Professional Documents
Culture Documents
net/publication/321155583
CITATION READS
1 361
1 author:
Erdem Üngür
Université Libre de Bruxelles
6 PUBLICATIONS 3 CITATIONS
SEE PROFILE
Some of the authors of this publication are also working on these related projects:
A Neglected Ideological Route: D-100 Highway as a Spatial Reproducer of Turkish Nationalist Martyrdom View
project
Monument Wars in the New Turkey: An Analysis of De/Construction of Monuments in Turkey after 2016 Coup d'État
Attempt View project
All content following this page was uploaded by Erdem Üngür on 15 August 2018.
Erdem Üngür
Abstract
This paper will investigate the validity and consistency of the discourse created
around French anthropologist Marc Augé’s concept ‘non-place’, considering its
internal ambiguities and the contradictions arousing from different critics about the
concept. Although Augé’s clear and logical definition of non-place seems like a
tautology, it’s one of the most popular concepts in the discipline of architecture
which is used as key theme in academic papers, workshops and theoric lessons
related with post/super/hyper modernity, cinema, urban planning and especially
with space in the general sense.
The understanding and use of the concept seems mainly divided in two opposite
absolute meanings. One of them positions Augé as an existentialist (in the
Heideggerian sense) and a sedentarist metaphysicist advocating place against
space, and the other one as a pioneer in the field of antropology breaking the
authority of place and showing new possibilities of space (in a Deleuzian way) in
the age of supermodernity. In addition to these, there is a research area dealing
with the ‘subjectivity problem’ of the notion and in relation there are
‘expansionists’, who doesn’t limit the non-places with transitional [transport,
transit, commerce, leisure] spaces.
This paper will try to show different oppositions and claim that the ambigious
and contradictory position of Marc Augé is caused by his transitional position
between postmodernity and over-modernity, by his requirements and restrictions
coming from the discipline of anthropology and the related contradictory
configuration of his theory. However, despite all the ambigious and contradictory
character, the concept of non-place can still be used as a theoretical tool to expose
and change the controlled spaces of late capitalism.
*****
At this point non-place welcomes its neurotic traveler: You don’t have to
decide! You don’t have to belong somewhere! Just push that button or pass that
card and you don’t even have to talk with anyone! Frequentation of non-places
provides an experience of solitary individuality combined with non-human
mediation between the individual and the public authority. So, while
anthropological places create the organically social, non-places create solitary
contractuality. 5
After having determined the negative character of non-place, Augé tries to find
a positive definition for solitude, however his solution is like the best of the worst.
Erdem Üngür 3
__________________________________________________________________
Bosteels interprets his solution as ‘being asked to embrace the absence of evil,
instead of pursuing the illusion of some good’, quoting from Augé’s earlier
ethnographic work on the Parisian subway: ‘the existence of an intersection
without gods, without passions, and without battles these days represents the most
advanced stage of society and prefigures the ideal of all democracy’. 6 However
before coming to this point it’s necessary to look at the notion of “anthropological
place” and Michel de Certeau’s reverse use of the terms space and place. We’ll see
that the ambiguous position of the concept of non-place is partly related with de
Certeau’s approach to space and place.
So, it seems like Augé is mentioning the ‘classical’ definition of place, but he is
also claiming that anthropological place is including de Certeau’s ‘space’:
At this point, one starts to think that Augé hasn’t understood de Certeau’s
approach at all, because it seems like he’s using the old ‘classical’ place-space
opposition again. As Buchanan states:
However one can read Augé’s sentences also as a pessimistic warning: In order
to transform (de Certeau’s) places into spaces, first of all we have to live in a place.
Over-modernity is producing non-places, which are not like the places before and
therefore do not have any chance to be transformed into spaces. Buchanan’s
another evaluation of non-place can be interpreted in this way:
[…] Augé takes this [de Certeau’s reversed theory] a step further
and develops an idea of the non- place, that is, a place which no
longer confers the affect of place, and in the process crushes the
creative and indeed anarchic spirit of de Certeau's notion of
space’. 15
After having crushed the creative and anarchic spirit of de Certeau's notion of
space, Augé claims to use it again to find a positive definition for non-place. He
starts with de Certeau’s statement: ‘Names create non-places17 in places and turn
them into passages’.18 According to de Certeau, the relationship between the
direction of a walk and the meaning of word situate two sorts of apparently
contrary movements, one extrovert (to walk is to go outside), the other introvert (a
mobility under the stability of the signifier). For example, the street names given
by the state draw a framework related to a certain history or ideology, which
doesn’t have any relation to the social practice on the street. Augé has a better
explanation for this: ‘When Michel de Certeau mentions 'non-place', it is to allude
to a sort of negative quality of place, an absence of the place from itself, caused by
the name it has been given. Proper names, he tells us, impose on the place 'an
injunction coming from the other (a history.. )’.19 According to Augé, this rupture
from the environment is the specific character of a travel, in which the movement
adds the particular experience of a form of solitude. So, Augé claims that the
traveler’s space may be the archetype of non-place and affirms it with the
deduction that ‘the experience of non-place is a turning back on the self’. He
doesn’t mention the positive side of this ‘new behaviour’ but ends up with a
similar notion of freedom like de Certeau’s space: ‘Returning after an hour or so to
the nonplace of space, escaping from the totalitarian constraints of place, will be
just like a return to something resembling freedom’.
