd Ayl-oh-ah oah-d&-ath.
7. I H V E Tz B A V Th, i n t o n e d Yohd-by-Waw-Hay Tzeh-
,
bah-00-00th. /
8. A L B I M Te B A V Th, i n t o n e d AY-yil-oh-h&-esm ~ d h -
bah-00-00th.
9. Sh D I A L Ch I , intoned Shah-ddh-ee ~ y - ~ iah-pd. l
10. A D N I M L K, intoned Ah-doh-nah-yee May-yil-dk.

N. B. The time-values of a l l t h e s e i n t o n a t i o n s a r e based on crix-

e i g h t time. I f you do n o t understand musical n o t a t i o n , g e t some
 SOUND AND COLOR 6.
I n
musical f r i e n d t o s i n g o r p l a y them f o r you. Double o as inn
Gi-boo-00-oor and Tsah-bah-oo-ooth, i s pronounced a s i n "boot.

These t e n names correspond t o t h e t e n minor trumps of

each T a r o t s u i t , from Ace t o Ten. They a l s o correspond t o t h e
t e n s t a t e m e n t s i n t h e P a t t e r n on t h e T r e s t l e - b o a r d , from 1 t o 10.
The meanings of t h e names a r e a s follows:

1. AHIB, Existence.
2. I H , R e a l i t y ( t h e s h o r t form of IHVH, whioh means "That
which w a s , t h a t which i s , t h a t whioh w i l l be t h e only
Reality. " )
3. AUIIM, The C r e a t i v e P m e r s .
4. AL, Strength.
5. ALHIM CIBVR, The Force of t h e C r e a t i v e Powers.
6. ALH VDOTh, S t r e n g t h and Knowledge
7. IHVH TzBAVTh, R e a l i t y (manifested i n ) Hosts ( o f forms).
8. ALHIM T Z B ~ ~ TThe ~ , C r e a t i v e Powers (manifested i n )
Hosts (of forms).
9. ShDI hL ChI, Almighty S t r e n g t h of L i f e .
10. ADNI MLK, h r d ( a n d ) King.

DIAGRAM No. 4 i s t h e c o l o r e q u i v a l e n t of t h e Tarot t a b

leau which i s given t o a l l Tarot s t u d e n t s . It r e q u i r e s no f u r -
t h e r e x p l a n a t i o n i n t h e s e pages, s i n c e t h e s i g n i f i o a n o e of the
c o l o r s w i l l be f u l l y given i n t h e ,remainder of t h i s t e x t .

If you l i k e , you may a l s o f i l l in t h e diagrams of t h i s

t e x t w i t h t h e t i n t e d paper, f o r you w i l l have p l e n t y of m a t e r i a l .
But be s u r e t o make a s e t of t h e f o u r diagrams, mounted on
black b r i s t o l - b o a r d , so t h a t t h e y can be s e t up on a t a b l e , sup-
ported by a p i l e of books, where you can look a t them, a s d i r e c t e d
later i n this text.

I n a d d i t i o n t o t h e four diagrams, mount t h e o t h e r twelve

h a l f - s h e e t s on b l a c k b r i s t o l - b o a r d . The b e s t s i z e of board i e
9 by 1 2 inches. Take t h e l i g h t yellow s h e e t , and mount i t , t o o ,
so t h a t you w i l l have t h i r t e e n plaques mounted f o r your h e a l i n g
work

PUdWTARY COLORS

I n a n c i e n t e x o t e r i c a s t r o l o g y c a l c u l a t i o n s were made from

t h e p o s i t i o n s and a s p e c t s o f t h e Sun, Moon, Mercury, Venus, Mars,
J u p i t e r , and Saturn. Since Uranus and Neptune were d i s o w e r e d by
astronomers, t h e r e p l a n e t s have a l s o been c o n s i d e r e d i n modern
horoscopes. Occult t e a c h i n g says t h e r e i s a n o t h e r planet, Vuloan.
 SOUND AND COLOR 7.

I t i s s a i d t o be t h e octave, or higher v i b r a t i o n , of Mars, as

Uranus i s t h e octave or Mercury, and Neptune of Venus.

Readers of these pages who know a s t r o l o g y w i l l , of oourse,

a p p r e c i a t e aome of t h e f i n e p o i n t s here i n d i c a t e d b e t t e r than
w i l l t h o s e t o whom t h e science of t h e a t a r s i s unfamiliar. hat
t h e l a t t e r may take comfort. One needn't be an a s t r o l o g e r i n
order t o grasp and use t h i s color-eoClnd i n s t r u c t i o n i It i s , h w -
ever, necessary t o l e a r n t h e names of t h e twelve sign8 and t h e
ocoult " s t a r s . !I
Remember t h a t t h e s i g n s represent l l t h e tmelve basio hu-
man types of l i f e exprersion, while t h e a t u a " r e p r e r e n t
phases of thm One L i f b d f b r ~ 9Whioh, though a c t i v e throughoiit
t h e universe, have t h e same general q u a l i t i e r in every human
being, no matter t o which one of t h e twelve types he may belong.

You w i l l g r e a t l y simplify your work i f you t h i n k of t h e s e

p l a n e t a r y names a s being merely ahort, convenient l a b e l s f o r
t h e various phaaes of your personal energy. When we say nMer8",
f o r instance, we a r e not r e f e r r i n g t o a p l a n e t in t h e rky. We
mean something t h a t i s p a r t of your personal mnke-up, t h a t you
have always w i t h you, and t h a t has a p a r t i c u l a r kind of work
t o do through your p e r s o n a l i t y . So w i t h a l l t h e o t h e r 8 t ~ ~ r

NEPTUNE i s represented in t h e color-scale by blue, be-

cause i n Tarot t h i s planet corresponds t o t h e Hanged
?dm, which ISey a l s o corresponds t o t h e element Water,
symbolized by t h e color blue. The musical tone i s G-aharp or
A-f l a t.
URANUS i s pale yellow. I t r e p r e s e n t e a very high intona-
t i o n of E-natural, beyond t h e range of t h e human voioe.
This influence, however, m y be induoed by singing any
E-natural within one 's vocal range. ht t h e color vibra-
t i o n used f o r t h i s planet should always -be pale yellow. This
t i n t a l s o r e p r e s e n t s t h e element a i r , t h e Life-Breath, and Fiery
Intelligence .
W U = U has a s y e t no generally accepted symbol. I t r color
i s red, the t i n t assigned t o t h e element F i r e and Perpetual In-
t e l l i g e n o e , and a l s o t o the planet Mars and Exoiting I n t e l l i g e n o e .
The tone i s C-natural.

The foregoing p l a n e t s have a s t h e i r oentere i n t h e human

body the same organs a s those assigned t o Venur, Mercury, and
Mars, respectively. These w i l l be i n d i c a t e d i n t h e following
 som AND COLOR 8.

pages. Uranus corresponds t o t h e F o ~ l ,and Vulcan i s represented

i n T a r o t by Judgment.

The o t h e r p l a n e t a r y c o l o r s and, correspondences a r e as f o l -

lws:
RED. Tone : C-natural. The " p l a n e t " Mars ; I t a p a r t i c u l a r
o e n t e r i s a nerve-center between t h e b a s e of t h e 8pine and
t h e navel. Hindu t e a c h e r s t h i s i s c a l l e d the Svadhis-
t h a n a Chakra--"the abode of s e l f " . I t h a s been i d e n t i -
f i e d w i t h t h e p r o e t a t i c ganglion. The Mars v i b r a t i o b f i n d s ex-
p r e s s i o n through a l l your muscles, v o l u n t ~ r yand involuntary.
It i s a l s o a c t i v e i n t h e b r a i n and i n t h e r e p r o d u c t i v e organa.

This f o r c e i s what g i v e s you energy, s t r e n g t h , co&ege

and a c t i v i t y . It i s h o t , d r y , and masculine i n i t s influence.
I t h a s a l s o much t o do w i t h your d e s i r e s and w i t h impulses brought
over from e a r l i e r s t a t e s of your p e r s o n a l unfoldment.

People i n whom t h i s f o r c e i s s t r o n g a n d well-balaaced have

power t o do t h i n g s themselves, and power t o move o t h e r s . They
do n o t l i k e t o be d i c t a t e d t o by o t h e r people, and a r e u s u a l l y
unhappy i n subordinate p o s i t i o n s . They should t h e r e f o r e be i n
b u s i n e s s f o r themselves, or e l s e i n work where t h e y m y d i r e c t
o t h e r people. When t h e Mars f o r c e i s weak, t h e p e r s o n a l i t y ex-
p r e s s e s t h e q u a l i t i e s o p p o s i t e t o t h o s e enumerated above. When
it i s over-strong, and unbalanced by o t h e r f o r c e , animal d e s i r e s
r u l e t h e p e r s o n a l i t y , t h e temper i s h a r s h , and t h e r e i e l i k e l y
t o be more or l e s s c r u e l t y i n t h e p e r s o n a l make-up.

When they a r e i n t e l l e c t u a l l y and s p i r i t u a l l y i n c l i n e d ,

people who have t h e Mars f o r c e w e l l developed make good h e a l e r s
a n d t e a c h e r s . %ey a r e u s u a l l y found occupying prominent posi-
t i o n s i n a l l forward-looking movement 6 .

