Professional Documents
Culture Documents
Yannis Hamilakis
To cite this article: Yannis Hamilakis (2016): Decolonial archaeologies: from ethnoarchaeology
to archaeological ethnography, World Archaeology, DOI: 10.1080/00438243.2016.1209783
A dialogue is always a good thing; and the dialogue on the origins, the problems, the current state
and the potential future of ethnoarchaeology as a relic or as a still viable intellectual endeavour is
of particular interest and import. In reading this interesting and engaging set of papers, it becomes
immediately clear that such a conversation is not merely to do with an archaeological sub-
discipline which, as admitted by Lyons and Casey, many archaeologists today regard a thing of
the past. It is mostly about the very definition of archaeology itself. As such, I will attempt here to
link this discussion to the wider contemporary debates on the ontology of archaeology and on its
political underpinnings and role in the contemporary moment.
Many canonical texts in the discipline, especially in the Anglo-Saxon tradition, would present
ethnoarchaeology as a fairly coherent and clearly defined sub-field, associated at its origins with
‘New Archaeology’, and developed primarily in North America and Britain, perhaps in a couple of
other European countries. But a closer look would reveal that many of the practices now
associated with ethnoarchaeology have been developing in many parts of the world, partly
independently and partly in a critical dialogue with the Anglo-American tradition (see Fewster
2013; Politis 2015; Sillar and Ramón Joffré this volume). The dialogue of professional/Western
archaeologists with indigenous people and traditions has often been, as Bill Sillar and Gabriel
Ramón Joffré note, the driving force of such alternative strands of thought, and it is debatable
whether they can be called ‘ethnoarchaeological’ in the conventional sense. There is thus a danger
that the term may come to denote a very disparate range of phenomena with divergent, and
perhaps contradictory, ontologies, epistemological directions and even political affinities. To claim
them all as ethnoarchaeological may be expedient for the advocates of this field, but it is, at the
end of the day, disingenuous and even confusing. Most of the criticism of ethnoarchaeology,
including my own (Hamilakis 2011; Hamilakis and Anagnostopoulos 2009) in fact had in mind the
foundational principles as presented and practised by the people who came to be considered
pioneers in this field, primarily within the Anglo-American tradition.
While most of the authors here seem to want to distance themselves from that dominant
tradition, the defensive position adopted by Lyons and Casey echoes these earlier principles,
despite the rhetorical proclamations of the opposite. For a start, they are at pains to emphasize,
time and again, that ethnoarchaeology is not a theory but a method. This is a cop-out. It absolves
them of any responsibility for the theoretical underpinnings of the sub-field, for its relationship to
time and otherness, let alone its political undertones and effects.
discipline, but rather a shared, trans-cultural space of coexistences and interactions among people
and communities of diverse origin and background: professional archaeologists, socio-cultural
anthropologists, scholars from other fields, artists, entering collaboratively into a continuous
creative and productive dialogue with people and communities, and with their discursive and
practical engagements involving matter and time. Very often, an archaeological site operates as
the meeting ground and the point where many of these interactions take place, but in several
other cases, other spaces, not considered archaeological, provide the material focus for these
encounters.
Interestingly, the term archaeological ethnography was first used by some early pioneers of
ethnoarchaeology (e.g. Watson 1979), and is still used by other practitioners today, known since
the 1970s for their ethnoarchaeological work but wishing to stay clear of the associations and
conventional overtones of ethnoarchaeology, and its othering processes (e.g. Forbes 2007, 5).
While archaeological ethnography thus has been so far linked primarily with matters of cultural
heritage, and alternative understandings and uses of archaeological sites, the research remit of this
shared space of encounters can be, and is, in fact, far wider. It includes all matters conventionally
studied by ethnoarchaeology, including formation processes, technologies, food, depositional
practices and interspecies interaction.
While this new re-conceptualization of archaeological ethnography is still under development,
and, as such, is subject to multiple understandings and re-shapings, we have suggested that
critical reflexivity, a holistic understanding of a context or a theme and a multi-sited research
approach rather than a spatially circumscribed one should be some of its fundamental principles.
Archaeological ethnography is not ‘an archaeology of us’ but inevitably, in its most successful
renderings, forces us to ‘excavate’ our own collective subjectivity and disciplinary culture; like all
true encounters, it is a mutually transformative process. Furthermore, such encounters should be
attuned to the multi-sensorial nature of experience, as well as the trans-corporeal landscape of
affectivity that envelops ‘researchers’ and ‘interlocutors’ alike (cf. Hamilakis 2013). As Brady and
Kearney implied in their article, we must be receptive to the affective impact of such encounters,
to be ready to be ‘touched’ by experience, and even to modify, reshape or even abandon any pre-
conceived plans, when an activist action or a simple, ethically necessary act takes priority.
Archaeological ethnography also dispenses with modernist linear temporality, and is open to
the various modes of temporal and historical understanding encountered, accepting that materi-
ality and sensoriality are inherently multi-temporal: matter, due to its durational properties, enacts
multiple times as coexistence rather than as succession, whereas the senses are both past and
present, since every sensorial perception carries with it the memories of previous sensorial
experiences (Bergson 1991; Hamilakis 2013).
Let me offer an example of a contemporary situation, a phenomenon that most of us will be
increasingly confronted with, as continuous regional warfare and climate change attain an urgency
and establish a permanent presence: forced migration has dominated the news in Europe in
recent years, as hundreds of thousands of refugees and undocumented migrants from the Middle
East and Africa attempt to cross into Europe. This crossing is increasingly done by sea, in dinghies
and overcrowded inflated rafts, as land crossing was blocked by walls and fences, the material
manifestations of the ‘Fortress Europe’ mentality. The Mediterranean is thus turning into a grave-
yard, its coasts now replete with material remnants of this border-crossing experience: shipwrecks,
life vests, clothing, shoes, toys, small personal objects, bodies. During a recent visit to the Greek
island of Lesbos in April 2016, I encountered several such ‘archaeological sites’, some still main-
taining the olfactory presence of fleeing humans.
4 Y. Hamilakis
advantage today, especially since alternatives, such as archaeological ethnography, and no doubt
others, are available.
Disclosure statement
No potential conflict of interest was reported by the author.
Notes on contributor
Yannis Hamilakis is Joukowsky Family Professor of Archaeology and Professor of Modern Greek Studies at
Brown University. He has taught at the University of Wales Lampeter (1996–2000) and the University of
Southampton (2000–16), and has held numerous fellowships and visiting appointments, including at the
Institute of Advanced Study, Princeton (2012–13) and the Getty Research Institute (2005–06). His main
research and teaching interests are the archaeology of the senses, archaeological ethnography, the politics
of archaeology, archaeology and photography and Mediterranean archaeology. His recent books include
Archaeology and the Senses: Human Experience, Memory and Affect (2013), Camera Graeca: Photographs,
Narratives, Materialities (2015, co-edited with Philip Carabott and Eleni Papargyriou) and Camera Kalaureia:
An Archaeological Photo-ethnography (2016, co-authored with Fotis Ifantidis).
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