As mentioned before, Bosteels criticizes this restricted understanding of
freedom because of being only ‘a default option that would guarantee the
avoidance of the worst’.20 It doesn’t have the creative spirit of de Certeau's notion
of space and probably because of this it’s only something resembling freedom.
In seeing the traveler’s space as the archetype of non-place, Augé has the will
to value the “routes” of the traveler. However he is not able either to forget the
“roots” of place.
Besides this ambiguity, there are also contradictions about the subject of non-
place and the physical examples of it. One of the main arguments about non-place
is that a specific location being perceived as a non-place, can be perceived as a
place by another person and therefore there isn’t a reality called ‘non-place’,
independent from the subject. As Libera quotes from O'Beirne’s (2006) article
Mapping the Non-Lieu in Marc Augé's Writings, ‘his [Augé’s] sense of alienation
is a function of his generation, and that today’s youth may well see the station in
future years as a repository of their own history, identity and sense of social
belonging’.34 Merriman in the same way criticizes Augé because of overlooking
this historical fact:
8 Contradiction and Ambiguity in Non-Place
__________________________________________________________________
Augé tend to overlook the history of such ‘barometers of
modernity’ or supermodernity, for commentators have, in
previous decades and centuries, associated feelings of boredom,
dislocation, illegibility, excitement and shock with other
previously new transportation and communication technologies,
such as the railway in the nineteenth century.35
Gregory examines the same subject from another dimension and propounds that
different users in the same time may experience the same place in different ways:
However Augé already asserts that places and non-places exist together and
one can be transformed into another and later claims that it depends on subject:
‘[…] Therefore it is possible to think that the same place can be looked upon as a
place by some people and as a non-place by others, on a long-term or a short-term
basis. For example, an airport space does not carry the same meaning for the
passenger boarding the plane and for the employee who is working there’.37
Another objection against non-place is that it’s restricted only with transitional
[transport, transit, commerce, leisure] spaces. According to Boren, non-places are
no longer restricted to the airports, highways, hotels, amusement parks or refugee
camps. People’s dwellings are also non-places since they are no longer the real
subjects of those places.38 Gregory also argues about the expansion of non-places:
‘Non-place did not die but rather that it is making its invisible presence felt in other
spaces: spaces that do not hold true to Augé’s original qualification for transit’. 39
Merriman also asserts that it is unnecessary to delineate a new species of place (i.e.
non-place) to account for the detachment, solitariness, boredom and distraction;
feelings which are just as likely to surface when one is at home or work.40
3. Conclusion
Augé’s ambiguous position may be explained with his transitional position
between postmodernity and over-modernity, with his requirement and restrictions
coming from the discipline of anthropology and the related contradictory
configuration of his theory. Because of its ambiguous character, non-place can be
positioned both in the sedentarist and nomadic metaphysics. Some academics also
relate it with Deleuze’s notion Any-Space-Whatever, which appears in his book
Cinema 1: The Movement Image, however this issue is quite complex and
Erdem Üngür 9
__________________________________________________________________
according to Dr. William Brown, Deleuze has not referred to Marc Augé but to
Pascal Augér41. Even if it’s not connected directly with Deleuze, it can be read as a
sign of the concept’s ambiguity and elasticity. It’s neither a sedentarist, nor a
nomadic concept, but probably a transitional one which is in-between.
Despite all the oppositions, contradictions and ambiguities, I think one can still
take Augé’s non-place as an introductory notion to contemplate on the spaces of
over-modernity (or late capitalism). As Sharma states there has emerged another
theoretical trajectory concerned less with the fleetingness of place, than with the
spatialization of biopolitics and disciplinary confinement within the non-place. 42
Some of the ‘expansionists’ are also close to this issue. So, the concept of non-
place can still be used as a theoretical tool to expose and change the controlled
spaces of late capitalism. Once again, we don’t have to embrace the absence of
evil, instead of pursuing the good.
Notes
1
Marc Augé, Non-Places:Introduction to an Anthropology of Supermodernity, trans. John Howe (London/New York:
Verso, 1997), 78.
2
Augé’s original term is surmodernité, which might be better translated into English as over-modernity. In his speech with
Alan Read at the Institute of Contemporary Arts, London as part of Spaced Out II on 15th November 1995, Augé (2000)
says: “But the contemporary situation seems to me better explained by the word “supermodernity”, or perhaps I would
prefer to say “over-modernity”. I think in English one says “over-determination”, in the language of Freud or Lacan – and
what I want to say echoing these constructions is “over-modernity”. Bosteels (2003) also claims that “Augé’s original
term, surmodernité, at least indirectly seems to evoke some of what Georges Bataille had to say in 1968 about the prefix
sur- in the context of surrealism as much as in the case of Nietzsche’s philosophy of the Übermensch, in French
surhomme, or “overman”.