This f o r c e i s r e p r e e e n t e d i n T a r o t by He 16, t h e Tower,

which your t a b l e a u a s s i g n s t o t h e l e t t e r Peh. I he phase of
conaciousness t h a t t h i s Key symbolizes i s c a l l e d E x c i t i n g In-
t e l l i g e n c e . A s t h e p i c t u r e shuws, t h i s c o n s c i o u s e x p r e s s i o n
of t h e Mars f o r c e i s d e s t r u c t i v e t o a l l s t r u c t u r e s of l i m i t a -
t i o n and f a l s e knuwledge. P h y s i o l o g i c a l l y , t o o , t h e Mars
v i b r a t i o n t e a r s down, bocause it i s t h e e l e c t r i c energy, or
l i g h t n i n g , which c a u s e s a l l muscular a c t i o n , and even t h e s l i g h t -
est movement of a muscle breaks down c e l l s t r u c t u r e . The Exoit-
ing I n t e l l i g e n c e i a t h e mode of c o n s c i o u s n e s s which m a k e 6 you
d i s s a t i s f i e d w i t h o l d f o n n s of t h o u g h t , and w i t h o l d ways of
a c t i o n . It i s what impels you t o seek new forms of exprersion.
 SOUND AND COLOR

The alchemical metal which corresponds t o t h e Mars v i b r a -

t i o n i s i r o n , which i 8 always c a l l e d "Marswi n a l o h e m i c a l w r i t -
ings. There i s a t r u e correspondence h e r e , and a r e a l o o c u l t
sympathy e x i s t s between i r o n and s t e e l a n d t h e r e d v i b r a t i o n of
t h i s "planet."

ORANGE.
n
Tone: D-natural. Alchemical m e t a l , g o l d o r
"Sol. This i s t h a t phase of your consciousness which
corresponds c l o s e s t t o y o u r innermost S e l f . I t i s a l s o
t h e fundamental v i t a l f o r a e o f your organism. I t s c o l o r
orange, i s t h a t which E a s t o r n t e a c h e r s a s s i g n t o Prana, t h e uni-
versal v i t a l principle .
Like t h e Mars v i b r a t i o n , the Sun-force i s h o t , dry, mas-
c u l i n e , and e l e c t r i c . I t s p r i n c i p a l c e n t e r ' i s in t h e sympathetic
nervous system, 'a c e n t e r behind t h e hear:, which t h e Hindus c a l l
t h e h a h a t a Chakra--"the u n s t r u c k 6ound. Physiologically t h i 6
plexue governs t h e f u n a t i o n s of t h e h e a r t . It i s a l s o t h e p o i n t
a t which t h e cosmio l i f e - e n e r g y e n t e r s t h e p e r s o n a l f i e l d . It
might w e l l be compared t o t h e main t w i t c h through which e l e o t r i -

.
c i t y i s conveyed from t h e o u t s i d e . t r a n s m i s s i o n l i n e s i n t o a
building

When t h e Sun v i b r a t i o n f i n d s normal, w e l l developed ex-

p r e s s i o n , it g i v e s one a h e a l t h y body, and by t h e r e f l e x of
t h i s h e a l t h - c o n d i t i o n upon p e r s o n a l c o n s c i o u s n e s s , a n a s p i r i n g ,
proud, frank, magnanimou 6 , generous, humane, f i n n , and honor-
a b l e d i s p o s i t i o n . Whenever anything i n t e r f e r e s w i t h t h e in-
f l u x o f t h i s v i b r a t i o n , or w i t h i t s f r e e e x p r e s s i o n , h e a l t h
s u f f e r s , and t h e mental r e f l e x e s of t h e p h y s i c a l d e p r e s s i o n
a r e t h e q u a l i t i e s of temperament o p p o s i t e t o t h o s e j u s t men-
t i o n e d . An excess of t h e Sun v i b r s t i o n i n c l i n e s t o f e v e r i s h
t r o u b l e a , and makes t h e temperament domineering, i n o r d i n a t e l y
ambitious, fond of d i s p l a y , a n d p r o d i g a l l y w a s t e f u l of v i t a l i t y
and money.

This v i b r a t i o n i s r e p r e s e n t e d in T a r o t by t h e 19th Key,

t h e Sun. This Key i s a t t r i b u t e d t o t h e Hebrew l e t t e r Reah, and
t o t h e mode of con8ciousness c a l l e d C o l l e c t i n g I n t e l l i g e n o e .
The p i c t u r e r e p r e s e n t s t h e h i g h e s t and f i n e s t e x p r e s s i o n of t h e
Sun-force, which works through t h e h e a r t c e n t e r t o develop t h a t
t r u e c h i l d l i k e n e s s whioh i s s a i d t o be t h e c o n d i t i o n indispen-
s a b l e t o e n t e r i n g t h e Xingdom of Heaven. The t e r m C o l l e o t i v e
I n t e l l i g e n c e r e f e r s t o t h e s y n t h e t i c power of t h i s mode of
consciousness, which combines a l l forms of knowledge and ex-
perience i n t r u e illumination. C o n c e n t r a t i o n on t h i s key w i l l
a u t o m a t i c a l l y convey t o your suboonsoiousness t h e s u g g e s t i o n s
 SOUND AND COLOR 10.

which a r e required i n o r d e r t o i n s u r e t h e b e a t p o e s i b l e develop-

ment o f t h i s phase of your l i f e - a c t i v i t y .

?2
YELLOW. Tone: E-natural! Alchemical m e t a l , q u i c k s i l v e r
o r Mercury. This is t h a t phase of your l i f e - a o t i v i t y which
psychology terms s e l f -consciousness, or o b j e c t i v e . mind.
It i s your waking consciousness. I t s h i g h e s t e x p r e s s i o n
i s i n t e l l e c t , but it makes t h e p l a n s , o r paves t h e way, f o r a
s t i l l h i g h e r form of knowing .
The higher b r a i n , o r oerebrum, i s t h e organ f o r express-
ing t h i s Mercury v i b r a t i o n . Of t h e b r a i n - c e n t e r s through which
it f u n c t i o n s , t h e most important i s t h e p i n e a l g l a n Q o r conarium.
This i s a reddish-white, cone-shaped organ, a l m o s t a t t h e c e n t e r
of t h e b r a i n . It c o n t a i n s a yellow, g r a n u l a r s u b s t a n c e k n m a6
b r a i n sand. Adepts complete t h e f u n c t i o n of t h i s c e n t e r by nmk-
i n g t h e p a r t i c l e s of b r a i n sand oohere, so a s t o form a o r y s t a l -
l i n e body. This c r y s t a l l i n e body i s t h e t r u e s t o n e of t h e Wiae,
o r ~ h i l o s o ~ h e r sStone.
' Vihen t h e Life-power i s s p e c i a l i z e d through
t h i s c e n t e r , one e x p e r i e n c e s superoonsciousness. Anatomists know
nothing of t h i s c r y s t a l l i n e formation i n t h e p i n e a l gland, rimply
because t h e y never have an o p p o r t u n i t y t o d i s s e c t t h e b r a i n of an
adept.

The Mercury v i b r a t i o n h a s two other p r i n c i p a l a r e a s of

m a n i f e s t a t i o n . The f i r s t includes t h e s h o u l d e r s , arms and hands,
and lungs. These a r e t h e p r i n c i p a l i n s t r u m e n t s of human a r t and
labor. Through t h e hands most of our work i s performed, and
c i v i l i z a t i o n i s t h e r e f o r e i n t h e main t h e handiwork of man.
Through t h e h i g h e s t development of t h e f u n c t i o n s of t h e lungs,
a s every o c c u l t s t u d e n t should know, we a r e a b l e t o c o n t a c t and
u t i l i z e s u b t l e f o r c e s which a r e used i n t h e making of t h e cry-
s t a l l i n e Philosophers ' Stone.

The o t h e r a r e a of t h e body i n which Mercury v i b r a t i o n i s

a o t i v e i s t h e i n t e s t i n a l region. Alchemical books a s s e r t t h a t
t h e F i r s t Matter of t h e Great work which i s completed by t h e
manufacture of t h e Stone i s a substance named " V i r g i n ' s Ulk."
The V i r g i n i s t h e z o d i a c a l sign Virgo, r u l e d by )dercury, which
governs t h e i n t e s t i n e e . The E l k i s c h y l e , a mi- substanoe
found in t h e small i n t e s t i n e , o o n s i s t i n g of food t h a t h a s passed
through t h e etomach. From chyle t h e l a c t e a l s , l i t t l e organs i n
t h e small i n t e s t i n e , n b ~ t r a c tt h e elements r e q u i r e d f o r body-
b u i l d i n g , and p a s s them i n t o t h e blood. Under t h e i n f l u e n o e
of suggestion t h e work of t h e l a o t e a l s may b e i n t e n s i f i e d , 60 t h a t
a f a r g r e a t e r supply of t h e n e c e s s a r y e l e m e n t s i s t a k e n frm t h e
chyle. This i s one of t h e g r e a t p r a c t i c a l s e c r e t s of alahe~rty.
 SOUND AND COLOR 11.

