Professional Documents
Culture Documents
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The art of the Philippines refers to the forms of art that have been
developed and accumulated by the Filipinos from the beginning of the
civilization up to the present time. The arts of the Philippines is also one of
the greatest ways on how Filipinos are being raised and how they express
themselves. Each of the provinces has specialty and contributions when it
comes to the development of art. It reflects to its society and non- Filipinos
the wide range of cultural influences on the country’s culture and how these
influences affect the country’s arts. The art of the Philippines can refer to the
visual performing arts, art traditions, dancing, paintings, literatures and other
forms of art in the country. It is also impressive that Filipino Arts is world
class. Filipino artists compete worldwide and bring home world class
awards. Through this world class art that the country has, Filipinos are being
recognized and are being in demand in other countries for Business and
Economic purposes. Before, art is just a passion for many but as time goes
by art is also becoming a part of the country’s development in terms of
Business, Economic and Cultural Growth.
When the Spaniards arrived in the Philippines in 1521, the colonizers used art
as a tool to propagate the Catholic faith through beautiful images. With
communication as problem, the friars used images to explain the concepts
behind Catholicism, and to tell the stories of Christ’s life and passion. Images
of the Holy Family and the saints were introduced to the Filipino psyche
through carved santos, the via crucis (Stations of the Cross), engravings
on estampas and estampitas, and through paintings on church walls.
Though the ethnic art forms such as pottery, weaving and metalwork were
retained, the Spanish friars and the Chinese, the colony’s primary trading
partner, were slowly introducing newer art forms. Icons brought by the friars
were used as models for sculpture. Filipino artisans were taught the Chinese
brushwork technique in painting. Engraving was also introduced.
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communal spirit and community setting for rituals. The church, particularly
the friars, became the new patron of the arts.
Since most art produced during the first two centuries of Spanish occupation
were for the church, the friars enforced strict supervision over their
production. Until the 19th century, art was only for the church and religious
use.
Early in the 19th century, with the opening of the Suez canal in 1869 and the
development of the agricultural export economy, native indios acquired
economic wealth and became what was to be called
the “ilustrados,”meaning enlightened and educated. These developments
paved the way for Filipinos ilustrados to send their children to universities in
Europe. The rise of the “ilustrado” (Filipinos with money and education) class
was inevitable. The ilustrados became the new patron of the arts. These
events paved the way for the secularization of art in the 19thcentury.
A. Painting
Painters from the Visayas island of Bohol were noted for their skillful
manipulation of the technique. Their paintings of saints and religious scenes
show figures in frontal and static positions. For the Boholano painters, the
more important persons would be depicted bigger than the rest of the
figures. Christ normally dwarfs the Roman soldiers in these paintings.
Unfortunately, they did not sign their names on their works and no record of
their names exists.
In the church in Paete, Laguna are two works by Josef Luciano Dans (1805-
ca. 1870), probably one of the earliest recorded painters in Philippine art
history. Langit, Lupa at Impierno ca. 1850 (Heaven, Earth and Hell), a three-
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level painting which shows the Holy Trinity, Mary the Mother of Christ, saints,
the Seven Blessed Sacraments and a macabre depiction of Hell. The second
painting is entitled Purgatorio (Purgatory) which shows the eight forms of
punishment the soul passes through for cleansing before reaching Heaven.
During the early part of the Spanish occupation, painting was exclusively for
the churches and for religious purposes. Occasionally, it was also used for
propaganda. Esteban Villanueva of Vigan, Ilocos Sur depicted the Ilocos
revolt against the basi monopoly in a 1821. The Spanish government
commissioned the work. The fourteen panels show the series of events that
led to the crushing of the Ilocano basi workers revolt by Spanish forces. It
also showed the appearance of Halley’s comet in the Philippines during that
time.