3
Bruno Bosteels, ‘Nonplaces: An Anecdoted Topography of Contemporary French Theory’, Diacritics, Vol. 33, No: 3/4,
(2003): 117-139.
4
Marc Augé, ‘Non-places’, in Architecturally Speaking: Practices of Art, Architecture, and the Everyday, ed. Alan Read
(London/New York: Routledge, 2000), 7-12.
5
Augé, Non-Place, 94.
6
Bosteels, Nonplaces, 117-139.
7
Augé, Non-Place, 79.
8
Michel Foucault, ‘Of Other Spaces, Heterotopias’ (1967).
9
Yi-Fu Tuan, Space And Place: The Perspective of Experience (Minneapolis: University of Minnesota Press, 1977), 6.
10
Tim Cresswell, Introduction to Theorizing Place, ed. Ginette Verstraete and Tim Cresswell, (Amsterdam/New York:
Rodopi, 2002), 11-32.
11
Augé, Non-Place, 79.
12
Ibid., 81.
13
Ibid., 82.
14
Ian Buchanan, Michel de Certeau: Cultural Theorist (London: SAGE, 2000), 62.
15
Ian Buchanan and Gregg Lambert, Introduction to Deleuze and Space, ed.Ian Buchanan and Gregg Lambert (Edinburgh:
Edinburgh University Press, 2005), 1-15.
16
Augé, Non-Place, 82.
17
It’s translated as "nowhere" in 1988 English edition.
18
Michel de Certeau, The Practice of Everyday Life, trans. Steven Rendall (Berkeley: University of California Press,
1984), 104.
19
Augé, Non-Place, 85.
20
Bosteels, Nonplaces, 117-139.
21
A term produced by anthropologist Liisa Malkki. Tim Creswell (2002) puts this notion against “nomadic metaphysics”
which according to him includes also Marc Augé.
22
In the English version there is a footnote of the translator, which expresses the restrictive sense of place: ‘This expression
is used in French to mean “placed under house arrest”’.
23
Augé, Non-Place, 53.
24
Judith Okely, ‘Rootlessness against Spatial Fixing: Gypsies, Border Intellectuals and 'Others'’, in Managing Ethnicity:
Perspectives from Folklore Studies, History and Anthropology (Amsterdam: Het Spinhuis, 2000), 13-40.
25
Buchanan, Michel de Certeau, 62.
26
İlke Tekin, ‘Kentin Yeni Mekansal Durumları’, Arredamento 217, (2008): 51-57.
27
Augé, Non-Place, 35.
28
Cresswell, Introduction, 11-32.
29
Tim Cresswell, Place: A Short Introduction (UK: Blackwell , 2004).
30
Edward Relph’s Place and Placelessness (1976) seeks to delineate the essence of place and its importance to human
experience. He also attempts to distinguish between authentic, meaning-laden, place and inauthentic, meaningless
placelessness (Creswell, 2002).
31
Buchanan and Lambert, Introduction, 4.
32
Ian Buchanan, ‘Non-Places: Space in the Age of Supermodernity’, Social Semiotics, Vol. 9, No: 3, (1999): 393-398.
33
Peter Osborne, ‘Non-Places and the Spaces of Art’, The Journal of Architecture, Vol. 6, (2001): 183-194.
34
Chiara D. Libera, ‘From Non-Place To Place:A Study Of European Public Space As A Space Of Identity’ (Unpublished
master diss., Master Erasmus Mundus Crossways in European Humanities, 2010).
35
Peter Merriman, Driving Spaces: A Cultural-Historical Geography of England’s M1 Motorway (UK: Blackwell, 2007),
10.
36
Tim Gregory, ‘No Alarms and No Surprises: The Rise of the Domestic Non-Place’ (Unpublished PhD thesis, University
of New South Wales, 2009).
37
Augé, Non-places, 9-10.
38
Ayşe Boren, ‘Subjectivity and the Experience of Non-Places’ (Unpublished master thesis, Istanbul Bilgi University,
2008).
39
Tim Gregory, ‘The Rise of the Productive Non-Place: The Contemporary Office as a State of Exception’, Space and
Culture, 14(3), (2011): 244–258.
40
Merriman, Driving Spaces, 10.
41
“[…] Thus, Deleuze's idiosyncratic interpretation of Augé will transform the concept of the non-place from its innately
pessimistic presentation to the more optimistic outlook it receives in Deleuze's Cinema 1: the Movement Image, as the
any-space-whatever (espace quelconque). For the record, there has been some confusion over Deleuze's reading of the
concept for a couple of reasons […]” (Scannel, 2009). For detailed information about the confusion please follow the last
web-link in the Bibliography.
42
Sarah Sharma, ‘Baring Life and Lifestyle in the Non-Place’. Cultural Studies , Vol. 23, No 1, (2009):129-148.
Bibliography