I n Tarot, t h e Mercury v i b r a t i o n i s r e p r e s e n t e d b y Key 1,

t h e Magician, a t t r i b u t e d t o t h e l e t t e r Beth, and t o I n t e l l i g e n o e
of Transparency;

9 GREEN, Tone: F-sharp or G - f l a t . k l c h e m i c a l metala, oop-

per a n d ,b r a s s . The Venus v i b r a t i o n i s t h a t phase of your
p e r s o n a l energy which i s expressed i n t h e c r e a t i v e , de-
velopmental power 6 of t h e subconaciouene a s . I t i s a l so r e l a t e d
t o a l l t h i n g s a r t i s t i c , and t o t h e l o v e nature6

The p r i n c i p a l o e n t e t of t h i s v i b r a t i o n i s i n t h e t h r o a t ,
a c e n t e r k n m t o modern knatdmiets a s t h e ~ c r r y n g e a lplemir;
Bindu t e a c h e r s c a l l it t h e Visuddhi Chakra. I n a d d i t i o n t o t h i s
nerve c e n t e r , t h e Venus b i b r a t i o n a f f e c t s t h e t h y r o i d and thymus
g l a n d s of t h e t h r o a t . This whole t h r o a t a r e a i s t h e p h y s i c a l
f i e l d where s t r o n g emotion makes i t s e l f f e l t . That i s why we
"ohoke w i t h emotion," and why f e a r i s c l o s e l y r e l a t e d t o t h e
f u n c t i o n s of t h y r o i d and thymus.

Another f i e l d of i t s a c t i v i t x i s t h e kidneys , and t h e

r e g i o n of t h e s p i n e c a l l e d "lumber, which e x t e n d s from t h e
h i p s t o t h e p l a c e where t h e lower r i b s a r e a t t a c h e d t o t h e spine.
The s u p r a r e n a l s a r e a l s o organs through which t h e Venus a c t i v i t y
i s expressed. So a l s o i s t h e skin, and p a r t i c u l a r l y t h e funo-
t i o n of touch, and a l l t h a t p e r t a i n s t o t h a t f u n o t i o n .

When t h i s i n f l u e n c e f u n t i o n s f r e e l y through p e r s o n a l i t y ,
it makes f o r syannetry and g r a c e i n p h y s i c a l form and a c t i o n .
I t i s , i n f a c t , t h e fonn-determining power of subconscioumees
which i s a t work i n a l l body-building. It i s a l s o responsible
f o r whatever a r t i s t i c a b i l i t y you may have, and f o r your p h e r s
of invention. I t i s t h e source, a l s o , of a l l your l i k i n g f o r
p l e a s u r e , f o r beauty, and f o r t h e l i g h t e r enJoyments of l i f e .
When t h e Venue v i b r a t i o n i s weak, i t s physioal o e n t e r s f u n c t i o n
badly, and t h e mental and emotional powers t h a t it g i v e s do n o t
f i n d expression, s o t h a t t h e i r o p p o s i t e s a r e manifested. m e n
it i s t o o s t r o ~ g ,t h e o v e r - a c t i v i t y of t h o f i e l d s i n t h e body
t o which it i s r e l a t e d c a u s e s marry a i l m e n t s . Mentally, an over-
s t r o n g Venus v i b r a t i o n l e a d s t o emotional e x c e s s , t o s e n s a t i o n -
seeking, t o i d l e n e s s , and waste of t i m e i n mere amusement-

mis v i b r a t i o n i s r e p r e s e n t e d in Tarot by t h e Empress,

which corresponds t o t h e Hebrew l e t t e r Daleth. This Tarot Key
i s a l s o r e l a t e d t o t h e phase of consciousness c a l l e d Luminous
I n t e l l i g e n c e , which i s t h e i l l u m i n a t i n g power of suboonsoious-
n e s s and t h e Venus v i b r a t i o n . When r i g h t l y expressed t h e W n -
ous I n t e l l i g e n c e , which i s t h e i l l u m i n n t i n g power of subconroious-
 SOUID AND COLOR 12.

n e s s and t h e Ver-us v i b r a t i o n . When r i g h t l y expressed t h e lamin-

ous I n t e l l i g e n c e m a n i f e s t s a s Wisdom. When weak; t h e l i g h t i s
dim; when t o o s t r o n g , it i s t o o .dazeling. Then t h e r e s u l t i a
.
. Folly. ( S e r t ~ b l e a uf o r t h i s p a i r of o p p o s i t e s ) .

.. BLUE. Toner G-sharp or A-flat. Alchemical m e t a l , s i l v e r .

T h i s i s t h a t phase of your p e r s o n a l energy which i s prin-
c i p s l l y conoerned w i t h memory and r e o o l l e c t i o n , with t h e
a s $ o c i a t i a n of i d e a s , ahd w i t h t h e t e l e p a t h i c powers of subcon-
sciousne s e e

I t s p r i n c i p a l c e n t e r i s t h e p i t u i t a r y body, s i t u a t e d i n t h e
b r a i n baok of t h e r o o t of t h e nose. T h i s organ i s p r o t e o t e d by a
n
l i t t l e " s k u l l w i t h i n a s k u l l , known a s t h e s e l l a ' t u r c i c a , or
Turkish saddle. It i s about t h e s i z e of a pea. E n d o c r i n o l o g i s t s
f i n d t h a t a l l b o d i l y rhythms a r e r e g u l a t e d by t h i s organ. Even
t h e bony growth of t h e s k e l e t o n i s among t h o s e rhythms. So a r e
t h e r a t e of r e s p i r a t i o n , t h e tempo of t h e h e a r t - b e a t , t h e periods
of waking and s l e e p i n g , and t h e p e r i o d s of m e n s t r u a t i o n .

O c c u l t i s t s h o w t h a t it has y e t a n o t h e r f u n c t i o n . It i s
t h e instrument of t e l e p a t h y , which p u t s u s i n s t a n t a n e o u s l y in
touch w i t h people f a r d i s t a n t from us, a s does t h e r a d i o , which
i s i t s imperfeot mechanical o o u n t e r p a r t . The Hindu name f o r t h i s
c e n t e r i s &Jna Chakra.

Besides r e g u l a t i n g a l l t h e rhythms of t h e body, t h e Moon

v i b r a t i o n a t work through t h i s c e n t e r i s t h e connective a c t i v i t y
which l i n k s t o g e t h e r t h e t r i l l i o n s of t i n y l i v e s c a l l e d 08116,
from which t h e body i s b u i l t . Every c e l l i s a n e n t i t y . Every
c e l l i s In a measure a d i s t i n c t p e r s o n a l i t y . The Moon-vibration
i s t h e a s s o c i a t i v e , co-ordinating i n f l u e n c e which h a s t o do w i t h
oombining a l l t h e s e d i s t i n c t c e l l - l i v e s i n t o a s i n g l e organic
whole.

It i s e s p e c i a l l y a c t i v e i n t h e f u n c t i o n s of t h e stomach,
and i n t h e mammary glands of woman. It a l s o h a s p a r t i c u l a r 5n-
f l u e n c e upon t h e oesophagus, t h e t h o r a c i c d u c t , t h e upper lobes
of t h e l i v e r , t h e lower l o b e s of t h e l u n g 6 and t h e diaphragm.
m t h e r m o r e , it i s c l o s e l y r e l a t e d t o t h e h n c t i o n s of t h o s e
w e n s of t h e body which a r e i n t h e v i c i n i t y o f t h e Venus c e n t e r ,
v i z . , t h e t h r o a t , neck, p a l a t e , larynx, t o n s i l s , lower jaw, e a r n ,
t h e a t l a s and c e r v i c a l v e r t e b r a e , and t h e c a r o t i d a r t e r i e s and
j u g u l a r v e i n s . I n f a c t , even a s Tarot more t h a n h i n t s , t h e Moon
v i b r a t i o n and t h e Venus v i b r a t i o n a r e c l o s e l y l i n k e d i n every
particular.
 SOUND AND COWR 13

When t h e Moon v i b r a t i o n i s s t r o n g and w e l l developed, it

makes f o r t h e h e a l t h y f u n c t i o n of a l l of t h e p h y s i c a l organs
m n t i o n e d . People i n whose l i v e s t h i s i d ' l u e n c e i s a primary,
o r dominant, f a c t o r , a r e u s u a l l y s e n s i t i v e , emotional, psyahic,
and possessed of a s t r o n g love of home and k i n d r s d . They have
a s t r o n g sense of rhythm, a n d f r e q u e n t l y love dancing, music,
o s d p o e t r y w i t h marked rhythms, They u s u a l l y have r e t e n t i v e
memofies, Vihen t h e Moon v i b r a t i o n i s d e f i c i e n t , t h e p h y s i c a l
organs r e l a t e d t o it do n o t f u n c t i o n proporly. Thus t h e r o i s
a l a c k o f oo-ordinntion through aut t h o whole community o r c e l l -
l i v e s , and t h i s lack of c o - o r d i ~ x t i o namounts t o c i v i l war among
the cells. On t h i s account your t a b l e a u a s s o c i a t e s t h o p a i r of
o p p o s i t e s , Peace and S t r i f e , t o t h e High P r i e s t e s s , who r e p r e -
s e n t s t h i s v i b r a t i o n i n T a r o t . This weakness o f t h e Moon v i b r a -
t i o n makes f o r poor memory and o f t e n f i n d s o x p r e s s i o n i n a s o r t
of g e n e r a l i n s e n s i b i l i t y , want o f rhythm, and harshness of tem-
perament, An over-strong Moon v i b r a t i o n makes people over-sensi-
t i v o . They a r e a f r a i d t o leavo t h e p a r e n t a l r o o f , a r e g i v e n t o
i d l e v i s i o n s , and a r e a f f l i c t e d w i t h d i g e s t i v e d i s t u r b a n c e s .
U s u a l l y t h i s t y p e of u n b a l m c e d Lunarian i s r e a d y t o d i s s o l v e in-
t o t e a r s on any o r no p r e t e x ,

4 VIOLET. Tone: A-sharp or B - f l a t , Alchemical wtal, t i n .

This i s t h a t phase of your p o r s o n a l enorgy which i s most
immediately and c l o e o l y r e l a t e d t o t h e f o r c e s o f your environ-
ment. I t s f u n c t i o n s a l s o have much t o do w i t h t h a t f i e l d of sub-
c o n s c i o u s n e ~ swherein a r o t o bc found t h e r e c o r d s of t h e p a s t .