In the early 19th century, the rise of the ilustrados saw a rise in the art of
portraiture. The need to adorn their newly constructed bahay-na-bato and the
want to document their new found wealth and social status, the ilustrados
commissioned painters to make portraits of themselves. The works of
painters like Simon Flores,Antonio Malanticand Justiniano
Ascunsion captured the intricately designed jewelry and fashion
accessories, the minuet details of the embroidered clothes, and ornately
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Governor General Narciso Claveria in 1849 issued a decree that all Philippine
natives should assume Spanish names. Letras Y Figuras, (letters and
figures), a style developed by Jose Honorato Lozano, combines both tipos del
pais and genre paintings by forming the letters of the patron’s name from
figures of people in local costumes doing everyday activities. It also utilized
landscape scenes as background.
In 1821, Damian Domingo opened the first formal fine arts school in the
country in his house, the Academia de Dibujo. Perhaps realizing his
importance to Philippine art history, Damian Domingo is known for having
made the first self-portrait in the country. In 1823, the Real Sociedad
Economica Filipina de Amigos del Pais (Royal Economic Society of the
Friends of the Colony) opened their own art school. In 1826, the society
offered Domingo to be the professor in their school, in effect merging the two
art schools. In 1828, Domingo was promoted to school director. Domingo
must have taught miniaturismo to his students, but a publication by the
academy entitled Elementos de Perspectiva (Elements of Perspective)
suggests that he must have also taught the classical ideals of the European
academies. Due to lack of funds and probably due to Domingo’s death in
1832, the school eventually closed in1834.
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The academic style was still favored by the church and government and was
used for religious icons. The miniaturist style, though, was favored by
ilustrado patrons and continued to prosper.
Several Filipino painters had the chance to study and work abroad. Among
them were Juan Novicio Luna and Felix Resureccion Hidalgo who became
the first international Filipino artists when they won the gold and silver
medals in the 1884 Madrid Exposition.
B. Sculpture
Of all the new art forms introduced, the natives took to sculpture instantly.
The carving of anito was transformed into sculpture of the saints.
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Other parts of the church that may have carvings are church doors, pulpits,
and carrozas (floats that carry the saints for processions). The façade of
churches may be carved from adobe, coral stone, and volcanic rock, among
others. It may have carved images of saints, floral decorations or leaf decors.
In the case of the Miag-ao Church in Iloilo, the façade is decorated with a
carved image of St. Christopher carrying the Christ Child on his shoulders
under a coconut tree.
Relleves (carved images in relief) usually depict the Via Crucis. It may also
show holy images in religious scenes.
Except for de los Santos, carvers were anonymous artisans before the
19th century. But in the mid-19thcentury, with the rise of the ilustrados and the
opening of the country to international trade, higher artistic standards were
demanded from the carvers/sculptors. A number of Filipinos found fame in
sculpture such asCrispulo Hocson, Romualdo de Jesus, Leoncio Asuncion
and Isabelo Tampinco.
The second half of the 19th century, as travel in and around the country
considerably improved, saw a marked increase in the demand for non-
religious souvenirs. Tipos del pais (human types of the country) sculptures,
showing ordinary people doing everyday activities and wearing their local
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costumes, became the favorite. They also depicted the heads of the various
ethnic groups.
C. GRAPHIC ARTS
The religious orders owned printing presses and printed mostly prayer books
and estampas. The estampas(prints of miraculous images) usually featured
portraits of saints and religious scenes. Estampas andestampitas (smaller
version of estampas) were distributed during town fiestas to the natives.
Francisco Suarez (ca. 1690 – ca. 1762) and Nicolas de la Cruz Bagay (1702 –
ca. 1765) collaborated to depict landscapes, genre scenes and flora and
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Laureano Atlas made religious scenes and images. He did one of the earliest
known portrait engraved on copper, a portrait of Archbishop Juan Angel
Rodriguez in 1743. Phelipe Sevilla depicted scenes from the life of Christ.
Filipino engravers were the first to depict and reproduce brown madonnas.
The Nuestra Senora de Guia was made in 1711, the oldest Marian image. The
natives worship this icon like an anito.
Reference/s:
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