Professional Documents
Culture Documents
Formal Education
2014-2020 PhD in History and Civilizations
École des Hautes Études en Sciences Sociales, EHESS, Paris, France
Thesis title: Modernisme et Métissage: Créativité Racialisante en Espace Luso-américain
Advisor(s): Jean-Frédéric SCHAUB, Laura de MELLO E SOUZA
Scholarship: Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Keywords: Architecture, Gilberto Freyre, Modernism, Race, Space
Complementary Education
2020 Art Education
Pontifícia Universidade Católica do Rio de Janeiro, PUC-Rio, Rio de Janeiro, Brazil
Languages
Portuguese First Language/ Native Speaker
Research
2017-2020 Associated Doctoral Researcher, Research Pole "Dynamics and Experiences of Globalisation"
(Weltwissen und Erfahrungen des Globalen). The goal of the research axe consists in identifying
and examining phenomena of the "Global" past and present. Responsible: Leyla DAKHLI
2016-2020 Member of the Collège Doctoral Franco-Allemand "Construire les Différences: Structure, Ordre Social et
Communication”, a partnership between the École des Hautes Études en Sciences Sociales (EHESS
Paris), the Humboldt-Universität (HU Berlin), and the Technische Universität of Dresden (TU Dresden)
Professional Experience
Activities
Oct/2012 Graduate degree, Architecture and Urbanism
Feb/2013 Disciplines Taught:
Comparative Arts, Art and Philosophy, Academic Essay, Introduction to Architecture and Urbanism
Activities
Aug/2012 Graduate degree, Cinema
Dec/2012 Disciplines Taught:
Culture and Aesthetics
Activities
Aug/2012 Graduate degree, Architecture and Urbanism
Dec/2012 Disciplines Taught:
History of Architecture and Urbanism
Publications
Book chapters
Simões, T., «Le "meilleur stock noir" et le poor white trash: Métissage et noblesse dans Casa-Grande
& Senzala de Gilberto Freyre». In AVOME MBA, G.; OYANE MEGNIER, E.; MBA-ZUE, N. Mémoire(s) et
identité(s) en question en Afrique subsaharienne et en Amérique latine [Actes du Colloque International].
UOB, Libreville, Gabon, Les Editions Ntsame, 2016 p.491. Print. ISBN: 9782912603432
Articles
Simões, T., «Noirs et Blancs dans le "plan symbolique" de Maîtres et Esclaves: une illustration de
Cicero Dias. Journée d'études Altérité et Marginalité. La représentation des Africains et afro-descendants en
Amérique latine. I nstitut des Mondes Africains, Aix-Marseille Université, 2018. Actes publiées aux Cahiers
d'Études Romanes, numéro 43, 2020 (à paraître). Digital. URL: http://journals.openedition.org/etudesromanes
Simões, T., "Warburg em Reverso”. A nais do IV Encontro de História da Arte. A Arte e a História da Arte
Entre a Produção e Reflexão. Universidade de Campinas (UNICAMP), Campinas, 2008. Digital. URL:
https://www.ifch.unicamp.br/eha/atasIVeha.html
Simões, T., "Gotas de Ortega: A desumanização da arte em Picasso e Duchamp". Anais do Colóquio
José Ortega y Gasset e a Singularidade Ibérica. U niversidade Federal do Estado de São Paulo (UNIFESP),
2008. Digital. URL: http://nucleodeestudosibericos.wordpress.com/category/atas-do-coloquio-ortega-y-gasset/
[Textos e Debates sobre o Mundo Ibérico]
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