The p r i n c i p a l c e n t e r of t h e J u p i t e r v i b r a t i o n i s t h e m i s -
named " s o l a r " plexus, o r abdorninel b r a i n . T h i s organ i s a nerve
c e n t e r i n t h e sympathetic nervous system, l o c a t e d behind t h e
stomach. I t s Bindu name i s ldanipura Chakra, meaning " f i l l e d w i t h
jewels. It The r e f e r e n c e o f t h i s nane i s t o t h e f a c t t h a t a l l t h e
t r e a s u r e s o f t h e stored-up wisdom of t h e p a s t may be c o n t a c t e d
through t h i s c e c t e r . The e s p e c i a l f u n c t i o n of i t s numberless
o e l l s i s t o c a r r y t h e r e c c r d of what t h e Life-power h a s done
through t h e ages. The r e c o r d of t h e whole s t o r y of i n v o l u t i o n
and e v o l u t i o n i s t h e r e . O c u u l t i s t s l e a r n how t o read it, and t h u s
become aoquainted with t h e h i s t c r y of t h e cosmoc, from t h e be-
ginning of t h 6 p r e s e n t m a n i f e s t a t i o n - c y c l e u n t i l t h e p r e s e n t
moment . :

Two o t h e r b o d i l y a r e a s a r e under t h e d i r e c t i n f l u e n o e of
t h e J u p i t e r v i b r a t i o n . The f i r s t of t h e s e i n c l u d e s t h e coooygeal
and s a c r a l r e g i o n s of t h e spine, t h e i l i a c a r t e r i e s and v e i n s ,
t h e s c i a t i c nerves, t h e femur, t h e h i p s and t h i g h s . The o t h e r
Z
r e g i o n where t h i s v i b r a t i o n d o m i n ~ t e si s i n t h e f e e t and t o e s ,
 +in, t h e very h i g h e ~ tf u n c t i o n s of t h o J u p i t e r v i b r a t i o n a r e
l i n k e d w i t h t h e f u n c t i o n s of t h e Moon v i b r a t i o n . That i s t o say,
in many d e t a i l s of personal e x i s t e n c e , t h e p i t u i t a r y body and
t h e s o l a r plexus work t o g e t h e r ; e s p e c i a l l y i n t h e f u n c t i o n s of
t h e stomach, t h e mammary g l a n d s , and t h e l i v e r .

Mentally, t h e J u p i t e r v i b r a t i o n makes peoplo " j o v i a l . " It

g i v e s some fondness f o r outdoor l i f e . Functioning a e it should,
it g i v e s such c h a r a o t e r i s t i c s a s a readonable o o n s e r v a t i m, love
of ceren~ony, good manners, benevolence, i n t e r e s t i n e s t a b l i s h e d
form$ o f r e l i g i o n , and r e s p o c t f o r law and o r d e r . Weak, it brings
i n t o e x p r e s s i o n t h e o p p o s i t e s of t h e s e q u a l i t i e s , and e f f e c t s
h e a l t h through poor c i r c u l a t i o n o r impure blood. Deficiency i n
t h e J u p i t e r a c t i v i t y a l s o f i n d s expression a s s h i f t l e s s n e s s a n d lac;
of s e l f - d i r e c t i o n , r e s u l t i n g i n f a i l u r e and poverty. Over-strong,
o r i l l - b a l a n c e d , t h e J u p i t e r f o r c e m a n i f e s t s i t s e l f i n t h e pompous,
m a t e r i a l i s t i c , u l t r a - c o n s e r v a t i v e s t i c k l e r f o r d e t a i l s of form and
ceremony--the t y p i c a l r e a c t i o n a r y . J u p i t e r i s r e p r e s e n t e d i n Tarot
by t h e Wheel of Fortune.

BLUE-VIOUT i s t h e c o l o r a t t r i b u t e d t o S a t u r n i n t h e teach-
i n g reoeived by u s , although black i s sometimes a s s o c i a t e d

i s A-natural.
.
with t h i s p l a n e t . Black, however, i s merely absence of
c o l o r , and h a s no t o n a l correspondence The Saturn-tone
The alchemical metal i s l e a d , This v i b r a t i o n i s t h e
b a s i s of t h o s e forms of l i f e - e x p r e s s i o n which make f o r d e f i n i t n e s s .
I t g i v e s a c t u a l body and form t o your i d o a s , U l t i m a t e l y , i t s f o r m
giving influence w i l l provide you w i t h a body capable of r e g i s -
t e r i n g v e r y much f i n e r impressions t h a n t h o s e which you now r e -
ceive. It i s i n t h i s way t h a t one becomes aware of c o m i c cons-
ciousness -
The p r i n c i p a l S a t u r n c e n t e r i s t h e s a c r a l p l e x u s , a nerve
c e n t e r a t t h e base of t h e spine. It i s c a l l e d t h e h l a d h a r a
Chakra by t h e Hindus. I t has t o do w i t h t h e f u n c t i o n of e x c r e t i n g
waste from t h e body, and it a l s o has i n f l u e n c e upon tho similar
f u n c t i o n oonnectvd w i t h t h e t r a n s m i s s i o n o f l i f e from one genera-
t i o n t o another. Among i t s p h y s i c a l f i e l d s of e c t i v i t y a r e : t h e
s k i n , p a r t i c u l a r y t h e sweat-glands; t h e knees; t h e a n k l e s ; t h e
kidneys; t h e lumbar r e g i o n o f t h e s p i n e ; t h o vasomotor system;
and t h e bony structure. According t o o c c u l t t e a c h i n g t h e Saturn
c e n t e r a t t h o base of t h e s p i n e i s l i k e a s t o r a g e b a t t e r y , con-
t a i n i n g a tremendous r e s e r v e supply of a f o r c e which t h e Hindus
c a l l e d "serpent power," o r Kundalini. The proper d i r e c t i o n and
sublimation of t h i e f o r o e is t h e major o p s r a t i o n of E a s t e r n Yoga,
and it is t h e "transmutation of load" whfsh i s t h e Great Work of
t h e Western alchemists.
 SOUND AND C O U R 15

S a t u r n ' s v i b r a t i o n may be d e s i g n a t e d by t h e word "limita-

tion". I t i s t h e i n h i b i t i n g pmrer. I t i s t h e b a s i s of oonaer-
vatism. I t p u t s on t h e brakes. Hence t h e mental e f f e o t s of i t s
r i g h t f u n c t i o n a r e poise, r e a s o n a b l e n e s s , d e l i b e r a t i o n , concentra-
t i o n , and c e u t i o n . I t s o v e r - a c t i v i t y r e s u l t s i n f e a r , and phy-
s i c a l l y , i n poisoning of t h e body by t h o r e t e n t i o n of waste.
I t s d e f i c i e n c y weakens t h e bony s t r u c t u r e , and on t h e mental s i d e
lead% t o r a s h n e s s and e o c e n t r i c i t y . A mark of S a t u r n d e f i c i e n c y
i s t h e tendency t o dream without doing. I t i s t h e Sabrn f o r c e
which b r i n g s t h e One Power mentioned i n t h e H e r n e t i c d o c t r i n e down
t o e a r t h , where it i s i n t e g r a t i n g . I n s p i t e o f a l l t h e t a l k of
d a b b l e r s i n psycho-analysis, i n h i b i t i o n i s j u s t a s n e c e s s a r y a s
self-expression. One must ba a b l e t o put on t h e brakes when
n e c e s s a r y . Otherwise ho cannot s a f e l y d r i v e t h e c h a r i o t of per-
s o n a l i t y over t h e road of l i f e .
I n Tarot, S a t u r n i s r e r e s e n t e d by t h e 2 1 s t Key, t h e n o r l d ,
t o which a r e a l s o a t t r i b u t e d R, m i n i s t r a t i v e I n t e l l i g e n a e , and t h e
element of e a r t h . Because r u l e r s h i p i s t h s r e s u l t of t h e ombodi-
ment of i d e a s i n a c t u a l , c o n c r o t e ' f o r m s of some kind, Dominion
i s a l s o a s s o c i a t e d w i t h t h e r i g h t f u n a t i o n i n g of t h e S a t u r n vibra-
t i o n . Contrazwise, Slavery i s a t t r i b u t e d t o t h e same f o r o e , be-
cause i t s d e f i c i e n c y makes 611 who have n o t l e a r n e d t o embody
t h e i r i d e a s i n a c t u a l form t h e s l a v e s of ciroumstanoe, end t h e
bond-servants of a l a w t h e y do n o t understand.

