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Every text is affected by all the texts that came before it, since those texts influenced the
author’s thinking and aesthetic choices. Remember: every text (again in the broadest sense)
is intertextual.
a. Deliberate Intertextuality
Sometimes, intertextuality is the result of an author’s choice. When a heavy metal artist
makes references to Norse mythology, or when a novelist draws on the works of
Shakespeare as inspiration, these choices forge a relationship between the old text and the
new. We can call this deliberate intertextuality.
b. Latent Intertextuality
Even when an author isn’t deliberately employing intertextuality, though, intertextuality is still
there. You can’t escape it! Everything you’ve ever seen or read sticks somewhere in your
memory and affects your understanding of the world. They all contribute to building your
specific worldview which, in turn, determines how you write or create art. We can call
this latent intertextuality.
Of course, since we can’t read an author’s mind, it’s not always easy to know the difference
between deliberate and latent intertextuality. We might find a similarity between two texts,
but we have no way to know whether it was deliberate or accidental unless the author tells
us!
IV. The Importance of Intertextuality
Intertextuality shows how much a culture can influence its authors, even as the authors in
turn influence the culture. When you create a work of art, literature, or scholarship, you are
inevitably influenced by everything that you’ve seen or read up to that point. Even
seemingly disparate fields, such as music and philosophy, can exert a strong influence on
each other through intertextuality – the philosopher Nietzsche, for example, was heavily
influenced by the early operas of Richard Wagner. Similarly, authors from different cultures
and historical periods can influence each other!
Intertextuality also shows how a similar cultural, religious, political, or moral ideology can be
expressed in very different ways through different cultural practices. For example, think
about the way that art, music, literature, and philosophy all changed in the aftermath of
World War I. This earth-shattering event made people feel like nothing was stable or certain,
and this was reflected in all aspects of artistic and scholarly pursuits. Post-war paintings
were far more abstract and chaotic; post-war philosophy was nearly obsessed with problems
of evil and unpredictability; post-war music was more formless and atonal; post-war novels
questioned the rules of linear structure and chronology. Every aspect of the society was
affected by the events of this bloody war, and everything produced in its aftermath shows
plenty of latent (and sometimes deliberate) intertextuality.
The actor Christopher Guest appeared in countless comedic movies in the 1980s, including
such classics as The Princess Bride (1987) and This Is Spinal Tap (1984). In the earlier film, he
plays a heavy metal guitarist whose amplifier, as we learn in one scene, can be turned up to
11 instead of the usual 10. Three years later, he appeared on screen again playing a man
with 6 fingers on his right hand – the character had 11 fingers instead of 10. Fans have
wondered ever since whether this was a deliberate reference to Spinal Tap or just an accident:
deliberate or latent intertextuality?
Example 2
Most people today have seen Star Wars, but many do not realize that it was intended to be an
intertextual work, based on the psychological theories of Joseph Campbell. Campbell wrote a
book called Hero With a Thousand Faces, which describes a single, universal form of hero-stories
that appears in cultures all over the world. George Lucas, the creator of Star Wars, wanted to
explore this idea of the cross-cultural heroic ideal in the character of Luke Skywalker.
Plagiarism
Plagiarism is stealing another person’s work without giving them proper credit. In
formal essays, it’s important to cite your sources so that you won’t be guilty of plagiarism.
Sometimes the line between latent intertextuality and plagiarism is muddy. For example,
imagine a young comedian sees an older comedian on stage at a club. Years later, the
young comedian uses a joke that he heard that night – but he’s forgotten that he ever heard
it! It was just lying buried in his memory all those years until it came out when he was
writing a new set of jokes. This is an accident, and it’s certainly latent intertextuality. But it’s
also plagiarism, even though it was accidental! That’s why it’s important to be very careful
about using other people’s texts in your own work.