TIE T'tELVE BODY AREAS

T ~ Pfollowing
, peges w i l l g i v e you t h e l o c a t i o n of t h e
a r e a s of t h e body which correspond t o t h e t w e l v e seni-tones of
t h e sound and c o l o r s c a l e . Theso a r e a s a r e t h o s e r u l e d by t h e
twelve s i g n s of t h e zodiac, and i n each of them a p a r t i o u l a r type
of consciousnefis f i n d s e x p r e s s i o n . The t y p e o f consciousne6s i s
i n d i o a t e d i n your te.bleau by t h e kind of i n t e l l i g e n c e a t t r i b u t e d
t o t h e corresponding Tarot Key .
I n connection w i t h each a r e a i s g i v e n a l i ~ of t t h e princi-
pl a i l m e n t s which a r e due t o f a u l t y f u n c t i o n i n g i n t h a t r e g i o n ,
Before e t t e m p t i q t o t r e a t any of t h e s e a i l m e n t s w i t h c o l o r , you
must be s u r e t h a t you have a r i g h t d i a g n o s i s , from some person com-
p e t e n t t o mel:e t h e same. Then you ~ u s be t s u r e , a l s o , t h a t you un-
d e r ~ t a n dt h e u s e s of c o l o r an3 sound i n c l u d e d in t h e s e o t i o n of
t h i s t e x t e r t i t l e d "How t o Heal." The c o l o r s g i v e n i n t h i s seotior
a r e t h o s e which promote formal f u n c t i o n i n t h e i r r e s p e c t i v e areas.

1. The b a d and Brain. RED. C-natural. This a r e a i s under

t h e g e n e r a l r u l e r s h i p of the Mars v i b r a t i o n . This v i b r a t i o n , how-
 SOUND AND COUlR 16.

e v e r , governs only t h e n a t i v i t y of t h e b r a i n - c e l l s , and of t h e

o t h e r . o r g a n s i n %he head. It must not be c o d u s e d w i t h t h e yel-
l o w Meraury v i b r a t i o n , which c o n t r o l s and d i r e c t s t h i e k r s a c t i -
v i t y i n t h e head.

ise eases of t h i s a r e a which may be t r e a t e d with t h e red vi-

b r a t i o n a r e ! Aphasia ( l o a s of i d e n t i t y ) ; c e r e b r a l anemiaj ooma and
t r a n c e c o n d i t i o n s ~f a i n t i n g - b 6 c u l a r f a t i g u e and l o w tamperature
m y a180 be t r e a t e d w i t h red and its ooiTeepondhg tone.. For head
ache and f a c i a l n e u r a l g i a , and f o r s t r e n g t h e n i n g t h e e y e b j u r e
rose-color. You can o b t a i n t h i e t i n t by f e r t e n i n g a this sheet
of white tissue-paper over your r s d c o l o r a a r d ! . P o n o t u ~ red e
f o r any inflammatory d i s e a s e of t h e b r a i n o r eyee. The a o l o r
i n d i c a t e d then i s green, t h e complement b f r e d .

d o t b h d i l d g h oorrerponding t o t h i s a r e a i e b i e r , t h e
Remr It i o Peprosented i n Tarot by t h e Emperor. The t y p e of cons.
diousnems i s t h e C o n s t i t u t i n g I n t e l l i g e n a e .

2. The neck and t h r o a t . R E D - W G E . C-uharp o r D-f l a t .

This a r e a i s p r i m a r i l y under t h e r u l e r a h i p of t h e Venus v i b r a t i o n .
The Moon v i b r a t i o n i s a l s o a c t i v e here. T h i s r e g i o n inoludor the
t o n e i l ~ ,t h e a t l a s and o e r v i c a l v e r t e b r a e , t h e p a l a t e , larynx,
vocal oords, o o c i p i t a l r e g i o n , lower jaw, e a r n , o a r o t i d a r t e r i e s ,
and J u g l a r v e i n s , t o g e t h e r w i t h t h e oerobellum, t h e lower brain,
and t h e medulla oblongata.

Diseases of t h i s area which may be t r e a t e d w i t h red-orange

and C-sharp include: Hoarseness, deafness, g o i t r e , mumps, m ~ a l
polypus, d i p t h e r i a , and oroup.

These d i s e a s e s should a l s o be t r e a t e d w i t h t h e oomplementarj

c o l o r , blue-green, and t h e tono k m t u r a l . Blue-green i r t h e only
c o l o r t o be used i n c a s e s of apoplexy. Red-orange and blue-greon
i n a l t a r n a t i o n may be used f o r c o n s t i p a t i o n . The same treatmant
should be used f o r suppressed menstruation.

The Tarot Key oorresponding t o t h i s a r e a i s t h e Hierophant,

r e p r e s e n t i n g t h e z o d i a c a l sign Taurus, t h e B u l l . The conroioue
a o t i v i t y i s c a l l e d Triumphant a n d E t e r n a l Xntelligenoe.

3. Arms, hande, shouldere, lungs, upper r i b a . OWUE.

D-natural. Thi6 a r e a i 6 B f i e l d of e x v r e s s i o n f o r t h e Yerourv
v i b r a t i o n . Orange and t h e t o n e D-natukal, a l t e r n a t i n g w i t h &e
complementary O O ~ O ~b ,l u e , and t h 6 t o n e G-sharp o r A - f l a t , may be
u6ed i n t r e a t i n g t h e f o l l m i n g a i h e n t s r
 SOUND AIJD C O U R
Asphyxiation; asthma; b r o n c h i t i e ; coughing; f e a r ; hyper-
aemia of t h o lungs; i m p u r i t i e s of t h e venous blood; i n f lamation
o f t h c p e r i c a r d i m ; mental f a t i g u e ; n e u r i t i s ; p l e u r i s y ; pneumonia;
rnoezlngf t u b e r c u l b s i s ; rheumatic p a i n i n t h e arme and rhoulders.

The t o d i a d a l r i & n corresponding t o t h i s a r a a i s G e m i n i , tho

Twinor f h e Tbrot Key i a t h e Lovers. Tho type of consoiouglees i s
Disposing I n t e l l i g e n c e .

-
4. Chast, m m r y glands, oesophagus, stomach, diaphragm,
-l m o r lobe6 of t h a 1
duct.
,-

ORANGE-YE--' - 1
-'

7. D-sharp or
l o b s of thc l i ~ c r ,End t h o r o c i e
~ - f T a n i nrea s i s p r i m n r i l y un-
d j h e r u l e r s h i p of t h e Moon vibrcition. It i s a l s o t h e f i e l d of
e x p r e s s i o n f o r t h o h i g h e s t forms of t h o J u p i t e r v i b r a t i o n . Note
t h a t t h e orange v i b r a t i o n which c f f e c t s t h i s a r e a i s complementary
t o t h e v i o l e t v i b r a t i o n of J u p i t e r

Ailmonts which may be t r e a t e d w i t h orange-yallow and t h e

t o n e D-sharp a r e : Dropsy; g a l l stones; g a s i n stomaoh; h i o c o u g h ~
h y s t e r i a ; gloom and dopression; jaundice; hypochondric; anemia;
dyspepsia; distended s t o m c h ; nausea; nervous i n d i g e s t i o n s drunken-
n e s s ; l i v e r compleintsi milk-fever; cramps i n t h o stomaoh.

Tho z o d i a c a l s i g n oorrespondiag t o t h i s c r o c i s Cnnoor, t h e

The Tarot Key i s t h e Chariot. Tho t y p e of consciousness i e
Crab.
f n t e l l i g o n c o of t h e House of Influence .
5. Heart, d o r s c l r e s i o n of s p i n e , s p i n a l cord, aorta.
YELLOW. E-natural. X T h i s r e c i s under t h e r u l e r s h i p of t h e Sun
~ i b r a t i o n . It i s ~ 1 8 t0h e f i e l d of e x p r e s s i o n f o r t h e highoet
forms of t h e Neptune v i b r a t i o n . Tho o o l o r yellow and t h e n o t e
E - n e t u r s l may be used in t r e n t i n g t h e following:

Anomia; aneurism; angina pector i s ( h e n r t pains)^ oongestion;

c u r v a t u r e of t h e spine; a r t e r i o - a c l e r o a i s ; hydrnemio; hyporaemia;
s p i n a l meningitis; p c l p i t o t i o n of t h e hoar; f e i n t i n g ; baokaohe i n
t h e d o r s a l r e g i o n ; s o l e r o s i s of t h e s p i n a l cord; eluggieh c i r o u l a -
t i o n ; muscular rheumatism of t h e back

6. Abdominal rogion, l a r g e @ad small i n t e e t i n o s , luwer

l o b e s of l i v e r , p c c r o e e , and sploon. YEllXJYLGREEN. 2'-natural.
T h i s c r e c i s under t h e r u l c r s h i p of t h e Mercury v i b r a t i o n , a n d i s
t h e f i o l d i n which t h a t v i b r c t i o n hns i t s h i g h e s t cnd most p o t e n t
forms of expression. Use t h e c o l o r yellmv-groen and the tone
F-netural i n t r e e t i n & t h e following:

Appendicitis; c h o l e r a ; i n t e r f c r e n c o w i t h t h e absorption of
 SOUND AND COLOR 18.

chyle; m a l n u t r i t i o n ; p e r i t o n i t i s ; typhoid f e v o r ; d y s e n t e r y ;
woakened p e r i s t a l t i c a a t i o n of t h e i n t e s t i n e s ; ncrvous d a b i l i t y
caused by a u t o - i n t o x i c a t i o n ; e n l c r g e d l i v e r ; ebdominnl cramps.

The corresponding e o d i a c a l s i g n i s Virgo, t h e V i r g i n . Tho

Tarot Key i s t h e Hemit. Tho t y p e of coneoiousnobs i s I n t b l l i -
gence of H i l l -

7. l i d n s y s , suprarenal-e; lumbar regison of t h e spine, m s o -

n o t o t e item, mid t h e ekin t ~ t(il ofgan of e l i m z i o n and i e o r e t i o
E m h -eharp - o r G-flat. This a r e a i s under t h o r u l e r r h i p of t h
Venus v i b r a t i o n . I t i s a l s o t h e f i e l d i n which t h e h i g h e o t forms
of t h e S a t u r n v i b r a t i o n a r e expressed. Use g r e e n and t h e t o n e
F-sharp f o r the following d i s e a s e s :

B r i g h t ' s d i s e a s e ; d i z z i n e s s ; eczema; s k i n e r u p t i o n s ; in-

f l a m a t i o n of t h e kidney6 and u r e t e r s ; lumbago; uremia; p o l y u r i a ,
o r ruppresoion o r u r i n e ; headaches due t o f a u l t y e l i m i n a t i o n ;
ineomnia; diminished a d r e n a l s e c r e t i o n ; d i a b e t e s ; i n t e r m i t t e n t
a o t i o n of t h e kidneys.

The corresponding z o d i a c a l oign bs L i b r a , t h e S c a l e r .

The Tarot Key i s J u s t i c e . The t y p e of oonsciousness i s F a i t h f u l
Intelligence.

8. Bladder, u r e t h r a , g e n i t o - u r i n a r y organs i n g e n e r a l , reo-

-
r o a t a t e gland, desoending colon, and a l s o the n a s a l bones.
BLUE. G-natural. Thia a r e a i s under t h e r u l e r u h i p of t h e
Mars v i b r a t i o n . I t i s t h e f i e l d f o r t h e h i g h e s t and most s u b t l e
e x p r e s s i o n s of t h e Uranus v i b r a t i o n . Use green-blue, a l t e r n a -
t i n g with i t e complement, red-orange, i n t r e a t i n g t h e following:

Adenoids; c o l d i n t h e head; e n l a r g e d p r o s t a t e ; g r a v e l ; ir-

r e g u l a r and profuse menstruation; l e u c o r r h o e a ; n a s a l c a t a r r h ; re-.
n a l stone; r u p t u r e ; s t r i c t u r e ; u t e r i n e end o v a r i a n a f f e c t i o n s ;
d e f i c i e n t a o t i v i t y of t h e gonads, or sex-glands; p a i n f u l menstru-
a t i o n ; o o n e t i p a t i o n ; haemorrhoids ( p i l e s ) ; nosebleed.

The corre6ponding z o d i a c a l s i g n i s Scorpio, t h e Scorpion.

The Tarot Key i s Death. The t y p e of consciouenoes i s Lmaginativo
Intelligence.

9. Hips, t h i g h s , femur, ilium, coooygeal and s a c r a l regions

G-sharp o r A-f l a t .
of spine,>liao a r t e r i e s and v e i n e , and s o i a t i c norver. BLUE.
T h i s a r e a i s under t h e r u l e r s h i p of t h e Jupi-
t e r v i b r a t i o n . Use t h e c o l o r b l u e and t h e n o t e G-sharp f o r :
 SOUND COLOR

High temperature; h i p d i s e a s e ; insomnia; locomotor ataxim; ner-

vous excitement; rheumatism; s c i a t i o a ; t o o t h a c h e ; gout.

The corresponding ~ o d i a c a ls i g n i s S a g i t t a r i u s , t h e Archel

The T a r o t Key i r Temperance. The t y p e of consoiousness i s I n t e l *
l i g e n o e of Probation o r T r i a l , sometimes c a l l e d T e n t a t i v e I n t e l l l
gence

10. The knees, t h e ekin, and by r e f l e x a c t i o n , t h e

-
aah. BLUE-VIOLET. A-haturali This a r e a i s under the r u l b
o r t h e Saturn vibration. It i s a l e o t h e f i e l d i n rhioh t h e hi&
e r t phaber o f t h e U r i v i b r k t i d n f inda,expression. Uae b l u e - d o -
l e % and A-netur'bi f b r t h e t e l i d h g ailmbdCY 1

A r t h r i t i s of t h e knees; d i g e s t i v e d i 6 t u r b a n o e r ; eczema;
e r y a i p e l a a ; l e p r o s y ; malignant growths ( i n any p a r t of t h e body);
wounds, nausea and vomiting; rheumatism; e o p e o i a l l y i n t h e knaer;
nervous i n d i g e e t i o n ; l a c k of mynovial f l u i d ; e r u p t i o n s o f t h e ski
u l c e r a t e d etomaoh-

B l u e - v i o l e t and A-natural a r e p o w e r f u l l y a n t i s e p t i c , and 8

e e p e c i a l l y v a l u a b l e in h a l t i n g d e g e n e r a t i v e tissue-change, ss i n
e r u p t i o n s , cancer, absoessee, s o f t e n i n g o f t h e ?wain, tumorr.
I t atop8 t h e spread of i n f e c t i o n i n wounds, h e l p s i n t h e healing
of t i s s u e , and a r r e s t 6 t h e progrecs of abnormal growths, both 'be-
nign" and malignant .
The oorresponding zodiacal s i g n i s Caprioorn, t h e Goat.
The Tarot b y i s t h e Devil. The t y p e o f o o n s c i o u s n e m i r Renewir
Intelligenoe

11. The a n k l e s , t h e l e g s from t h e knees t o t h e a n k l e s , m

by
w

(Leo). V I O U T . A-therp* o r 8-flat.

-
r e f l e x a c t i o n . t h e oreanu i n t h e a r e a numbered 5 i-n t h i- n- l i s t
T h i s a r e a i s under t h e oom-
-

1
bined r u l e r e h i p of tha Uranus end S e t u r n v i b r a t i o n s . Uae v i o l e t
o r A-aharp f o r a

Dropsy; p a l p i t a t i o n of t h e h e a r t ; poor c i r c u l a t i o n ; s p r a i n
o r swollen a n k l e s ; u l c e r s of t h e l o v e r l e g ; v a r i c o a e v e i n s ; neure
g i a of t h e h e a r t ; hardening of t h e a r t e r i e e .

The corresponding z o d i a c a l s i g n i s Aquarius, t h e Water-bee

The Tarot Key i s t h e Star. The t y p e o f consoiousnees i r Natural
Intelligence.

12. The-f e e t and t o e s , and bp r e f l e x a c t i o n , t h e abdomine

region, a r e a NO. 6 ( V i r g o ) . VIOLET-RED. B-natural. Thir a r e a i
 SOUND AND COLOR 20 .
under t h e r u l e r s h i p of t h e J u p i t e r v i b r a t i o n . I t i s t h e f i e l d of
e x p r e s s i o n f o r t h e h i g h e s t f o r m o f t h e Venus v i b r a t i o n . Use via-
l e t - r e d and B-natural f o r :

Cold f e e t ; d e s i r e f o r drugs, d r i n k o r tobacco; i n t e s t i n a l

t r o u b l e s ~ n dm a l n u t r i t i o n ; p e r s p i r i n g f e e t ; bunions, chilblains,
and gout; g e n e r a l weakness and l a s s i t u d e ; worry; i n f l a m a t i o n of
t h e bowe l s ; diarrhoea.

The oorresponding zodiacal s i p i s P i s c e s , t h e F i s h e s . The

Tarot Key i s t h e &on. The type of consciousness i s Corporeal In&
telligenke
GEt.TERAL EFFECTS OF
COLORS AND SOUNDS

RED. C-natural. A etrong s t i m u l a n t . Red i s t h e warmest

colorr It e n e r g i c e s t h e musculak pystem Qnd warma t h e blood. Red
s t i m l a t s a a b r a i n sluggieh from poor c i r d u h t i o n .
vibrati oj
koorn$'"de o r a t e d i n s o f t , r e d t o n e s a r e b e t t e r f o r brain-workers
t h a n t h o s e f u r n i ~ h e di n c o l d , b l u i 6 h c o l o r s .

RED-ORANGE. C-sharp. S l i g h t l y l e s s s t i m u l a t i n g t h a n red.

I t a f f e c t s t h e t h r o a t - a r e a d i r e c t l y , b u t by a r o u s i n g t h e comple-
mentary v i b r a t i o n , green-blue, it a l s o a f f e c t s t h e a r e a oontain-
i n g t h e g e n i t o - u r i n a r y organs. I t a l s o awakens i n t u i t i o n .

ORANGE. D-natural. A n i l d s t i m u l a n t , e s p e c i a l l y f o r t h e
nerves. I t a f f o r d s quick r e c u p e r a t i o n from t h e f a t i g u e produced
by mental work. By arousing t h e complementary c o l o r , blue, it
r e l i e v e s rheumatic pains i n t h e h i p s and t h i g h s .

ORANGE-YELLOW. D-sharp o r E - f l a t . A very mild stimulant.

Promotes t h e d i g e s t i v e f u n c t i o n s and a s s i m i l a t i o n . I t s c h e w i n g
i n f l u e n c e a s s i s t 6 i n o v e r ~ o m i n g" b l u e s " , worry, and mental depre6ci
of a l l s o r t s *

YELLOW. E-natural. The o o l o r yellaw, midway i n t h e s o a l e

between t h e warm, s t i w l a t i n c r e d , and t h e c o l d , d e p r e s s a n t blue,
h a s an e q u i l i b r a t i n g i n f l u e n c e . I t s t i m u l a t e s t h e f i n e r f u n c t i o n s
of t h e b r a i n , i s of a s s i s t a n c e i n developing a l e r t n e s s and diacrim-
i n a t i o n , and h e l p s t o e ~ t a b l i s hemotional balance.

YELLOW-GREEN. F - n a t u r a l . This o o l o r i s s l i g h t l y depressant

and q u i e t s t h e nerves. I t overcomes t h e tendenoy t o overoonfidencs
which i e just a s bad a s worry. I t q u i c k l y r e l i e v e s headache oaused
by a u t o - i n t o x i c a t i o n o r unequal blood-pressure.
 SOUND A?TD COLOR 21,

GREEN. F-sharp or G-flat. Mildly s e d a t i v e and d e p r e s s a n t ,

Promotes t h e physical r e l a x a t i o n n e c e s s a r y f o f brain-workers. Is
b e n e f i o i a l f o r t h e subconscious a c t i v i t i e s involved i n i n v e n t i o n
and a r t i s t i c o r e a t i o n of e;rery s o r t . Gives p o i s e in a c t i o n .

GRE~N-BLUE. (1-natural. S e d a t i v e and d e p r e s s a n t . I t s .

s e d a t i v e and depreseant a c t i o n i s expressed t h r o u g h t h e n e r v e s anc
musoles o f t h e voluritary ayetern. But it i s a s t i m u l a n t f o r t h e
gonads, o r 6 0 X g l m d s . By a r o u s i t q t h e a c t i v i t y of i t s comple-
mentary c o l o r , red-drange , it proUuce s a l s o a r e f l e x stirnulatioh
of t h e t h r o a t - a r e a .

o i hbf'lnt. &Pdng r e d e t i v e aad depreaaant.

fhe d d i d b ~ b t h e blood, s o o t h e s t h e n e m r . A mild
a n t i e e p t i a . Relieves pain, e s p e c i a l l y n e u r a l g i a , and rheumatic
pain, toothache. I s u s u a l l y a sure c u r s f o r inmomnia, e s p e c i a l l y
i n t h e d a r k e r shades, which approximate t h e b l u e of t h e n i g h t ekyv

BLUE-VIOLET. A-natural. A s t r o n g a n t i s e p t i c , whioh i s

s l i g h t l y s t i m u l a n t , because of t h e s l i g h t mixture of rod. A s men-
tioned above, it h a l t s d e g e n e r a t i v e t i s s u e change, and should be
used t o promote c l e a n h e a l i n g of wounds, and f o r s k i n eruptions.
I t a r o u s e s t h e a c t i o n of i t s complementary, orange-yellow, end
thus aids digestion.

.
VIOLET. A-sharp o r B-f l a t - Anti s e p t i c and r e g u l a t i v e . A!
so a m i l d s t i m u l a n t . It promotes t h e normal f l o w of f l u i d e throug
o u t t h e body, and a l s o r e l i e v e s c o n g e s t i o n o f t h e nerve-currente.
It i s e s p e c i a l l y u s e f u l a s an a n t i s e p t i c when a p p l i e d t o d e l i c a t e
membranes, such a s t h e eye6 o r t h e mucous membrane of mouth, nose,
and g e n i t o - u r i n a r y organs.

VIOLET-RED. B-natural. Very mild a n t i s e p t i c . Almost ae

s t r o n g a s t i m u l a n t a s r e d . I t s s t i m u l a n t a c t i o n i s what makes
it of valuc. i n overcoming t h e d e s i r e f o r d r i n k , drugs, and tobacot
A t t h e same time, i t s antiseptic a c t i o n h e l p s t o o l e a r t h e blood.

I t should be remembered t h a t a l l c o l o r s a r o u s e t h e a a t i v i t !
of t h o i r oomplomontti, Thus, if you w i l l look a t your r e d oolor-
p l a t o under b r i g h t l i g h t f o r f i v e minutes, and t h e n look a t a whil
w a l l , o r a p i e c c of w h i t e paper, you w i l l soem t o eee a g r e e n imq
Tho rame t h i n g happens w i t h o t h e r c o l o r s . Color-complements a r e
t h e v i b r a t i o n s whoso p e r f e c t mixture w i l l produce w h i t e l i g h t . TI

RED complements GREEN

RED-ORANGE n GREEN-BLUE
OWGE 98
Brn
 SOUND fiTD COLOR

ORANGE-YEUW complements 6LUE-VIOUT

YELL3Ird Ti VIOLET
TELLOYJI GREEN ,I VIOJST-RED

The corresponding n o t e s a r e a l s o oomplementary. So a r e t h e

p h y s i c a l organs a f f e c t e d by t h e s e c o l o r s atld sounds. S o , a r e t h e
t y p e s of consciousness given i n your T a r o t t a b l e a u , and t h e Tarot
Keys which a r e t h e symbolic p r e s e n t a t i o n s of t h o s e t y p e . A
thorough study of t h i s law of complements, i n c o n n e c t i o n K i t h Tarot,
w i l l put you i n p o s s e s s i o n of p r i c e l e s s knowledge of a most p r a o t i -
c a l kind. That knowledge i s n o t w r i t t e n o r p r i n t e d . I t i s only
f o r t h o s e who have tlie necesscry mental a p p l i c a t i o n t o f i n d it out
f o r themselves.

How TO HEAL

tiemember t h a t we u s e t h e word " h e a l i n g " t o i n d i c a t e t h e

s e c u r i n g of wholeness throughout t h e p e r s o n a l i t y . T h i s i r n o t
merely a method f o r c u r i n g d i s e a s e . I t i s intended t o make corn-
p l e t e human beings. Thus your d a i l y regime should i n c l u d e a s e l f -
t r e c t m e n t which b r i n g s i n t h e c o l o r s and t o n e s of t h e seven p r i n c i -
p a l " p l a n e t a r y " c e n t e r s . If you have t i m e , you should a l s o use t h e
o o l o r s and t o n e s which a f f e c t t h e twelve body a r e a s , from head t o foo

This g e n e r a l t r e a t m e n t should proceed as f o l l o w s :

1. Hnvc ready t h e T a r o t Keys corresponding t o t h e aeven

p l a n e t a r y c e n t c r s , in t h i s o r d e r : 21, 19, 16, 10, 3, 2 , 1. Have
ready a l s o your h r g e c o l o r c a r d s , i n t h i s o r d e r : B l u e - v i o l e t ,
o r m g e , r e d , v i o l e t , g r e e n , b l u e , yellow. The T a r o t c a r d s should
be placed i n a l i t t l e p i l e , w i t h 21 on t o p . The o o l o r c a r d s ghould
be propped a g a i n s t a p i l e of books on a t a b l e , so t h a t a6 you s i t
f a c i n g them, t h e y Rre about three f e e t away. They a r e i n a p i l e a l s o
with t h e b l u e - v i o l e t ca-d t h e only one v i e i b l e a s you begin.

2. S i t i n a c a n f o r t c b l e c h a i r , w i t h your back t o t h e window,

so t h a t t h e d a y l i g h t s h i n e s d i r e c t l y on t h e color-card. I f you work
a t t h i s a f t e r dark, you must orovide y o u r s e l f w i t h a d a y l i g h t bulb,
w i t h a r e f l e c t o r t o keep t h e l i g h t o u t o f your e y e s .

3. Begin by looking a t Key 2 1 f o r about a minute. ( ~ a c t i c e

c o u n t i n g s i x t y w i t h a watch b e f o r e you, u n t i l you can e s t i m a t e olose:
t h e pasgage of a minute .) Do n o t t r y t o t e a a n y t h i n g i n the p i c t u r e .
Simply make y o u r s e l f a s p a s s i v e and r e c e p t i v e as you can. For t h e
purpose of t h i s p a r t of t h e p r a c t i c e i s t o impress upon your sub-
consciousness t h e suggestion formulcted 5y t h e p i c t u r e , so a s t o evol
t h e t y p e of consciousness oorresponding t o it.
 SOUND AND COLOR 23.

4. Narv look s t e a d i l y a t t h e blue-violet color-oard while

you oount t h i r t y (half-a-minute). Then aound t h e note &natural,
while r t i l l looking a t t h e card, using your pitch-pipe.

5. Cloeo your eyen, and imagine y o u r s e l f t h e c e n t e r of a

sea of t h i a blue-violet color. See nothing i n a l l t h e univerre but
t h i e one oolor, and yourself a t t h e oenter of an i n f i n i t e , pulsing,
v i b r a t i n g expanee of it. A t f i r s t you may have l i t t l e auccers in
making t h i s mental pioture. WHAT IS IMPORTANT I S NOT THE DEGREE
OF SUCCESS. IT IS THE EFFQRT YOU MAICE.
6. Intone t h e s y l l a b l e A U Ib (pronounoed ah-00-mm) t h r e e
time^. w i t h a f u l l breath b e b e e n each i n t o n a t i o n . IF YOU ARE

the 6yllable . -
~ 0 h q - u ,une t h e pitch-pipe t o sound t h e r i b r a t i , m , and t h i n k

7. Repeat the same practice with t h e o t h e r s i x Tarot b y s ,

color8 and tones, ending with t h e Magician, yellow a n d IS-natural.

I f you have time, follow t h i s p r a c t i c e w i t h exaotly t h e same

prooedure, exoept t h a t t h e following Tarot Keys a r e used8 4, 5, 6,
7, 8, 9, 11, 13, 14, 15, 17, 18, i n t h e order named. The color8

.
a r e t o be u6ed i n t h e same order, beginning w i t h Red and ending
with Violet-red

SELF-TREATMENT FOR DISEASE 0

F i r s t of a l l , be n u r e of your diagnosis. Go t o some person

competent t o make a diagnosio. O r have yourself examined by t h e
Life-Extension I n s t i t u t e , or ~omesimilar oompetent i n s t i t u t i o n .

I n t h e next place, be sure t h a t you are e a t i n g t h e r i g h t

d i e t , t h a t you a r e g e t t i n g your d a i l y eupplies of t h e four l i f e -
e s e e n t i a l s t Sunlight, water, a i r , and fooa.

Thirdly, make s u r e t h a t your body i s meohanioally adjusted,

t h a t you a r e not euffering from bad posture, from displacements of
t h e vertebrae, or from musoular o o n t r a c t i o n s which m y be relieved
by phyaio-therapy. I t i s simply r i l l y t o use oolor and eound t o
o w e , something you ' r e n o t sure about. The ee f i n e r v i b r a t i o n s work
through physiaal s t r u c t u r e oomposed of t r i l l i o n 8 of l i v i n g a e l l r ,
and tho60 c e l l 8 mart be fed, a i r e d , l i g h t e d , end rupplied with
I e u f f i c i e n t water f o r t h e i r needs. Di~placements of the bony-rtruc-
a t u r e , o r h a b i t u a l muscular contractione whiuh oause nerve-impinge-
- tions .
mentr, w i l l i n t e r f e r e with t h e flow of t h e o o l o r and round vibra-
 Color and sound, you s e e , a r e p a r t of t h e v i b r a t o r y a c t i -
v i t i e e o f t h e m i v e r s e . So are t h e f o u r l i f e - e e s e n t i a l r r 60
a r e t h e c e l l s composing t h e s t r u c t u r e of your body. The boot
r e s u l t s a r e always gained by observing a l l t h e lawsc And wb
a r e aiming a t t h e b e s t r e r u l t s b

Having attended t o t h e s e p r e l h i n a r i e e , you niay t P e a t

s p e c i f i c p h y s i c a l a i l m e n t s a s follows:

l r Locate t h e Colors and sounds t o be used f o r t h e t r o u -

b l e by o a r e f u l dtudy of t h e preceding pages. This w i l l a180 enable
ydu t o s e l e c t t h d darrc8ponding Tarot Keys.

2. I n m l e c t i n g t h e Keys and c o l o r s , remember t h a t you a r e

t o u s e t h e c o l o r s and Keys of t h e p l a n e t a r y c o l o r s as w e l l as t h o s e
t h a t correepond t o t h e a r e a s i n which t h e d i s e a s e i s manifest.
-
For example, i n t r e a t i n g asthma, t h e w o a t o be reached correspond
t o Orange, t o & n a t u r a l , and t o t h e Lovers. But t h i s a r e a i s unde
t h e r u l e r s h i p of k r c u r y o e n t e r , which corresponds t o Yelluw,
E - n a t u r a l , a ~ tdh e Msgician. Furthermore, t h i s a r e a i r inf'luenced
by t h e color-complement of Orange, which i s Blue, c o r r e l a t e d w i t h
t h e tone G-sharp-

Thus t h e s t e p s i n t r e a t i n g any disease a r e a6 follorrs:

a. Use of t h e Tarot Key, c o l o r , and sound corresponding t o

t h e planetary vibration ruling t h a t area.
b. Use of t h e Tarot Key, c o l o r , and eound corresponding t o
t h e p l a n e t a r y v i b r a t i o n which h a s i t s h i g h e s t e x p r e s s i o n through
t h a t a r e a . For example t h e Sun, O r q e , and D-natural i n t r e a t i n g
any ailment manifesting i n a r e a No. 1; or t h e Empress, Oreen, and
F - a h u p i n t r e a t i n 5 any a i l m e n t m a n i f e a t i n g through a r e a No. 12.

c. Use of the Tarot Key, c o l o r , and sound corresponding t o

t h e a r e a i n which t h o d i s e a s e i s l o c a t e d .

d. Uae of t h e T a r o t Key, c o l o r , and sound corresponding t o

t h e complementary a r e a . That is, t h e uee of t h e complementary
c o l o r a n d sound.

e. To conclude t h e t r e a t m e n t , use t h e c o l o r and sound o f

t h e a f f l i o t e d area.

3. Treat d i s e a s e i n y o u r s e l f by t h e same procedure ar u r e d

f o r t h e general t r e a t m e n t . Begin w i t h t h e Tarot Key, t h e n look a t
t h e c o l o r , t h e n ~ o u n dt h e n o t e on t h e p i t c h - p i p e , end t h e n intone
I
 SOUND AND COLOR 25.

U Y w h i l e you v i s u a l i z e t h e c o l o r , w i t h o l o s e d
the s y l l a b l e A
eyes. Imagine t h e c o l o r and sound v i b r a t i o n 8 as being d i r e c t l y
fooussed on t h e r e g i o n of t h e body you wish t o o f f e o t .

TREATING OTHERS

When you t r e a t people d i r e c t l y , i n t h e i r presenoe, e x p l a i n

t h e method, and you have them look a t t h e T a r o t Key8 and o a l o r s , an
i n t o n e A U Lb w i t h you.

Treatment 'at r~ d i s t . n o e h i b a h o e f f e o t i v e 1 It does n o t m~

say d i f h t e n o e how f a r away t h e p e t i e n t may b e i These v i b r a t i o n s
a t e c W r i e d by l i g h t , and l i g h t goos s o fa6b t h h t it t r a v e l r oom-
p l e t e l y aro~tldt h e glbbe w h i l e you ban ~ ~ b n%he t .a

h treatiag people a t a d i a t a n o e , f o l l o w e x a o t l y t h e rpme

prooeduro, but when you c l o s e your e y e s and v i r u a l i z e t h e c o l o r a s
you i n t o n e A U M, mentally p r o j e c t a a o l o r - r a y tuward t h e person yo
a r e t r e a t i n g . See t h i s r a y d i f f b r i n g i t s e l f t h r o u g h h i r aura, and
reaching t h e b o d i l y a r e a t o be e f f e o t e d . Do n o t a t t o m p t t o l o c a l i z
t h e o o l o r - v i b r a t i o n i n any p r t i a u l a r orgnn of t h a t a r e a .

If you h e r e d i f f i c u l t y i n v i s u a l i z i n g t h e c o l o r , look d i r e o t
a t t h e c o l o r - c a r d a8 you i n t o n e t h e s y l l a b l e A U M, when t r e a t i n g
o t h e r s . You may do t h i s a l e 0 i n t r o a t i n g y o u r s e l f f o r s p o o i f i c a i l
mentr, b u t in g i v i n g y o u r s e l f t h e g e n o r a l t r e a t m e n t , always t r y t o
v i oualizo t h e c o l o r

I f you a r e c o l o r - b l i n d , have somebody who i s n o t mark your

color-cordr f o r you. The v i b r a t i o n w i l l be e f f e c t i v e , *~.)retheryou
a r e c o n a c i o u r l y aware of it o r n o t .

F i n a l l y , t e s t your s e l f f r e q u e n t l y , t o see whether o r n o t you

a r o improving your subeonsci ouene ss awarene ss of t h e tone-values of
o o l o r . Do t h i s by looking a t a a o l o r f o r a minute o r so, and t h e n
humming t h e noto t h a t r i s e o in your mind. Compare y o u r i n t o n o t i o n
w i t h t h o tono on t h e pitch-pipe. A f t e r some p r t o t i a e , you rhould
be a b l e t o sound t h e note6 c o r r e o t l y whonever you r e e t h e o o r r e s -
ponding c o l o r s .